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作者说：前沿：人类每天都要品尝无数的食材，但是我们也在不断的反思，把情感、和对认知的渴望融入食材的探索当中。在感叹大自然的博大中，也在尽自己的微薄之力，对食材的探索和对食物的改良予以反馈给大自然。作品介绍：此作品把插画和中国风相融合，以描绘出一幅食材取之于自然，人们用智慧和勤劳把食材做成食物来反馈给大自然的画面。食悟是这幅作品的主题，这些垂涎欲滴、品种繁多的食物不仅仅是为了满足人们对饥饿的需求，人们深深知道这些食材的来之不易，是大自然的馈赠、是人们智慧和勤劳的结晶。在品尝美食的时候，回味一下，这不仅是生理上的需求，也是心灵上的满足。中国人对食物的敬仰和食物文化的博大精深是需要我们一直研究下去的课题。作品延展：其实创作平面的时候也考虑到了作品的动态化，飘动的祥云、跳跃的鱼儿、多角度运动的山体形态的食物，如果动态化后应该拥有更能打动人们的舌尖上的中国。感谢CDA成员 sean8906 制造的优秀作品！作品版权：sean8906 版权所有 © CDA画报 > CDASUPER+ > 舌尖上的中国二之食悟 来自http://dd.mu/+ryX+I
This is a photograph made with a 1940's 4 x 5 camera joined to a flat bed scanner. The scanner photograph offers an image, which, in addition to being inherently three dimensional, reveals the fourth dimension in a unique way. Each ‘exposure’ occurs over a number of minutes, or as little as one minute. The opposite ends of the image are captured at entirely different moments in time, not all at once as in a ‘typical’ photograph. The image has not been 'photoshopped' except to adjust tonal value. [model: Gerald Saunders; release on file]
I started this project hopeful and confident from the last photo but I made some important mistakes. My biggest mistake was that I used a different light source for the two photos. Next time, I will carefully fine-tune my light sources to match them up. I also learned how shadows functioned which was an essential step in my learning process. I wanted to emphasize stress so I purposely made the desk cluttered and made the photo black and white to show the heavy drab emotions that the concept called for. I also wore baggy school clothes to show that I was a common student in school. My only problem with the photo is the paste the believability of the transposition of the photo of me. I did the best I could but I will work on improving it for next time.
Photoshop, Digital Camera
Composite self-portrait onto photo of homework, add shadow, make black and white.
Homework can often feel like too much to bear; this is shown through feeling too small to do it all.
Photo taken May 20, 2019 at the National Motorcycle Museum in Anamosa, Iowa. Shown, a 1935 Plymouth "Monster." We visited the museum early on a Monday morning and pretty much had the museum to ourselves. We really enjoyed it and spent a couple of hours winding our way through the displays. This sentence from their website "we believe it is critical that we continue to gather vintage bikes, photographs, apparel, advertising art and other memorabilia to document all eras" best sums up the museum. Displayed are posters, artwork, antique motorcycle toys even old X-rays. The larger displays include a focus on Evel Knievel, the movie "Easy Rider" and a recreation of an early wood motorcycle race track complete with vintage bikes. Exhibits may rotate. The condition of the bikes ranged from like new (there's miles of polished chrome) to gritty barn finds (plenty of rust and grease). We were blown away. Highly recommend a visit and see this history in person. Photo copyright Clif Bosler, 2019.
THE WHAT: Many government officials have called to remove dozens of controversial statues, markers
and other monuments from public grounds. Taking inspiration from contemporary art and street culture
you are to construct a public street art monument using a mix of your own photography & traditional and
digital illustration, painting, and typographic explorations.
THE WHY: Each layer of the photo illustrated monument should tell a story that resonates with a current social issue. Think of it as a social commentary and your opportunity to confront the current social and cultural problems we face today. This monument should be a response to that. The art should ignite thought provoking, yet fruitful conversation. You are to envision what a monument can represent to our
current culture.
THE HOW: Monument collage should consist of light weight paper and can illustrate a full human figure
(Head to toe) or the upper part of a human figure - The final photographs used for the monument will be
printed in class and can be photocopied multiple times if necessary, The medium used for pasting the
monument on walls will be wheat-pasting process, wall paper paste can also be used.
THE WHERE: This photo illustration will live in the street for viewers partake in the artistic narrative.
Where you place the monument will be very important. Wheat-pasting can occur in a location of your
choice (You must get approval to use private spaces / private property, approved public property or
abandoned buildings are encouraged.