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joe and i rode down to bellingham for a delicious bandidos burrito with maddy,and then back to vancouver. ok, it was more for the ride, less for the burrito. note to self: breakfast would have been a good idea. d'oh.
Sound Objects [2016] cover.
Cours de Création Sonore, ESA LE 75, Brussels.
Professor : Marc Wathieu.
le75.bandcamp.com/album/sound-objects-2016
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OBJECT FACTORY
The Art of Industrial Ceramics
curator Marek Cecula with Dagmara Kopala
May 6 / September 13, 2009
Museum of Arts and Design, New York
U.S.A.
I have mixed up a recording player with an espresso machine as a task of creating an Hybrid object.The moves of the recording player helps to get ready more than one cup of coffee at a time. The music symbol it's still in this hybrid, through the USB option(MP3 player) which can be connected to the headphones inside of this machine.I would go further with this idea: why not set your coffee taste after the music you are listening to?
For an experiment, and to try out different settings on my camera, I decided to take 100 pictures of this object, a whisk. This was one of the pictures that I liked a lot.
Genève, mercredi 15 mai 2024
Cérémonie de remise des prix du Concours national Objectifs de développement durable “Mon Futur, Mes Idées” de la Fondation Eduki dans la Salle XVIII. Mark Klinckmann et Salma Aattar, maîtres de cérémonie
© Sigfredo Haro / Eduki
Maker: Thomas Annan (1829-1887)
Born: Scotland
Active: Scotland
Medium: albumen print
Size: 4 1/2 in x 6 1/4 in
Location: Scotland
Object No. 2024.999k
Shelf: M-14
Publication: Annan, Thomas, John Oswald Mitchell & John Guthrie Smith, "X. Bellahouston", The Old Country Houses of the Old Glasgow Gentry, Illustrated by Permanent Photographs by Annan (Second Edition), Glasgow: James Maclehose & Sons–Publishers to the University, 1878
Other Collection: The Getty, Philadelphia Museum of Art, Glasgow Library, National Galleries of Scotland
Provenance:
Notes: One of 220 copies, 100 mounted carbon-print photographs and 3 plates, original red quarter morocco over green cloth gilt. Includes: Aikenhead House, Annfield, Auchinraith, Auchintoshan house, Auldhouse, Ballancleroch, Bardowie, Barlanark, Bedlay House, Bellahouston, Belvidere House, Blythswood House, Bredisholme, Cadder House, Calder Park, Campbellfield, Capelrig, Carbeth Guthrie, Carntyne House, Castlemilk, Cathkin, Cessnock, Clober House, Cochna, Cowlairs, Craigend Castle, Carighead, Craigmaddie, Criagpark House, Craigton, Crossbasket, Dalbeth, Daldowie, Dalmarnock House, Dalmuir House, Drumpellier, Easterhill House, Edinbarnet, Eldinbarnet, Elderslie House, Farme, Gairbraid, Gallowflat, Garnkirk House, Garscadden, Garscube, Gartferry House, Gartsherrie, Germiston, Gilmorehill, Glenarbuck, Golfhill House, Greenbank, Greenfield House, Haggs Castle, Hallside, Househill, Ibroxhill, Jordanhill, Kelvinbank House, Kelvingrove House, Kelvinside, Kenmure, Killermont, Kilmardinny, Landside, Long Calderwood, Lynn, Mains, Milheugh, Meadow Park House, Milliken House, Moore Park, Mountblow, Mount Vernon, Newton, Northwoodside House, Orbiston House, Plantation, Petershill, Pollock House, Possil, Ralston, Ralston, Rosebank, Ruchill, Scotstoun, Shield Hall, Shawfield, Slatefield, Springbank, Stobcross House, Thronbank House, Tollcross, Wellshot, Westburn, Wetthorn House, Whitehill House, Wolfe's House, York Hill; map of Glasgow 1776; map of Glasgow 1807.
The Old Country Houses of the Old Glasgow Gentry was published in 1870, and the Second and greatly enlarged Edition was published in 1878. The Volume was Illustrated with 100 plates by Thomas Annan, containing views of the old houses; the letterpress described the houses and gave an account of those who successively possessed them - their origin, history, and connections. (gdl.cdlr.strath.ac.uk/smihou/smihou0001.htm)
Thomas Annan (1829-1887), who lived most of his life in Glasgow, trained and worked as a copperplate engraver until 1853, when he started a calotype printing business, probably with the encouragement of his friend David Octavius Hill. In 1857 he established a photographic studio, T. & R. Annan located in Sauchiehall Street from which he produced portraits, photographic reproductions of works of art and architectural photographs. Annan acquired the Scottish rights to the carbon print process shortly after its invention by Joseph Wilson Swan in 1866. He first used this process commercially to reproduce D. O. Hill's painting the Signing of the Deed of Demission. An astute businessman, Annan also acquired the British patent rights in the 'heliogravure' or photogravure process invented by William Henry Fox Talbot and developed by Karel Klic.
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