View allAll Photos Tagged Nikon28MmF2
Nikon FM2n
Nikkor 28mm f2.8 AIS
Kodak Professional Ektar 100
2024-08
While the smell of sulphur was unpleasant, the feeling of the clean alpine air and crystal clear water was very welcoming after the heat of the previous summer day.
Though there were many frames that I did not like immediately after development, which led me to wait many months before trying to work with the roll, I liked this from the start. The placement of the rocks, as well as the mountains and the buildings, were exactly the type of composition I was hoping to work with using the Nikkor 28mm f2.8 AIS.
Why I did not use a tripod for the other photos on the 135mm lens, I can only point the the fact that I was with another person, and did not want to make them uncomfortable to wait. Not a mistake I will make again.
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硫黄のにおいは正直ちょっと嫌だったけど、それでも前日の夏の暑さの後だったから、アルプスの澄んだ空気と透き通った水の感覚はすごく心地よかった。
現像してすぐには気に入らなかったカットが多くて、そのロールを触るまでに何ヶ月もかかったんだけど、この一枚は最初から気に入っていた。岩の配置や山々、建物のバランスがまさに、Nikkor 28mm f2.8 AISで撮りたかった構図だったんだ。
135mmのレンズで撮った他の写真でなぜ三脚を使わなかったのか… それは一緒にいた相手に気を使って、待たせたくなかったからとしか言えない。けど、それはもう二度と繰り返さないつもり。
Nikon FM2n
Nikkor 28mm f2.8 AIS
Kodak Professional Ektar 100
2024-08
Though I am not exactly satisfied with my scanning quality, the lens sharpness, and the exposure itself, I really like how Ektar 100 renders greens.
Been a while since I have posted, but I will do my best to be more active again. Thinking of putting some stuff on Instagram also, which I have not done in many years.
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スキャンのクオリティやレンズのシャープさ、露出にはあまり満足してないけど、やっぱりエクター100の緑の発色はすごく好き。
しばらく投稿してなかったけど、またちょっとずつ頑張ろうと思う。インスタにも何かアップしようかな。ずっと放置してたけど。
Nikon FM2
Nikkor 28mm F2.8 AIS
Ilford XP2 SUPER
2024-08-10
「卵焼き二」[Tamagoyaki II]
This was taken during a tour of this tamagoyaki store in Tsukiji. The 28mm really shines in these compact, small environments. For better or worse, I decided to keep the camera very level, so that the ventilation would be visible and add a sense of perspective to the photograph.
Nikon FM2
Nikkor 135mm f3.5 AIS
Ilford XP2 SUPER
2024-08-10
When I stayed near Azabudai for a second time, I decided early on that I wanted to do some sort of brief photo walk around Roppongi during the daytime. My main idea was to photography Tokyo Tower with the Nikkor 135mm f3.5 AIS, but then I decided to use the 135mm for every photo. While it is only a brief collection of photographs, I will share them on here regardless. I have uploaded at a high resolution, so please feel free to zoom in on the photo, as there are many interesting elements that are included here.
麻布台近くに二度目の滞在をしたとき、昼間に六本木を少し写真散歩しようと早い段階で決めました。最初は、東京タワーをNikkor 135mm f3.5 AISで撮ろうと思っていたんですが、その後、すべての写真を135mmで撮ることにしました。写真の数は少しだけですが、ここでシェアします。高解像度でアップロードしたので、写真をズームインして見てください。ここにはいろいろな面白い要素が含まれています。
Nikon FE
Nikkor 28mm f2.8 AIS
Cinestill 800T
2024-07
It was hard to decide between a 1:2 crop and the 25.4x8.9 XPan look, but I decided on the longer panoramic look so that the focus would be on the street and lights rather than the predominant blank space around the subject. Cropping to this extent on a higher grain film definitely makes one envious of Hasselblad XPan users.
1:2のクロップと25.4x8.9のXPAN風どっちにするか迷ったけど、ストリートとライトに焦点を当てたかったから、より長いパノラマっぽい方にしたよ。被写体の周りの余白が目立たないようにね。高感度フィルムでこれだけクロップすると、やっぱりHASSELBLAD XPAN使いがうらやましくなるなぁ。
Nikon FM2n
Nikkor 28mm f2.8 AIS
Kodak Professional Ektar 100
2024-08
While I do not have the best scanning method as of yet, for close up, evenly exposed shots like this one, I have gotten good results. Ektar truly does look more like slide film when scanned or printed correctly.
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まだ完璧なスキャン方法は見つかってないけど、こういう接写で露出が均一な写真だと、けっこういい感じに仕上がってる。エクターって、ちゃんとスキャンしたりプリントしたりすれば、ほんとにリバーサルフィルムっぽく見えるんだよね。
This picture shows the movement of light and shadow across the wall of the church over a 30 minute period, and captured using multiple exposures.
Nikon FM2
Nikkor 28mm F2.8 AIS
Fuji Superia Xtra 400
2024-08-11
For this one, I took several photos, as it was hard to decide which angle to shoot from. This is the first, and the one I decided to go with. The perspective of looking down the stairs while simultaneously drawn upward towards the tree branches was simply stunning. The light shafts shining on the stairs looked as if one was underneath the sea. Fuji Superia Xtra is a film I love to shoot with while traveling. It is not a perfect film by any means. It adds a touch of the imperfect that sometimes makes for great stories.
Nikon FM2
Nikkor 28mm F2.8 AIS
Ilford XP2 SUPER
2024-08-10
A 6x12 crop taken in Tsukiji, and the first of a set of three photographs taken at this corner. This photo focuses on maximizing the amount of signage. None of the pedestrians are facing the camera. All are either walking towards shops, inside of shops, or focusing on whatever they have purchased: food, clothing, jewelry, et cetera. And yet there remains a narrow open space, free of clutter. And the contrast between the clean sky and obscurity of the similarly narrow street and store fronts is clear. And what is to be said of this contrast? Namely, the disparity between how much the eye tastes of what is down, below, and low, and how little it looks to what is above, behind, horizontal, and vertical to itself.
Nikon FM2n
Nikkor 28mm f2.8 AIS
Kodak Professional Ektar 100
2024-08
Standing on top of the ropeway platform roof, we ran into another traveler who we had met earlier. Later that day, we would see him again on the train to Toyama-eki. It is fascinating when, coincidentally, I find myself on the same path as other people, going to the same place at the same time. When one goes to work, there are the same people, but it is not the same as being in a very out of the ordinary place, finding oneself among others who also have an objective.
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ロープウェイのプラットフォームの屋根の上に立っていたら、前に会ったことのある旅行者とまたばったり会った。その日の後、富山駅に向かう電車の中でもまた彼を見かけた。
偶然、同じ場所へ同じタイミングで向かう人と道が重なるのって、不思議で面白い。通勤するときも同じ人たちと一緒になるけど、それとは違って、普段来ないような特別な場所で、自分と同じ目的を持つ人たちと居合わせるのがなんだか新鮮なんだよな。
Nikon FM2
Nikkor 28mm F2.8 AIS
Ilford XP2 SUPER
2024-08-10
XP2 really shows its high dynamic range in photos like this. I left the sky as is since I wanted the drama of shadow and light, but I could easily recover even the texture of the clouds, which is not present as is.
The Nikkor 28mm f2.8 AIS is horrible for shooting at infinity, but when used for close up, intimate shots like this, the results show for themselves how wonderful this lens is. The 3D pop keeps this 28mm on my camera more than any other lens, even if it sometimes feels like a one trick pony(Definitely not a reference to some Fuji MF rangefinders..)
Image captured at Tannehill SP in Alabama.
This is a restoration of one of the three blast furnaces built on Roupes Creek near a rich deposit of brown ore in the early 1860s. Iron from this furnace, and two others at this site, was used in the manufacturing of canons for the Confederacy. At the end of the Civil War, sites used to manufacture armament were destroyed by Federal forces.
Camera: Sony A7II
Lens: Nikon 28mm f2 AI
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Shot on Arista Premium 400 at EI 400.
Black and white negative film in 35mm format.
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Large version at: emulsive.org/photography/35mm-format/16714
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Filed under: #35mmformat #Photography #2017May #35MmFormatFilm #AristaPremium400 #EI400 #EMULSIVEDailyPhoto #Kodak #KodakTriX400 #Nikon #Nikon28MmF2 #NikonFT3
Image taken at Tannehill SP.
This wheel & gear (or ones similar) drove a blower that supplied a large volume of air to the blast furnace just on the other side of the building. I assume it is likely the only part of the structure in this image that is original are the layers of rock foundation without concrete. History indicates that the orginal buildings at the Tannehill Ironworks were burned and the equipment destroyed or damaged beyond repair by Northern troops at the end of the Civil War.
Camera: Sony A7II
Lens: Nikon 28mm f2 AI
Nikon FM2
Nikkor 28mm F2.8 AIS
Ilford XP2 SUPER
2024-08-10
The only story with this one is the intuition to release the shutter at this particular moment, from this particular perspective. There is a lot happening in the outer fringes of the photo, but I should like to think, and hope that the building has as much of a strong presence on whoever you are as it does on myself.
I took this by framing the shot, and then held it overhead to take it. The 28mm really adds a level of depth sometimes that the 35mm can not get across, and without the distortion of the 24mm.
Image captured at Birmingham Botanical Gardens 6/14/19
Camera: Nikon F2 Photomic
Lens: Nikkor 28 f2 AI
Film: Expired Kodak Gold 100
Scanner: Konica Minolta Dimage Scan Elite 5400II
Image cropped to include Canna leaves only (as much a possible)
On March 31, 1865 the Tannehill Ironworks was attacked by three companies of the 8th Iowa Calvary. Before leaving they torched all the factory buildings. It is interesting that only a mile downstream on Roupes Creek (modern maps refer to it as Mud Creek) another iron making facility, the Williams & Owens Forge, escaped detection by the same northern troops.
Camera: Sony A7II
Lens: Nikon 28mm f2 AI