Post-war Futurism and the Industrial Revolution brought new standards of living/working for humans in the 20th Century. Constant growth in mechanic efficiency leaves the human population strongly oriented towards the future in pursuit of the ‘ideal machine’, producing better results with less energy and time. Machine-dependent humans have lost their self-sufficiency. With the ever-increasing role of machine in man’s life, stress is being put on our natural world and natural resources, the source of man’s infinite science-technology. Man’s predicament with overpopulation, energy crisis, and climate change has risen to uncontrollable levels and urban sprawl has amounted in an almost continuous net of human cities.

Through the implementation of clustering megastructures, urban development, green-energy harvest, and geo-engineering techniques will be applied to man’s future world as a method to battle his current standing on Earth. Rising infrastructure will take the form of a tripod yielding the image of the trinity, Nature|Man|Machine, sustaining a minimal footprint on earth as an urban-sprawl reduction machine, as well as a stress-reduction machine for Earth.

Standing at 2,500ft, it harnesses geo-thermal energy, wind energy, hydro-power, on so on, while its large “wings” provide infrastructure for human urban-development, and its legs bloom with farming biomes for plant- and animal-life. In a continuous circle of life man will utilize the powers of Nature|Man|Machine to reduce stress on his environment and return it to a healthier state. Man will localize his cities by reducing urban sprawl, while globalizing and harnessing natural energies to not only reach zero-carbon levels, but beyond.

In the ever-expanding tapestry of the universe, the recent revelations in quantum mechanics and quantum science have ignited a fervor of imagination and inquiry. As we peer through the veil of reality, a gateway to Proxima Centauri b—a planet that mirrors Earth in so many ways—beckons us to explore its potential. This newfound knowledge has propelled humanity into a realm of possibilities, where the dream of a second home emerges not merely as fantasy but as a plausible future. With Earth facing unprecedented challenges, from climate crises to overpopulation, the concept of 'Planet B' transcends mere escape; it becomes a beacon of hope. As our thoughts race with the implications of life on Proxima, we envision a world where humanity can thrive once more, nurturing the essence of existence in a new celestial cradle.

Poem

In whispers of stars, the secrets unfold,

A dance of the atoms, a tale yet untold,

Through quantum realms where the shadows entwine,

We glimpse at a future where destinies align.

Proxima calls with its enigmatic light,

A sanctuary awaits in the velvet of night.

With dreams woven rich in the fabric of space,

We seek out a home, a new kind of grace.

Haikus

Stars twinkle above,

Proxima's shores beckon us,

Hope's new dawn arises.

Quantum dreams take flight,

Life blooms on a distant world,

A chance to restart.

In the void we reach,

Hearts yearning for a new dawn,

Planet B awaits.

Ajmer, India - Nov 5, 2017. People waiting at railway station in Ajmer, India. India Railway is the fourth-largest railway network in the world by size.

Mummy bones: British Museum, London.

Construction progress continues on the new Animal Services Center for the County of Santa Clara.

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The County of Santa Clara Animal Care and Control Department needed to replace their makeshift former residence with several additions and portables into an adequate home for the area’s needy animals.

Dreyfuss + Blackford Architecture — working with animal care designer, The Bacon Group — created the County’s new Animal Services Center campus with state-of-the-art animal care functions in a park-like setting, providing innovative and sustainable building systems and amenities in the 24/7 facility.

The new Animal Services Center has capacity for 54 dogs and 90 cats, with spaces for other types of animals including rabbits, horses, and goats. To house and showcase larger animals, a barn is sited along the main building frontage, increasing visibility.

Taking a distinct departure from traditional shelter design, dog kennels are organized around an outdoor landscaped courtyard named “The Park”. Together with surrounding “Get Acquainted” pods, the experience offers a bright and open area to meet and greet potential pets in a natural park-like environment.

In addition to animal adoption, a primary objective of the Animal Services Center is to educate the public about the benefits of spaying and neutering. The County is taking a proactive approach to overpopulation by educating the public on reducing the number of animals ending up at the Animal Services Center through the use of the public surgery suite, located inside the facility’s clinic.

Another key solution the Animal Services Center provides is its large Educational Meeting facility. Not only will animal-specific community events be held there, but other County agencies will also be able to utilize the assembly space for conferences and gatherings up to 150 occupants—a resource they previously lacked.

The County of Santa Clara Animal Services Center is designed to achieve LEED Silver certification.

for socifap

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

This is my concept for a global currency that uses money as a form of advertising media rather than just a form of trading. It is called the Serry, with the coin form (if it were created but for the purposes of my brief did not need to be) called the pressi, named from parts of the overall name of preservation series. Money that can advertise and inform. I used the global form to provide more challenge when designing such as a new logo and not many words as it has to appeal to a multilingual audience. The front shows a world problem and the back depicts a relevant charity that is either preventing or helping with the aftermath of the situation. Any constructive feedback is appreciated. Thank you very much

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

SOVIET UNION. Moscow. 1954. In August government members inaugurated a giant agricultural fair. The general commissioner, Tsistsin, member of the Academy, saw it as a permanent element in the aims of education. Many diverse Soviet Republics participated at this fair where they displayed various products, photographs, diagrams, and graphics demonstrating the evolution and methods of production.

Representa el estado de la sociedad en el sistema capitalista en el que vivimos.

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

**Montezuma Castle National Monument** - National Register of Historic Places Ref # 66000082, date listed 10/15/1966

40 mi. S of Flagstaff on I-17

Flagstaff, AZ (Yavapai County)

Montezuma Castle National Monument, situated in the Middle Verde drainage in central Arizona, consists of two separate parcels: (1) the Castle Unit, a 564 acre area on Beaver Creek containing 19 known archeological sites, and (2) the Well Unit, a 278 acre area containing 31 known archeological sites.

The prehistoric occupation of the monument post-dates approximately AD 1. A single Clovis projectile point base found in association with pottery is the only evidence of Early Man in the Verde Valley and no evidence of Paleo-Indlan occupation has been found in the monument. (1)

About 1100, a group of dryfarming Indians entered the Verde Valley from the north. These people, referred to as the Sinagua were probably forced out of the Flagstaff area by overpopulation. They built small communal dwellings (pueblos) of stone and farmed dry areas and the few terraces still available. Around 1250, they began to erect large compact structures, often on hilltops or in cliffs.

They began building several house clusters of limestone chunks and river boulders laid in adobe mortar. Two of these eventually became five-story apartment houses—Montezuma Castle, with 20 rooms; and, 100 yards to the west, Castle A, severely damaged in the course of time, with 45 or more rooms. These dwellings were occupied for about two centuries. As many as 200 people may have lived here; Montezuma Castle alone could have accommodated about 50 persons.

During the 1100’s, the two groups of farmers in the Verde Valley—the earlier Hohokam and the later Sinagua—blended together without apparent conflict, adopting customs and practices from each other. Then, in the 1200’s, a series of droughts in the Flagstaff area caused more Sinagua people to move into the valley. Competition for farmland along the spring-fed streams perhaps led to interpueblo strife. This may have been a major factor in the ensuing exodus from this area. By about 1450, Montezuma Castle appears to have been completely deserted. (pg 39-41 (1)

References (1) NRHP Nomination Form s3.amazonaws.com/NARAprodstorage/lz/electronic-records/rg...

This is my concept for a global currency that uses money as a form of advertising media rather than just a form of trading. It is called the Serry, with the coin form (if it were created but for the purposes of my brief did not need to be) called the pressi, named from parts of the overall name of preservation series. Money that can advertise and inform. I used the global form to provide more challenge when designing such as a new logo and not many words as it has to appeal to a multilingual audience. The front shows a world problem and the back depicts a relevant charity that is either preventing or helping with the aftermath of the situation. Any constructive feedback is appreciated. Thank you very much

The World Water Day was celebrated on March 20, 2015 in New Delhi with the launch of United Nation’s World Water Development Report, “Water for a Sustainable World”.

The report published by the World Water Assessment Programme, talks about the need to change the way our population uses water and water resources.

The report was launched by, Professor Sanwal Lal Jat, Hon’ble Minister of State for Water Resources, River Development and Ganga Rejuvenation, Government of India. He said, “Water is sacred and worshipped as God in the Indian civilization. The National Water Policy adopts an integrated approach to water management which is vital for poverty reduction, environmental sustenance and sustainable economic development.”

The event was marked by the presence of notable personalities and dignitaries from the United Nations. The panel discussed about the need for sustainable development, adopting and achieving of Sustainable Development Goals and the need to use the precious resource judiciously.

The Stockholm Water Prize was also announced at the event. The prize for 2015 was awarded to India’s Water Man, Shri Rajendra Singh. He was awarded the prize for his invaluable efforts to provide water security in India’s villages. Rajendra Singh, originally from Rajasthan has dedicated himself to deal with issues pertaining to water security in India villages. Singh also runs an NGO, ‘Tarun Bharat Sangh’.

Reacting to the announcement, Singh said: "this is very encouraging, energizing and inspiring news. Through the Indian wisdom of rainwater harvesting, we have made helpless, abandoned, destitute and impoverished villages prosperous and healthy again."

In an exclusive interaction with Michela Milleto, WWAP Coordinator a.i., she told THE TIMES OF AFRICA about the need for the African continent to concentrate on sustainable use of its already underdeveloped water resources. Michela stressed on the problem of overpopulation and underdeveloped water resources in Africa, which the authorities need to address. On an average about 36% of the total African population doesn’t have access to improved water sources, she told THE TIMES OF AFRICA. She also talked about the need of intensive agriculture and use of new technologies to facilitate sustainable development of water resources.

“Always remember that water is not a business of others but it is everybody’s business. So each one has to think what I can do to save water”, she said.

Boys on a bunker

This is what happens if you threw food into the middle of a street. I mean pond.

Kolkata- formerly Calcutta is the capital of the Indian state of West Bengal. Located on the east bank of the Hooghly river, it is the principal commercial, cultural, and educational centre of East India, while the Port of Kolkata is India's oldest operating port as well as its sole major riverine port. As of 2011, the city had 4.5 million residents; the urban agglomeration, which comprises the city and its suburbs, was home to approximately 14.1 million, making it the third-most populous metropolitan area in India.

As of 2008, its economic output as measured by gross domestic product ranked third among South Asian cities, behind Mumbai and Delhi.

As a growing metropolitan city in a developing country, Kolkata confronts substantial urban pollution, traffic congestion, poverty, overpopulation, and other logistic and socioeconomic problems.

If Bangalore is the Seattle of India, than Kolkata is the sub-continent’s London.

It is an 'in your face' city that shocks and charms the unsuspecting visitor. Abject poverty mix inexplicably with crumbling British Raj-era gems, sprawling gardens and historical colleges.

Long known as the cultural capital of India, Kolkata continues to spawn generations of poets, writers, film producers and Nobel Prize winners.

If your trip only allows for a visit of one or two of India's metropolitan cities, than definitely consider placing Kolkata on your itinerary. Love it or hate it, you definitely won't forget the city on the Hooghly.

The World Water Day was celebrated on March 20, 2015 in New Delhi with the launch of United Nation’s World Water Development Report, “Water for a Sustainable World”.

The report published by the World Water Assessment Programme, talks about the need to change the way our population uses water and water resources.

The report was launched by, Professor Sanwal Lal Jat, Hon’ble Minister of State for Water Resources, River Development and Ganga Rejuvenation, Government of India. He said, “Water is sacred and worshipped as God in the Indian civilization. The National Water Policy adopts an integrated approach to water management which is vital for poverty reduction, environmental sustenance and sustainable economic development.”

The event was marked by the presence of notable personalities and dignitaries from the United Nations. The panel discussed about the need for sustainable development, adopting and achieving of Sustainable Development Goals and the need to use the precious resource judiciously.

The Stockholm Water Prize was also announced at the event. The prize for 2015 was awarded to India’s Water Man, Shri Rajendra Singh. He was awarded the prize for his invaluable efforts to provide water security in India’s villages. Rajendra Singh, originally from Rajasthan has dedicated himself to deal with issues pertaining to water security in India villages. Singh also runs an NGO, ‘Tarun Bharat Sangh’.

Reacting to the announcement, Singh said: "this is very encouraging, energizing and inspiring news. Through the Indian wisdom of rainwater harvesting, we have made helpless, abandoned, destitute and impoverished villages prosperous and healthy again."

In an exclusive interaction with Michela Milleto, WWAP Coordinator a.i., she told THE TIMES OF AFRICA about the need for the African continent to concentrate on sustainable use of its already underdeveloped water resources. Michela stressed on the problem of overpopulation and underdeveloped water resources in Africa, which the authorities need to address. On an average about 36% of the total African population doesn’t have access to improved water sources, she told THE TIMES OF AFRICA. She also talked about the need of intensive agriculture and use of new technologies to facilitate sustainable development of water resources.

“Always remember that water is not a business of others but it is everybody’s business. So each one has to think what I can do to save water”, she said.

MUSICA ETERNAL / I GOT RHYTHM / BLIND FAR FROM ME DAY-IN DAY-OUT BLOWIN IN THE WIND MY GIRLS #RAINBOW #RA #WORLD #BLUE #BUTTERFLY #CASTLE #STATION #LIBRARY #MANDALA #MAGIC #HEALING #ANGEL #DRAGON #GUARDIAN #SPIRIT #IMAGINATION #STAIRWAY #HEAVEN #TREE #LIFE #LIGHT #LOVE #PEACE #UNDERSTANDING #CONSCIOUSNESS #BLISS #LABYRINTH #LEGEND #RIVER #DREAM #REALMS #DIMENSIONS #LAYERS #LEVELS #REALITY #FANTASY #SCIENCE #PERCEPTION #VISION #LEARNING #GROWING #CHANGING #TRANSFORMATION #RAINBOWBRIDGE #STAIRWAYTOHEAVEN #HOLYMOUNTAIN #MAGICMOUNTAIN #MAGICMIRROR #REFLECTION #AURAOFPROTECTION #PRESERVATION #RESURRECTION #HEALINGMAGIC #CURE #HOLY #MOUNTAIN #CREATION #MUSHROOM #FORTRESS #ASTRAL #WONDERLAND #FRACTAL #MULTIVERSE #FUTURE #EARTH #CRYSTAL #GARDEN #TEMPLE #MAZE #SPIRAL #GATEWAY #WINDOW #TIME #SPACE #WAVE #DOORWAY #PORTAL #CROSSROADS #HOUSE #LUCID #DREAMING #MULTIVERSAL #STORYTELLING #BALANCE #CREATIVITY #BODHISATTVA #TARA #COSMOS #OMNIVERSAL #TRANSCENDENCE #STAR #PEOPLE #SUN #MOON #MYSTIC 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#ANIMECORE #HEART #INDIGO #TIERS #DREAMS #THEATER #MEMORY #DIMENSION #ROOM #GEOMANCY #DETAILED #SUNDAY #SUNFLOWER #1 #RECORD #STORE #RECORDS #TROVE #WIND #TO #MENTAL #METHODOLOGY #PHILOSOPHY #DIAMOND #FRACTALS #MULTIVERSITY #POCKET #VILLAGE #VALHALLA #TREASURY #GATLINBURG #EMERALD #SCHOOL #CITY #AVALOKITEVARA #PLANE #FAIRIES #ELF #MIND #ARCANE #RHYTHM #NETWORK #LUCIDITY #VIRGO #CHURCH #GROWTH #FIELDS #SYSTEM #PEACETIME #GALAXY #CHANGE #MOVIES #94 #SACRED #ORDER #MUSICAL #ON #TREEOFLIFE #WORLDOFDREAMS #FANTASYKINGDOM #LUCIDDREAMS #MINDSCAPE #HOUSEOFDREAMS #LUCIDDREAMING #FAIRYTALE #LOTUS #KINGDOM #KIND #LUMINOUS #WHEEL #ANIME #DREAMLIKE #ELFLAND #INFINITY #FAERY #ENLIGHTENMENT #ANCIENT #MUSHROOMS #TREES #SHAMAN #UNDERWORLD #CLIMB #THE #LADDER #SOLAR #AURORAPUNK #MINDSCAPES #RAIN #PROMISE #PSYCHEDELIA #CAT #GATE #REALISTIC #NATURE #GOLD #MYSTERIES #THOUSAND #ARMED #FASCINATING #ALIENS #VISHNU #WATERCOLOR #ALL #CHAKRAS #PROSPERITY #MYSTERIOUS #LODGE #SILENT #WORLDS #JONES #STARSCAPE #INTERGALACTIC #LINE #BUILDING #ELECTRIC #SPRING #STORY #FULL #DRAWING #SPACETIME #DOWNTOWN #LAND #PHENOMENOLOGICAL #PATHWAY #BLIND #GNOME #LIBRARIANS #JUSTICE #ELVES #ARCHITECTURE #VISIONARY #COME #EVOLUTION #ASTROLOGICAL #LION #TOWN #NEVER #SERPENT #DAY #SHAKTI #COLORS #5 #PRESENT #31 #3 #FLOWERS #GAEA #ALIEN #TAROT #PSYCHOLOGICAL #TOPAZ #SNOW #MYTHICAL #SECTION #BETWEEN #SHIELD #OPAL #BE #CELTIC #UPSCALE #MALL #BEING #INTRICATE #EMPRESS #TEAR #RESTAURANT #RADIO #BREAK #LIVING #PURE #NEW #SUNRISE #GOLDEN #CLOVER #UNIVERSITY #CHRISTMAS #WATCH #WHEELS #BEGINNINGS #YORK #INSPIRATION #DOOR #DAWN #MOONFLOWER #ELEVATOR #SPIRITUAL #LUIS #COZY #TRAIN #HOME #MOVEMENT #REVOLUTION #SPHERES #ENTRANCE #DOORWAYS #PORTALS #RAINBOWS #SPIRALS #TOWERS #STATIONS #GATEWAYS #STAIRWAYS #HALLWAYS #LABYRINTHS #CASTLES #BRIDGES #ISLANDS #TEMPLES #GARDENS #HEAVENS #SECRETS #LIBRARIES #UNDERWORLDS #ANGELS #BOOKSHELVES #HALL #WONDERS #PLAINS #EAGLES #BUTTERFLIES #VALLEY #TRAVELER #PROTECTOR #GUIDE #HEALER #PORT 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Trout in a Missouri hatchery

Adopt from shelters and spay and neuter your pets to help control animal overpopulation.

This buck has a nice rack developing for the rack. It was hanging out on someone's front lawn during the middle of day which usually means there is an overpopulation of deer in the area.

Construction progress continues on the new Animal Services Center for the County of Santa Clara.

---

The County of Santa Clara Animal Care and Control Department needed to replace their makeshift former residence with several additions and portables into an adequate home for the area’s needy animals.

Dreyfuss + Blackford Architecture — working with animal care designer, The Bacon Group — created the County’s new Animal Services Center campus with state-of-the-art animal care functions in a park-like setting, providing innovative and sustainable building systems and amenities in the 24/7 facility.

The new Animal Services Center has capacity for 54 dogs and 90 cats, with spaces for other types of animals including rabbits, horses, and goats. To house and showcase larger animals, a barn is sited along the main building frontage, increasing visibility.

Taking a distinct departure from traditional shelter design, dog kennels are organized around an outdoor landscaped courtyard named “The Park”. Together with surrounding “Get Acquainted” pods, the experience offers a bright and open area to meet and greet potential pets in a natural park-like environment.

In addition to animal adoption, a primary objective of the Animal Services Center is to educate the public about the benefits of spaying and neutering. The County is taking a proactive approach to overpopulation by educating the public on reducing the number of animals ending up at the Animal Services Center through the use of the public surgery suite, located inside the facility’s clinic.

Another key solution the Animal Services Center provides is its large Educational Meeting facility. Not only will animal-specific community events be held there, but other County agencies will also be able to utilize the assembly space for conferences and gatherings up to 150 occupants—a resource they previously lacked.

The County of Santa Clara Animal Services Center is designed to achieve LEED Silver certification.

Construction progress continues on the new Animal Services Center for the County of Santa Clara.

---

The County of Santa Clara Animal Care and Control Department needed to replace their makeshift former residence with several additions and portables into an adequate home for the area’s needy animals.

Dreyfuss + Blackford Architecture — working with animal care designer, The Bacon Group — created the County’s new Animal Services Center campus with state-of-the-art animal care functions in a park-like setting, providing innovative and sustainable building systems and amenities in the 24/7 facility.

The new Animal Services Center has capacity for 54 dogs and 90 cats, with spaces for other types of animals including rabbits, horses, and goats. To house and showcase larger animals, a barn is sited along the main building frontage, increasing visibility.

Taking a distinct departure from traditional shelter design, dog kennels are organized around an outdoor landscaped courtyard named “The Park”. Together with surrounding “Get Acquainted” pods, the experience offers a bright and open area to meet and greet potential pets in a natural park-like environment.

In addition to animal adoption, a primary objective of the Animal Services Center is to educate the public about the benefits of spaying and neutering. The County is taking a proactive approach to overpopulation by educating the public on reducing the number of animals ending up at the Animal Services Center through the use of the public surgery suite, located inside the facility’s clinic.

Another key solution the Animal Services Center provides is its large Educational Meeting facility. Not only will animal-specific community events be held there, but other County agencies will also be able to utilize the assembly space for conferences and gatherings up to 150 occupants—a resource they previously lacked.

The County of Santa Clara Animal Services Center is designed to achieve LEED Silver certification.

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

In the ever-expanding tapestry of the universe, the recent revelations in quantum mechanics and quantum science have ignited a fervor of imagination and inquiry. As we peer through the veil of reality, a gateway to Proxima Centauri b—a planet that mirrors Earth in so many ways—beckons us to explore its potential. This newfound knowledge has propelled humanity into a realm of possibilities, where the dream of a second home emerges not merely as fantasy but as a plausible future. With Earth facing unprecedented challenges, from climate crises to overpopulation, the concept of 'Planet B' transcends mere escape; it becomes a beacon of hope. As our thoughts race with the implications of life on Proxima, we envision a world where humanity can thrive once more, nurturing the essence of existence in a new celestial cradle.

Poem

In whispers of stars, the secrets unfold,

A dance of the atoms, a tale yet untold,

Through quantum realms where the shadows entwine,

We glimpse at a future where destinies align.

Proxima calls with its enigmatic light,

A sanctuary awaits in the velvet of night.

With dreams woven rich in the fabric of space,

We seek out a home, a new kind of grace.

Haikus

Stars twinkle above,

Proxima's shores beckon us,

Hope's new dawn arises.

Quantum dreams take flight,

Life blooms on a distant world,

A chance to restart.

In the void we reach,

Hearts yearning for a new dawn,

Planet B awaits.

The genus name, Lanius , is derived from the Latin word for " butcher ", and some shrikes are also known as "butcher birds" because of their feeding habits.

The Red-backed Shrike bird (Lanius collurio) is a member of the shrike family Laniidae. The general colour of the males upper parts is reddish. It has a grey head and a typical shrike black stripe through the eye. Underparts are tinged pink and the tail has a black and white pattern similar to that of a wheatear. In the female and young Red-backed Shrikes, the upperparts are brown and vermiculated (wavy lines or markings). Underparts are buff and also vermiculated.

This 16 – 18 centimetres long migratory passerine eats large insects, small birds, voles and lizards. Like other shrikes the Red-backed Shrike hunts from prominent perches and impales corpses on thorns or barbed wire as a ‘larder’.

The Red-backed Shrike breeds in most of Europe and western Asia and winters in tropical Africa.

The Red-backed Shrikes range is decreasing and it is now probably extinct in Great Britain as a breeding bird, although it is frequent on migration.

The Red-backed Shrike is named as a protected bird in Britain under a Biodiversity Action Plan. The Red-backed Shrikes’ decline is due to overuse of pesticides and scrub clearance due to human overpopulation.

The Red-backed Shrike breeds in open cultivated country with hawthorn and dog rose.

TIKAL NATIONAL PARK

Tikal National Park encompasses 575 square kilometres of jungle and thousands of ruined structures. The central part of the ancient city alone contains 3,000 buildings and covers about 16 square kilometers.

Tikal is also part of the one-million-hectare Maya Biosphere Reserve created in 1990 to protect the dense forests of the Peten, which started to disappear at an alarming rate due to population pressures, illegal logging and slash-and-burn agricultural practices. Archeologists estimate that the Maya settled in the area now known as Tikal in about 900 BC.

Tikal grew into an important ceremonial, cultural, and commercial centre over the centuries. Most of the city's huge temples were constructed during the eighth century AD when Tikal became the greatest city in the Maya world with a population of perhaps 100,000. Like Maya complexes on Mexico's Yucatan Peninsula, Tikal fell into decline at the end of the ninth century and was virtually abandoned. The causes of the Maya empire's collapse remain a mystery, but wars, famine, overpopulation and resource depletion have all been blamed.

Tikal's great stone monuments languished for centuries and were gradually reclaimed by the jungle. Hernan Cortes, the conqueror of Mexico, and his motley band of conquistadors marched by Tikal in 1525, but they failed to see its temples concealed by 40-metre-tall silk, cotton, cedar and mahogany trees. It wasn't until 1848 that an expedition sent out by the Guatemalan government officially discovered the ruins. Swiss, German and British archeologists soon followed to clear debris and begin studying the site.

ON THE GREAT PLAZA

The Temple of the Grand Jaguar (Temple I) and the Temple of the Masks (Temple II) loom like a pair of colossal bookends on opposite sides of the Great Plaza, a vast expanse ringed by terraces, palaces and ball courts.

Temple I rises some 50 meters above the plaza's eastern end. A stone stairway leads up the pyramid's nine tiers, corresponding to the nine levels of the Mayan underworld.

Called Temple of the Masks because of huge stone masks guarding its stairway, Temple II is almost as tall as Temple I.

From atop Tikal's pyramids, Maya astronomers tracked the movements of Venus and all the other visible planets.

They used these calculations -- extremely accurate even by today's standards -- to fine tune their complex calendar.

One of my earliest photocollage compositions, it just all sorta fell together and I loved the perspective.

Page 4/4 of my Overpopulation project thumbnails.

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

This is my concept for a global currency that uses money as a form of advertising media rather than just a form of trading. It is called the Serry, with the coin form (if it were created but for the purposes of my brief did not need to be) called the pressi, named from parts of the overall name of preservation series. Money that can advertise and inform. I used the global form to provide more challenge when designing such as a new logo and not many words as it has to appeal to a multilingual audience. The front shows a world problem and the back depicts a relevant charity that is either preventing or helping with the aftermath of the situation. Any constructive feedback is appreciated. Thank you very much

Connections

artLAB

February 2 - 16, 2023

Reception: Thursday, February 2 from 5-7PM

Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang

Professor: Soheila K. Esfahani

Woodshop Technician: Andrew Silk

Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2023; Department of Visual Arts; Western University

Construction progress continues on the new Animal Services Center for the County of Santa Clara.

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The County of Santa Clara Animal Care and Control Department needed to replace their makeshift former residence with several additions and portables into an adequate home for the area’s needy animals.

Dreyfuss + Blackford Architecture — working with animal care designer, The Bacon Group — created the County’s new Animal Services Center campus with state-of-the-art animal care functions in a park-like setting, providing innovative and sustainable building systems and amenities in the 24/7 facility.

The new Animal Services Center has capacity for 54 dogs and 90 cats, with spaces for other types of animals including rabbits, horses, and goats. To house and showcase larger animals, a barn is sited along the main building frontage, increasing visibility.

Taking a distinct departure from traditional shelter design, dog kennels are organized around an outdoor landscaped courtyard named “The Park”. Together with surrounding “Get Acquainted” pods, the experience offers a bright and open area to meet and greet potential pets in a natural park-like environment.

In addition to animal adoption, a primary objective of the Animal Services Center is to educate the public about the benefits of spaying and neutering. The County is taking a proactive approach to overpopulation by educating the public on reducing the number of animals ending up at the Animal Services Center through the use of the public surgery suite, located inside the facility’s clinic.

Another key solution the Animal Services Center provides is its large Educational Meeting facility. Not only will animal-specific community events be held there, but other County agencies will also be able to utilize the assembly space for conferences and gatherings up to 150 occupants—a resource they previously lacked.

The County of Santa Clara Animal Services Center is designed to achieve LEED Silver certification.

I hope they will return her kittens.

"The New York City Feral Cat Initiative (NYCFCI) is a program of the Mayor's Alliance for NYC's Animals that is committed to solving NYC's feral cat overpopulation crisis through the humane, non-lethal method of Trap-Neuter-Return, or TNR for short."

Flushing Bay

A family of Hawks lives nearby and they've been visiting daily for a few weeks. They seem to be taking care of some of the chipmunk overpopulation issue we've been having. 😳

because of their concern over problems of overpopulation, the young couple had decided not to have children but get an orphan dog instead.