View allAll Photos Tagged Overthinking
I typed out a lot and lost it. Maybe it's not meant to be said, but I'm putting off sleep to write this. It took me falling in love with someone else's photostream to realize how disappointed I am in myself and the direction my photography has taken. I love my photos, I am extremely proud of my growth, but these photos are supposed to represent me... and they kinda DON'T. Well, let me correct myself. There is a part of me that likes the cheery, beautiful photographs, but I never saw myself as an artist that would express herself in this way. These samples I'm posting are photos I'd taken in the past two years that were a step in the right direction, but I never pushed forward and worked toward perfecting them. For that, I'm utterly disappointed. I haven't even mixed it up. It's been the same, though luckily it's gotten easier and better for me with each shoot. My "artist" self is not represented well by my exterior self, which is fine. I'm a cheery person, extremely happy, but just a small part of me is darker, moodier, "realistic," void and withdrawn. This part of me would be utterly affective if let out through the camera. I'm just bummed and overthinking, but maybe by posting these, I'll be reminding myself to mix it up. I can have pretty photos, but I can also begin painting with a darker brush. We'll see.
I overthink like a unicorn. I overfeel with color. I overlove🌈 . • • #makeup #makeupunicorn #facepainting #makeupart #makeuplook #makeupideas #weirdmakeup
icmsred.azurewebsites.net/post?ur=%2fipost%2f194498850554...
How much is true
and what not.
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8.3.12
Omagerrdd. feeling the beaaaaat
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8.4.12
Ság lạnh khiếp </3 Chỉ m' qấn ng trog mền chả m' bc' ra
.
Life has its ups and downs. The more happy I pursue, the deeper I drown in loneliness. I am not as optimistic as ever. Being happy feels as fake as ever.
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8.5.12
Hiện tại đag ngồi làm bài Chem. Pressure & stress
Qá nhiều và qá detail. Qá rắc rối và sự đòi hỏi chính xác qá cao.
Thèm muốn đc cảm nhận cái cảm giác gỡ bỏ hết gánh nặg trên đầu. Bỏ cuộc thì dầy vò bứt rứt.
Ít ra mìh chỉ cần nhữg chg khác chg học hành tốt hơn. Thà để có 1 chút gọi là năg độg làm hết bài.
Nhưg r thất vọg này tới thất vọg khác dồn dập. Mệt mỏi và thất vọg.
Đầu nặg trĩu, lòg nặg trĩu.
Overthinking kills happiness
Từg câu hỏi này đến câu hỏi khác. Từg câu trả lời tự bày ra đem lại gánh nặg cho bản thân.
Đúg hay sai? Sai hay đúg ? Là sự thật trc' mặt, hay sự niềm tin sai lầm đằg sau khuôn mặt đó.
Càg ngày chỉ muốn dìm bản thân vào giấc ngủ đến bỏ rơi suy ngĩ.
Chán ngấy (:|
Ghét cực nhữg đứa n.chg.
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9.6.12
The fear of losing is overwhelming.
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9.9.12
You suck.
can't want til oct. -____-
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
Girls don’t break at 3PM… they break at 3AM. 🌙
Because that’s when silence gets loud, memories return,
and the heart says everything the mouth never did. 💔
✨ What hurts more — remembering everything or being forgotten?
👇 Comment: Night or Morning — when do you overthink the most?
👉 Follow @herpSychologyfacts for daily real truth.
Size: 8 mm
Number of Beads: 108+1
Type: Red Hakik (Agate) Mala
Red Hakik Mala is good for good luck, success, and prosperity. Red Hakik Mala is good for concentration, worship and love. It is one of the best mental health supporters and saves its wearers from the trap of depression, anxiety and stress. It prevents the loop of overthinking and overestimation, resulting in an embarrassing situation. Red Hakik Mala is a source of self confidence and self love. People who believe they have some problem with the society and cannot hold on to any relationship properly due to their own lacking are required to wear red Agate Mala. It will help in removing the tension of unwanted from the minds of the wearer and bless them with a problem solving approach.
Lal Hakik Mala helps wearer in deciding what they want and categorize their priorities as per their requirements. Red Hakik Mala is to provide a good experience of life and reduce the temptation to end one's own lives. Red Agate Mala prevents the aftermath of depression, anxiety and stress disorders. It is also believed that Red Agate Mala helps in calming the ill effects of claustrophobia and fear of darkness.
Apart from providing a mental balance, Red Hakik Mala is also responsible for a long and a disease free life of the elderly. People above the age of 60 years are advised to wear Red Hakik Mala so that it can help them with a painless life in their old age. It is a good source of gaining salvation after life.
With this purchase from RudrakshaHub you will receive a Red Hakik Mala 8 mm bead size and 108+1 beads in total for wearing as well as for jaap. This will be an original, authentic and pure Hakik Mala for your daily use and will be delivered for free delivery on prepayment at your location.
To buy this product, visit our website : rudrakshahub.com/Red-Hakik-Agate-Mala
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
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2022
Watercolor, marker, gouache on paper. 2D 50x65 cm
DETAILS:
My future and present self-making the judgment of my overthinking. I used my own photo as a reference and the self-portrait illustrates the battle I face about my imagining. While my older self is looking to the future and hoping for amazing and greater things to come in my life, my back is turned towards the past and all the challenging childhood memories I had to endure. Looking back, I wonder what road I will take to live my future life because of the difficulties I have encountered and the lessons I have learnt about life in such a brief period.
“When I see this photograph, I find myself feeling having a break, wanting to say I made the right choice, remembering to understand the choice, having the reaction that making a choice causes someone to be aware, wanting to ask how did I make the right choice.”
“When I explore this photograph, I think its message for me is always to be aware, it makes me think about the times my overthinking has consumed, or my response to it is, is it worth it and I think this is probably because I'm an overthinker.”
“If I were to title this photo, I would call it The next day after a choice.”
“If this photo were to be able to teach me a lesson, it would be alright to feel doubt.”
“If I could give this photo as a gift to someone, I would give it to my mom, because of the overwhelmingness she has been having.”
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
This is what I mean when I say I want to go on vacation. No tourist traps. No overthinking. Just a white sandy beach and blue water. That's all I ask for...
or, in my case, the devil is in stressing over all the details....I'm off on an overseas trip tomorrow and I have a tendency to overthink and overplan, and worry about all the things that could go wrong....so by the day before departure I'm a total stresshead :) I'll be fine when I get there though :)
At the start of this semester I really had no idea what I was doing with photography: I didn’t have any projects in mind and didn’t really know what I wanted to get out of it. So my first project this semester was to basically take photos of things that interested me. I scoured my house for intriguing things and spent a few days wandering around Great Barrington aimlessly with my camera. To my surprise, I found photos in some of the unlikeliest of places. My fireplace. The snowbanks across from my house. The old school. And a bridge. I discovered some of the interesting little things we often miss when going about our busy lives. My next project was over April break. I hadn’t been doing much photography after that first project, so to get me back into taking photos, my assignment was to take ten photos everyday. They didn’t have to be good (something I struggled with) but it just had to be ten. It was way more difficult than I imagined, especially when I was basically stuck at home the entire week: again, I found myself looking at the smaller details of my life, the things I wouldn’t normally have noticed. My third project was similar: I had to take only one photo a day, every day. This started out as a normal project. It just required five minutes each day. Again, I struggled with finding things that I wanted to take pictures of. I found myself making excuses to not take a photograph because I didn’t want to take a photo of something boring or only take a bad photo that day. This is something I still struggle with. And so, for my final assignment this semester, I had to take photos without looking through the viewfinder (which is quite difficult). This was to help me not think so much about taking photos, so I could try to stop overthinking them. I surprised myself by actually getting a few interesting/decent photos out of this exercise.
So, looking back on all of the photos I’ve taken this semester, I started to see a similarity between them all. I realized that the two things I focus most on when taking a photo or editing a photo are composition and lighting. For me, these two things are essential to making a great photo.
A few times this past week, I've been trying to photograph comet C/2023 A3 Tsuchinshan–ATLAS over Mount Mansfield between 5:00am and 7:00am, but morning clouds prevented it. This morning I decided one last time before it becomes a night time comet, and that failed. Just as I was about to leave, I decided to wait and photograph the sunrise over Mount Mansfield. From the viewfinder I could see a figure hurriedly walking along the summit and thought the hiker was just trying to get a better view of the sunrise. But as I reviewed the photos this morning, I noticed there was a couple on the summit sharing a view of the sunrise. You can see them to the left of the sunrise. And I might be overthinking, but was it a proposal?
I took over 166 photos and upon reviewing and following the movements of the two figures, just standing side by side (first image) to what looks like one figure drops down (second image) to them sharing what I think is a hug (3rd image) it seems like something special happened? Just from these 3 photos it may be overreaching but it just looked like they were sharing a special moment of some sort when going through all the photos.
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
Getting ready! I find that the few hours leading up to the date are sometimes the most intense! It's easy to overthink things with so many emotions in the way. I especially enjoyed this shot as it showed my models with more of their personalities expressed. I love the smiles and the obvious excitement!
“Overthinking is often a product of Underdoing.” (Yehuda Berg)
🤔
#morningthoughts #positivity #proverbs237 #phillipians47 #⭐️🐟☕️
Notice the "excelsior", which is after I used the word in my writing. A corny, motivational directive on "overthinking", the sister-in-law along with the Black harasser's image of a car. More than one perpetrator's pin can show.
"I've definitely been overthinking life after graduation even though I have two years to figure it out."