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"GARDEN"
Series: LIFE OF LEISURE
18" x 24" Color Woodcut Print on Ivory Somerset Paper
Paul Roden + Valerie Lueth, 2012.
A carpet of grassy wilderness rings the rising golden mound upon which this delicately pruned "GARDEN" rests. A tabby cat peers at a rabbit munching on a sprouting bush; a snake slithers through grass blades. The "GARDEN" presents an age-old scene, a testament to our ability to provide for ourselves, nudging nature to our benefit. A rope lashed fence defines its borders, its entrance ungated and a path to its center set in log slices. Tools and baskets, a pump and a bucket, and an assortment of small decorative flourishes (a golden wind bell, a hollow gourd birdhouse, dangling ornaments) lend a human touch to the artful arrangement of foliage, both edible and decorative in this 5 block color woodcut print.
Read more & pre-order a copy here! www.tugboatprintshop.com/woodcut_garden.htm
Two color print featuring art by Ryan Jacob Smith. Prints available @ ryanjacobsmith.bigcartel.com/product/pma-crystals
Photographic enlargement made from a spore print. View full project - www.markoliveradams.co.uk/index.php?/project/spore-prints/
printed on Ilford Multigrade Warmtone RC,
first development in ORWO 100,
full bleaching in cupric sulphate bleacher,
re-development in homemade lith developer D-85
Sunflower lumen prints to bring you joy and sunshine this first day of summer!
"Ah, Sunflower, weary of time,
Who countest the steps of the sun;
Seeking after that sweet golden clime,
Where the traveller's journal done;
Where the youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves, and aspire
Where my Sunflower wishes to go!" â William Blake
Lith Print from MF negative
15 x 20 cm on 24 x 30 paper
Fomatone MG 331
Moersch Easy Lith
Hasselblad 500 C/M
HP5+ @ 400 ISO
I finally have prints available again! I know that the Flickr community isn't very active anymore, but I figured I'd post this here in case some of y'all don't follow me elsewhere! All my love to y'all
Fatif view camera. Rodenstock Sironar 1:6,8/360mm (6 836 747). Ott: Compur 3.
FP4 125 plus. EI 80. f/22+1/3, 1/8.
Development Pyrocath DH, 2:2:100, N-1, presoak 5 min, developing 10 min 20°, stop bath Acetic acid 1/4 strenght, soak 1 min in NaSulfite 1%, rinse in water 30 min.
Platinum print.
Arches platine 320 g; A 22 drops + Platinum 18 and Palladium 6 drops, 2'30" with UV lamp
watch the video: www.youtube.com/watch?v=YmHMnJEDd60&feature=youtu.be
photo: HOLGA + ilford FP4 + agfa / ansco 17 (homemade developer)
print: toned cyanotype on arches watercolor paper with digital negative. image rework in darktable and curves with EDN.
this is a photo of the print (not the best quality.
Hey guys! grin emoticon I've just made a Society6 account. I have some prints there. I don't have that many artworks for prints yet, since I'm just starting to take my illustrations seriously. But go ahead and check it out please! heart emoticon
It's available as art prints, framed art prints, canvas prints, phone cases/skins, stationary cards, etc.
All of the prints in this project will be displayed at:
"The Present Hurts"
LCC MA Photography 2015 Final Show
London College of Communication
Elephant & Castle,
London
SE1 6SB
Opening times:
18, 19, 20, 23 Nov 10am - 6pm
Sat 21 Nov 10am - 4pm
Tue 24 Nov 10am - 5pm
Fatif view camera
Schneider Kreuznach - Linhof Technika super angulon 1:8/165mm (6265215).
8X10 plate Fomapan 200
EV 100 ISO. (shadow put in zone III, highlight dropped in zone VII-VIII. Water reflection of sun and sun not took into account. Zone V: EV100 13) reading f/8 1/25. Exposed f8+1/3; 1/25. Developed N (Pyrocath HD 2:2:100, @ 10 min)
Print: Platinotype
Arches Platine
A22; B0; C: pt16 + Pd 8 gtt; exposure 9 min in mechanical UV lamp. Developed in Potassium Oxalate warm. Citric acid, EDTA II, Na SUlphite and EDTA IV bath. Rinse in tap water
Some lumen prints after fixer. Artemisia absinthium, Petroselinum crispum (yep we have on the garden) and Bactris gasipaes leftovers. 12 hours of exposure under a cloudy day.
I suppose that difference in tones is due to the difference between papers and off course exposure.
I don't know if any of you guys would want a print from me but I am doing a print giveaway.
If you want to be enter into the drawing just post here with the picture you want. ^^
I don't have a deadline yet so check back okay? :D
Deadline to enter: May 13th :)
(Drawing is on the 14th, friday.)
rright before one of my gooood friend birthday! *cough* Danice! *cough*
OH and the prints will probably be 4x6, I hope that's okay. Kinda broke right now.
Anddd there will probably be 10 winners. :)
Btw I really need to get a pro account.. asap. RAWR.
(IF you post here, you will be enter into the drawing. So please if you don't want to be enter, don't comment here. Thank you.)
TO SEE THE WINNERS, CLICK HERE :]
Just received this year's batch of prints from Flickr. Very happy with the quality. Colours and tones reproduced perfectly! (This phone photo doesn't represent true colours).
I’ve stopped seeing it
Walking in to the office, I looked down and realized I was wearing three prints. I honestly hadn’t realized it when I got dressed.
Print blind: when you’ve stopped noticing that you’re wearing prints or patterns. I chose the elements of this outfit based on the colors and didn’t realize I was print mixing until later.
Shirt, Lauren Ralph Lauren (thrifted). Dress, swap. Shoes, CL by Chinese Laundry (thrifted). Sunglasses, grinderPUNCH. Necklace, Zad. Purse, Anne Klein.
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Print version avaialble here:
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