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JOIN ME on my Five Day Northern Lights Iceland Workshop
15th - 20th October 2020
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This morning I returned from leading a week long photography tour in Iceland and I don't mind admitting that the severe snow storms that we encountered were the most difficult conditions that I have ever experienced however the weather did create some outstanding scenery to photograph.
This view of the Black Beach at Vik was taken in 90mph winds during intermittent snow blizzards. I have no idea how I managed to take a sharp shot let alone one at two and a half seconds. That Gitzo GT3543XLS tripod sure takes some beating when the wind picks up.
I used a Nisi 6 Stop ND filter to slow the shutter just about long enough to capture the slow motion of the wonderful waves that raced in before being forced back out by the wind. There was a heavy set dark slate grey coloured sky threatening to dump a load more snow on us which it duly did a few minutes after returning to the minibus.
This is one of my favourite images I captured during the workshop and I hope you like it too.
Canon 5D MK4
Canon 24-70mm f4 @ 24mm
f13
2.5 secs
ISO100
6 Stop ND Filter
Benro TMA48CXL Mach 3 Tripod
Arca Swiss D4 Geared Head
3 Legged Thing QR11-LC L Bracket
Mindshift Backlight 26L Bag
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Shipwreck Reflected, Fleetwood, Lancashire
I LOVE these old shipwrecks near the Marsh Wet Llands at Fleetwood on the Wyre Estuary. This is one of two metal bodied boats (the others are wooden and are in various states of decay).
This was shot at the end of Feb 2021 during quite a high tide which allows for this boat in particular to be completely surrounded by the incoming tide. One word of warning though, this area is full of deep gullies filled with gloopy mud. You cannot see them during a high tide as they are under water so if you are going to visit during a high tide, arrive a good while beforehand and study the layout of the area. You might just be grateful once the water starts filling up.
Canon R5
Canon RF 24-70mm f/2.81 @ 52mm
f/10
13"
ISO50
Kase 10 Stop Neutral Density Filter
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Benro TMA48CXL Mach 3 Tripod
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3 Legged Thing Ellie Short L-Bracket - Copper
Mindshift Backlight 26L Bag
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Die Beschreibung zu einer kurzer Rundwanderung um die Talsperre mit der ältesten Staumauer in Thüringen findet ihr u.a. auf outdooractive.
Wall-Art + Prints: Pixels
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Four DAY LAKE DISTRICT AUTUMN WORKSHOP
Tues 31st October - Fri 3rd November 2017 £795
www.melvinnicholsonphotography.co.uk/product/lake-distric...
I was on a day off from photography when I visited this lovely little part of the Lake District that is rarely busy, Martindale. When the sun is shining, the view just comes alive as it did when I captured this wonderful scene on camera.
This view encompasses all that I love about the countryside. Beautiful trees, a farm house, cattle, long grasses, subtle but enchanting lighting and a small stream running right through the scene. What more could you ask for?
I hope you all like it and feel free to share the image if you wish.
Canon 5D MK3
Canon 70-200 f4 @ 168mm
f10
1/60 secs
ISO100
LEE 105mm Landscape Polariser filter
LEE 0.3 ND Grad filter
Gitzo GT3542XLS Tripod
Manfrotto 410 Tripod Geared Head
UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
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2019 ISLE OF SKYE PHOTO WORKSHOPS
22nd - 27th Feb 2019 £795
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26th - 30th Nov 2019 £1195
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I took my group down to Talisker Bay this afternoon to have them photograph the outgoing tide on the black volcanic sandy beach.
On arriving, Phil, one of my clients happened to mention the ice blocks by the path en-route to the beach and that gave me an idea. So we grabbed a couple and took them down to the beach. Instantly I was transported back to Vik in Iceland two weeks ago.
The sand patterns though really made the image for me and using a polariser allowed me to draw out the colour and darkness of the sand by eliminating the white reflections of the sky.
Admittedly the weather was somewhat interesting (challenging), for the wind and the rain gave everyone a hard time but even in challenging conditions there is beauty.
I hope you enjoy it :D
Canon 5D MK4
Canon 24-70mm f4 @ 24mm
f13
1.6 sec
ISO200
Nisi Polariser
Nisi 6 Stop ND filter
Gitzo GT3543XLS carbon fibre tripod
Gitzo GS3121LVL low profile levelling base
Manfrotto 405 geared tripod head
Mindshift Backlight 36L Bag
© Melvin Nicholson 2018. All Rights Reserved
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UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
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A phone snapshot of the bubbled glass in an old window, creating a textural abstract of a neighbouring roof, blue sky and swirling white clouds.
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How do you know you have stayed in Epcot a long time past closing? I am guessing having the fountain water shut off on you might be a sign. Epcot has become the easiest park to shoot and close out after hours. I rarely even see security, never mind feeling pressured to leave. I had been shooting for quite some time this night after hours when just as I was setting up for this shot the fountain water turned off. Maybe it did not even have to do with the late hour and something else was up, but I am not one to be easily deterred so now I have this unique (but pointless?) shot with the fountain turned off. It is not the showcase of the shot anyways so I think it does not matter much.
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The Fancy Decor newsletter is back!
Flip through here: issuu.com/jakevordun/docs/fancy_decor_june_2018_newsletter
Editada con Sora 60% de la colección Wonderland y Mandarina 80% de la colección Caramelo - Acciones Photoshop Mi dulce Noviembre
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Une des forêts des monts du Pilat était ce matin sous le brouillard.
N'hésitez pas si vous en avez l'occasion à vous promener dans ces forêts. Elles sont beaucoup plus accueillantes que ne le laisse supposer ma photo.
Je l'ai quelque peu accentuer pour la rendre irréelle.
Suivez moi / Follow me
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Yet another Yellowlegs shot (there are even more still). Yet again from the ghillie suit. I love this set up.
The weather, tide, and birds weren't working out too well at the estuary all day. Then, shortly before sunset, it came together and I had some good opps with the Yellowlegs.
Editing disclosure: Minor modification to background and water to remove a few distractions.
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MRS_20160402_040_LM_web_v1_800w_iwm - ©Matthew Schwartz, All Rights Reserved.
This image is protected by Copyright, and is not available for ANY use without the explicit written permission of the photographer. Thank you for being respectful of the years of learning and practice, thousands of dollars, and extremely hard work and time I put into creating my fine art images.
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A drake Blue-winged Teal banks in preparation to land on a pond in British Columbia's Interior.
Canon R5 | Canon 500mm f/4 IS with 1.4x Teleconverter | 1/5000th | f/5.6 | ISO 3200
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Female Anna’s Hummingbird - Multi-flash “outdoor studio” setup shot in backyard.
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This image is protected by Copyright, and is not available for use on websites, blogs, videos, or any other media without the explicit written permission of the photographer.
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2021
It's time again to release another set of images! Please go to my website to subscribe to my newsletter to get the release in your inbox on Thursday!
This set will be images from Wisconsin, where I live, during the Winter of 2021, which I lived through. Many of the images were made on two gorgeous days where my home area was covered in hoar frost and freezing fog. During that time, I put aside most other things in my life and made experiencing this rare beauty a priority.
I want to build a deeper connection with people, who care for my artwork.
From August, I will start to publish a regular newsletter with exclusive content
You can subscribe on my web page
On the location of Norway House, built by Edward Mortimer, claims were made that lights and sounds came from an old wooden building falling into decay. When the building was torn down these strange happenings ceased. LINK to photo - www.novastory.ca/digital/collection/phps/id/181/
(11 January 1913) - PICTOU, Nova Scotia – The large, stone Georgian building that until a week ago stood on Norway Point in Pictou was a house of rich history. In its 200 years, it was officially called many names: Mortimer House; Norway House; Maritime Odd Fellows Home and The Edward Mortimer Inn.
Edward Mortimer, born in Scotland, came to Pictou about a decade after the ship Hector landed with Scottish settlers. He started working in the lumber business, but quickly came to own and operate a number of successful natural resource firms. He became a leader in the community as a member of the Pictou militia and a member of the house of assembly. Mortimer’s influence earned him the nicknames ‘King of Pictou’ and ‘our Oat Meal Emperor from the East.’ According to historian Susan Buggey, Mortimer began Norway House in 1810, a “massive stone residence for which he brought out skilled Scottish carpenters and masons.” It was completed in 1814. Though he was once one of the richest men in Nova Scotia he was deep in debt and died penniless in 1819. His widow continued to live in the residence until 1834, at which time it was sold to Edward Smith. Smith was a well-to-do employer for the Hudson’s Bay Company. The Griffin, a newsletter published by the Heritage Trust of Nova Scotia, says Smith named the residence Norway House, after the Hudson Bay Company post in northern Manitoba. After Smith died, the house soon found its way to Donald Smith, another successful HBC employee who later became the company’s principal shareholder. He later was dubbed Lord Strathcona. In his storied career, he helped found the province of Manitoba, was a member of parliament and co-founded the Canadian Pacific Railway. His place in history was secured when he drove the last spike into the first railway to span the country.
Lord Strathcona had homes all over Canada and tried to convince family members to live in the house full time, to no avail. His stepson inherited the house when Lord Strathcona died in 1914. The building was converted from a private residence into a home for the aged in 1922. It was purchased by the Odd Fellows and Rebekahs of Atlantic Canada. It had the distinction of being the first ‘Home’ of its kind in Atlantic Canada. In 1975, the building opened its doors to the general public. Previously, the home had only been available to individuals involved with the Odd Fellow and Rebekah Order.
The house is perhaps best remembered as an icon of a bygone era, a symbol of Pictou’s connection with one of Canada’s distinguished men, whose life not only reflects the 19th century, but, as Donna McDonald says in her biography of Lord Strathcona, “closely mirrors Canada’s passage to nationhood.” “It is sad to come across the causeway and see the icon of Pictou's past gone,” says Henderson. “But perhaps it will be replaced with the beginning of the next chapter.” LINK to the complete article - www.saltwire.com/atlantic-canada/news/local/a-look-back-a...
While most of Valentine’s cards were photo based landscapes, they also produced an Artotype series in the early 1900’s that reproduced artist drawn illustrations. These were more brightly colored than their typical cards because they were produced through tricolor printing. Their Mezzograph series was produced as a tinted collotype, only here the collotype was in blue, which gives these cards a heavy and mannered look.
The Valentine & Sons' Publishing Co., Ltd. Montreal and Toronto / Printed in Great Britain
The earliest Canadian postcards published by Valentine & Sons were uncoloured collotypes of scenery along the main line of the Canadian Pacific Railway north of Lake Superior and in the Rocky Mountains. Typically, Valentine postcards have a 6-digit serial number (###,###) on the view side with the initials “J.V.” in a circle adjacent to that number. The main series of numbering begins with a Halifax card as no. 100,000 and ends (as far as we know) with a postcard of Toronto as no. 115,981. There are also two short runs of numbers in the 400,000 range that are found on some cards from the Yukon Territory and a longer run of views from various parts of Canada that begins at 600,000 and continues past 602,000.
100,000 – 1905 (July)
101,000 – 1906 (August)
102,000 – 1907 (January)
Link to everything you wanted to know about the - Valentine & Sons Publishing Co. - torontopostcardclub.com/canadian-postcard-publishers/vale...
Newsletter JANUAR 2017
Fotoverwendung
Motive: Rotschulter Rüsselhündchen
und Bonobo Ludwig
Zoo Frankfurt
a huge *thank you* to jan at poppytalk for featuring
my photos in her newsletter and blog this week!!
(original is here)
Guys, now you can receive update about my project directly by email via my brand new newsletter! To subscribe .. simply click on the link below.
Man Ray (1890-1976), Glass Tears, 1932. © Man Ray Trust/ADAGP, Paris and DACS, London 2016. Courtesy the Sir Elton John Photography Collection.
See the December 2016 Eye newsletter: www.eyemagazine.com/newsletter & Rick Poynor’s Photo Critique: www.eyemagazine.com/opinion/article/elton-johns-new-vision
I am sending this photo to your college alumni newsletter " What's new section" about how well people in your college graduating class are doing now in their successful careers!" hahahahahahaah!
For all best stock picks and important information the website is providing to be quiet effective thereby helping most readers or investors to get to know about different facts. The other important thing that needs to be considered or taken into count is from which best investment newsletter can all be read and used for future use. Visit the page for more information.
October 9 + info in the Newsletter *hat not included*
9 de Octubre + info en la Newsletter *gorro no incluido*
Thirty-three years ago I thought it would be a good idea to keep other Irvine family members informed as to what we were doing to organize the family's first reunion. After our fore-bearers arrived in Victoria some 142 years ago we thought it was time to find out how many souls their offspring had become.
So this series of newsletters was published quarterly by me over the span of the next eight years. After the last Irvine reunion in 1996 and the family 228 page, hardcover book was published the newsletter met its timely demise at Volume 8 No.3 in 1998.
All Canadian serial, print media can be published under International Standard Serial Numbers (ISSN) which uniquely identifies a serial publication. The best part for me is the Canadian Library and Archives requires those publications using ISSN numbers must deposit two copies of each print publication with them on an ongoing basis. This means, all my ISSN 1192-4497 registered publications will live on long after I'm gone. As will the Irvine family book with its number: ISBN 0-9695935-1-1.
This brings us to my current project to get as many issues of this newsletter into digital form as possible. What a lot of work! But, thank God, I have all the computer hardware and software to accomplish said task. Where there's a will there's away.
NB My one-year-old grandson (shown above) is now 27 yrs old and says he will take the family, genealogical mantle from me — poor lad, he has no idea.