View allAll Photos Tagged PERSPECTIVE
Bee-eaters (Merops apiaster) photographed from the lowest opening in the camouflage hide in Greece.
Check out the difference from the photo of them from a higher perspective in the links below the line, and how much more interesting the lowest ones are!
(Bietere in Norwegian)
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The effect of representing three-dimensional objects on a two-dimensional surface.
leica M2, 35mm Zeiss C Biogon, Tri-X
Tetbury church.
This is one of those ones where whichever way up it is the perspective takes a bit of working out. Blame the cameraman I guess :)
I decided to rotate it to landscape, partly because that works better with Flickr, but also to avoid the "uncertainty fail" problem where something slightly out looks a mistake rather than the creative decision which it was {cough}.
I could also pretend that changing the perspective encourages us to see the textures and patterns anew. Maybe. If I were brave...
Tetbury is an interesting little town about ten miles away. It became wealthy on the wool trade and had the unusual advantage that the townspeople managed to negotiate to buy the town from the local aristocrat who owned it. Which meant they kept the profits from the wool trade. Good move.
So the church is unusually large and splendid. This is a picture of the gallery taken from below with a lovely carved balustrade.
The name Tetbury means Tet's hill in Anglo-Saxon. Who Tet was is anyone's guess but presumably he's a distant cousin of the Egyptian Pharoah Tut. Anyway the moral of the story is if an ancient Angle approaches you and professes to be about to hill you, be alarmed :)
Oh and did I mention that Prince Charles lives in Tetbury? I usually do :) (Sorry. Old joke...)
Thank you for taking the time to look. I hope you enjoy the image! Happy Friday :)
[Taken in dim sunlight through the church windows; handheld by contortionist.
Developed in Photolab 3 emphasising the wood textures in the fore and accentuating the colours (the stonework behind was yellow against the cyan of the wood), so that I could then control the strength of the background in the B&W conversion.
Into Affinity for sharpening (not USM; High Pass/Linear blend and a touch of Clarity).
Cropped to accentuate the gallery and get rid of distractions like spotlights in the ceiling.
Converted in Silver Efex going for a low key look with a colour filter to take down the background masonry.
Toned with Orange/Teal but lightly.
Slight dark burnt (darkened) edges.]
Converging four diverse planes such as railing, concrete, cars, and tree.
This photo grabs many awards:
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The Galaxy Hall of Fame
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Thank you for your faves, comments, and awards,
Have a great day .
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For Illustration Friday
This is a corner in our apartment that I want to decorate. It's my Totoro corner, he's a bean bag chair. The leaf canopy is from Ikea. The mushroom chair is from strapya-world.com.
The hikers, the trees in the background, and the lone tree in the foreground seem to disagree on which direction is up.
I like that view, A-FACTORY and Aomori Bay Bridge (青森ベイブリッジ)!
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A-FACTORY (A-FACTORY).
Architect : Wonderwall (設計：ワンダーウォール).
Contractor : Tekken Corporation (施工：鉄建建設).
Completed : December 2010 (竣工：2010年12月).
Structured : Steel frames (構造：S造).
Costs : $6 million (総工費：約6億円).
Use : Store (用途：店舗、工房).
Height : ft (高さ：m).
Floor : 2 (階数：2階).
Floor area : 18,646 sq.ft. (延床面積：1,732.27㎡).
Site area : 6,781 sq.ft. (敷地面積：620㎡).
Location : 1-4-2 Yanakawa, Aomori City, Aomori, Japan (所在地：日本国青森県青森市柳川1-4-2).
Referenced :
www.welcome.jp/projects/commercial/a-factory
kenplatz.nikkeibp.co.jp/article/building/news/20110223/54...
he same perspective in color, showing the rust tones and patina of the blast furnace installations.
This image presents the same furnace corridor in full color. The exposure and film simulation emphasize rust tones, oxide layers, and paint remnants on the large cylinders to the left. The central structure with pipes and catwalks reveals variations in material condition through color differences. Compared with the medium black-and-white version, the color view communicates material status more directly, since corrosion, discoloration, and patina cannot be separated in monochrome. Compared with the sepia version, this rendering provides the highest level of visual information for material evaluation, but at the cost of reduced mood and historical association. The advantage of this approach is the ability to document surface condition and color-coded piping or structural paint marks, which are otherwise lost. The GFX100RF sensor records fine-grain differences between oxide layers and intact coatings. This file is relevant for situations where technical documentation of material state is required or where later color-based analysis of degradation is possible.