View allAll Photos Tagged Offset_Printing
Photographer - Paul Sherwood paul@sherwood.ie 087 230 9096.Irish Printer Awards, Crowne Plaza Hotel, Santry. November 2018.8.Sheetfed Colour Offset Printing ( sponsored by Heidelberg) - Business Print... .Pictured James Todd, Sales Director of Heidelberg with John King, John O’Rourke and Kieran Finegan from Business Print who were awarded the Sheetfed Colour Offset Printing sponsored by Heidelberg at the 41st Annual Irish Print Awards held at Crowne Plaza Hotel,Northwood, Dublin on 30th November 2018. The black-tie gala ceremony where professionals from across the print industry celebrated the best in their industry. The 2018 Irish Print Awards aim to recognise the country’s best companies in the print and press sector....For a full list of winners go to www.irishprinter.ie/awards...For all media enquiries, please contact Kathryn Doyle, Ashville Media Telephone: 01 4322226 / 01 4322200 or email kathryn.doyle@ashvillemediagroup.com.
Luke Ramsey is awesome. He creates beautiful, intricate pieces of artwork that include zines, murals, paintings and prints. He also runs Islands Fold, an independent publisher and artist residency in B.C., Canada.
We ran into Luke last summer at the Portland Zine Symposium, and saw him sketching in a Scout Book! Quickly gave him another, and within weeks he had filled it up and sent us images. At long last, here is what the fantastic Luke Ramsey did with the 32 grid pages of a Scout Book.
Awesome! Thanks, Luke.
The “desk” I have in this hotel room is just about twice the size of the drawing pad. ;)
In other news, drawing (not writing) something that's supposed to be super light and monoline (but bolder than the pens you have) is pretty hard. I know it's too tight, btw.
TypeCooker «class» recipe:
width: wide
weight: extra light
construction: italic
stroke endings: rounded, no serif
ascender: longer than normal
descender: longer than normal
contrast type: translation (broad nib)
contrast amount: no visible contrast
stems: straight
intended application: smooth offset printing
Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around, the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists and the shitty art museums ... perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable!
The Slanted team wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. They would also have liked to see David Hockney, who fled the austerity and gray oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.
They hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. They spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra, and a number of other luminaries.
Illustrations, interviews, essays, and a huge appendix with many useful tips and the best Californian typefaces complement the issue thematically.
Slanted Magazine #35—L.A. comes along with contributions by Abstract Office, Another Human, Benjamin Critton Art Department, Caleb Boyles, Brand New School, BUCK, Burning Settlers Cabin, Kat Catmur, Counterspace, ELLA, Emigre, Raymundo T. Reynoso a.k.a. Eyeone, Ed Fella, Folder Studio, Forth + Back, Jens Gehlhaar, Shawn Ghassemitari, Ella Gold, Denise Gonzales Crisp, Green Dragon Office, Escher GuneWardena, Jamal Gunn Becker, Happening Studio, David Hartwell, Headline Records, Hennessey + Ingalls, Inventory Form & Content, Bijou Karman, David Karwan, Mr. Keedy, Udo Kier, Kevin Kim, Knowledge Design Lab, Lux Typographic + Design, LSD, Ian Lynam, MCKL, Maria Menshikova, National Forest, Kali Nikitas, nohawk, Hyu Oh, OH no Type Co., OOG Creative, Ara Oshagan, Hrant H. Papazian, Alex Pines, poly-mode, Robo, Zack Rosebrugh, Brian Roettinger, SEEN, Justin Hunt Sloane, Some All None, Still Room, Stink Studios, Studio BLDG, Daniel Sulzberg, Gail Swanlund, TOLO Architecture, Use All Five, Dameon Waggoner, Jiaqi Wang, and Yours Truly Creative.
Slanted Magazine #35—L.A.
Publisher: Slanted Publishers
Release: May 2020
Volume: 256 pages
Format: 16 × 24 × 2 cm
Language: English
Offset Printing: Stober
Silkscreen Printing: Seismografics
Paper: PERGRAPHICA® by Mondi Group
Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around, the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists and the shitty art museums ... perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable!
The Slanted team wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. They would also have liked to see David Hockney, who fled the austerity and gray oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.
They hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. They spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra, and a number of other luminaries.
Illustrations, interviews, essays, and a huge appendix with many useful tips and the best Californian typefaces complement the issue thematically.
Slanted Magazine #35—L.A. comes along with contributions by Abstract Office, Another Human, Benjamin Critton Art Department, Caleb Boyles, Brand New School, BUCK, Burning Settlers Cabin, Kat Catmur, Counterspace, ELLA, Emigre, Raymundo T. Reynoso a.k.a. Eyeone, Ed Fella, Folder Studio, Forth + Back, Jens Gehlhaar, Shawn Ghassemitari, Ella Gold, Denise Gonzales Crisp, Green Dragon Office, Escher GuneWardena, Jamal Gunn Becker, Happening Studio, David Hartwell, Headline Records, Hennessey + Ingalls, Inventory Form & Content, Bijou Karman, David Karwan, Mr. Keedy, Udo Kier, Kevin Kim, Knowledge Design Lab, Lux Typographic + Design, LSD, Ian Lynam, MCKL, Maria Menshikova, National Forest, Kali Nikitas, nohawk, Hyu Oh, OH no Type Co., OOG Creative, Ara Oshagan, Hrant H. Papazian, Alex Pines, poly-mode, Robo, Zack Rosebrugh, Brian Roettinger, SEEN, Justin Hunt Sloane, Some All None, Still Room, Stink Studios, Studio BLDG, Daniel Sulzberg, Gail Swanlund, TOLO Architecture, Use All Five, Dameon Waggoner, Jiaqi Wang, and Yours Truly Creative.
Slanted Magazine #35—L.A.
Publisher: Slanted Publishers
Release: May 2020
Volume: 256 pages
Format: 16 × 24 × 2 cm
Language: English
Offset Printing: Stober
Silkscreen Printing: Seismografics
Paper: PERGRAPHICA® by Mondi Group
18 x 24 print of No.7 for sale at ericfreitas.com.
The final invested time came to around 1000 hours. The piece weighs over 100 lbs, and put quite a dent in my bank account. Sometimes it was tough to keep going on this one. When you're all by yourself, working really hard on something in an almost obsessive way, you can start to doubt your sanity. Now that It's done my sanity, the expense, the acceptance of the design or the sellability of the piece are irrelevant. It's a huge personal success for me to see a project like this to the end, and I'm happy to have it in my house.
Trust me when I say that there isn't a photo possible that can replace the experience of visually exploring this one. I've taken a handful of shots, but there's details, inside and out, that some people may never notice. The element of this clock that really made my arm work, and really stole the hours away, was the plates. I've never (and may never again) carved up metal that thick before, and I've never poured that much contouring per-square-inch into a surface before. It was a lot of grinding, but the result is a frame that has the accuracy of machining, with the free formed contouring of a casting. On top of that, I discovered a new element during the creation process that I really like, and will use again in future pieces. It's the clusters of screws, accumulating in almost barnacle-like fashion throughout the frame. It really adds detail, and texture to the surface; and it contributes to blurring the line between organic repetition and mechanical repetition. What I've definitely found up to this point is that the two fit very nicely together; better than expected I think. While I may make things that are more clear in form or narrative in the future, I like that the look of this one is a little more cryptic. You can't perfectly piece together a clock that once was, and it's not very logical why a given area is growing or decaying; it all just sort of happens in this strange flow of implied change.
I took the time to get a really good straight on shot of this clock so that an 18 x 24 poster could be made. I didn't want to have to enlarge the image in photoshop, because you end up with a soft image, and I wanted all of the detail in the gears to show up nice and crisp. To get the proper resolution for offset printing that size the file needs to be over 7000 pixels wide. If you own a digital camera you're most likely aware of how huge that is. I had to rent some professional equipment to pull it off, but it came out great!
A print of a full image of the clock is available in the shop on my site.
This deck of eight pocket postcards features enchanting work by Duy Huynh! Lark and Key is a Charlotte, North Carolina boutique and gallery.
Environment 120# Cover White, Pantone CMYK soy-based inks.
The wonderfully creative Emily Martin, aka The Black Apple, is a jill of all trades. We interviewed her as part of our Designer Highlight series over on our blog, CoinOp. Check it out!
Fall Letterpress Wedding Invitation
30 pt recycled chipboard - Imported Italian copper paper and envelope - Chocolate and copper vegetable based inks - brass rivets
by appt. only Chicago, IL
email info@lambertletterpress.com or call 773.283.4988 for a custom quote. We can do offset printing if you are looking for a more economical invitation.
photo bill lambert / erickson design
Los Angeles is the opposite of our old metropolises. The sprawling multi-dimensionality is alien, and for many, gets on our nerves: the tangled network of highways and the constant driving around, the emphasized nonchalance and never ending optimism of everyone, the sunny weather, the ingenious modernist architecture, the film industry, the tourists and the shitty art museums ... perhaps, just perhaps everything about this city gets on our nerves. Despite, or maybe because of all of this, L.A. is a fucking awesome city, both in the Biblical sense and the slang sense. This staggering awesomeness is fucking undeniable!
The Slanted team wanted to meet Ed Ruscha to talk about his mysteriously seductive and motionless-looking reductive paintings. Unfortunately it didn’t work out, but his piece “Hollywood is a verb” inspired the three different titles/cover variations of this issue. They would also have liked to see David Hockney, who fled the austerity and gray oppression of England (an early Brexit) to Los Angeles to discover a sunny and hedonistic city. No dice there, either. But hey!, in a town like L.A. and on a production like Slanted’s, not everything has to work out. Often, the best things happen when they’re not planned, just as they did here.
They hung out with the wonderful actor Udo Kier and learned a lot about Hollywood and his life. They spent a superb evening with Sarah Lorenzen and her husband, photographer David Hartwell, who meticulously restored the Neutra VDL Studio and Residences, the home of architect Richard Neutra, and a number of other luminaries.
Illustrations, interviews, essays, and a huge appendix with many useful tips and the best Californian typefaces complement the issue thematically.
Slanted Magazine #35—L.A. comes along with contributions by Abstract Office, Another Human, Benjamin Critton Art Department, Caleb Boyles, Brand New School, BUCK, Burning Settlers Cabin, Kat Catmur, Counterspace, ELLA, Emigre, Raymundo T. Reynoso a.k.a. Eyeone, Ed Fella, Folder Studio, Forth + Back, Jens Gehlhaar, Shawn Ghassemitari, Ella Gold, Denise Gonzales Crisp, Green Dragon Office, Escher GuneWardena, Jamal Gunn Becker, Happening Studio, David Hartwell, Headline Records, Hennessey + Ingalls, Inventory Form & Content, Bijou Karman, David Karwan, Mr. Keedy, Udo Kier, Kevin Kim, Knowledge Design Lab, Lux Typographic + Design, LSD, Ian Lynam, MCKL, Maria Menshikova, National Forest, Kali Nikitas, nohawk, Hyu Oh, OH no Type Co., OOG Creative, Ara Oshagan, Hrant H. Papazian, Alex Pines, poly-mode, Robo, Zack Rosebrugh, Brian Roettinger, SEEN, Justin Hunt Sloane, Some All None, Still Room, Stink Studios, Studio BLDG, Daniel Sulzberg, Gail Swanlund, TOLO Architecture, Use All Five, Dameon Waggoner, Jiaqi Wang, and Yours Truly Creative.
Slanted Magazine #35—L.A.
Publisher: Slanted Publishers
Release: May 2020
Volume: 256 pages
Format: 16 × 24 × 2 cm
Language: English
Offset Printing: Stober
Silkscreen Printing: Seismografics
Paper: PERGRAPHICA® by Mondi Group
To achieve this look, we used letterpress and offset printing. The main card, matching envelope, "bee" escort card and favor tags were letterpressed onto Mohawk's Genesis Husk paper. The tri-fold wrap around the main 5x7 card was printed on a similar color stock paper, but it had a woven texture to it – French Paper Company's Speckletone Cream Cordtone. The surface contrast between the smooth and patchwork pattern is just lovely. I am not sure if the photos do it justice, but there is so much subtle detail to the overall invite from the printing to the specialty paper.
To see more custom design projects, visit www.designwithchon.com
Like me on Facebook! www.facebook.com/DesignWithChon
.............................
Design With Chon (DWC), a boutique design studio with defined niches in (1) visual communication, (2) event design and (3) interiors. Each of these industries are huge in themselves, but DWC has an understanding that bridges them together — color, balance, texture, order and a good eye for design. DWC’s goal is to achieve good design in all its various forms, whether it’s from the branding of your business to saying “I do” to transforming a dwelling in your home. Let me, “Chon," be your go-to person for good design, color, great photography and art. A balanced environment makes you feel good, and I am here to inspire your surroundings.
If you’re interested in sharing an idea or a project, drop me a line at designwithchon[at]gmail.com to start the conversation.
©Design With Chon. All Rights Reserved.
18 x 24 print of No.7 for sale at ericfreitas.com.
The final invested time came to around 1000 hours. The piece weighs over 100 lbs, and put quite a dent in my bank account. Sometimes it was tough to keep going on this one. When you're all by yourself, working really hard on something in an almost obsessive way, you can start to doubt your sanity. Now that It's done my sanity, the expense, the acceptance of the design or the sellability of the piece are irrelevant. It's a huge personal success for me to see a project like this to the end, and I'm happy to have it in my house.
Trust me when I say that there isn't a photo possible that can replace the experience of visually exploring this one. I've taken a handful of shots, but there's details, inside and out, that some people may never notice. The element of this clock that really made my arm work, and really stole the hours away, was the plates. I've never (and may never again) carved up metal that thick before, and I've never poured that much contouring per-square-inch into a surface before. It was a lot of grinding, but the result is a frame that has the accuracy of machining, with the free formed contouring of a casting. On top of that, I discovered a new element during the creation process that I really like, and will use again in future pieces. It's the clusters of screws, accumulating in almost barnacle-like fashion throughout the frame. It really adds detail, and texture to the surface; and it contributes to blurring the line between organic repetition and mechanical repetition. What I've definitely found up to this point is that the two fit very nicely together; better than expected I think. While I may make things that are more clear in form or narrative in the future, I like that the look of this one is a little more cryptic. You can't perfectly piece together a clock that once was, and it's not very logical why a given area is growing or decaying; it all just sort of happens in this strange flow of implied change.
I took the time to get a really good straight on shot of this clock so that an 18 x 24 poster could be made. I didn't want to have to enlarge the image in photoshop, because you end up with a soft image, and I wanted all of the detail in the gears to show up nice and crisp. To get the proper resolution for offset printing that size the file needs to be over 7000 pixels wide. If you own a digital camera you're most likely aware of how huge that is. I had to rent some professional equipment to pull it off, but it came out great!
A print of a full image of the clock is available in the shop on my site.
We are really loving these metallic-gold-and-black designs by Portland-based Ada Mayer. In addition to being a skilled designer, she has an accessories and jewelry line called Immortal.
Everything she makes is so beautiful!
Based in San Francisco, Ammunition Group was founded by industrial designer and product development entrepreneur Robert Brunner. Ammunition specializes in product, graphic and interaction design "dedicated to bringing experiences that matter to market". They have over 25 years of experience among their team and recently made Fast Company's top 5 Most Innovative Companies in the Design category.
When the rubber traction device didn't work, i thought i might be able to add teeth by using a small section of micro-perf rule, a flexible material that is adhered to the blanket in offset printing for making perforations. Unfortunately (or perhaps fortunately), I managed to break one of the splined pins that holds the original parts together. What a perfect opportunity!
I collected a few sizes of brass rod and tubing (K&S Engineering). The .081" rod was an excellent match to the original small end of the shaft, which fits into a pivot point at the bottom. Sections of 2mm tube with a wall thickness of .45mm were cut to length and soldered onto the rod. The original traction device is 2 sets of tiny toothed wheels between 2 small washers. I placed them on my 2mm rod, spaced by the 2mm tube, and held in place by two more stub sections of tube.. Before I did the final soldering, I added a section of 3mm tube over the 2mm center section, to help stiffen the shaft, and to give a better leveling surface to keep the traction wheel sets straight. The rod was left long until all soldering was completed, giving me something to clamp in a vice to steady the work.
DSC_4949nef
Redscout helps brands realize their potential. These limited-edition notebooks were printed in two Pantone soy-based ink colors on 100% recycled chipboard, and feature grid interiors on Dur-o-tone aged Newsprint text weight paper.
French torpedo boat destroyers, including Tromblon (T) and Belier (BL), in Brest harbour.
Aft of Tromblon is the torpedo boat destroyer Stylet.
This image was produced from a series of original negatives used to promote the French Fleet of that era. Most of the negatives in this collection received retouching modifications for contemporary postcard or offset printing processes. The retouching was carried out to facilitate or improve the negatives tonal range for the printing process. Some enhancements such as fake clouds, waves, smoke and highlights might still be seen in this reproduction from those negatives.
Please go here to see more
www.flickr.com/photos/69559277@N04/sets/72157628124846134...
33 Wines from Dave Selden and 33 Books hits the Scout Books shop!
Record your adventures in wine tasting in this handy pocket notebook. Explore 33 Wines in this photo set, and find the books at the Scout Books website.
Design by Dave Selden. Manufactured in Portland, Oregon by Scout Books.
Cover: Chipboard 20pt. Kraft, Pantone soy-based inks
Interior: Quinault 70# Text White, Pantone soy-based ink
Binding: Saddle-stitch
Finishing: 1/4" Rounded corners
Specs: 3.5" x 5", 32 interior pages
Print version of a conference by designer Ben Terrett, this leaflet is our first offset printing item. Wondering about the designer’s role in a time when sustainability issues urge us to produce less stuff, he brings solutions for growing a design business while reducing pollution.
Design details:
print by award-winner Escourbiac printers
text in English on one side, in French on the other side
We teamed up with Bryony and Armin from Under Consideration to produce custom Scout Books for their Brand New Conference taking place today in New York.
These Scout Books are a terrific example of the power of overprinting. Two colors of ink combine to create a variety of tones, making for an fun and useful conference giveaway.
Mistral torpedo boats, from left, Siroco, Trombe and Audacieux, at Brest, France.
The depot ship in the background is the FR Navarin, the main centre for the mobile defences at the Mechanics School.
This image was produced from a series of original negatives used to promote the French Fleet of that era. Most of the negatives in this collection received retouching modifications for contemporary postcard or offset printing processes. The retouching was carried out to facilitate or improve the negatives tonal range for the printing process. Some enhancements such as fake clouds, waves, smoke and highlights might still be seen in this reproduction from those negatives.
Please go here to see more
www.flickr.com/photos/69559277@N04/sets/72157628124846134...
CZECH CUBISM 1909–1925
Jiří Švestka & Tomáš Vlček
This detailed and extensive book depicts the Czech Cubist movement. The book was originally published in 1991 in Czech and German to accompany an exhibition on Czech Cubism in Dusseldorf. The entire print run sold out almost immediately. Now for the first time the book is available in English.
ENGLISH edition
Hardcover 255 × 310 mm, 10 x 12.2 in
450 pages, 750 reproductions
High quality offset printing
Texts: J. Švestka, T. Vlček
ISBN 8023966596
Co-Published by Modernista
ENGLISH
Czech Cubism was born around 1910 in Prague when a group of young avant-garde designers transferred the Cubist principles of the paintings of Braque and Picasso to architecture, furniture and decorative objects. The Czech Cubist movement is seen as one of the main influences on the modernist style that emerged in the 1920s.
FRANÇAIS
Le cubisme tchèque est né vers 1910 à Prague, quand un groupe de jeunes avant-gardistes a transféré les principes cubistes de la peinture de Braque et de Picasso à des objets d'architecture, de mobilier et de décoration. Le mouvement cubiste tchèque est considérée comme l'une des principales influences sur le style moderniste qui a émergé dans les années 1920.
ČESKY
Český kubismus je světově unikátní umělecký styl, který vznikl v Praze na konci prvního desetiletí 20. století. Skupina mladých umělců začala aplikovat umělecké postupy kubismu francouzských malířů Picassa a Braqua v oblasti architektury a designu předmětů. Kniha Czech Cubism představuje český kubismus v celé jeho šíři.
DEUTSCH
Der tschechischer Kubismus entstand um 1910 in Prag. Eine Gruppe junger Avantgardedesignern übertrug die kubistischen Prinzipien der Malerei von Braque und Picasso auf die Architektur, auf Möbel und dekorative Gegenstände. Das Buch präsentiert den tschechischen Kubismus in seiner ganzen Vielfältigkeit.
EDITION LIDU | Art Books Publisher
Order our books at:
© 2011, edition lidu and respective authors. All rights reserved.
Mia Nolting is a Portland-based artist, illustrator and designer. She filled this Scout Book with page after page of illustration, collage, typography and musings. We're impressed.
The Scout Book cover was designed by Bwana Spoons, another Portland-based artist.
What do you fill your Scout Books with? Share the creative goodness that takes place in your 32-page pocket notebooks and add your images to our flickr pool: Show Us Your Scout Book Flickr Pool.
Stay tuned: we interviewed Mia for our soon-to-be-released Scout Books blog! Awesome!
33 Wines from Dave Selden and 33 Books hits the Scout Books shop!
Record your adventures in wine tasting in this handy pocket notebook. Explore 33 Wines in this photo set, and find the books at the Scout Books website.
Design by Dave Selden. Manufactured in Portland, Oregon by Scout Books.
Cover: Chipboard 20pt. Kraft, Pantone soy-based inks
Interior: Quinault 70# Text White, Pantone soy-based ink
Binding: Saddle-stitch
Finishing: 1/4" Rounded corners
Specs: 3.5" x 5", 32 interior pages
4 Print Advertising Agency
Sheraton Rd., opp Gad Restaurant, Beside Spring Tours, In Front Of Sherry St., Sekala, Hurghada , red sea
Tel: 065-3442147, 0106-2050001, 01016826654 , 0127-2226584
Fax: 065-3442147
4Print is an advertising agency in Hurghada & the Red Sea specialized in indoor, outdoor & offset printing including cards, flyers, brochures & commercial publications, exhibition booths, copper, plastic & stainless letters, indoor & outdoor signage, LEDs, promotional gifts, web design, graphic design, brand design, road signs, web ads, acrylic & Alucomat.
Art Masters Apparel
Perth Amboy, NJ, 08861
(732) 226-8545
Art Masters Apparel is printing company, which provides Offset Printing, T-Shirt Printing, Apparel Printing Services at the area of Perth Amboy NJ. Call us for more information.
Printing, Printing Contractor, Offset Printing, Printing Services, T-Shirt Printing, Apparel Printing Services, Print Shop, Accessories Printing, Printing Company.
Fritz Mesenbrink designed these stunning punch cards for Stumptown's new NYC location in the Ace Hotel.
We printed up these sleek, simple business envelopes for Portland's alternative weekly, the Willamette Week.
Staniszewski, Cezary. Diagnosis. Berlin: Rainer Verlag, 1989.
Offset printing, perfect binding, paperback.
See MCAD Library's catalog record for this book.
Staniszewski, Cezary. Diagnosis. Berlin: Rainer Verlag, 1989.
Offset printing, perfect binding, paperback.
See MCAD Library's catalog record for this book.
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/4165308925
Share this photo on: facebook • twitter • more...
Ball graining lithography machine - Print shop (India)
The machine gives a surface grain to the offset printing plates by the impact of small steel balls or pebbles driving an abrasive against the plates.
When I took the photo I was not sure exactly what this machine was, but it was moving making a lot of noise, and the metal balls that you see are moving over some printing plates. See a video of a similar machine in action.
I took this and those other photos in a small Print Shop / Book Editor in Delhi, called Jayyed Press.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Oppenheim, Dennis. Indentations. Amsterdam: Galerie Yaki Kornblit, 1974.
See MCAD Library's catalog record for this book.
Tsilli Pines is a Portland-based creative wonder. She shared her thoughts on some of her newest projects, Alef Betty and New Kabutah, in a new Designer Highlight interview over on CoinOp.
We're pleased to share it with you.
Photographer - Paul Sherwood paul@sherwood.ie 087 230 9096.Irish Printer Awards, Crowne Plaza Hotel, Santry. November 2018.8.Sheetfed Colour Offset Printing ( sponsored by Heidelberg) - Business Print... .Pictured James Todd, Sales Director of Heidelberg with John King, John O’Rourke and Kieran Finegan from Business Print who were awarded the Sheetfed Colour Offset Printing sponsored by Heidelberg at the 41st Annual Irish Print Awards held at Crowne Plaza Hotel,Northwood, Dublin on 30th November 2018. The black-tie gala ceremony where professionals from across the print industry celebrated the best in their industry. The 2018 Irish Print Awards aim to recognise the country’s best companies in the print and press sector....For a full list of winners go to www.irishprinter.ie/awards...For all media enquiries, please contact Kathryn Doyle, Ashville Media Telephone: 01 4322226 / 01 4322200 or email kathryn.doyle@ashvillemediagroup.com.
Typecooker Pro:
width: extra condensed
weight: book
construction: roman
endings: straight, no serif
ascenders much shorter, descenders shorter than normal
contrast: visible, between translation and transitional
application: smooth offset printing at reading sizes
extra: initial and terminal swashes
There’s some kind of weight gradient here… that wasn’t intentional. Also, I know I suck at swashes, gah they’re hard!