View allAll Photos Tagged Opera
Vlad Troitsky before looks on press-show of opera "Koriolan“ at “KPI” Art and Culture Centre, Kyiv, Ukraine
The Oslo Opera House
Rolleiflex 2.8E3, TMX, EI 100, Caffenol-C-MRS 14min @ 20C
Regular C-C-M with Reduced Sodium carbonate content, 40g/l vs 54g/l normally.
Opera House Ripon - the outside walls of the auditorium block with a new roof, following a fire over 30 years ago, now form a warehouse with no internal features of the theatre remaining.
Ripon Opera House
March 2012
WiiインターネットチャンネルことWii Opera Betaでopera:aboutを表示させてみた。バージョンは9.00、Buildは1309-9で、プラットフォームはNintendo Wiiらしい。
This is a completed commission for midwinterwriter, who asked me to re-create the 'Mirror' nightgown ensemble worn by Emmy Rossum in the 2004 'Phantom of the Opera' movie.
Here you can see some of the detail on the front of the trained robe, which was made from very lightly teastained cheesecloth and finished with broderie anglaise (both ruffled and straight), peach coloured ribbon, and tiny ribbon flowers.
The rest of the outfit includes a lace split skirt and camisole, and a late Victorian style satin corset.
L'Opéra de Shanghai (ou Grand Théâtre) a été réalisé en 1998 par l'architecte français J-M Charpentier, son rideau de scène ayant été conçu par O Debré. Il est situé sur la Place du Peuple, dans le quartier de Puxi, à proximité de la Mairie, du musée des beaux-arts, du musée d'Urbanisme et du musée de Shanghai. Il renferme 3 scènes : l'une de 1800 places pour les ballets et opéras, un auditorium de 600 places pour les orchestres et un plus petit de 200 places pour les autres manifestations.
A l'arrière plan, la tour Tomorrow Square est un gratte-ciel multifonctions de 238 m et 55 étages construit en 2003, abritant notamment un hôtel de la chaîne Marriott (cf. wikipédia).
This is a completed commission for midwinterwriter, who asked me to re-create the 'Mirror' nightgown ensemble worn by Emmy Rossum in the 2004 'Phantom of the Opera' movie.
This skirt is made from very lightly teastianed lace with a muslin underlayer to prevent it from becoming entirely transparent.
The rest of the outfit includes a lace camisole, satin corset, and muslin robe.
Opera glasses were made as early as 1730 in the form of a telescope. Binocular opera glasses did not begin to appear until the early 19th century. It was around this time that they began to gain popularity, and by the 1850s they were a fashion accessory that opera and theatre goers had to have. These Mother of Pearl glasses were made around the late 19th century by Colmont in Paris. Colmont was a company that produced military and civilian optical eye-wear during the 19th and 20th centuries.
Sydney Opera House, NSW Australia
Best viewed large www.flickr.com/photos/spool/3902606287/sizes/o/
Canon 5D Mrk II
f/2.8 70-200
Singhray reverse grad
3 Image Stitch @ 200mm
F/11
1.6 sec
My photography blog Spool Photography Blog
Most of my images are for sale, some are limited edition numbers of 60 and some open / stock editions.
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The Sydney Opera House is an expressionist modern design, with a series of large precast concrete 'shells', each taken from a hemisphere of the same radius, forming the roofs of the structure. The Opera House covers 1.8 hectares (4.5 acres) of land. It is 183 metres (605 feet) long and about 120 metres (388 feet) wide at its widest point. It is supported on 580 concrete piers sunk up to 25 metres below sea level. Its power supply is equivalent for a town of 25,000 people. The power is distributed by 645 kilometres of electrical cable.
The roofs of the House are covered with 1.056 million glossy white and matte cream Swedish-made tiles, though from a distance the tiles look only white. Despite their self-cleaning nature, they are still subject to periodic maintenance and replacement.
The Concert Hall and Opera Theatre are each contained in the two largest groups of shells, and the other theatres are located on the sides of the shell groupings. The form of the shells is chosen to reflect the internal height requirements, rising from the low entrance spaces, over the seating areas and up to the high stage towers. A much smaller group of shells set to one side of the Monumental steps and houses the Bennelong Restaurant.
Although the roof structures of the Sydney Opera House are commonly referred to as shells (as they are in this article), they are in fact not shells in a strictly structural sense, but are instead precast concrete panels supported by precast concrete ribs. The building's interior is composed of pink granite quarried in Tarana and wood and brush box plywood supplied from northern New South Wales.
Phantom of the Opera Singapore 2007
I was there TWICE and both experience was great. I'm their super fans!
Leipzig Opera House
Please don't use and don't link this images on websites, blogs or other media without my explicit permission. © www.wassewitz.de. All rights reserved.
Performed by the Telok Blangah Senior Citizens Centre Cantonese Opera Interest Group at the Telok Blangah Community Club Hall
The Opera Guild’s Talking Opera series concluded last night at the beautiful Fenimore Art Museum with Abby Kreh Gibson and Guild President Tom Simpson (right) discussing Verdi’s Aida, which kicks off the 2012 Festival. It was particularly relevant that this talk occurred at Fenimore because the museum is presenting an exhibit of costumes related to the season, which includes costumes from Aida and Armide productions at the Metropolitan Opera. Abby and Tom went through the opera, relaying information about Verdi himself and the opera and how it focuses on themes of patriotism and the father-daughter relationship. After the talk, snacks were provided and the complementary Fenimore exhibits were open to those who attended.
William M. Brown
The Major Domo (spoken role): Ingeborga Dapkūnaitė
Richard Strauss Ariadne auf Naxos
Opera in one act with prologue
Musical Director: Valery Gergiev
Director: Michael Sturminger
Costumes and Set Designers: Renate Martin & Andreas Donhauser
Mariinsky Concert Hall, St Petersburg, Russia
8 March 2011
© Mariinsky Theatre | Natasha Razina
The Marriage of Figaro, K. 492, is an opera buffa in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. Wikipedia
Composer: Wolfgang Amadeus Mozart
Librettist: Lorenzo Da Ponte
Language: Italian
Arias: Non più andrai, Se vuol ballare
Characters: Figaro, Conde de Almaviva, Don Curzio,
Wikipedia
Latest 2019 Events at the Bristol Opera House. Elkhart Civic Theatre's ECTeam Youth Theatre will be performing The Ransom of Miss Elverna Dower, January 18, 19 and 20 at the Bristol Opera House. The comedy, directed by Annette Kaczanowski, assisted by Sara Hicks and Penny Shoup, asks the question: If somebody kidnapped your least favorite teacher, would you want her back? In an award-winning comedic tale loosely based on O. Henry’s classic story, The Ransom of Red Chief, Casey and Tim nab their demanding English teacher to avoid having to take a test, but they find out that no one wants to pay the ransom! Don't miss this great ECTeam production! On Jan. 26, 2019 at 7:30pm at the Bristol Opera House, Ms. Deirdre (Dede) Lovejoy presents her one-woman play, “Bird Elephant China: Things I remembered when I forgot myself.” She is a former Elkhart resident and ECT performer who has gone on to roles on Broadway, television and motion pictures. Her play is about her experiences following an automobile accident that cause physical injury and temporary memory problems. Don’t miss this unique show with an after show reception and a chance to meet Ms. Lovejoy.
Local Accession Number: 06_11_001279
Title: Opera house
Genre: Stereographs; Photographic prints
Date issued: 1850-1920 (approximate)
Physical description: 1 photographic print on stereo card : stereograph ; 9 x 18 cm.
General notes: Title from handwritten text on verso.; Part of series: Providence views.
Date notes: Date supplied by cataloger.
Subjects: Opera houses
Collection: Stereographs
Location: Boston Public Library, Print Department
Shelf locator: Public buildings
Rights: No known copyright restrictions.
The Opera House in Quay Street, Manchester, England, is a 1,920-seater commercial touring theatre that plays host to touring musicals, ballet, concerts and a Christmas pantomime. It is a Grade II listed building. The Opera House is one of the main theatres in Manchester, England. Wikipedia
Address: 3 Quay St, Manchester M3 3HP
© 2018 Tony Worrall
The Vienna State Opera (Wiener Staatsoper) is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera (Wiener Hofoper); in 1920, it was renamed the Vienna State Opera. The members of the Vienna Philharmonic are recruited from its orchestra.
The building was the first major building on the Vienna Ringstraße commissioned by the controversial Viennese "city expansion fund". Work commenced on the building in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll, who lived together in the 6. Bezirk. It was built in the Neo-Renaissance style.
The Ministry of the Interior had commissioned a number of reports into the availability of certain building materials, with the result that stones long not seen in Vienna were used, such as Wöllersdorfer Stein, for plinths and free-standing, simply-divided buttresses, the famously hard stone from Kaisersteinbruch, whose colour was more appropriate than that of Kelheimerstein, for more lushly decorated parts. The somewhat coarser-grained Kelheimerstein (also known as Solnhof Plattenstein) was intended as the main stone to be used in the building of the opera house, but the necessary quantity was not deliverable. Breitenbrunner stone was suggested as a substitute for the Kelheimer stone, and stone from Jois was used as a cheaper alternative to the Kaiserstein. The staircases were constructed from polished Kaiserstein, while most of the rest of the interior was decorated with varieties of marble.
The decision was made to use dimension stone for the exterior of the building. Due to the monumental demand for stone, stone from Sóskút, widely used in Budapest, was also used. Three Viennese masonry companies were employed to supply enough masonry labour: Eduard Hauser (still in existence today), Anton Wasserburger and Moritz Pranter. The foundation stone was laid on May 20, 1863.
from Wikipedia source
The Vienna State Opera (Wiener Staatsoper) is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera (Wiener Hofoper); in 1920, it was renamed the Vienna State Opera. The members of the Vienna Philharmonic are recruited from its orchestra.
The building was the first major building on the Vienna Ringstraße commissioned by the controversial Viennese "city expansion fund". Work commenced on the building in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll, who lived together in the 6. Bezirk. It was built in the Neo-Renaissance style.
The Ministry of the Interior had commissioned a number of reports into the availability of certain building materials, with the result that stones long not seen in Vienna were used, such as Wöllersdorfer Stein, for plinths and free-standing, simply-divided buttresses, the famously hard stone from Kaisersteinbruch, whose colour was more appropriate than that of Kelheimerstein, for more lushly decorated parts. The somewhat coarser-grained Kelheimerstein (also known as Solnhof Plattenstein) was intended as the main stone to be used in the building of the opera house, but the necessary quantity was not deliverable. Breitenbrunner stone was suggested as a substitute for the Kelheimer stone, and stone from Jois was used as a cheaper alternative to the Kaiserstein. The staircases were constructed from polished Kaiserstein, while most of the rest of the interior was decorated with varieties of marble.
The decision was made to use dimension stone for the exterior of the building. Due to the monumental demand for stone, stone from Sóskút, widely used in Budapest, was also used. Three Viennese masonry companies were employed to supply enough masonry labour: Eduard Hauser (still in existence today), Anton Wasserburger and Moritz Pranter. The foundation stone was laid on May 20, 1863.
from Wikipedia source