View allAll Photos Tagged PERCEIVE
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Eye - Ojo
En la retina están las células visuales, por lo que se puede comparar a una película fotosensible. La luz, es decir, la imagen que percibimos, se transforma allí en impulsos eléctricos que el nervio óptico transmite al cerebro. Los nervios ópticos de la zona nasal de ambos ojos se entrecruzan antes de entrar en el encéfalo, formando el quiasma óptico, en cambio la zona temporal no se cruza, dejando en un lado del cerebro el sector nasal de un ojo y el temporal del otro. Luego se prolongan por las vías visuales hacia la zona media del cerebro y atravesando el tejido cerebral, alcanzan los centros visuales de los lóbulos occipitales. Se ignora que ocurre con exactitud después, pero los impulsos eléctricos se transforman en imágenes. La imagen llega invertida y deforme por las irregularidades del ojo a la retina, pero el cerebro la rectifica y podemos percibirla en su posición original.
In retinal cells are visual, so it can be compared to a photosensitive film. Light, ie, the image we perceive, it is transformed into electrical impulses that the optic nerve transmits to the brain. The optic nerves of the nasal area of both eyes cross before entering the brain, forming the optic chiasm, while the zone is not crossed, leaving on one side of the brain of an eye, nose and other temporary . After extending the visual pathways to the middle area of the brain through the brain tissue, reach the visual centers of the occipital lobes. It is not known exactly happens after, but the electrical impulses are converted into images. The inverted image comes and deformed by irregularities of the eye to the retina, but the brain can perceive it and correcting its original position.
Suprematism is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles, triangles). The term refers to a form of abstract art based upon "the supremacy of pure artistic expression" rather than on a visual or literal depiction of objects. It is entirely subjective and gives room to the artist to present what they think or perceive versus what they may see.
...One Receives Far More than He Seeks
- John Muir
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Found this Fawn during a 2020 Road Trip to Colorado.
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Spotted white-tailed deer fawns offer one of the most appealing sights in nature. Fawns typically appear walking closely to their protective mother or bounding across a field with seemingly unlimited energy. However, in May and June many fawns are found curled up in the field or forest alone, with no vigilant doe in sight. Is this an orphaned fawn? Almost never!
White-tailed deer mate in the fall (October – December). The male deer (buck) plays no role in raising fawns. After the female deer (doe) gives birth to one or two fawns and nurses them, she leads them into secluded habitat within her familiar home range. Twin fawns can be separated by up to 200 feet. The doe then leaves them alone for extended periods of time. The doe returns periodically to nurse them and to relocate them to new secluded habitat. This pattern will continue for up to 3 weeks. By this time the fawns are mature enough to keep up with their mother and able to race out of real or perceived danger.
(Nikon, 80-400/5.6 @ 400 mm, 1/1250 @ f/6.3, ISO 900, processed to taste)
Practically speaking, we ritually verify what is there, and are disposed to call it reality. But, with photographs, we have concrete proof that we have not been hallucinating all our lives :-)
Max Kozloff
HBW!! Character Matters!
rudbeckia, black eyed susan, j c raulston arboretum, ncsu, raleigh, north carolina
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None of my images may be downloaded, copied, reproduced, manipulated or used on websites, blogs or other media without my explicit written permission.
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I perceive this rude and unwelcome
Texture thanks to Þórunn Þorsteinsdóttir. (Tóta.)
~~~ Thank you all for viewing, kind comments, favs and awards - much appreciated! ~~~
Hypnotic, happy and vitalistic, the value of life and the importance of living.
Romanticism and immortality define Porto.
strange melancholy—not sadness—that floats in its atmosphere connects it with the past. This is the secret magic of Porto and this is how I perceive it.
Self-portrait shortly before his death (1810). Kunsthalle, Hamburg. I will not bore you with his biography. It is just that I admire this painter who was able to express himself, that is, was able to perceive and depict the world in ways no longer dominated by Christian iconography. The logic behind is simple. If the world speaks of God, then you can read it like a book and express your reading through painting. You don't need biblical imagery. Fuji X100F.
«Intent is the pervasive force that causes us to perceive. We do not become aware because we perceive; rather, we perceive as a result of the pressure and intrusion of intent.»
THE POWER OF SILENCE By Carlos Castaneda
A few nights back I was in a right cranky mood and so decided to head out with the camera, also which was upon the strong advice from my partner! ;) I happened upon this little industrial place, the same spot near enough where I shot my last spider.
It was a nightmare trying to get the focus and I'd forgotten my torch and also didn't have a laser pointer to hand. Be not fooled by the light here, it was really dark. Kinda reminded of what a psychologist I knew once said: "What is more truthful in the dark, what your eyes perceive or the technologies point of view?!"
Still, I think this worked out OK. Another weekend is here, enjoy and so as always, thank you! :)
'Feel Mindfulness Colored'
Can you see them, the wonderful colors of this world? Can you feel it, the liveliness of the colorful splendor? Do you take them true nature in perfect harmony?
We humans can only perceive in the outside, what lives in ourselves! If you can perceive in nature what is here and now and is true, then you feel it also in you and do not want to run away anymore, do not have to deal with things anymore, then just be, here and now! ;-)
Have a wonderful spring!!
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© Copyright by Klaus Allmannsberger - All rights reserved! - All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
The Rotspitze is waiting, with his heavy load of ancient ice and fresh snow. He stares at us through the crowning clouds like a grim deity from ages past, shrouded in mystery - perhaps wondering what on earth we are doing here...
Here I am, my friends, with a new picture - however a re-edit of an old one. I have always known that I would have re-edited this shot, and the time is come. No time to go around shooting, not even at the precious, secret time of sunrise. We are quite busy in the process of getting a new house in a new town... A great chance for our family. So I have allowed myself returning to this shot - one of my very earliest HDR processing - with new techniques: luminosity masks and Nik Color Efex 4. I love the colour version I have obtained, but from start I was thinking about a monochrome to try conveying a feeling of primeval power and the majesty of the mountain as they could have been perceived by some ancient dweller of the region, thinking that the mountain is a mighty deity.
and to perceive. A camera looks. A mind sees. A heart perceives :-)
Anonymous
HFF!! Science Matters! Protect the CDC!! Resist the Ignorant Orange Cockroach and his cabinet of Stooges and Buffoons!!
dahlia, j c raulston arboretum, ncsu, raleigh, north carolina
Light is my inspiration. My photographic images search for dimensions that words cannot touch-- the result of intense responses to personal experiences. I do not wish to "record," but rather to touch upon the illusive meanings which I perceive and try to comprehend in this limitless universe. -Ruth Bernhard, "Collection of Ginny Williams" by Ruth Bernhard , ISBN: 1881138046
If you like view my blog: artfulphotography.blogspot.com/
Depicting a child innocently playing with his model aeroplane whilst war ravages a city. His mother frantically beckons him downstairs, to a perceived safer place.
I had been banished from heaven and sent to the mortal world where darkness also dwelt, my worst fear until I met him, I could never see him but his voice captivated me and I was sure to follow him to the depths of the underworld even I was ready to receive the same wounds he had, because for me, he had a brightness and a light that no one could perceive even him.
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It's an idea that I've wanted to express for a long time, and I was finally able to do it with what I feel inside me. I worked hard to make it look beautiful, so I hope you can appreciate it.
New Christian Song 2018 "The Incarnate God Leads Mankind Into a New Era"
I
The incarnate God, He brings to an end the age when only Jehovah's back was seen. He also concludes the age of belief when in vagueness God was perceived. The work of the last incarnate God brings man to a more practical age. The work He does brings all mankind to a more pleasant and realistic time. He ends the age of vagueness, He concludes the age when man wished to seek God's face but was unable to back then. He ends man's service to Satan, to a new age man is led. All this is achieved by the work of God in the flesh, instead of God's Spirit alone.
II
He not only ends the age of law and doctrine, He shows man a God who is real, a God who is normal, righteous and holy, who unlocks the management plan, who demonstrates the mysteries, the destination of mankind, who made man and ends the management work, who has been hidden for thousands of years. He ends the age of vagueness, He concludes the age when man wished to seek God's face but was unable to back then. He ends man's service to Satan, to a new age man is led. All this is achieved by the work of God in the flesh. Oh, He ends the age of vagueness, He concludes the age when man wished to seek God's face but was unable to back then. He ends man's service to Satan, to a new age man is led. All this is achieved by the work of God in the flesh. All this is achieved by the work of God in the flesh, instead of God's Spirit alone.
from "Corrupt Mankind Is More in Need of the Salvation of God Become Flesh" in The Word Appears in the Flesh
Recommended for You: Christian Music Video
Did you know that red is the first color that humans perceive, after black and white? It's the color that babies see first before any other, and the first that those suffering from temporary color blindness after a brain injury start to see again. Red is the most powerful color amongst all. It has a tendency to stimulate mind and attract attention.
You have to take risks, he said. We will only understand the miracle of life fully when we allow the unexpected to happen. Every day, God gives us the sun--and also one moment in which we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist--that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists--a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
- Paulo Coelho; By the river Piedra I sat down and wept
Ne Me Quitte Pas......
(this is the most emotional video that I have ever seen...)
Suprematism is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles, triangles). The term refers to a form of abstract art based upon "the supremacy of pure artistic expression" rather than on a visual or literal depiction of objects. It is entirely subjective and gives room to the artist to present what they think or perceive versus what they may see.
I sometimes get the urge to "paint" a scene that my lens has captured not because I believe it needs augmentation but because my mind's eye perceived it in a certain way with a twist of artistic license. I did that here with Oregon's Painted Hills that really need no embellishment whatsoever. I simply wanted to soften the contours a bit while not distorting their shape or colors. A fun little project.
One day last winter, while I was admiring the sunny , snowed garden , I suddenly perceive a huge flying presence with open large wings …landing majestically in the middle of our garden, close to our pond !!!!!!!! And I rushed to pick up my camera!!!
Herons are really an impressive visit in our garden, having in their mind to have a great meal on my beloved red fish, about 30 of them at the moment!! But, of course, I let them stay as long as they serve as a great …model for me….And then, I create a light noise, and immediately those huge wings open again, and they fly away…
This time the occasion was very positive for shooting, thanks to the great sunlight, shadows, and colors of the winter garden!!
For a crowd is not company, and faces are but a gallery of pictures, and talk but a tinkling cymbal, where there is no love. ~Francis Bacon
This is how my mind perceived the scene before me, but the camera wasn't exactly seeing it my way! It's funny how the human eye can discern so much more color and light. Perhaps it's just the brilliance of memory or even wishful thinking, but I will always remember this scene this way.
My eye is driving me a little nuts tonight, so I probably won't be on too much tomorrow. I'm working extra time this week anyway, so I'll pop in as I can. I hope everyone has a terrific Monday!
L’histoire de la Draye Blanche
La grotte de la Draye Blanche est située sur la commune de la Chapelle en Vercors, en bordure de forêt au sud de ce gigantesque massif calcaire. Elle fût découverte en 1918 par un homme hors du commun : Fabien Rey. Surnommé « Marseille », Fabien Rey, de par son mode de vie et son caractère particulier, s’était écarté de la vie du village de La Chapelle. Plutôt solitaire, il vivait en marge du bourg dans une cahute minuscule, avec comme seule compagnie une trentaine de chiens, parfois plus. Mais la grande passion de Marseille, c’était la Nature : il la connaissait bien pour la côtoyer tous les jours et l’appréciait tout autant, pour s’en nourrir en toute autarcie. Un jour qu’il braconnait, un de ses chiens vint à chuter au fond d’un scialet (nom donné aux gouffres dans le Vercors). Marseille, peu craintif, descendit alors à sa recherche dans la cavité à l’aide d’une simple corde. Il s’aperçut alors que le gouffre donnait sur une galerie : aussi tôt après avoir remonté son chien, Marseille redescendit pour l’explorer avec pour tout équipement une bougie. il fut émerveillé par ce qu’il avait découvert…
L’aménagement du puits et la mise en lumière de la grotte furent achevés août 1970. Et Fabien Rey, alors octogénaire, ne put cacher son émotion, quand pour la première fois il vit sa grotte complètement illuminée. Il pouvait enfin prendre la mesure de cette immense cavité (100 mètres sur 30) et de ses milliers de magnifiques stalactites, qu’il n’avait pu admirer qu’à la lueur vacillante de bougies.
www.drayeblanche.com/visite-grotte-vercors/
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History of the cave
The cave of Draye Blanche is located on La Chapelle-en-Vercors, near the forest south of the gigantic limestone massif. It was discovered in 1918 by an extraordinary man: Fabien Rey, nicknamed "Marseille". Fabien Rey, through its lifestyle and its unique character, had departed from the life of the village of La Chapelle. Rather solitary, he lived on the fringes of the village in a tiny hut, as the only company with thirty dogs, sometimes more. But the great passion of Marseille was nature: he paced dayly into nature and appreciated in complete autarky. One day he poached, one of his dogs came to the bottom of a drop scialet (name given to sinkholes in the Vercors). Marseille, little apprehensive, went down to his research into the cavity using a simple rope. He then perceived that the gulf overlooked a gallery: as soon after ascending the dog, Marseille went down to explore it with for any equipment a candle. He was amazed by what he had discovered ...
Equipment of the well and the lighting of the cave was completed in August 1970. Fabien Rey, then octogenarian could not hide his emotion when he first saw her completely illuminated cave. He could finally take the measure of this immense cavity (100 by 30 meters) and its thousands of stalactites, that he could only admire the flickering light of candles.
Translated from:
Suprematism is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles, triangles). The term refers to a form of abstract art based on the supremacy of pure artistic expression rather than on a visual or literal depiction of objects. It is entirely subjective and gives room for the artist to present what they think or perceive versus what they may see.
At Burgers' Zoo in the Netherlands the small claw otters (Dutch: Kleinklauwotters) stay in the Asian part of the Bush . Who runs along their stay, will often perceive the typical musky smell of these animals.
The oriental small-clawed otter (Amblonyx cinerea), also known as the Asian small-clawed otter, is the smallest otter species in the world, weighing less than 5 kg. It lives in mangrove swamps and freshwater wetlands of Bangladesh, Burma, India, southern China, Laos, Malaysia, Indonesia, Singapore, the Philippines, Thailand, and Vietnam. Its paws are a distinctive feature, its claws not extending beyond the fleshy end pads of its partially webbed fingers and toes. This gives it a high degree of manual dexterity so that it can use its paws to feed on molluscs, crabs and other small aquatic animals.
Please see here more animals from Burgers Zoo.
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Interesanti facts about the New College
www.ed.ac.uk/divinity/about/history/new-college
The foundation of New College was the product of the zeal that arose from religious conflict.
New College was founded as the theological college of the Free Church of Scotland. It opened for classes in Edinburgh’s New Town on 1 November 1843 before moving to the Mound soon after. Rev Dr Thomas Chalmers laid the foundation stone for the current building on 3 June 1846*.
The Free Church had left the Church of Scotland at the Disruption of 1843. The Disruption was a time of division, when over a third of the ministers and perhaps half the lay membership left the established Church of Scotland in protest against what they perceived as state efforts to undermine the Church's spiritual independence and integrity.
Against all odds, the outgoing clergy and laity formed the Free Church of Scotland as a new national Church, free from state connection and acknowledging only the headship of Christ. Amid the idealism and fervour aroused by the Disruption, the struggling Free Church founded New College as an institution for educating not simply a learned ministry, but a new Scottish Christian leadership.
The hope was that these new leaders would guide the nation through a new Reformation, reassert the spiritual independence of the Church, and elevate the religious and moral conditions of the Scottish people.
For a time, New College was envisaged as a free university, a citadel of conscience which would stand against the system of patronage and privilege that for centuries had enabled the Crown and members of the gentry and aristocracy to dominate the religious and intellectual life of the nation.
In 1935, New College was merged with the Faculty (now the School) of Divinity in the University of Edinburgh, following the reunion of the Church of Scotland and United Free Church in 1929.
Theology had been studied at the University since its earliest days.
Theology at the University since 1583
The University of Edinburgh was, at its founding in 1583, largely a theological college for the training of clergy in the Church of Scotland. The first Principal of the University, Robert Rollock (c.1545-1599), was appointed Principal in 1583 and became Professor of Theology from 1587. The first endowed professorship in the University was the Professorship of Divinity (1620). This was followed by the Professorship of Hebrew and Oriental Languages (1642) and the Professorship of Ecclesiastical History (1694).
New College today
Today New College is two things. It is the place in Edinburgh where the Church of Scotland trains its ministerial candidates, and the name of the building which houses both that training college and the University’s School of Divinity.
The School of Divinity offers broader academic study across a wide range of religious beliefs, ancient and modern, with no expectation that staff hold any particular faith perspective.
Frozen garden statues stare
Blankly into nothingness
Eyes that see all but do not
Perceive anything.
I am frozen, cold as ice,
All of me is blank and numb.
I have eyes that see as well,
I'm just a statue.
Madrid, España, 2023
[PT] Entre ruas, sombras e ficções
Contemplo ruas, pessoas e pedras, entre ficções e esquecimentos, inspirado no poeta, talvez, percebo as sombras dos gestos de outros, a poesia do crepúsculo, um desassossego.
“...todos somos igualmente derivados de não sei quê, sombras de gestos feitos por outrem, efeitos encarnados, consequências que sentem.” (Fernando Pessoa, Livro do Desassossego, v.164)
[ES] Entre calles, sombras y ficciones
Contemplo calles, personas y piedras, entre ficciones y olvidos, inspirado en el poeta, quizás, percibo las sombras de los gestos de otros, la poesía del crepúsculo, una inquietud.
“...todos somos igualmente derivados de no sé qué, sombras de gestos hechos por otra persona, efectos encarnados, consecuencias que sienten.” (Fernando Pessoa, Libro del desasosiego, v.164)
[ENG] Between streets, shadows and fictions
I contemplate streets, people and stones, between fictions and oblivion, inspired by the poet, perhaps, I perceive the shadows of the gestures of others, the poetry of twilight, a restlessness.
“...we are all equally derived from I don't know what, shadows of gestures made by someone else, embodied effects, consequences they feel.” (Fernando Pessoa, Book of Disquiet, v.164)
Seven nights tonight in the secret grin of your shadow, with a snake in the head, your skewed shoulders, exhausted and wholly dealt with by the power of the basic perceived object: a perceptual act, the acquisition of a skill, a physiological system. I take the gun in my hand and run my fingers down on the smooth cheap steel. I point it at your skull. A middleman waiting for corporate crossovers, a pattern, a form, a new order: the element’s existence not preceding the whole, neither before nor after it. The pieces take on a sense when assembled; in isolation pieces mean nothing. You disappear, cease to exist. The alarm clock is set on yesterday. D.O.A, blood spilled over the trailing lights, the smell of freight and distant fingers. Soap bubbles of withdrawal crossed by a thousand nights. Burial in the cemetery of your bed, gone away: you can look any place. No good. No Bueno. A blanking die cuts the sheets of cardboard along identical lines, every time. It does not matter what the initial conditions are, it’s not the painter’s technique but the greater or lesser subtlety of the way it has been cut, the plausibility of a resulting combination. One by one, one knuckle at the time, one last word at the time. One of the injured. Move a fin and the world turns. I take the gun in my hand and run my fingers down on the smooth cheap steel. I point it at your skull.
note: the text is mine.
Canon EOS 7D, EF 70-300mm L, ƒ/10.0 1/1250
Forgive my translation:
Like digging with your bare hands in the earth
to feel the blood mingling with the rain
Cauterize wounds
living for the only sense it has
Like swimming in a frozen ocean
to feel the heart explodes in your chest
Living to imagine
to perceive the only sense it has
But I let things pass and graze me
because I m not able to understand them still
I let things pass and graze me
because I m not able to understand them still
I let things pass and graze me
Be weak in a vertical sea
feel how much the risks might increase
and hate to feel alive
to perceive the only sense it has
And suddenly back primitive
be comedians and back primitive
and drink the blood of the enemy
just to taste the diversity
I let things pass and graze me
I let things pass and graze me
and I let things pass and graze themself
I let things pass and graze me
because I'm not able to understand them
I let things pass and graze me
because they graze me
I let things pass and graze themself
without touching
© ALL RIGHTS RESERVED
None of my images may be downloaded, copied, reproduced, manipulated or used on websites, blogs or other media without my explicit written permission.
no flickriver badge-, no tumbnails of You`r photos- and no begging for visits or comments, please (my photo...would you please...would You consider...please consider...I need...). I perceive this rude and unwelcome.
In my opinion comments or awards should honour striking good photography and should be given by choice.
Comments or awards given only for courtesy, -in return or on demand are quite worthless.
Shamanism is a practice that involves a practitioner reaching altered states of consciousness in order to perceive and interact with what they believe to be a spirit world and channel these transcendental energies into this world.
I myself have written books about this.
A cheetah passes by a loaded safari car. The guides say the predators only perceive the jeep and not the people in it, and so are not intimidated. Prey animals are far more skittish. Serengeti National Park, Tanzania ©2017 John M. Hudson | jmhudson1.com
[PT] Entre ruas, sombras e ficções
Contemplo ruas, pessoas e pedras, entre ficções e esquecimentos, inspirado no poeta, talvez, percebo as sombras dos gestos de outros, a poesia do crepúsculo, um desassossego.
“...todos somos igualmente derivados de não sei quê, sombras de gestos feitos por outrem, efeitos encarnados, consequências que sentem.” (Fernando Pessoa, Livro do Desassossego, v.164)
[ES] Entre calles, sombras y ficciones
Contemplo calles, personas y piedras, entre ficciones y olvidos, inspirado en el poeta, quizás, percibo las sombras de los gestos de otros, la poesía del crepúsculo, una inquietud.
“...todos somos igualmente derivados de no sé qué, sombras de gestos hechos por otra persona, efectos encarnados, consecuencias que sienten.” (Fernando Pessoa, Libro del desasosiego, v.164)
[ENG] Between streets, shadows and fictions
I contemplate streets, people and stones, between fictions and oblivion, inspired by the poet, perhaps, I perceive the shadows of the gestures of others, the poetry of twilight, a restlessness.
“...we are all equally derived from I don't know what, shadows of gestures made by someone else, embodied effects, consequences they feel.” (Fernando Pessoa, Book of Disquiet, v.164)
#espana #callesdeespaña #Madrid #porlascallesdemadrid #ig_madrid #fotografiaderua #fotografiacallejera #streetphotography #streetphoto #callejeros #callejeando #streetlovers #streetphotographyworldwide #tripyurieclelma2023 #mobgraphia #mobgraphy #mobgrafia
© ALL RIGHTS RESERVED
None of my images may be downloaded, copied, reproduced, manipulated or used on websites, blogs or other media without my explicit written permission.
no flickriver badge-, no tumbnails of You`r photos- and no begging for visits or comments, please (my photo...would you please...would You consider...please consider...I need...). I perceive this rude and unwelcome.
In my opinion comments or awards should honour striking good photography and should be given by choice.
Comments or awards given only for courtesy, -in return or on demand are quite worthless.
Pillboxes are concrete dug-in guard posts, normally equipped with loopholes through which to fire weapons. The originally jocular name arose from their perceived similarity to the cylindrical and hexagonal boxes in which medical pills were once sold.
Warten auf eine bessere Zukunft?
042 271, die gefühlt aktivste Dampflok Schleswig-Holsteins in den 1990er Jahren und 216 221, die langjährige Leihgabe des Verkehrsmuseums Nürnberg, im Bw Neumünster.
Immer wieder mal hört und liest man von Bestrebungen das Bw Gelände, zumindest teilweise, als Museumsstandort nutzen zu können.
Die 41Öl befindet sich wohl, gut verschlossen, kalt abgestellt im Rundschuppen.
Die V160 steht auch sicher verwahrt bei den OEF in Gießen.
Vielleicht läßt sich dieses Foto irgendwann so oder so ähnlich wiederholen?
................................................
Waiting for a better future?
042 271, the perceived most active steam locomotive in Schleswig-Holstein in the 1990s and 216 221, on loan from the Nuremberg Museum of Transport for many years in the Neumünster depot.
Every now and then one hears and reads about efforts to use the Bw site, at least partially, as a museum location.
The 41 oil is probably well closed, cold stored in the round shed.
The V160 is also safely kept at the OEF in Gießen.
Maybe this photo can be repeated sometime or something like that?
Mass is likely just an illusion of energy held in the Higgs field.
Energy particles only seem to actually "exist" in one place when observed.
The passage of time itself may just be observed by the human brain and all time backward and forward may be omnipresent.
The Universe seems to be just a grid of interacting quantum fields. ...and even our Universe itself may just be another entity's simulation.
Theoretical physics, spiritualism, studies of the brain, philosophy... they may all lead us back to the same answer. We're a field. And our consciousness to perceive this "reality", although beautiful in its own right, may just be a perception of the brain until we re-enter the overall field. The oneness.
I'm not trying to state any religious views or remark on anyone else's belief systems. I wish everyone well with their beliefs and hope everyone is right! Please take nothing I say in a wrong way. I'm on vacation today and just doing some thinking. ...or at least that's what I perceive!
Now I'm going to get ready to take a nature hike with some of my family today and have some fun! Have a great day!
(2/2)
El tren (S599) circula en sentido hacia Sagunto. A pesar de estar situados en la parte externa de la curva se percibe la parte delantera del tren. Su próxima parada es en el apeadero de Algimia Ciudad.
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Renfe medium distance train (Zaragoza Miraflores-->Valencia) passing through ALGIMIA DE ALFARA (Valencia)
The train is running towards Sagunto. Despite being located on the outside of the curve we can perceive the two ends of the train. Its next stop is at Algimia Ciudad halt.
Saint Mary’s Cathedral is located in the historic center of Photi. In particular : В in today’s Central Park. This location of the building was chosen because of the rays perceived from the street.
Photi is a city, which was built according to a plan. 12 squares were joining the central street (twelve Apostles sign) and the ray sign was created. The most important event in the history of Photi was the building of Guria– Samegrelo eparchy’s cathedral in 1906-1907 years, In which’s construction, great contribution belongs to Niko Nikoladze.
The project was created by A.Zelenko. The project is the reduced analog of Constantinople’s Hagia Sofia. Later, after that, R. Marpeld made some corrections in project, the project was approved. The church was entertained to hold 2000 prayers. The construction of the church was tasked to “Black Sea Building Society”. The construction began in 6 July, 1906 and finished in September, 1907. It lasted for 1 year and 3 months. It was opened on 14 September “Jvartamagleba” holiday. The church’s foundation was blessed, by Guria-Samegrelo bishop, Giorgi.
On 22 May, 1907 the cross was erected on the dome of the church. Soviet government, turned the cathedral into theatre. In 2005, by the prayer-blessing of Catholicos-Patriarch of Georgia, the cathedral returned to the Photi patriarchate ownage.
That feeling that you don't have breathing room event when you are looking around and you do perceive that you have head room but still you not sure what is making you feel this way.
At MIIX Event
♥ Event Start - March 30
End on 20th April ♥
La Plume .collection Arthur
Vera tattoo - GARY
IMPACTS - CAPRI MARIANO
♯♬♫📻 Music ♫🎧♬♯
Y mientras esperas que el tiempo cambie las cosas , la única que cambia eres tu.
Aunque no lo percibas , aunque no lo imagines, aún sin proponertelo....
Has cambiado !!
Y cuando eres otra lo que menos importa son los cambios de las cosas.
And while you wait for time to change things, the only one who changes is you.
Even if you don't perceive it, even if you don't imagine it, even without proposing it ...
You have changed !!
And when you are someone else, what matters less are the changes in things.
sacado de la red
We are never just one — always the presence we show, the way we perceive, and the way we are perceived.
Hollerkanzel rock formation, the name comes from Frau Holle, a pre-Christian fairy tale also known from Brothers Grimm tales.
A primitive castle once stood here in the 9th century.
Do you perceive a face in the front part of the rock formation?
Legends tell of creatures clothed in bark and moss that lead people astray who dare to go to this forest.