View allAll Photos Tagged Numbers
Day 150 of 365 lucky number 13, I read somewhere on the internet that if you think lucky you will be lucky, so get thinking!
Word is a series of designs for books of the Bible. This is Numbers.
For the story behind the design, visit my blog.
Another shot from the photowalk this weekend. This one is looking through the edge of a thick pane of glass at the New England Holocaust Memorial in Boston. There are six million numbers etched on panes of glass like this one, comprising six tall, glowing towers. It's a beautiful memorial to a terrible time.
ODC Our Daily Challenge: Letters and Numbers
Queuing for the warm coats after the performance at München Residenztheater
There are almost endless numbers of Hot Wheels generics I would rather poke my own eyes out than buy! Clearly aimed at less discerning youngsters they vary from crap to damn right abysmal! Occasionally they do actually design the odd generic which either strongly resembles a real vehicle or is at least believable in its concept. The Muscle Tone is one such casting which takes its styling cues from various modern era U.S. Muscle Cars and mixes them about a bit. Smoothly styled its one model I do infrequently buy rather than just completely ignore.
This loose and slightly play worn example dates from around 2003 and was found recently in a charity shop by Mikaela.
The Port of Brisbane exports around 10 million tonnes of coal per annum via its Fisherman's Island bulk coal handling facility. The majority is destined for Japan and Korea and is sourced from the Darling Downs region of south west Queensland.
Queensland's biggest rail freight operator - responsible for around 18 trains a day feeding the port - was recently privatised and rebranded (from QR National) to Aurizon (a naff combination of Australia & Horizon). It is currently embroiled in a long-running environmental dispute surrounding coal dust contamination as these trains travel through suburban south Brisbane.
Here, a pair of '2300 class' 2,250hp Co-Co diesels, Nos. 2333D & 2334D (dating from 1977 but rebuilt in the 2000s with GM 12-645E3C power units), are about to cross Boat Slip level crossing as they approach their destination with a long train of VAK bogie coal hoppers. The D-suffix on the loco running numbers is believed to indicate a toilet fitment (D for Dunny)! Note the 3ft 6inch 'narrow' gauge of the train and dual narrow/standard gauge track in the foreground.
1. No. 32, 2. A veces, sin querer, te encuentras con algo interesante..., 3. Felicitats Júlia, 4. 97, 5. Little Pipol - Semana 52, 6. 7, 7. Numbers, 8. Número, 9. The heart will break, but broken live on., 10. Cones & Seventeen
20240409_6210_R62-200 Numbers at Ara
A small part of the Anton Parson's Passing Time (2010) artwork.
#15690
Eastlink sculpture by Jos Van Hulsen.
The artist transforms discarded distance counters from the Victorian Railways into towers that are memorials to statistics of both distance and casualties. In a culture bombarded with numbers every day, Reverent Numbers seeks to provide a connection with these human tragedies by embedding the towers with mirrors. On closer inspection, the viewer can catch a glimpse of himself or herself, a friend or stranger, who are all a possible statistic.
. . . these handprints are placed at the entrance to the Junagarh Fort. They are memorial plaques for the women who immolated herself on her husband´s funeral pyre
______________________________________________
Sati was (is) a social funeral practice among some Indian communities in which a recently widowed woman would immolate herself on her husband’s funeral pyre. The practice was banned several times, with the current ban dating to 1829 by the British.
CURRENT INCIDENCE
Sati still occurs in the rural areas of India, reports extending into the 21st century. Some 30 cases of sati from 1943-1987 in the Rajput/Shekavati region are documented according to a referred statistics, the official number being 28. A well documented case from 1987 was that of 18-year old Roop Kanwar. In response to this incident, additional recent legislation against the practice was passed, first within the state of Rajasthan, then generally, the central government of India.
In 2002, a 65-year-old woman by the name of Kuttu died after sitting on her husband's funeral pyre in the Indian Panna district. On 18 May 2006, Vidyawati, a 35-year old woman allegedly committed sati by jumping into the blazing funeral pyre of her husband in Rari-Bujurg Village, Fatehpur district in the State of Uttar Pradesh. On 21 August 2006, Janakrani, a 40-year-old woman, burned to death on the funeral pyre of her husband Prem Narayan in Sagar district. On 11 October 2008 a 75-year-old woman, Lalmati Verma, committed sati by jumping into her 80-year-old husband's funeral pyre at Checher in the Kasdol block of Chhattisgarh's Raipur district.
ETYMOLOGY
The term is derived from the original name of the goddess Sati, also known as Dakshayani, who self-immolated because she was unable to bear her father Daksha's humiliation of her husband Shiva. The term may also be used to refer to the widow. The term sati is now sometimes interpreted as "chaste woman". Sati appears in both Hindi and Sanskrit texts, where it is synonymous with "good wife"; the term suttee was commonly used by Anglo-Indian English writers.
ORIGN
Few reliable records exist of the practice before the time of the Gupta empire, approximately 400 CE. After about this time, instances of sati began to be marked by inscribed memorial stones. The earliest of these are found in Sagar, Madhya Pradesh, though the largest collections date from several centuries later, and are found in Rajasthan. These stones, called devli, or sati-stones, became shrines to the dead woman, who was treated as an object of reverence and worship. They are most common in western India. A description of suttee appears in a Greek account of the Punjab written in the first century BCE by historian Diodorus Siculus. Brahmins were forbidden from the practice by the Padma Purana. A chapter dated to around the 10th century indicates that, while considered a noble act when committed by a Kshatriya woman, anyone caught assisting an upper-caste Brahmin in self-immolation as a "sati" was guilty of Brahminicide.
The ritual has prehistoric roots, and many parallels from other cultures are known. Compare for example the ship burial of the Rus' described by Ibn Fadlan, where a female slave is burned with her master.
Aristobulus of Cassandreia, a Greek historian who traveled to India with the expedition of Alexander the Great, recorded the practice of sati at the city of Taxila. A later instance of voluntary co-cremation appears in an account of an Indian soldier in the army of Eumenes of Cardia, whose two wives jumped on his funeral pyre, in 316 BC. The Greeks believed that the practice had been instituted to discourage wives from poisoning their old husbands.
Voluntary death at funerals has been described in northern India before the Gupta empire. The original practices were called anumarana, and were uncommon. Anumarana was not comparable to later understandings of sati, since the practices were not restricted to widows – rather, anyone, male or female, with personal loyalty to the deceased could commit suicide at a loved one's funeral. These included the deceased's relatives, servants, followers, or friends. Sometimes these deaths stemmed from vows of loyalty, and bear a slight resemblance to the later tradition of junshi in Japan.
It is theorized that sati, enforced widowhood, and girl marriage were customs that were primarily intended to solve the problem of surplus women and surplus men in a caste and to maintain its endogamy.
Apart from the Indian subcontinent, origins of this practice have been found in many parts of the world; it was followed by the ancient Egyptians, Thracians, Scythians, Scandinavians, Chinese, as well as people of Oceania and Africa.
Sati remained legal in some princely states for a time after it had been abolished in lands under British control. Jaipur banned the practice in 1846. Nepal continued to practice Sati well into the 20th century.
On the Indonesian island of Bali, sati (known as masatya) was practised by the aristocracy as late as 1905, until Dutch colonial rule pushed for its termination.
Following outcries after each instance, the government has passed new measures against the practice, which now effectively make it illegal to be a bystander at an event of sati. The law now makes no distinction between passive observers to the act and active promoters of the event; all are supposed to be held equally guilty. Other measures include efforts to stop the 'glorification' of the dead women. Glorification includes the erection of shrines to the dead, the encouragement of pilgrimages to the site of the pyre, and the derivation of any income from such sites and pilgrims.
Another instance of systematic Sati happened in 1973, when Savitri Soni sacrificed her life with her husband in Kotadi village of Sikar District in Rajasthan. Thousands of people witnessed this incident.
Although many have tried to prevent the act of sati by banning it and reinforcing laws against it, it is still being practiced (on rare occasions) in India under coercion or by voluntary burning, as in the case of Charan Shah: a 55 year-old widow of Manshah who burnt herself on the pyre of her husband in the village of Satpura in Uttar Pradesh on 11 November 1999. Her death on the funeral pyre has provoked much controversy, as there have been questions as to whether she willingly performed the Sati or was coerced. Charan Shah had not professed strong feelings to become a Sati to any of her family members, and no one saw her close to the burning body of her husband before she jumped into the fire. The villagers, including her sons, say that she became a Sati of her own accord and that she was not forced into it. They continue to pay their respects to the house of Charan Shah. It has become a shrine for the villagers, as they strongly believe that one who has become a sati is a deity; she is worshipped and endowed with gifts.
NUMBERS
There are no reliable figures for the numbers who died by sati across the country. A local indication of the numbers is given in the records kept by the Bengal Presidency of the British East India Company. The total figure of known occurrences for the period 1813 to 1828 is 8,135; another source gives a comparable number of 7,941 from 1815 to 1828, thus giving an average of about 507 to 567 documented incidents per year in that period. Raja Ram Mohan Roy estimated that there were ten times as many cases of Sati in Bengal compared to the rest of the country. Bentinck, in his 1829 report, states that 420 occurrences took place in one (unspecified) year in the 'Lower Provinces' of Bengal, Bihar and Orissa, and 44 in the 'Upper Provinces' (the upper Gangetic plain).
WIKIPEDIA
Te Anau and Lake Te Anau.
Te Anau is just 60 kms further on with its 2,000 inhabitants. It is picturesquely sited on the edge of Lake Te Anau which is the largest lake on the South island and the second largest of NZ after Lake Taupo in the North Island. It stretches 65 kms in length and it has the only inland fjords in NZ. The Lake is 210 metres above sea level and it is up to 417 metres deep thus much of the lake is deeper than sea level. The lake has several small islands in it. To the east are grasslands, swamps and scrublands of Manuka. On the western side of Lake Te Anau is the Fjordland wilderness and the Murchison and Kepler mountain ranges. Milford Sound is 120 kms to the north of Te Anau. Fjordland National Park is the largest in NZ and is now a world heritage site – Te Wahipounamu – a region of four major alpine NZ National Parks. Mountains within the park rise to around 2,000 metres (nearly 7,000 feet) and the coast is deeply indented with fjords. The 14 fjords of Fjordland Park are very deep U shaped valleys gouged out by the advance and retreat of glaciers in past eras. There are no roads or people living in the Fjordland Park. Australian possums and feral deer have thrived in this environment and the NZ government regularly drops poisons from helicopters to try and control their numbers. Fjordland National Park was established in 1952. The high rainfall and snowfall of the region from the prevailing moisture laden Westerlies produces a damp temperate forest environment with ferns, mosses, lichens and majestic trees where the terrain is not too steep. Fjordland is known for its waterfalls, fjords, steep sided valleys and many lakes. The mountains are mainly composed of very hard granite, gneiss and diorite. The Maori had permanent camps in the Te Anau region along Lake Te Anau and Lake Manapouri where they gathered eels and fish from the lakes and fern roots from the grasslands and forests. Although Maori did not live at Milford Sound they trekked there to obtain greenstone for their carvings. The Maori name for Milford Sound is Piopiotahi. The road which goes from Te Anau follows the lake for 29 kms and then it crosses into the Eglinton Valley. The road follows the Eglinton River for 33 kms until it passes Lake Fergus and then climbs the ranges into the upper part of the Hollyford Valley. After it leaves this valley the road climbs to its highest point at the entrance to the Homer Tunnel. It is 16 kms from the exit of the Homer Tunnel to Milford.
My Flickr stats as of August 21, 2013. My number of "views" has greatly increased over previous times, with days as high as 12,000 views. This compares with about 2,000 views a day before the big change in Flickr.
A peculiar pattern seems to emerge. Each week, view numbers increased greatly at the beginning of the week, declined (but to numbers well above pre-July experience), then zoomed up again the next Monday.
July 29, when many (all?) Flickr members had zero views, is at the left.
This is a photograph from the 3rd running of the Finea 5KM Road Race and Fun Run which was held in Finea, Co. Westmeath, Ireland on Sunday 23rd March 2014 at 12:00. The race is organised in conjunction with the Castletown Finea Coole and Whitehall GAA club which is an amalgamation club of the GAA clubs of the surrounding parishes. Whilst the numbers were lower than the races from 2013 there was still a great local country atmosphere with runners, joggers, and walkers enjoying the cold but dry and sunny weather for the race. There was a great spread of refreshments provided in Fitzsimons Bar after the race.
A full set of photographs from today's race is available on our Flickr photostream in this set: www.flickr.com/photos/peterm7/sets/72157642756508483/
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
This race is unique in the fact that it provided participants with the opportunity to compete in a race in two counties (Westmeath and Cavan) and two provinces (Ulster and Leinster) in Ireland during the same race. The race started on the Cavan side of the famous bridge of Finea and finished on the banks of the river. Finea is a beautiful Irish village which is well known for its scenery and it's position in the beautiful landscape of North Westmeath amongst the lakes and hills. The race crosses the River Inny which provides a natural drainage river between Lough Kinale to the south and the much larger Lough Sheelin [en.wikipedia.org/wiki/Lough_Sheelin] to the north. The race was well stewarded at all road junctions. Water was provided at the 3KM mark.
Course: The race starts and finishes at either side of the Bridge of Finea. The Bridge End Bar was the start where the race went out 400m on the Granard road and runners turned around at cone and headed back into Co. Westmeath over the bridge and the 1km mark. Following the Castlepollard Road the race took at left at the 2km and followed a loop back past the National School and back into Finea village again for a finish down on the banks of the River Inny. The course was a tough undulating course but fair. Any short hills were balanced out by adequate down-hill the other side. The stewards provided excellent traffic management on what is a busy section of road between the 1st KM and the final KM and the finish.
Location Map: Start/finish and registration took place at the Bridge (see Google StreetView Image here goo.gl/maps/1Zqek)
Refreshments: There was a very impressive selection of refreshments including sandwiches and home-made breads in Fitzsimon's Bridge End Bar afterwards.
Some Useful Links
Our Photographs on Flickr from the Finea 5KM - August 2013: www.flickr.com/photos/peterm7/sets/72157635178384858/
Where is Finea? (Google Maps) goo.gl/maps/P419C
Where is Finea? (OpenStreetMap) osm.org/go/etif8ja?m=
Where is Finea? (Ordnance Survey Ireland) maps.osi.ie/publicviewer/#V1,640177,781454,7,10
Wikipedia Page about Finea: en.wikipedia.org/wiki/Finnea
FACEBOOK Page for the CFCW 5KM Run 2013 www.facebook.com/cfcw.bigfightnight (Requires Facebook Access)
Facebook Event Page for the CFCW 5KM Run 2014: www.facebook.com/events/1401167980152954/?ref=ts&fref=ts (Requires Facebook Access)
CFCW GAA Facebook www.facebook.com/pages/Castletown-Finea-Coole-Whitehall-G...
The song which immortalised the Bridge of Finea - 'Come back Paddy Reilly' by Percy French - sung here by Paddy Reilly [www.youtube.com/watch?v=WGmrpMT0-yo] and lyrics [www.lyricsfreak.com/i/irish+music/come+back+paddy+reilly_...]
FAcebook Photographs www.facebook.com/cfcw.bigfightnight/media_set?set=a.57172...
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
This is a photograph from the 3rd running of the Finea 5KM Road Race and Fun Run which was held in Finea, Co. Westmeath, Ireland on Sunday 23rd March 2014 at 12:00. The race is organised in conjunction with the Castletown Finea Coole and Whitehall GAA club which is an amalgamation club of the GAA clubs of the surrounding parishes. Whilst the numbers were lower than the races from 2013 there was still a great local country atmosphere with runners, joggers, and walkers enjoying the cold but dry and sunny weather for the race. There was a great spread of refreshments provided in Fitzsimons Bar after the race.
A full set of photographs from today's race is available on our Flickr photostream in this set: www.flickr.com/photos/peterm7/sets/72157642756508483/
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
This race is unique in the fact that it provided participants with the opportunity to compete in a race in two counties (Westmeath and Cavan) and two provinces (Ulster and Leinster) in Ireland during the same race. The race started on the Cavan side of the famous bridge of Finea and finished on the banks of the river. Finea is a beautiful Irish village which is well known for its scenery and it's position in the beautiful landscape of North Westmeath amongst the lakes and hills. The race crosses the River Inny which provides a natural drainage river between Lough Kinale to the south and the much larger Lough Sheelin [en.wikipedia.org/wiki/Lough_Sheelin] to the north. The race was well stewarded at all road junctions. Water was provided at the 3KM mark.
Course: The race starts and finishes at either side of the Bridge of Finea. The Bridge End Bar was the start where the race went out 400m on the Granard road and runners turned around at cone and headed back into Co. Westmeath over the bridge and the 1km mark. Following the Castlepollard Road the race took at left at the 2km and followed a loop back past the National School and back into Finea village again for a finish down on the banks of the River Inny. The course was a tough undulating course but fair. Any short hills were balanced out by adequate down-hill the other side. The stewards provided excellent traffic management on what is a busy section of road between the 1st KM and the final KM and the finish.
Location Map: Start/finish and registration took place at the Bridge (see Google StreetView Image here goo.gl/maps/1Zqek)
Refreshments: There was a very impressive selection of refreshments including sandwiches and home-made breads in Fitzsimon's Bridge End Bar afterwards.
Some Useful Links
Our Photographs on Flickr from the Finea 5KM - August 2013: www.flickr.com/photos/peterm7/sets/72157635178384858/
Where is Finea? (Google Maps) goo.gl/maps/P419C
Where is Finea? (OpenStreetMap) osm.org/go/etif8ja?m=
Where is Finea? (Ordnance Survey Ireland) maps.osi.ie/publicviewer/#V1,640177,781454,7,10
Wikipedia Page about Finea: en.wikipedia.org/wiki/Finnea
FACEBOOK Page for the CFCW 5KM Run 2013 www.facebook.com/cfcw.bigfightnight (Requires Facebook Access)
Facebook Event Page for the CFCW 5KM Run 2014: www.facebook.com/events/1401167980152954/?ref=ts&fref=ts (Requires Facebook Access)
CFCW GAA Facebook www.facebook.com/pages/Castletown-Finea-Coole-Whitehall-G...
The song which immortalised the Bridge of Finea - 'Come back Paddy Reilly' by Percy French - sung here by Paddy Reilly [www.youtube.com/watch?v=WGmrpMT0-yo] and lyrics [www.lyricsfreak.com/i/irish+music/come+back+paddy+reilly_...]
FAcebook Photographs www.facebook.com/cfcw.bigfightnight/media_set?set=a.57172...
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
After spending a week in the hospital (for elective surgery) and not being able to work on my app for my cell phone, I finally got enough energy back to do so. I thought of an idea with respect to making the numbers of the clock disappear - by having the numbers move away (or back to) their home positions in a spiral path.
My spiral path algorithm needs work (right now, it only seems to work if the point starts at 0° - clearly a bug in my implementation - I stared and stared at the code and just couldn't figure it out, so for now, I have a workaround that does the following: generate the path for 0° then rotate each point for each hour position with a simple trigonometric calculation - ugly, but it works for now) and the timing needs refinement, but it's close to what I wanted.
This is a test of the numbers spiraling way from the circumference of the clock face - eg, outwards beyond the visible screen. The numbers also spiral back to their home locations.
Dallmeyer serial numbers are now available on line at - www.samackenna.co.uk/Dallmeyer/index.html - this is the extensive work of the late Sean MacKenna.... Above is a transcribed section from page 219 in the stereo lens production book, the book covers Jan 1863 to 1866, lens numbers 4638 to 10759, these are all 4,3/4 inch Petzvals, #820 lenses, #410 stereo pairs !! The other 'missing' numbers will be other types of lenses and can be found in the other books. The lenses are made in batches of 12, 10 or 8 probably the number mounted at one time on the grinding head..... My lens, 8358, the optical grinding was started Sept 27 1864 by Mr Bicknell, the brass turning by Mr Dillow was finished Oct 15th 1864.