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This is a corridor of nearly 75 year old temple. Situated in interior North Goa.
The campus is huge that also houses residential quarters for the temple priests and other staff.
Channel guards old hut. Hasn't been used for quite some time. They used to float lumber through this channel.
Kimolan kanava. Finland.
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Feel free to take a look at my photography blog: Is This Photography?
First week in Lake placid is really cold, but really really beautiful. Best leaves saw in the last several years.
My first attempt at two point perspective drawing done in Biro. Inspired when I was randomly searching drawings on Google images (Yes, I do that a lot when I'm bored and I need inspiration :D ). Working on other drawings and soon there will be one big piece, so stay tuned!
Ajith :)
Global Perspectives 2016
'The Future of Civic Space' was the theme for this year's Global Perspectives - our annual conference that brings together civil society leaders, activists, and trend-setters to discuss, debate, and collaborate on some of the biggest issues affecting the sector. The 8th annual Global perspectives was held at the Heinrich Böll Stiftung in Berlin (Germany) on 26 - 28 October 2016. Participants and speakers came from across the globe. Image credit: www.seesaw-foto.com
Cover of Perspectives 1990-1991, published by the California Highway Patrol. Featured car is a 1991 Ford LTD Crown Victoria.
My office building is quite long. This is a shot from the middle - it reaches the same distance in the other direction.
Handheld HDR, hence a slight mismatch in the aligning.
There's the view from below, and now, a view from above :D Well, it's not really above, but halfway up.
A view from the Skybridge. Took this while I was with 3 VIPs from Korea some time back, who insisted on visiting the bridge. The main and M-VIP was a little girl aged 7 - her grandparents (who does not understand English at all) were only accompanying her. They pretty much gave me freedom to take pictures while on duty :P Hahah!
I must have taken several hours looking at this picture, processing it and the re-processing it again and again until I got my desired final look.
Gears : 350d + EF-S 18-55mm kit lens + Cir Polariser
From the Murder of Halit Yozgat
Kassel, Germany, 6 April 2006
On 6 April 2006, 21-year-old Halit Yozgat was murdered in his family run internet café in Kassel, Germany. His was the ninth of ten racist murders committed in Germany between 2000 and 2007 by a neo-Nazi group known as the National Socialist Underground (NSU). At the time of the killing Andreas Temme, an agent of the German domestic intelligence service (Verfassungsschutz), was present in the café. Temme claimed not to have witnessed the murder.
Within the 77 square metres of the internet café, and the 9 minutes 26 seconds during which the incident unfolded, different actors – members of migrant communities, a state employee and the murderers – were positioned in relation to each other in a manner yet to be made clear, but one whose implications bear great political significance. This unit of space and time stands as a microcosm of the social and political controversy known as the ‘NSU Complex’.
Commissioned by Unraveling the NSU Complex, a Germany-wide alliance of anti-racism activists, Forensic Architecture’s investigation became possible when hundreds of documents from the Hessen police investigation of the murder – reports, witness depositions, photographs, and computer and phone logs – were leaked at the end of 2015.
One of the most important pieces of evidence in this leak was a video of a police re-enactment performed by Andreas Temme. Such re-enactments are often ritualistic events forming part of an admission or confession, denoting justice fulfilled. In Forensic Architecture’s investigation the re-enactment is treated not only as a representation of an event, but an event in itself; a potential crime – of perjury and misrepresentation – in its own right.
Within a reconstructed real-scale physical model of the internet café – the exact dimensions of which are marked here on a black carpet – Forensic Architecture re-enacted this re-enactment in order to examine Temme’s testimony, while also carrying out further tests to analyse the threshold of sensory perception. A video presented here shows moments from this process of re-enactment.
The video triptych 77sqm_9:26min presents Forensic Architecture’s full analysis of the events surrounding Halit Yozgat’s murder. This investigation established that Temme’s testimony was untruthful, opening up to larger questions regarding the involvement of German state agencies with radical right-wing groups. As the NSU trial approaches its conclusion in 2018, the truth of the murder – and above all, Temme’s presence at the scene – remains obscured.
The mural presented here charts the events related to the production, presentation and subsequent contestation of Forensic Architecture’s analysis across multiple forums: press conferences, cultural institutions, public demonstrations, two parliamentary inquiries and a criminal court. In each of these forums, Forensic Architecture was obliged to defend its evidence according to different rules and conventions. The complexity of this flow diagram traces the indeterminate nature of counter forensics, its methods, limitations and points of impact.
[Institute of Contemporary Arts]
Part of Counter Investigations by Forensic Architecture (March-May 2018).
Forensic Architecture is both the name of the agency established in 2010, and a form of investigative practice into state violence and human rights violations that traverses architectural, journalistic and legal fields, and shifts between critical reflections and tactical interventions.
Counter Investigations presents a selection of recent investigations undertaken by the agency into incidents occurring in different contexts worldwide. In parallel, the exhibition outlines five key concepts that raise related historical, theoretical and technological questions. Continuing to be explored in an accompanying series of public seminars, these investigations and propositions add up to a Short Course in Forensic Architecture.
Grounded in the use of architecture as an analytic device, Forensic Architecture has in recent years developed a host of new evidentiary methods that respond to our changing media landscape – exemplified in the widespread availability of digital recording equipment, satellite imaging and platforms for data sharing – and propose new modes of open-source, citizen-led evidence gathering and activism.
Forensic Architecture has worked closely with communities affected by acts of social and political violence, alongside NGOs, human rights groups, activists, and media organisations. Their investigations have provided decisive evidence in a number of legal cases, and contested accounts given by state authorities, leading to military, parliamentary and UN inquiries.
Counter Investigations marks the beginning of a long term collaboration between the Institute of Contemporary Arts and Forensic Architecture. The exhibition and this ongoing partnership exemplifies the Institute of Contemporary Arts’ intent to foster and explore new modes of civil practice operating across the fields of art, architecture and activism.
[Institute of Contemporary Arts]
I very round bridge that looks twisted and turned because of the angle of perspective. Much like life its not always what you see but what you know in your heart and mind.
that's what I'm missing the most.
Photography by Nicola Cortese
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The work contained in my gallery is copyrighted ©2006-2014 Nicola Cortese. All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. Any questions or doubts concerning must be directed to dark-hunter@hotmail.it
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It is all a matter of perspective. The "vertical" snag was actually horizontal, a fallen tree that got hung up on another tree while still quite a distance from the ground.
SOOC using the rich B&W setting.
Seen at Cheatham Grove.
One of the main reasons we made the long trip from Idaho to Texas was to attend the wedding of two good friends - Debi and Alaric Barbarian. They planned to get married on Saturday, 21 March but it rained nonstop so they slid the wedding back a day. Better weather but the grounds were pure mud.
Alaric entered the grounds on a war horse, along with the owners of Sherwood, and escorted by guards in medieval armor and chain mail. Debi rode in on a carriage. The crowd overwhelmed the small chapel and we were all sinking in mud.
The ceremony was fun - it was interrupted by objections from Robin Hood and a band of fairies and an uncooperative owl - what at great day!
With so many excellent photographers at this royal wedding, I'm almost too embarrassed to post my photos of this lovely event. I tried to get shots from a different perspective and also to include as many people that were involved as possible.
I met Debi and Alaric about 5 years ago at my first visit to TRF; they were extremely gracious and patient with my lack of photographic prowess and over the years have become one of my most photographed subjects.
Heather and I also consider them to be great friends and an awesome couple. Alaric Barbarian was even gracious enough to marry us at TRF on a very cold November day light years ago - dressed as a Barbarian in 40 degree temps and turning blue. Yep, we wouldn't have missed this wedding for the world!
I took these photos in March 2015 at the Sherwood Forest Faire, about 40 miles SE of Austin, TX, near the small town of McDade.