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Object labels for willow figures in the Eastbourne Ancestors temporary archaeology exhibition (Jan-Nov 2014). Redoubt Fortress and Military Museum, Jan 2014.
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I took this photograph the way it is composed because I wanted to shoot straight down at the object to best incorporate the doodle to carry out a bigger picture. What makes this photograph interesting is that the subject is trying to iron the wrinkled paper in the photograph. The emotion I am trying to convey in the photograph is hard-working. The settings I used to take this shot is of an aperture of f/10.0 because I wanted to capture every detail in the photograph. It was cloudy outside so I used a shutter speed of 1/20 to properly compensate the lighting. I also used an ISO of 100 to avoid any noise in the photograph.
My dad told me once that barns were very often painted red back in the day because red paint was cheaper. I guess the white paint used lead as a pigment. He did not know why there were only two colours of paint before 1948.
My family collects stuff. Stuff travels with them. Poking around in my family's stuff unearths treasures. I am trying to photograph things and preserve them that way, as there is already too much stuff travelling with me, like tiny little lampreys.
What first hit me as really strange was the notion of objects discussing when reading art critique. It took several years of study to appreciate the animism or animist metaphors embedded in those analyses of how an artwork is situated in the space and time and how it approaches, allures or rejects the one who is experiencing it.
After studying the animist phenomenology, it's hard to imagine a world without it. It'd seem so cold, mechanical and uninteresting. One could not hear the different ceramic objects discussing on the top of the poetry shelf.
A handheld 7 exposure HDR taken with a Lumix G1. Please check out the next photo in stream which shows an object that appeared on frame 2 of 7 and not on any other frame. Exif.. iso 400,14mm (equiv to 28mm), f10,1/800 frame 2 of 7 at 3 fps aeb. I cant identify it, can you ?
My husband, a high school teacher, used the Dirt Ball stamp to show who had paid and could enter their Senior Breakfast.
Minneapolis underground art gallery. Accumulated Objects showed local Minneapolis artists from Jan 2009- July 2010. We had a lot of fun having shows in our little space, but with little funding, we unfourtunetaly had to stop. Thanks to all the people who came to our shows to see some original local talent!
This is Brett Wilson, one of the guitar players and the lead singer of the New Hampshire-based reggae/dub band Roots Of Creation. We've been hanging out and he asked me to take some pictures of him. Not the best ever, but some of them came out pretty decent!
The Museum at West Stow in Suffolk has a very fine collection of early Anglo-Saxon objects and weapons
Maker:
Born: USA
Active: USA
Medium: gelatin silver print
Size: 8" x 10"
Location: USA
Object No. 2012.182
Shelf: A-9
Publication:
Other Collections:
Notes: Arnold Genthe (January 8, 1869 – August 9, 1942) was a German-born American photographer, best known for his photographs of San Francisco's Chinatown, the 1906 San Francisco earthquake, and his portraits of noted people, from politicians and socialites to literary figures and entertainment celebrities.
Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
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