View allAll Photos Tagged Perception
Every person has a different view of another person's image. That's all perception. The character of a man, the integrity, that's who you are.
A lone heron standing guard over the sunset. Mobile Bay, Fairhope, Alabama.
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"We tend to forget that happiness doesn’t come as a result of getting something we don’t have, but rather of recognizing and appreciating what we do have.“
- Friedrich Koenig
Another one from when I met up with Laura two weeks ago. :)
“If the doors of perception were cleansed, everything would appear as it is - infinite”
(William Blake)
An unique window in Brandhorst Museum - Munich.
Taken with Tokina RMC 17mm f3.5, thank you for visiting my flickr & all comments.
"Si les fenêtres de la perception étaient nettoyées, chaque chose apparaîtrait à l'homme, - ainsi qu'elle l'est - infinie."
william Blake
Strobist info: SB900 into Softbox behind the Model's head, California Sunbounce Micro Mini Reflector (Zebra) below her face. Triggered with CLS.
And then look again. At myself.
Do I know me? or
do I understand myself?
To realize that my own perception of
myself – will define the way
my world looks.
For even the worst things and
those that seems unchangeable –
I only need to change my point of view
and I can face them again.
Looking down a four and a half story drop. This picture gives me Vertigo.
Picture Location: Centennial Hall at St. Cloud State University.
Samsung PLS-M520 camera phone.
"If the doors of perception were cleansed everything would appear to man as it is, infinite."
- William Blake
Inspired by my friends Garth Photomaginarium
and Peter peterpics1. Thank you both for inspiring me daily.
Thanks to the following for elements of this image:
www.flickr.com/photos/skiwalker79/3867464212
www.flickr.com/photos/astrid/7518838956
www.flickr.com/photos/frosch50/18789173878
City Perception Series (2/5)
View On Black, or View my most interesting stream ON BLACK!
I've been living in big cities ever since I was a little girl. For sure every city has its unique look, but I experience similar crowds, sounds, colors, and space in cities like Taipei, Hong Kong, and Vancouver. Compared to Taipei where I grow up, Vancouver is quite unique in a way that I can reach beaches or forests within 10-minute driving from the city center. It provides a great diversity of life styles for people living in such a beautiful city. Indeed city life in the concrete jungle is not much different in various cities. However, in Vancouver, I see people jogging and biking around the seawall at dawn while people spotted a lady pondering over with or without her camera gears the same time. To me, that's the beauty of living in Vancouver!
The Series is done in the past few days for my class assignment (yes once again...). I feel I can elaborate on the Series with more details! Your comments are more than welcome as usual! :-)
歡迎點閱我最新的文章「孤獨，一位永遠的朋友」，或是我的部落格 光影、色彩、我，關於攝影二三事！
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~溫哥華, 英屬哥倫比亞省~
Downtown, Vancouver, Canada
- ISO 100, F16, 30 sec, 19mm
- Canon 5D Mark II with EF 16-35mm f/2.8 L lens
- Sunset @4.17pm (236º) / Shot @ 4.30pm
© copyright 2011 Hsiang Wei Chao
.|| This image may not be used for any purposes without the expressed, written permission of the photographer.
Never take a photograph of something. Make a picture of it! Therefore, you need to see and work with techniques of abstraction. If you are able to see, you can produce images of the reality. Not just photos.
September 2024 | Wurmberg
© Maximilian Engelsberger
Thanks for your interest! Feel free to have a look on the other images of my portfolio as well.
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www.flickr.com/photos/153534027@N06/
VEB Pentacon Dresden Pentacon Six TL | Carl Zeiss Jena Biometar 120mm f/2.8 | Ilford FP4 Plus 125
Scanned with Epson V800 | lomography 120 Film Mask
Negative Lab Pro v3.1.1 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
"THE UNFOLDING OF PERCEPTION" FEATURED IN DODHO MAGAZINE 3.11.2015
www.dodho.com/unfolding-perception-guadalupe-acevedo/
new website
Natascha Sadr Haghighian investigates modes of perception and the politics of representation in an expansive conceptual practice that includes performance, writing, video, installation, and online projects. She is particularly interested in the consumption of visual art—a field the artist identifies as a reflection of its wider socioeconomic context. I can’t work like this (2007) was conceived in response to a gallery’s invitation to feature her work as the sole exhibition in a commercial art-fair booth; the piece was intended to mount a tacit assault on a strolling audience of potential buyers. The work withdraws the traditional art object, at least metaphorically, and leaves only the most ubiquitous tools for art installation, including discarded hammers, a common symbol for labor. The effect is one of a casual abandonment, as though the artist has simply walked away, though whether in defeat or triumph is open to interpretation. A sharp one-liner, I can’t work like this functions as an expression of the artist’s frustration at the pressures and parameters of her creative output.
There are things known and there are things unknown, and in between are the doors of perception. ― Aldous Huxley
Eiffel Tower, Paris, France
"What light is to the eyes - what air is to the lungs - what love is to the heart, liberty is to the soul of man."
Robert Green Ingersoll
The Perceptions series are manually edited photos. For this particular piece I layered paint on the photographic print, burned a hole through the print, singed nylon tights (for the stretched skin look), and placed a section of a very old American flag (found in an abandoned building) beneath the surface.