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Constelaciones, auroras, galaxias, eso siento en mi pecho cuando tus manos bordean mi cintura, cuando nuestras bocas están cercanas pero no se tocan, cuando somos uno solo en el universo. eres mio aunque no seas de nadie.

This is what I spent all day doing...

14" x 12" x 3", a variety of pottery/ceramic shards including antique Mexican & raku pottery, hand-built & manufactured ceramic, gold-leafed porcelain teacups, & glass on custom built substrate.

Many delegates seemed to prefer a pen and paper to laptops/netbooks

Notes, pencil, and glasses. The sign of a weary researcher.

Mission Eye Care in Calgary Canada

Ryuk from Death Note

Poughkeepsie NY, Olympus EM 5, MZuiko 14-150 Lens, f 4.9, 1/10, 29mm, ISO 400

A photo of a fan of 5 Euro notes.

  

Like much of our work, we have put all these images in the public domain. Feel free to use them but please credit out site as the source if you do: TaxRebate.org.uk

Photo by Intense Beauty

 

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☆ 【Blog】www.tsukeehl.blogspot.com.br/

 

☆ 【Instagram】www.instagram.com/tsukeehl

 

☆ 【Deviantart】tsubs.deviantart.com

 

☆ 【Fanfics】fanfiction.com.br/u/455837/

Marin Headlands

Country: PORTUGAL

Operator: CP

Item: STEAM

Class or Maker: CP/

Wheel Arrangement or Type: 0-6-0

Number: 23

Place details: Former BRAGA Loco Shed

 

Additional notes: Gauge 1665m Easter Sunday 1974

23 built by Beyer Peacock 1875

 

Original source material: Kodak 35mm slide

Photographer: Bernard Harrison

Copyright: Photographer's estate

Library locator reference: BHAR_0140

 

30937 Transport Photograph Database

1974APR14BHAR8306cs

34 – Charles Irwin Douglas Moore Residence – 2242 S Hobart Blvd – 1908 (Note: This is third of three houses owned by C I D Moore in West Adams Heights – 1903 to 1906, 2057 S Oxford Ave; 1906 to 1908; 2071 S Hobart Blvd; 1908 - 1937, 2242 S Hobart Blvd.)

 

C I D Moore was an executive with the Pacific Mutual Life Insurance Company (formerly: Conservative Life). It was primarily the Conservative Life company which developed West Adams Heights in its early days. This is the third house in West Adams Heights Moore commissioned. In 1903 he built a house at 2057 S Oxford Ave, living there three years before building a home at 2071 S Hobart in 1906, and living there for two. Most-likely these first two homes were built in order to help generate interest in the community. Moore’s final residence at 2242 S Hobart was positioned to be behind his employer George Ira Cochran, who happened to be his brother-in-law as well. His wife’s mother and sister lived next door at 2248 S Hobart Blvd, in a house built for them by Mr. Cochran. The Moore residence is a typical Transitional Victorian/Craftsman, leaning toward the Craftsman. The house is currently owned by the First AME church on Harvard Blvd, and at the time of this writing (2013), it is undergoing an extensive restoration. Moore’s father-in-law had been Dr. Rutherford D Moore, a prominent Methodist pastor, a missionary to Japan, the first to translate the bible into Japanese, and a dean of the University of Southern California.

 

West Adams Heights

 

“Nowadays we scarcely notice the high stone gates which mark the entrances on Hobart, Harvard, and Oxford streets, south of Washington Boulevard. For one thing, the traffic is too heavy, too swift; and then, again, the gates have been obscured by intrusions of shops and stores. At the base of the stone pillars appears the inscription “West Adams Heights.” There was a time when these entranceways were formidable and haughty, for they marked the ways to one of the first elite residential areas in Los Angeles. . . In the unplanned early-day chaos of Los Angeles, West Adams Heights was obviously something very special, an island in an ocean of bungalows—approachable, but withdrawn and reclusive—one of the few surviving examples of planned urban elegance of the turn of the century.”

 

- Carey McWilliams, “The Evolution of Sugar Hill,” Script, March, 1949: 30.

 

Today West Adams Heights is still obviously something special. The past sixty years, however, have not been kind. In 1963 the Santa Monica Freeway cut through the heart of West Adams Heights, dividing the neighborhood, obscuring its continuity. In the 1970’s the city paved over the red brick streets and removed the ornate street lighting. After the neighborhood’s zoning was changed to a higher density, overzealous developers claimed several mansions for apartment buildings. Despite these challenges, however, “The Heights,” as the area was once known, has managed to regain some of its former elegance.

 

The West Adams Heights tract was laid out in 1902, in what was then a wheat field on the western edge of town. Although the freeway now creates an artificial barrier, the original neighborhood boundaries were Adams Boulevard, La Salle Ave, Washington Boulevard, and Western Avenue. Costly improvements were integrated into the development, such as 75-food wide boulevards (which were some of the first contoured streets not to follow the city grid), lots elevated from the sidewalk, ornate street lighting, and large granite monuments with red-brass electroliers at the entrance to every street. These upgrades increased the lot values, which helped ensure the tract would be an enclave for the elite.

 

One early real estate ad characterized the neighborhood stating: “West Adams Heights needs no introduction to the public: it is already recognized as being far superior to any other tract. Its high and slightly location, its beautiful view of the city and mountains make t a property unequaled by any other in the city.”

 

The early residents’ were required to sign a detailed restrictive covenant. This hand-written document required property owners to build a “first-class residence,” of at least two stories, costing no less than two-thousand dollars (at a time when a respectable home could be built for a quarter of that amount, including the land), and built no less than thirty-five feet from the property’s primary boundary. Common in early twentieth century, another clause excluded residents from selling or leasing their properties to non-Caucasians.

 

By the mid 1930’s, however, most of the restrictions had expired. Between 1938 and 1945 many prominent African-Americans began to make “The Heights” their home. According to Carey McWilliams, West Adams Heights became known “Far and wide as the famous Sugar Hill section of Los Angeles,” and enjoyed a clear preeminence over Washington’s smart Le Droit Park, St. Louis’s Enright Street, West Philadelphia, Chicago’s Westchester, and Harlem’s fabulous Sugar Hill.

 

West Adams Heights, now also known as Sugar Hill, played a major role in the Civil Rights movement in Los Angeles. In 1938 Norman Houston, president of the Golden State Mutual Life Insurance Company, and an African-American, purchased a home at 2211 South Hobart Boulevard. Legal Action from eight homeowners quickly ensued. During that period, other prominent African-Americans began to make Sugar Hill their home – including actress Hattie McDaniels, dentists John and Vada Summerville, actress Louise Beavers, band leader Johnny Otis, and performers Pearl Baily and Ethel Waters, and many more. On December 6, 1945, the “Sugar Hill Cases” were heard before Judge Thurmond Clark, in LA Superior Court. He made history by become the first judge in America to use the 14th Amendment to disallow the enforcement of covenant race restrictions. The Los Angeles Sentinel quoted Judge Clark: “This court is of the opinion that it is time that [African-Americans] are accorded, without reservations and evasions, the full rights guaranteed them under the 14th Amendment.” Gradually, over the last century people of nearly ever background have made historic West Adams their home.

 

The northern end of West Adams Heights is now protected as part of the Harvard Heights Historic Preservation Overlay Zone (HPOZ). The Historic West Adams area of Los Angeles (which includes West Adams Heights) boasts the highest concentration of turn-of-the-century homes west of the Mississippi, as well as the highest concentration of National Historic Landmarks, National Register of Historic Places, National Historic Districts, State Historic Landmarks, Los Angeles Cultural-Historic Monuments, and Historic Preservation Overlay Zones in the city. The entirety of West Adams Heights should be nominated as a National Register Historic District, for the quality of homes, the prominence of the architects, notoriety of the people who lived in the neighborhood, and the role it played in civil rights.

 

Perhaps a quote adapted from a fireplace mantle in the Frederick Rindge mansion best symbolizes the optimism which exists in West Adams: “California Shall be Ours as Long as the Stars Remain.”

 

Couldn't sleep. Mind was racing. I wrote pages and pages of notes in the dark. My handwriting is bad enough as it. In the dark it is almost undecipherable. Hopefully I will be able to parse these runes.

testing out my Fuji XE2

50mm♥ | B&W |

My Profile

Model: xX-Auto_Mode-Xx

 

Monochrome Project [ 3/6 ]

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Technical Specs :

Camera: Canon EOS 40D

Lens: Canon EF 50mm F/ 1.8 USM

Focal Length: 50mm

Aperture: F/2.8

Shutter: 1/30 sec

ISO: 100

Exposure: (M) Manual

Other: Soft Box

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This picture cannot be used without my permission.

Comments with photos will be deleted.

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Photo By M Al-Ahmadi

© All rights reserved 2010

(2010)

 

1- ALDI (50) ☼

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3- Colgantes (200) ☃

4- Est. Norte (50) ☁

5- Catedral Teruel Mudéjar (50) ☁

6- Astrid nubes xopera (50) ☼

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8- Atrid río (100) ☼

9- Plantas xopera (100) ☼☁

10- Diego tobogán (150) ☁

11- Diego bici (200) ☁

12- Nubes (200) ☁ 1/4, 16!!

13- Diego gafas (200) ·==· Movida?

14- Diego dormint (200) [Regadera]

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1** **** Ayto. (50) ☼ Movida? 1/8

*** ******ni (50) Atardecer+bombilla

teknovaganza.com/wp-content/uploads/2015/09/meizu-m2-note...

Belum lama M1 Note meramaikan belantara toko online Indonesia, kini seri baru Meizu M2 Note sudah menyusul masuk. Harga beda tipis, apa yang ditawarkan M2 Note? Cari jawabannya di review Meizu M2 Note berikut ini.

 

Spesifikasi

[table id=62 /]

Desain

Tercatat Meizu M2 Note lebih tipis 0.2 mm...

 

teknovaganza.com/review/meizu-m2-note-dual-sim-sama-sama-...

Just share a card made for few challenges. Blogged

 

Stamp:

CG152 Two Birds

CG125 Friend Definition

CL342 Everyday Saying

using the car door as a tripod & shooting thru the driver's window w/engine running @ a stop sign while someone is waiting behind U so can't take time to change camera settings... causes a lil bit of 'lens shake' ☺

 

please also view → flic.kr/p/dZdDvu → nighttime double

A page from a field notes notebook I have. Doodles plus the only wireframe a wordpress plugin I'm building will ever need.

 

I've had this one field notes notebook laying around for a while. I'm taking it for a test run as I'm planning to bring three of the tiny little objects (plain paper) to italy as a sketchbook + vacation notes combo.

Le Cantal bar jeux rapido

 

Ilustras fortuístas na palestra sobre amamentação

pattern by Karen Foster/@capitolaquilter; made for the MQG Modern Classic challenge

Pentax P30

Japanese 35mm SLR, produced c.1985

 

One of several hundred broken cameras that I bought more then 10 years ago.

 

However this one showed signs of life as long as the bottom was pressed against the body. So at last time for a short investigation :-)

  

Bain News Service,, publisher.

 

Baltimore Convention

 

[1912] (date created or published later by Bain)

 

1 negative : glass ; 5 x 7 in. or smaller.

 

Notes:

Title from unverified data provided by the Bain News Service on the negatives or caption cards.

Photo taken at the 1912 Democratic National Convention held at the Fifth Regiment Armory, Baltimore, Maryland, June 25-July 2. (Source: Flickr Commons project, 2008)

Forms part of: George Grantham Bain Collection (Library of Congress).

 

Subjects:

Baltimore

 

Format: Glass negatives.

 

Rights Info: No known restrictions on publication.

 

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

 

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

 

Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.10618

 

Call Number: LC-B2- 2422-10

  

Playfield artwork for the Blue Note pinball machine. (Gottlieb, 1979)

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