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Prime Minister Justin Trudeau attends a panel discussion at the World Ocean Tech and Innovation Summit, at the Halifax Convention Centre, in Halifax, Nova Scotia, on Tuesday, October 4th, 2022.
Le Premier Ministre Justin Trudeau participe à une discussion sur scène au Sommet Mondial des Technologies et Innovations de l’Océan, au Centre des Congrès d’Halifax, à Halifax en Nouvelle-Écosse, le mardi, 4 octobre 2022.
Panel discussion on platforms across government departments (HMRC, Home Office, Ministry of Justice and Government Digital Service).
Speakers of Panel discussion: Forest Landscape Restoration and Climate Change Ambition.
Global Landscapes Forum, Katowice, Poland.
Photo by GLF
More information on the Global Landscapes Forum, please visit globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Alessandro Gilioli
Michela Murgia
Flavia Perina
Giacomo Russo Spena Francesco Verderami
La destra coi lavoratori, la sinistra con le multinazionali. Giorgio Gaber entrerebbe in crisi, oggi, se dovesse cantare "Cos'è la destra, cos'è la sinistra". Le certezze crollano. Una dopo l’altra. E così il miliardario Donald Trump, repubblicano e conservatore, vince grazie al voto anti-establishment a scapito della democratica Hillary Clinton, vista come l'emanazione degli interessi di Wall Street. E mentre il leader della sinistra italiana, Matteo Renzi, vola in America scegliendo come fonte d’ispirazione i signori della Silicon Valley, la destra cavalca la rabbia popolare e critica la moneta unica, l’Unione europea. I confini ideologici che un tempo separavano i partiti di destra e partiti di sinistra sono sempre più fragili e confusi. Ha ancora senso parlare di destra e sinistra? Quali sono i valori identitari che resistono?
The right with the workers, the left with the multinationals. Giorgio Gaber would be in crisis today, if he were to sing “What is right, what is left.” Old certainties have collapsed, one after the other. And so the billionaire Donald Trump, Republican and conservative, won thanks to the anti-establishment vote at the expense of Democrat Hillary Clinton, seen as the guarantor of the interests of Wall Street. And while the leader of the Italian left, Matteo Renzi, flew to America choosing as inspiration the high priests of Silicon Valley, the Italian right rides popular anger with criticism of the single currency and the European Union.
Question for panel discussion with Kate Ivey-Williams, Gabrielle Acosta, Steven Proctor and Hinrich von Haaren.
Wake Forest hosts a Dignity and Respect program in Brendle Recital Hall on Wednesday, November 6, 2013. Barbee Oakes hosts a panel discussion with Johnnetta Cole, director of the Smithsonian Institution’s National Museum of African Art, former president of Spelman College and Bennett College for Women, and Edwin Wilson ('43), Provost Emeritus and Emeritus Professor of English.
Marco Cappato
Tommaso Cerno
Giuseppe Englaro
Francesca Fagnani
Biotestamento, suicidio assistito, eutanasia. Da Piergiorgio Welby a Fabo Antoniani, passando per Eluana Englaro, il corpo è diventato lo strumento di una battaglia politica che si gioca tutta sul campo dei media. E ciò che prima veniva fatto di nascosto, oggi viene deliberatamente mediatizzato perché diventi diritto di tutti.
A biological will and testament, assisted suicide, euthanasia: the body has become the instrument of a political battle that is played out all over the media. And what before was done in private is now deliberately mediatised so that it becomes the terrain of debate for society at large.
‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.
Photo: Nemanja Knežević
Mary Hamilton
Blathnaid Healy
Alexandra Pascalidou
Julie Posetti
Hannah Storm
Siamo presumibilmente nell’epoca d’oro del giornalismo audience-engaged. Ma il crescente problema delle molestie online sta creando problemi a giornalisti e redazioni. È un problema che riguarda sia giornalisti uomini sia giornaliste donne, ma le donne sono soggette a molestie sessuali e minacce esplicite di violenza fisica molto più frequentemente. Uno studio del 2014 sull’abuso su Twitter contro le celebrità ha rivelato che “Il giornalismo è la sola categoria dove le donne ricevono più abusi degli uomini, con giornaliste donne che ricevono circa tre volte gli abusi delle loro controparti maschili.” Ed uno studio del 2015 dell’OSCE ha rivelato che “Le giornaliste, blogger e alter attrici del panorama dei media sono oggetto di minacce, abusi e intimidazioni di genere in modo sproporzionato su Internet, il che ha un impatto diretto sulla loro sicurezza e sulle loro future attività online.” Ciò è anche una minaccia alla partecipazione attiva delle donne nel dibattito della società civile, alimentata da editori, attraverso i commenti online sulle piattaforme e i loro canali social media. Come possiamo gestire questo problema – che gli esperti dicono abbia subito un’escalation dalla campagna presidenziale di Donald Trump – e che passi pratici possono fare le donne giornaliste per proteggersi?
We are arguably in the golden age of audience-engaged journalism. But the growing problem of online harassment is troubling individual journalists and newsrooms alike. It’s an issue confronted by both male and female journalists, but women are far more frequently subjected to sexual harassment and graphic threats of physical violence.
video: media.journalismfestival.com/programme/2017/managing-gend...
Mathilde Auvillain
Antonella Palermo Alessandro Penso
Giacomo Zandonini
Accorciare la distanza per garantire la messa a fuoco. Dalla pancia della nave Acquarius al largo delle coste libiche, alla rotta balcanica. Il giornalismo che si sporge alle frontiere, accanto a chi annega e chi nasce, o si impiglia, o rimbalza. Sfidando il naif, le retoriche, le astrazioni d’ufficio.
Shortening the distance to guarantee a better focus. From the hold of the ship Aquarius off the coast of Libya to the Balkan migration routes. reporting side by side with those who drown and those who are born, with those who are caught or bounce back. Challenging rhetoric, naivety and rubber-stamped abstractions along the way.
video: media.journalismfestival.com/programme/2017/barbed-wire-f...
On October 27, USAID, the International Food Policy Research Institute (IFPRI) and Landesa hosted a panel event to discuss the intersection of women's empowerment, land rights and food security.
Photo Credit: Mercy Corps
On October 27, USAID, the International Food Policy Research Institute (IFPRI) and Landesa hosted a panel event to discuss the intersection of women's empowerment, land rights and food security.
Photo Credit: Jeremy Green / The Cloudburst Group
Reem Fadda on contemporary art from the United Arab Emirates
Urgency and Relevance: A Curatorial Perspective
Tuesday, March 11, 2014
5th Avenue at 89th Street
New York City
Presented as part of Asian Contemporary Art Week’s critical Dialogues in Contemporary Art series, this program provided an insider’s view of contemporary art through the eyes of international practitioners working at the edge of advocacy and establishment. Distinguished curators presented diverse practices within a landscape of new global initiatives, told through individual case studies. The conversation was moderated by Alexandra Munroe, Samsung Senior Curator of Asian Art, and featured curators Leeza Ahmady, Thomas Berghuis, Melissa Chiu, Reem Fadda, and Pablo León de la Barra. A reception followed.
Watch the full video archive on YouTube: youtu.be/wYDZiN0uipY
Photo: Chad Heird
Learn more about Public Programs.
Topic of the panel discussion: “Sustainability: From concept to co-creation – are we doing the right things?” The following members took part in the discussion: # Dennis Christou, Vice President Marketing, Del Monte, Fresh Produce, USA;
Martina Fleckenstein, Director EU Policy and Agriculture, WWF, Germany;
Nader Mahmoud, Director BASF Crop Protection, South Europe;
Antonio Marhuenda, CEO Primaflor, Producer (Lettuce), Spain;
Abelardo Hernandez Martinez, Manager Production and Quality, Proexport, Association of producers and exporters of fruits and vegetables, Spain
Alessandro Gilioli
Michela Murgia
Flavia Perina
Giacomo Russo Spena Francesco Verderami
La destra coi lavoratori, la sinistra con le multinazionali. Giorgio Gaber entrerebbe in crisi, oggi, se dovesse cantare "Cos'è la destra, cos'è la sinistra". Le certezze crollano. Una dopo l’altra. E così il miliardario Donald Trump, repubblicano e conservatore, vince grazie al voto anti-establishment a scapito della democratica Hillary Clinton, vista come l'emanazione degli interessi di Wall Street. E mentre il leader della sinistra italiana, Matteo Renzi, vola in America scegliendo come fonte d’ispirazione i signori della Silicon Valley, la destra cavalca la rabbia popolare e critica la moneta unica, l’Unione europea. I confini ideologici che un tempo separavano i partiti di destra e partiti di sinistra sono sempre più fragili e confusi. Ha ancora senso parlare di destra e sinistra? Quali sono i valori identitari che resistono?
The right with the workers, the left with the multinationals. Giorgio Gaber would be in crisis today, if he were to sing “What is right, what is left.” Old certainties have collapsed, one after the other. And so the billionaire Donald Trump, Republican and conservative, won thanks to the anti-establishment vote at the expense of Democrat Hillary Clinton, seen as the guarantor of the interests of Wall Street. And while the leader of the Italian left, Matteo Renzi, flew to America choosing as inspiration the high priests of Silicon Valley, the Italian right rides popular anger with criticism of the single currency and the European Union.
‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.
Photo: Nemanja Knežević
The Conservation, Technology and Significance of the Codex.
A panel discussion centered on the physical form of the book as an expression of technology. With Sarah Lowngard, Maria Fredericks, and John Townsend, moderated by Jeff Peachey.
KIEV/UKRAINE - OCTOBER 19, 2012:
See you in 2013!
IDCEE 2012. Internet Technologies and Innovations is the premier international conference for Internet entrepreneurs, VCs and angel investors in the CEE region.
Wake Forest hosts a Dignity and Respect program in Brendle Recital Hall on Wednesday, November 6, 2013. Barbee Oakes hosts a panel discussion with Johnnetta Cole, director of the Smithsonian Institution’s National Museum of African Art, former president of Spelman College and Bennett College for Women, and Edwin Wilson ('43), Provost Emeritus and Emeritus Professor of English.
Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle
Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.
2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.
video: media.journalismfestival.com/programme/2017/internet-meme...
Protocol Youth IPU conference
CD__1954
17 November 2017
Ottawa, ONTARIO, on 17 November, 2017.
Credit: Christian Diotte, House of Commons Photo Services
© HOC-CDC, 2017
Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle
Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.
2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.
video: media.journalismfestival.com/programme/2017/internet-meme...
Alessandro Gilioli
Michela Murgia
Flavia Perina
Giacomo Russo Spena Francesco Verderami
La destra coi lavoratori, la sinistra con le multinazionali. Giorgio Gaber entrerebbe in crisi, oggi, se dovesse cantare "Cos'è la destra, cos'è la sinistra". Le certezze crollano. Una dopo l’altra. E così il miliardario Donald Trump, repubblicano e conservatore, vince grazie al voto anti-establishment a scapito della democratica Hillary Clinton, vista come l'emanazione degli interessi di Wall Street. E mentre il leader della sinistra italiana, Matteo Renzi, vola in America scegliendo come fonte d’ispirazione i signori della Silicon Valley, la destra cavalca la rabbia popolare e critica la moneta unica, l’Unione europea. I confini ideologici che un tempo separavano i partiti di destra e partiti di sinistra sono sempre più fragili e confusi. Ha ancora senso parlare di destra e sinistra? Quali sono i valori identitari che resistono?
The right with the workers, the left with the multinationals. Giorgio Gaber would be in crisis today, if he were to sing “What is right, what is left.” Old certainties have collapsed, one after the other. And so the billionaire Donald Trump, Republican and conservative, won thanks to the anti-establishment vote at the expense of Democrat Hillary Clinton, seen as the guarantor of the interests of Wall Street. And while the leader of the Italian left, Matteo Renzi, flew to America choosing as inspiration the high priests of Silicon Valley, the Italian right rides popular anger with criticism of the single currency and the European Union.
Wake Forest hosts a Dignity and Respect program in Brendle Recital Hall on Wednesday, November 6, 2013. Barbee Oakes hosts a panel discussion with Johnnetta Cole, director of the Smithsonian Institution’s National Museum of African Art, former president of Spelman College and Bennett College for Women, and Edwin Wilson ('43), Provost Emeritus and Emeritus Professor of English.
On October 27, USAID, the International Food Policy Research Institute (IFPRI) and Landesa hosted a panel event to discuss the intersection of women's empowerment, land rights and food security.
Photo Credit: Guljamal Chokmorova
‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.
Photo: Nemanja Knežević
Antonio Crispino
Claudio Fava
Riccardo Orioles
Ciro Pellegrino
"Fare il giornalista in un Paese lacerato dalla violenza delle mafie vuoi dire mettere in conto che nel mirino di quella violenza ci puoi finire anche tu. E i giornalisti - i troppi che in questi anni hanno subito avvertimenti, minacce, scomuniche - lo sanno. Quelli che ho conosciuto, quelli che abbiamo a lungo ascoltato, ci hanno consegnato parole di solitudine più che di preoccupazione. È il ritratto di un Paese, non solo di un mestiere. Racconta un sistema di poteri (non solo mafiosi) che continuano a considerare come un fastidio ogni voce libera, ogni cronista con la schiena dritta, ogni racconto - su quei poteri e sulle loro miserie - che non si pieghi all'adulazione e alla menzogna. Sono giornalisti poco conosciuti, schivi, generosi, determinati. Una silenziosa e tenace comunità di giovani cronisti che ha raccolto l'eredità più autentica degli undici giornalisti uccisi da mafie e terrorismo in Italia, certamente la più preziosa." Claudio Fava.
“Being a journalist in a country torn apart by the violence of the mafia means that you need to take into account that you too could end up being the target of that violence. And journalists – too many of them in recent years have received warnings, threats, ostracism – are well aware of it. The journalists I have met, those we have listened to carefully, have delivered words of loneliness more than words of concern. This is a portrait of a country, not of a mere job. It is indicative of a system of power (not only of the mafia’s influence) which continues to consider as an irritant every free voice, every incorruptible reporter, every story – concerning those powers and their miseries – that does not give in to flattery or lies. They are not well known journalists, they are timid, generous, determined. A silent and tenacious community of young reporters who form the most authentic heritage of the eleven journalists killed by the mafia and by terrorism in Italy, and certainly the most precious one.” Claudio Fava.
video: media.journalismfestival.com/programme/2017/bought-and-so...
Antonio Crispino
Claudio Fava
Riccardo Orioles
Ciro Pellegrino
"Fare il giornalista in un Paese lacerato dalla violenza delle mafie vuoi dire mettere in conto che nel mirino di quella violenza ci puoi finire anche tu. E i giornalisti - i troppi che in questi anni hanno subito avvertimenti, minacce, scomuniche - lo sanno. Quelli che ho conosciuto, quelli che abbiamo a lungo ascoltato, ci hanno consegnato parole di solitudine più che di preoccupazione. È il ritratto di un Paese, non solo di un mestiere. Racconta un sistema di poteri (non solo mafiosi) che continuano a considerare come un fastidio ogni voce libera, ogni cronista con la schiena dritta, ogni racconto - su quei poteri e sulle loro miserie - che non si pieghi all'adulazione e alla menzogna. Sono giornalisti poco conosciuti, schivi, generosi, determinati. Una silenziosa e tenace comunità di giovani cronisti che ha raccolto l'eredità più autentica degli undici giornalisti uccisi da mafie e terrorismo in Italia, certamente la più preziosa." Claudio Fava.
“Being a journalist in a country torn apart by the violence of the mafia means that you need to take into account that you too could end up being the target of that violence. And journalists – too many of them in recent years have received warnings, threats, ostracism – are well aware of it. The journalists I have met, those we have listened to carefully, have delivered words of loneliness more than words of concern. This is a portrait of a country, not of a mere job. It is indicative of a system of power (not only of the mafia’s influence) which continues to consider as an irritant every free voice, every incorruptible reporter, every story – concerning those powers and their miseries – that does not give in to flattery or lies. They are not well known journalists, they are timid, generous, determined. A silent and tenacious community of young reporters who form the most authentic heritage of the eleven journalists killed by the mafia and by terrorism in Italy, and certainly the most precious one.” Claudio Fava.
video: media.journalismfestival.com/programme/2017/bought-and-so...
Artist Pierre Dorion, Canadian Art editor Richard Rhodes, artist Myfanwy Macload and artist Donald Weber assemble for a group portrait before launching into their panel discussion of ‘True,’ the theme of this year’s Gallery Hop. (Photo: Emma Cottreau)
‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.
Photo: Nemanja Knežević
Joanna Geary Jennifer 8. Lee An Xiao Mina Farida Vis Claire Wardle
Il 2016 è stato l'anno dei meme ispirati alla politica dei paesi occidentali, da #CatsAgainstBrexit a Pepe the Frog a #NastyWomen, tanto da essere inseriti nel linguaggio politico insieme a gif e selfie. Amati o odiati, i meme sono ormai un elemento fondamentale nell'ambiente mediatico, indipendentemente se veicolino disinformazione, messaggi impegnati di attivisti o diffondano - ebbene sì - immagini di gattini. Come possono essere utilizzati i meme in maniera efficace dai giornalisti? Quali sono i pericoli endemici di questa forma di comunicazione? Lo scopriremo esaminando l'argomento da vari punti di vista: la presenza dei meme negli ecosistemi della disinformazione, l'impatto visivo, il valore giornalistico e l'uso da parte degli attivisti per operare un cambiamento sociale.
2016 was a year of memes in Western politics, from #CatsAgainstBrexit to Pepe the Frog to #NastyWomen, as meme shells, GIFs and selfies enter the political vernacular. Love them or hate them, internet memes make up a critical part of our contemporary media environment, and they’ve been documented in their role in spreading misinformation, disseminating important activist messages, and, yes, sharing pictures of cats. How can journalists work with memes effectively? What are the dangers endemic to this media form? We’ll hear from a variety of perspectives, including memes in misinformation ecosystems, the visual role of memes, the journalistic value of discussing memes, and how activists wield memes for social change.
video: media.journalismfestival.com/programme/2017/internet-meme...
Topic of the panel discussion: “Sustainability: From concept to co-creation – are we doing the right things?” The following members took part in the discussion: # Dennis Christou, Vice President Marketing, Del Monte, Fresh Produce, USA;
Martina Fleckenstein, Director EU Policy and Agriculture, WWF, Germany;
Nader Mahmoud, Director BASF Crop Protection, South Europe;
Antonio Marhuenda, CEO Primaflor, Producer (Lettuce), Spain;
Abelardo Hernandez Martinez, Manager Production and Quality, Proexport, Association of producers and exporters of fruits and vegetables, Spain
Protocol Youth IPU conference
CD__1950
17 November 2017
Ottawa, ONTARIO, on 17 November, 2017.
Credit: Christian Diotte, House of Commons Photo Services
© HOC-CDC, 2017
‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.
Photo: Nemanja Knežević
The 2022 Black History Month keynote, “I Am UM,” featured Peggie Gillom and Dr. Donald Cole participate in a panel discussion moderated by Jon’na Bailey in the Student Union Ballroom. During the panel, Gillom and Cole discussed their time at the university – their struggles, victories and perspectives for the next generation of students. Photo by Logan Kirkland/ Ole Miss Digital Imaging Services