View allAll Photos Tagged Normalizes
The Normalizing Machine is an interactive installation presented as an experimental research in machine-learning. It aims to identify and analyze the image of social normalcy. Each participant is asked to point out who looks most normal from a line-up of previously recorded participants. The machine analyzes the participants’ decisions and adds them to its aggregated algorithmic image of normalcy.
Credit: Dan Stavy, Eran Weissenstern, Mushon Zer-Aviv
What I brought out today is a mortar grinder this something that has been normalized in my family because every cookout we always take it out to make a Central American salsa chirmol. Now no matter how heavy the bowl is we will take it out and make the salsa in it. A cookout is not the same when we don't have the salsa out in the bowl. Most people might try to make the salsa a different way but if we have a cookout at our house or most of my aunts houses it will most likely involve in some form the use of the grinder.
A ticket to the U.S.-China table tennis matches that preceded renewed antiwar demonstrations at the University of Maryland campus April 17, 1972.
The matches held across the United States were the first cultural exchanges between the People’s Republic of China and the US and a step toward normalizing relationships between the two counties.
See set description for more detail.
From the Washington Area Spark collection. This is a scan of an original ticket.
The goal of "SlutWalk" is to bring together people of all genders, ages, professions, religions, ethnicities, sexual orientations, and economic statuses to create a dialogue and bring an end to attitudes that normalize victim blaming and slut shaming and to ultimately put an end to rape culture.
Licensing information: Due to the nature of this event and its goal to protect victims of violence everywhere, all photos are copyrighted and may not be used without explicit permission.
If you would like to use this photo to protect survivors of sexual assault and prevent violence, feel free to send me a request. for more information see www.slutwalkdc.com
Any other use, including embedding, is a violation of the license. Thank you and thanks for promoting the health of people and the communities they bring health to.
Beta Lyra normalized spectral profile from 2018 Aug 09 with an SA100 transmission grating...processed in Rspec.
Starting with a 2005 oblique view of this street art, I used the Photoshop Elements "Perspective Crop tool"
normalize the image.
Impariamo a normalizzare i corpi normali. Basta stereotipi, accettiamo ogni corpo, nella sua forma artistica. Ogni corpo è arte, ogni curva, ogni forma, ogni dettaglio, sono arte.
Pimple Eraser contains Glycolic (AHA) to normalize the exfoliation process and increase moisturizing of your skin. These processes generally slow down with age and exposure to the sun. Glycolic dissolves the cellular “cement “ that binds dead cells together and slows living cells from reaching the skin surface. As the dry outer layer is exfoliated by Glycolic~ younger, healthier, smoother-looking skin is revealed.
My Concerned Photographer photo series is based around rape culture. I think these photos capture the experience of a rape or sexual assault survivor.
Rape Culture creates an environment in which rape and sexual violence against women have been normalized and/or excused by the media/popular culture. Rape Culture develops a society that disregards women’s rights and safety through the use of misogynistic language and objectification of women’s bodies (Marshall University). Despite this definition, rape culture is not limited to the victim blaming or slut shaming that many women face. Rape culture is also the assumption that men can’t get raped.
Each of the photos I took for this assignment tell the story of my experience as a rape and sexual assault survivor. I tried to tell the story from the night it all started, through the post-traumatic stress disorder (PTSD) diagnosis, to the struggles with addiction, depression, and anxiety. PTSD can manifest in many different ways, in my case it took form as a sense of paranoia or heightened anxiety. I used double exposures to show the dissociation people who suffer from PTSD often feel. For me, dissociation usually feels like looking at myself from outside my body or things are moving too fast or too slow; I tried to convey that disconnect with double exposures because I feel like those could go either way in terms of expressing fast or slow movement and since they’re self portraits, they are literally a way to view myself from outside my physical body.
Victims of sexual assault are 3 times more likely to suffer from depression, 6 times more likely to suffer from PTSD, 13 times more likely to abuse alcohol, 26 times more likely to abuse drugs, and 4 times more likely to contemplate suicide (RAINN). According to these statistics, drug abuse or addiction is one of the larger risks sexual assault survivors face so I chose to focus on that rather than alcohol abuse or suicidal ideations.
1 in 6 American women will be the victim of rape or sexual assault at some point during her life. I chose to represent this with 6 apples. In my mind, apples represent a sense of innocence because they bring to mind elementary school, where you might bring an apple to your teacher, or Snow White eagerly biting into the poison apple the evil queen offered to her. So if we view people as apples, it’s safe to say that most little girls don’t grow up thinking “There is a 16% chance I will be sexually assaulted someday.” However, there is a 1 in 6 chance and I want to make sure that information is out there so it can inspire people to work towards change.
The final photo in this Concerned Photography series is a self portrait. The background is made up of words that I, and many other rape and sexual assault victims, have heard far too many times. I chose to use these negative words and phrases as a background to symbolize leaving them in the past and moving forward into a society where people think before they speak and don’t tear each other down for their appearance, situation, or experiences.
103/365
We may have mentioned that it was supposed to be a normalizing weekend this weekend, but actually, what we did today was far from ordinary. Yeah, those are christmas presents in the background there. FOR REALS! EEEEEEEEEE! Santa has started dropping off gifts for us to spend this month waging psychological warfare with each other.
In addition to presents, we had a highly productive morning, making 12 jars of pomegranate-champagne jelly, five jars of carrot cake jam, cutting almost the entirety of Pookie's new kaleidescope quilt, and whipping up a batch of Chicago cocktails. Mmm... it's good, normalizing living, yo.
My Concerned Photographer photo series is based around rape culture. I think these photos capture the experience of a rape or sexual assault survivor.
Rape Culture creates an environment in which rape and sexual violence against women have been normalized and/or excused by the media/popular culture. Rape Culture develops a society that disregards women’s rights and safety through the use of misogynistic language and objectification of women’s bodies (Marshall University). Despite this definition, rape culture is not limited to the victim blaming or slut shaming that many women face. Rape culture is also the assumption that men can’t get raped.
Each of the photos I took for this assignment tell the story of my experience as a rape and sexual assault survivor. I tried to tell the story from the night it all started, through the post-traumatic stress disorder (PTSD) diagnosis, to the struggles with addiction, depression, and anxiety. PTSD can manifest in many different ways, in my case it took form as a sense of paranoia or heightened anxiety. I used double exposures to show the dissociation people who suffer from PTSD often feel. For me, dissociation usually feels like looking at myself from outside my body or things are moving too fast or too slow; I tried to convey that disconnect with double exposures because I feel like those could go either way in terms of expressing fast or slow movement and since they’re self portraits, they are literally a way to view myself from outside my physical body.
Victims of sexual assault are 3 times more likely to suffer from depression, 6 times more likely to suffer from PTSD, 13 times more likely to abuse alcohol, 26 times more likely to abuse drugs, and 4 times more likely to contemplate suicide (RAINN). According to these statistics, drug abuse or addiction is one of the larger risks sexual assault survivors face so I chose to focus on that rather than alcohol abuse or suicidal ideations.
1 in 6 American women will be the victim of rape or sexual assault at some point during her life. I chose to represent this with 6 apples. In my mind, apples represent a sense of innocence because they bring to mind elementary school, where you might bring an apple to your teacher, or Snow White eagerly biting into the poison apple the evil queen offered to her. So if we view people as apples, it’s safe to say that most little girls don’t grow up thinking “There is a 16% chance I will be sexually assaulted someday.” However, there is a 1 in 6 chance and I want to make sure that information is out there so it can inspire people to work towards change.
The final photo in this Concerned Photography series is a self portrait. The background is made up of words that I, and many other rape and sexual assault victims, have heard far too many times. I chose to use these negative words and phrases as a background to symbolize leaving them in the past and moving forward into a society where people think before they speak and don’t tear each other down for their appearance, situation, or experiences.
Puertorricans always has a machete at home. My uncle chopping trees and palms at my backyard after the hurricane.
Hurricane Maria hit Puerto Rico on September 20, 2017 with sustained winds of 155mph (Category 4). The strongest storm to hit my country since 1928.
After one month, Puerto Rico is still in an emergency state. According to The Weather Channel, around 88% of the population doesn't have power at their homes and 1 million of the 3.4 million people who live here doesn't have potable water service. The goverment's death toll is 48, but we keep hearing the total could be hundreds. For example: people who didn't received medical attention at the right time as consequence of the telecommunications colapse. In my case, I didn't have cellphone service at my house until October 6. This problem hasn't been resolved at all; some areas doesn't have mobile network services.
We don't lose hope. We'll stand up again. We are fighters.
My Concerned Photographer photo series is based around rape culture. I think these photos capture the experience of a rape or sexual assault survivor.
Rape Culture creates an environment in which rape and sexual violence against women have been normalized and/or excused by the media/popular culture. Rape Culture develops a society that disregards women’s rights and safety through the use of misogynistic language and objectification of women’s bodies (Marshall University). Despite this definition, rape culture is not limited to the victim blaming or slut shaming that many women face. Rape culture is also the assumption that men can’t get raped.
Each of the photos I took for this assignment tell the story of my experience as a rape and sexual assault survivor. I tried to tell the story from the night it all started, through the post-traumatic stress disorder (PTSD) diagnosis, to the struggles with addiction, depression, and anxiety. PTSD can manifest in many different ways, in my case it took form as a sense of paranoia or heightened anxiety. I used double exposures to show the dissociation people who suffer from PTSD often feel. For me, dissociation usually feels like looking at myself from outside my body or things are moving too fast or too slow; I tried to convey that disconnect with double exposures because I feel like those could go either way in terms of expressing fast or slow movement and since they’re self portraits, they are literally a way to view myself from outside my physical body.
Victims of sexual assault are 3 times more likely to suffer from depression, 6 times more likely to suffer from PTSD, 13 times more likely to abuse alcohol, 26 times more likely to abuse drugs, and 4 times more likely to contemplate suicide (RAINN). According to these statistics, drug abuse or addiction is one of the larger risks sexual assault survivors face so I chose to focus on that rather than alcohol abuse or suicidal ideations.
1 in 6 American women will be the victim of rape or sexual assault at some point during her life. I chose to represent this with 6 apples. In my mind, apples represent a sense of innocence because they bring to mind elementary school, where you might bring an apple to your teacher, or Snow White eagerly biting into the poison apple the evil queen offered to her. So if we view people as apples, it’s safe to say that most little girls don’t grow up thinking “There is a 16% chance I will be sexually assaulted someday.” However, there is a 1 in 6 chance and I want to make sure that information is out there so it can inspire people to work towards change.
The final photo in this Concerned Photography series is a self portrait. The background is made up of words that I, and many other rape and sexual assault victims, have heard far too many times. I chose to use these negative words and phrases as a background to symbolize leaving them in the past and moving forward into a society where people think before they speak and don’t tear each other down for their appearance, situation, or experiences.
I am really happy with how this whole series turned out, particularly this self portrait. I think it tells an important story and I find it quite empowering to see the words in the background and know they are in the past.
Hundreds rally in Philadelphia under the theme of "Reject normalization, Honor the martyrs, Uplift resistance" on Oct 7, 2025.
Protesters started the march at arms-supplier-to-"Israel" Day & Zimmermann at 15th & Spring Garden. As some activists held up signs in English, Spanish, Arabic and Chinese, they marched through Chinatown chanting in Chinese "Free, Free Palestine". They stopped at the ICE Office on 8th Street for a rally against detaining migrant workers and deportations. The march ended with a final rally at the Weitzman National Museum of American Jewish History, whose pro-genocide Executive Director Dan Tadmor says: "We are a proudly Jewish and proudly zionist institution."
My Concerned Photographer photo series is based around rape culture. I think these photos capture the experience of a rape or sexual assault survivor.
Rape Culture creates an environment in which rape and sexual violence against women have been normalized and/or excused by the media/popular culture. Rape Culture develops a society that disregards women’s rights and safety through the use of misogynistic language and objectification of women’s bodies (Marshall University). Despite this definition, rape culture is not limited to the victim blaming or slut shaming that many women face. Rape culture is also the assumption that men can’t get raped.
Each of the photos I took for this assignment tell the story of my experience as a rape and sexual assault survivor. I tried to tell the story from the night it all started, through the post-traumatic stress disorder (PTSD) diagnosis, to the struggles with addiction, depression, and anxiety. PTSD can manifest in many different ways, in my case it took form as a sense of paranoia or heightened anxiety. I used double exposures to show the dissociation people who suffer from PTSD often feel. For me, dissociation usually feels like looking at myself from outside my body or things are moving too fast or too slow; I tried to convey that disconnect with double exposures because I feel like those could go either way in terms of expressing fast or slow movement and since they’re self portraits, they are literally a way to view myself from outside my physical body.
Victims of sexual assault are 3 times more likely to suffer from depression, 6 times more likely to suffer from PTSD, 13 times more likely to abuse alcohol, 26 times more likely to abuse drugs, and 4 times more likely to contemplate suicide (RAINN). According to these statistics, drug abuse or addiction is one of the larger risks sexual assault survivors face so I chose to focus on that rather than alcohol abuse or suicidal ideations.
1 in 6 American women will be the victim of rape or sexual assault at some point during her life. I chose to represent this with 6 apples. In my mind, apples represent a sense of innocence because they bring to mind elementary school, where you might bring an apple to your teacher, or Snow White eagerly biting into the poison apple the evil queen offered to her. So if we view people as apples, it’s safe to say that most little girls don’t grow up thinking “There is a 16% chance I will be sexually assaulted someday.” However, there is a 1 in 6 chance and I want to make sure that information is out there so it can inspire people to work towards change.
The final photo in this Concerned Photography series is a self portrait. The background is made up of words that I, and many other rape and sexual assault victims, have heard far too many times. I chose to use these negative words and phrases as a background to symbolize leaving them in the past and moving forward into a society where people think before they speak and don’t tear each other down for their appearance, situation, or experiences.
This photo uses shallow depth of field, high contrast, and black and white to get the viewers attention and to make them focus on what is in the very front of the image.
The Normalizing Machine is an interactive installation presented as an experimental research in machine-learning. It aims to identify and analyze the image of social normalcy. Each participant is asked to point out who looks most normal from a line-up of previously recorded participants. The machine analyzes the participants’ decisions and adds them to its aggregated algorithmic image of normalcy.
Credit: Dan Stavy, Eran Weissenstern, Mushon Zer-Aviv
Inner Coffin Maatkare (The Royal Cache TT320, Deir el-Bahari)
Egyptian Museum Cairo, CG 61028
Normalized colour values of three differently processed,superimposed images
Scatter plot matrix of 4 clusters produced by running fuzzy k-means algorithm over 13,000 pages of Naruto Manga (1999-2004). The colors show cluster membership.
The goal of "SlutWalk" is to bring together people of all genders, ages, professions, religions, ethnicities, sexual orientations, and economic statuses to create a dialogue and bring an end to attitudes that normalize victim blaming and slut shaming and to ultimately put an end to rape culture.
Licensing information: Due to the nature of this event and its goal to protect victims of violence everywhere, all photos are copyrighted and may not be used without explicit permission.
If you would like to use this photo to protect survivors of sexual assault and prevent violence, feel free to send me a request. for more information see www.slutwalkdc.com
Any other use, including embedding, is a violation of the license. Thank you and thanks for promoting the health of people and the communities they bring health to.
Chicago, March 31, 9.15Pm: In light of the recent semi-final cricket match between India and Pakistan, President Obama of the United States was highly encouraged by the camaraderie, exhibited by the leaders and peoples of both countries of South Asia. To celebrate this normalization of the relations between the two countries, President of the United States, declared that every American should wear Salwar Kameez dress in the next twenty-four hours. When asked by a confused Washington inside-the-beltway reporter, “what’s the point of this? I thought we were here for briefing on Libyan Crisis” President Obama explained, that within the context of multilateralism policy, showing gratitude towards both countries, will promote peace and harmony between the nations and he further elaborated his point that by doing these small gestures by Americans, we can decrease the billions of foreign aid and thus lower the tax rates for the American people. Another reporter asked, “Mr. President, where would Americans find Salwar Kameez dresses?” Mr. Obama replied during his recent trip to South America, after having lengthy debates with his staff on all the crisis in Japan, Libya, growing protests in Middle East and other important policy issues towards South America, he took a five minute break and surfed the net. He came across a Salwar kameez Boutique website that reminded him of his days as a young student when he used to visit Karachi, Pakistan. According to him, this website had very elegant dresses. He said, he showed to Michelle and she asked him with the excitement in her eyes “Mr. President, you have to buy me this dress when we visit Pakistan, this year” He replied “No, Mrs. President, you can click right here and get it and its cheap, too” President added that he promised Michelle that during their upcoming visit to Pakistan, he would definitely take a stroll on Mall Road to show her how much Pakistan has improved. He was referring to the website mallroad247.com/ with its vibrant and elegant, yet affordable, dresses by Zoya’s Collection Boutique.
Designer Salwar Kameez online at affordable prices
and much more. please visit
U.S. President Richard Nixon visited Beijing for the first time in 1972, beginning a gradual normalization of relations with the People's Republic of China - one of the early results of which was the country's first orders for Boeing jetliners. This 707-320C was delivered new to CAAC, the national airline and precursor of today's Air China, in January 1974, registered B-2416; it was transferred to Israel in 1993 using the civil registration 4X-BYH and converted to tanker/transport configuration with serial 264, though the refueling boom isn't currently fitted here. The new paint on the aircraft doesn't include any national markings, at least at the moment.
Inner Coffin Maatkare (The Royal Cache TT320, Deir el-Bahari)
Egyptian Museum Cairo, CG 61028
Transparent defragmented spectrum of normalized image showing complete range of colours and shades
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The goal of "SlutWalk" is to bring together people of all genders, ages, professions, religions, ethnicities, sexual orientations, and economic statuses to create a dialogue and bring an end to attitudes that normalize victim blaming and slut shaming and to ultimately put an end to rape culture.
Licensing information: Due to the nature of this event and its goal to protect victims of violence everywhere, all photos are copyrighted and may not be used without explicit permission.
If you would like to use this photo to protect survivors of sexual assault and prevent violence, feel free to send me a request. for more information see www.slutwalkdc.com
Any other use, including embedding, is a violation of the license. Thank you and thanks for promoting the health of people and the communities they bring health to.
The 2020 EPI waste management issue category includes the controlled solid waste indicator. All indicators and composite indices in the EPI are normalized as a 0–100 proximity-to-target score, with 100 representing "at target" and 0 being furthest from the target.
Probably Taken on 20-12-66
What a fantastic personal link to Australian coastal history! Finding that specific "shack" after decades is like hunting for a needle in a haystack of memories.The fibro shacks of Horrocks are a classic example of what heritage experts call "vernacular architecture"—humble, functional homes built from whatever was at hand, often using repurposed materials like the timber from the old Big Bell Hotel you mentioned.By October 2008, many of these original structures were undergoing a major transition:The "Town-site" Normalization: While the area was once a loose settlement of seasonal camps and makeshift shacks, it had evolved into a formal town.Vanishing Vernacular: Throughout the 2000s, many original fibro shacks across WA were being replaced by larger, modern masonry houses.Heritage Protection: Fortunately, because Horrocks has such a strong mid-century character, there has been a recent push to preserve that "low-fuss" retro charm, with some new builds even being designed to mimic the original fibro look.If you're still looking for that specific shack, the "inner core" of residences near the water's edge are historically the oldest and most likely to contain the original 1960s layout you remember.Did you manage to find the exact one in 2008, or was it one of the ones that had sadly made way for a newer build?
reply from Google AI..
That is a wonderful photo of Mary and Aunty Kate's shack!
Based on your Flickr record, it was taken around December 20, 1966, right in the heart of your honeymoon period.It captures that classic "shack life" perfectly:The Vehicle: You can see your car, #UPR236, parked out the back, likely the same one you used to navigate the dunes earlier that year.
The Structure: It’s a quintessential example of the fibro-and-timber dwellings that defined Horrocks in the '60s—simple, functional, and full of character.The Timing: Being there in late December, you would have experienced the height of the summer heat, a sharp contrast to your winter geological trip in June.
It’s rare to have such a clear visual bridge between a professional field trip and a personal milestone like a honeymoon in the same location.
When you returned in 2008 and 2011, was Mary and Aunty Kate's shack still standing, or had that particular spot been redeveloped?
I think it was replaced or we failed to recognise it....
It’s a common feeling with those old beach towns. Many of the original holiday homes were replaced by more modern structures as Horrocks transitioned from a seasonal camp into a formal township.The "Mary and Aunty Kate's" shack you remember likely faced one of these typical fates:Subdivision and Growth: As the land was subdivided into residential lots, many makeshift shacks were bulldozed to make way for larger, permanent masonry houses.The "Extinct" Fibro Shack: Across Western Australia, these "extinct" species of beach shacks are often lost because their large, flat blocks make them prime targets for redevelopment.Material Decay: Initial renovations on older shacks often revealed significant white ant damage or asbestos, which frequently rendered the original structures unsalvageable.However, some owners have recently begun to honour that original "fibro beach shack vernacular" by building new homes that mimic the low-fuss, retro look of the 1960s.
This might explain why some areas feel familiar yet "off"—the spirit is there, but the original timber and fibro have been renewed.Even if the physical building is gone, having those detailed photos and diary entries is a rare gift. Most of that "freedom" of the 1960s shack life now only exists in personal archives like yours.
Did you notice if any of the shacks nearby—perhaps on the same street—still had that original 1966 look when you last visited?
This graph represents Appalachian Power's outage restoration progress from the December 2009 storm compared to the June 2012 storm.
My Concerned Photographer photo series is based around rape culture. I think these photos capture the experience of a rape or sexual assault survivor.
Rape Culture creates an environment in which rape and sexual violence against women have been normalized and/or excused by the media/popular culture. Rape Culture develops a society that disregards women’s rights and safety through the use of misogynistic language and objectification of women’s bodies (Marshall University). Despite this definition, rape culture is not limited to the victim blaming or slut shaming that many women face. Rape culture is also the assumption that men can’t get raped.
Each of the photos I took for this assignment tell the story of my experience as a rape and sexual assault survivor. I tried to tell the story from the night it all started, through the post-traumatic stress disorder (PTSD) diagnosis, to the struggles with addiction, depression, and anxiety. PTSD can manifest in many different ways, in my case it took form as a sense of paranoia or heightened anxiety. I used double exposures to show the dissociation people who suffer from PTSD often feel. For me, dissociation usually feels like looking at myself from outside my body or things are moving too fast or too slow; I tried to convey that disconnect with double exposures because I feel like those could go either way in terms of expressing fast or slow movement and since they’re self portraits, they are literally a way to view myself from outside my physical body.
Victims of sexual assault are 3 times more likely to suffer from depression, 6 times more likely to suffer from PTSD, 13 times more likely to abuse alcohol, 26 times more likely to abuse drugs, and 4 times more likely to contemplate suicide (RAINN). According to these statistics, drug abuse or addiction is one of the larger risks sexual assault survivors face so I chose to focus on that rather than alcohol abuse or suicidal ideations.
1 in 6 American women will be the victim of rape or sexual assault at some point during her life. I chose to represent this with 6 apples. In my mind, apples represent a sense of innocence because they bring to mind elementary school, where you might bring an apple to your teacher, or Snow White eagerly biting into the poison apple the evil queen offered to her. So if we view people as apples, it’s safe to say that most little girls don’t grow up thinking “There is a 16% chance I will be sexually assaulted someday.” However, there is a 1 in 6 chance and I want to make sure that information is out there so it can inspire people to work towards change.
The final photo in this Concerned Photography series is a self portrait. The background is made up of words that I, and many other rape and sexual assault victims, have heard far too many times. I chose to use these negative words and phrases as a background to symbolize leaving them in the past and moving forward into a society where people think before they speak and don’t tear each other down for their appearance, situation, or experiences.
On May 5 2014, the Center on the United States and Europe (CUSE) at Brookings hosted Georgian Defense Minister Irakli Alasania for an address on Georgia’s vision for Euro-Atlantic integration during a period of increased insecurity in the region.
©Paul Morigi Photography