View allAll Photos Tagged Operas

Opéra Garnier, where Phantom of the Opera is set, Paris, June 27, 2009

  

Wonderful concert in Heywood organised by Rochdale Music Society on Saturday 5th March.

 

Gala concert of items from classical Opera and a medley of musicals, performed by five stupendous musicians:

 

(from l to r):

Nick Hardy (Tenor)

John Peace (Piano)

Sarah Helsby-Hughes (Soprano)

Alexandra Tiffin (Alto)

Terence Ayebare (Bass)

 

Look out for them!

 

Opera House and the not-so-popular toaster. Taken from Sydney Cove Overseas Passenger Terminal. A 6-shot stitch using PTGui.

An actor in a Chinese opera. He is a general and the flags behind him represents his army.

The Manchester Opera House is a great place to catch shows in Manchester.

 

Image released under Creative Commons Attribution. If you use this image, please credit www.dancewearcentral.co.uk

 

Inaugurada en septiembre de 1884, la Ópera de Budapest nació para rivalizar con las de París, Viena y Dresde. Su hermosa factura le llevó toda una vida al gran arquitecto húngaro Miklós Ybl.

  

La araña de bronce, que pesa 3.050 kg e ilumina un magnífico fresco de Károly Lotz, decora el salón principal donde se representan a los dioses griegos del Olimpo.

 

_Budapest_

Wrocław, Poland

 

19th-century opera house with an opulent interior & traditional theater performances.

11/11/2025, Port of Las Palmas, Gran Canaria, Islas Canarias, Spain.

 

Arrived from Barcelona on 07/11/2025.

Alongside for unknown reasons, but probably on a repositioning voyage to warmer climes.

 

Cayman Islands registered, and owned, by Palaemon Ltd., of Grand Cayman.

The actual owner being Abdullah bin Zayed Al Nahyan, the Deputy Prime Minister of the UAE.

 

Built at a cost of approximately $450 million.

The 146-meter long vessel has an estimated crew of 80 and capacity for 48 guests.

 

Keel laid on 16/12/2015, launched in September 2022, and completed 22/02/2023, by Lürssen Yachts, Bremen, Germany (13696)

12,518 g.t. & 1,016 dwt., as:

'Opera'.

Don't smell the poisoned flowers! Ksenia Duonikova (Princess), Brian Jagde (Maurizio) and Angela Gheorghiu (Adriana)

opera house during evening

Janet Mensen Reynolds and other members of Chicago’s Lyric Opera Chorus return for an enjoyable evening of opera. They will preview the 2009-2010 Lyric season by singing selections from the upcoming productions, including Marriage of Figaro, Tosca, Faust, and

Merry Widow. This year's cast includes:

 

Janet Mensen Reynolds, mezzo-soprano

Rose Guccione, soprano

Kenneth Donovan, tenor

Robert Morrissey, bass

Patrick Holland, accompanist

 

This is the 13th year that the Library

has sponsored the Lyric Opera preview concert. It is

presented to the community as a gift from the Elmer

and Pauline Kennedy family. The concert is free. Refreshments will be served after the recital.

Everyone is invited.

The Amargosa Opera House is located at Death Valley Junction. Taken with the Sony A7ii and SEL1635z.

The Opera House Block (or L.F. Irish Block) on South Main Street in Pine Island, Minnesota. Listed on the National Register of Historic Places.

Eliza Bonet as Mistress Salome and Matthew Trevino as the Client in "Safe Word" - Act II of Three Way

 

Music by Robert Paterson

Libretto by David Cote

 

THREE WAY - NYC PREMIERE

June 15-18, 2017

BAM Fisher - Fishman Space

321 Ashland Pl, Brooklyn, NY 11217

 

Presented by AOP and Nashville Opera

Directed by John Hoomes

Conductor: Dean Williamson

Featuring Eliza Bonet, Melisa Bonetti, Samuel Levine, Wes Mason, Danielle Pastin, Courtney Ruckman, Jordan Rutter, and Matthew Treviño

 

With the American Modern Ensemble

 

Scenery designed by Randy Williams

Costumes designed by Matt Logan

Lighting and video designed by Barry Steele

Wigs and Makeup Designer Sondra Nottingham

 

Photo by Spencer Schafter

Vista da Opera House na travessia da Harbour Bridge

[IT]

Seconda camerata dell'opera 6, sbarramento di Portis, Vallo Alpino. Reimpiegata nel dopoguerra.

 

[EN]

Second sleeping quarters of opera 6, part of Portis blockade, Vallo Alpino. Refurbished post-war.

Fall Opera Class of 2014. Photo by Breanne Pierce

This was shot to illustrate a talk on the HTML ARIA standards for the Silicon Valley Code Camp

This was shot to illustrate a talk on the HTML ARIA standards for the Silicon Valley Code Camp

This was shot to illustrate a talk on the HTML ARIA standards for the Silicon Valley Code Camp

Source: livinghistories.newcastle.edu.au/nodes/view/8562

 

This photograph is from an album created by Lt Thomas Gerald George Fahey who served in the Australian Light Horse in the Middle East during World War 1. Our thanks to Mr Tom Robinson for allowing us to scan and upload this photograph.

 

If you wish to use it for anything other than private study or research, please contact us.

La Boheme - Giacomo Puccini - English National Opera - 29th April 2013..Marcello - Richard Burkhard.Rodolfo - Gwyn Hughes Jones.Colline - Andrew Craig Brown.Schaunard - Duncan Rock.Benoit - Simon Butteriss.Mimi - Kate Valentine.Parpignol - Philip Daggett.Musetta - Angel Blue.Alcindoro - Simon Butteriss.Policeman - Paul Sheehan.Foreman - Andrew Tinkler..Conductor - Oleg Caetani.Original Director - Jonathan Miller.Revival Director - Natascha Metherell.Designer - Isabella Bywater.Lighting - Jean Kalman

Ribbing supporting the shells of the Opera House.

Ópera Nacional, Paris Junio 2012

The Vienna State Opera (Wiener Staatsoper) is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera (Wiener Hofoper); in 1920, it was renamed the Vienna State Opera. The members of the Vienna Philharmonic are recruited from its orchestra.

The building was the first major building on the Vienna Ringstraße commissioned by the controversial Viennese "city expansion fund". Work commenced on the building in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll, who lived together in the 6. Bezirk. It was built in the Neo-Renaissance style.

The Ministry of the Interior had commissioned a number of reports into the availability of certain building materials, with the result that stones long not seen in Vienna were used, such as Wöllersdorfer Stein, for plinths and free-standing, simply-divided buttresses, the famously hard stone from Kaisersteinbruch, whose colour was more appropriate than that of Kelheimerstein, for more lushly decorated parts. The somewhat coarser-grained Kelheimerstein (also known as Solnhof Plattenstein) was intended as the main stone to be used in the building of the opera house, but the necessary quantity was not deliverable. Breitenbrunner stone was suggested as a substitute for the Kelheimer stone, and stone from Jois was used as a cheaper alternative to the Kaiserstein. The staircases were constructed from polished Kaiserstein, while most of the rest of the interior was decorated with varieties of marble.

The decision was made to use dimension stone for the exterior of the building. Due to the monumental demand for stone, stone from Sóskút, widely used in Budapest, was also used. Three Viennese masonry companies were employed to supply enough masonry labour: Eduard Hauser (still in existence today), Anton Wasserburger and Moritz Pranter. The foundation stone was laid on May 20, 1863.

 

from Wikipedia source

Surf life savers projected on to the Sydney Opera House, can't get much more Australian than that.

Salle de spectacle / The Auditorium. Charles Garnier built the auditorium in the tradition of an Italian theatre. Shaped like a horseshoe, the stalls are overlooked by several tiers of boxes and balconies allowing as much to see as be seen

Opera @ 寶藏巖

Academy of Music

Philadelphia, PA

 

Photo by Steven Pisano

Perelman Theater

Kimmel Center

Philadelphia

 

Photo by Steven Pisano

Karte der Nächtigungen Österreichs im Browser Opera Mobile und in der Opera-Desktopversion (im Hintergrund).

Paper airplanes thrown by Ping, Pang, and Pong.

 

The Portland Opera occasionally invites cartoonists to come sketch their impressions of a new show.

 

This round was Puccini's Turandot.

 

The set was VERY purple!

Perelman Theater

Kimmel Center

Philadelphia

 

Photo by Steven Pisano

Giuseppe Verdi Aida

 

Musical Director and Conductor: Valery Gergiev

Stage Director: Daniele Finzi Pasca

Production Concept: Daniele Finzi Pasca and Julie Hamelin

Set Designer: Jean Rabasse

Lighting Designer: Daniele Finzi Pasca and Alexis Bowles

Video Designer: Roberto Vitalini, BASHIBA

Costume Designer: Giovanna Buzzi

Props Designer: Hugo Gargiulo

Make-Up Designer: Chiqui Barbé

 

14 June 2011

Mariinsky Concert Hall, St Petersburg, Russia

 

Photos: © Mariinsky Theatre | Natasha Razina

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