View allAll Photos Tagged NetNeutrality

To see more of my work, please go to sollang.com

Ah, Manhattan! Ah, Chelsea! This is a strange mix. A trash depot. A car repair body shop. A very prestigious art gallery. One next to the other. The only differentiating markings are the large glass doors with the gallery names written on the glass in large serif type. Perhaps a trendy logo here and there. Always looking very smug and pretentious. And that’s just the exterior look. Wait till you get inside. Strange, me writing this way. It is in here I want to get to with my art. Suddenly, just being in NYC is not enough. Exhibiting in a group show of some 20 people is no longer the ultimate goal. That we (Mary and I) have achieved. Unlike the sun, which is setting, the bar has just risen. I find myself feeling that sense of esoragoto “being one with your art and your subject” — the universe, really, again. Everywhere I look, inspiration. A photo-opp to the left and yet another to the right. What is it about this city that makes me just walk the streets with my camera and keep on shooting? There is something of interest to shoot with every step I take. Cursed or sacred, this is truly a special space.

On Jan. 29, 2015 outside the FCC, Free Press organized a a historic battle between two contenders who symbolized the fight over the fate of the Internet. On one side was Net Neutral-i-kitty, representing the millions of Internet users who had spoken out for Net Neutrality over the past year. On the other side was Cable Boss, hailing from the self-serving nation of Comcast.

Hundreds of Internet cats rallied outside the FCC in support of Chairman Tom Wheeler’s hints that the agency will pass strong Net Neutrality rules.

To see more of my work, please go to sollang.com

photo by Stacie Isabella Turk/Ribbonhead

 

On July 23, 2014, hundreds of Free Press activists, allies and volunteers rallied for REAL Net Neutrality on President Obama's motorcade route as he attended a big fundraiser in the Hancock Park neighborhood of Los Angeles.

To see more of my work, please go to my web site

photo by Stacie Isabella Turk/Ribbonhead

 

On July 23, 2014, hundreds of Free Press activists, allies and volunteers rallied for REAL Net Neutrality on President Obama's motorcade route as he attended a big fundraiser in the Hancock Park neighborhood of Los Angeles.

Ah, Manhattan! Ah, Chelsea! This is a strange mix. A trash depot. A car repair body shop. A very prestigious art gallery. One next to the other. The only differentiating markings are the large glass doors with the gallery names written on the glass in large serif type. Perhaps a trendy logo here and there. Always looking very smug and pretentious. And that’s just the exterior look. Wait till you get inside. Strange, me writing this way. It is in here I want to get to with my art. Suddenly, just being in NYC is not enough. Exhibiting in a group show of some 20 people is no longer the ultimate goal. That we (Mary and I) have achieved. Unlike the sun, which is setting, the bar has just risen. I find myself feeling that sense of esoragoto “being one with your art and your subject” — the universe, really, again. Everywhere I look, inspiration. A photo-opp to the left and yet another to the right. What is it about this city that makes me just walk the streets with my camera and keep on shooting? There is something of interest to shoot with every step I take. Cursed or sacred, this is truly a special space.

To see more of my work, please go to sollang.com

On July 23, 2014, hundreds of Free Press activists rallied for REAL Net Neutrality on President Obama's motorcade route as he attended a big fundraiser in the Hancock Park neighborhood of Los Angeles.

On July 23, 2014, hundreds of Free Press activists rallied for REAL Net Neutrality on President Obama's motorcade route as he attended a big fundraiser in the Hancock Park neighborhood of Los Angeles.

Ah, Manhattan! Ah, Chelsea! This is a strange mix. A trash depot. A car repair body shop. A very prestigious art gallery. One next to the other. The only differentiating markings are the large glass doors with the gallery names written on the glass in large serif type. Perhaps a trendy logo here and there. Always looking very smug and pretentious. And that’s just the exterior look. Wait till you get inside. Strange, me writing this way. It is in here I want to get to with my art. Suddenly, just being in NYC is not enough. Exhibiting in a group show of some 20 people is no longer the ultimate goal. That we (Mary and I) have achieved. Unlike the sun, which is setting, the bar has just risen. I find myself feeling that sense of esoragoto “being one with your art and your subject” — the universe, really, again. Everywhere I look, inspiration. A photo-opp to the left and yet another to the right. What is it about this city that makes me just walk the streets with my camera and keep on shooting? There is something of interest to shoot with every step I take. Cursed or sacred, this is truly a special space.

Waterskis leaning against garage wall

 

To see more of my work, please go to sollang.com

photo by Stacie Isabella Turk/Ribbonhead

 

On July 23, 2014, hundreds of Free Press activists, allies and volunteers rallied for REAL Net Neutrality on President Obama's motorcade route as he attended a big fundraiser in the Hancock Park neighborhood of Los Angeles.

Her sad expression was while contemplating on her departed mother. A lifetime together, they had never been apart. Through the horrors of the holocaust, enduring the loss of a brother and a father, later with her husband, participating in the construction of a new nation of Israel and furthermore enduring the hardship of immigrating to a new home in Canada where she felt she could make a better life for her children. Always having her mother by her side until now. This portrait was taken five years after her mother’s death, yet her sadness is as if she passed away just yesterday.

 

This photograph was on exhibit at the Saidye Bronfman Center for the Arts in Galerie Espace Deux, Montreal, March, 2004

 

To see more of my work, please go to sollang.com

 

Great photography requires dedication, time and effort.

But above all there are costs involved as well.

Equipment, props and model fees, not to mention time,

are all "out-of-pocket" expenses for the artist.

 

If you enjoy my photography, you might like to help to support my art.

 

I offer over 2 hours of great videos, including many

behind-the-scenes of some of my best photo sessions,

all artistically crafted for your enjoyment.

 

Video on Demand on Vimeo.

The Photography of Sol Lang.

 

Thanks for your time and support.

 

Ah, Manhattan! Ah, Chelsea! This is a strange mix. A trash depot. A car repair body shop. A very prestigious art gallery. One next to the other. The only differentiating markings are the large glass doors with the gallery names written on the glass in large serif type. Perhaps a trendy logo here and there. Always looking very smug and pretentious. And that’s just the exterior look. Wait till you get inside. Strange, me writing this way. It is in here I want to get to with my art. Suddenly, just being in NYC is not enough. Exhibiting in a group show of some 20 people is no longer the ultimate goal. That we (Mary and I) have achieved. Unlike the sun, which is setting, the bar has just risen. I find myself feeling that sense of esoragoto “being one with your art and your subject” — the universe, really, again. Everywhere I look, inspiration. A photo-opp to the left and yet another to the right. What is it about this city that makes me just walk the streets with my camera and keep on shooting? There is something of interest to shoot with every step I take. Cursed or sacred, this is truly a special space.

A young Tam-tamer with her drum on Mount Royal

 

To see more of my work, please go to my web site

On Jan. 29, 2015 outside the FCC, Free Press organized a a historic battle between two contenders who symbolized the fight over the fate of the Internet. On one side was Net Neutral-i-kitty, representing the millions of Internet users who had spoken out for Net Neutrality over the past year. On the other side was Cable Boss, hailing from the self-serving nation of Comcast.

Edris and Russell volunteered to pose for me. Although at first they felt a bit anxious in front of the camera, they eventually loosened up and started to respond to it. I only gave them slight direction.

 

When doing portrait photography it's important to get the subject to feel comfortable in front of the camera. A tender moment like this, I was only able to achieve after shooting for a while and developing a rapport of familiarity and trust with my subjects.

  

To see more of my work, please go to sollang.com

On July 23, 2014, hundreds of Free Press activists rallied for REAL Net Neutrality on President Obama's motorcade route as he attended a big fundraiser in the Hancock Park neighborhood of Los Angeles.

I saw the helicopter coming from the south and I knew that with patience and the right framing I could get the shot I wanted. I looked up and noticed that the streetlight was already on and there was still enough light coming from the west to light up the clouds that reflected in the windows of the tall office tower and give me just the right amount of detail in the building. So I framed the building, streetlight and sky awaiting the helicopter to reach exactly the right place within the frame...and... click. This was the result.

 

Please view larger version of this image.

 

To see more of my work, please go to sollang.com

Hundreds of Internet cats rallied outside the FCC in support of Chairman Tom Wheeler’s hints that the agency will pass strong Net Neutrality rules.

Ah, Manhattan! Ah, Chelsea! This is a strange mix. A trash depot. A car repair body shop. A very prestigious art gallery. One next to the other. The only differentiating markings are the large glass doors with the gallery names written on the glass in large serif type. Perhaps a trendy logo here and there. Always looking very smug and pretentious. And that’s just the exterior look. Wait till you get inside. Strange, me writing this way. It is in here I want to get to with my art. Suddenly, just being in NYC is not enough. Exhibiting in a group show of some 20 people is no longer the ultimate goal. That we (Mary and I) have achieved. Unlike the sun, which is setting, the bar has just risen. I find myself feeling that sense of esoragoto “being one with your art and your subject” — the universe, really, again. Everywhere I look, inspiration. A photo-opp to the left and yet another to the right. What is it about this city that makes me just walk the streets with my camera and keep on shooting? There is something of interest to shoot with every step I take. Cursed or sacred, this is truly a special space.

This is our cat. She is not new to flickr. If you look back at some of my older photographs you will see her cute little face. Here she is just relaxing on her favorite chair. They are all her favorite chairs.

To see more of my work, please go to my web site

Photo of Johnny Depp as The Mad Hatter poster for Tim Burton's Alice in Wonderland at local suburban movie plex.

no photoshop manipulation

To see more of my work, please go to sollang.com

To see more of my work, please go to sollang.com

October, 2004, group show with Mary Bogdan, assemblages, Anne-Marie Vacherot, photographs and myself photographs at Galerie de bouche à oreille, Montreal, Québec, Canada

 

To see more of my work, please go to sollang.com

To see more of my work, please go to sollang.com

These photographs are about my relationship with the Earth, whereby I am representing humanity. But in my work as a photographer I can only speak for myself. I am celebrating the majesty and grandeur of nature and how we fit into it. In the photographs showing distant vast landscapes, I show evidence of humans through cars and electric towers all dwarfed by the awesome storm clouds and mountains. This beauty of nature is also evident in the more intimate views of the farms and country roads, again, showing our relationship with Earth and man’s harnessing of it for his own use.

 

Mine is a positive, optimistic point of view, because the scenes are beautiful and that implies that the beauty, even beyond or in spite of man’s tampering will always be there.

 

I use contrasting points of view. The macrocosm and microcosm. From very distant vistas, to closer images of rural scenes, down to close-up views of earth, moss and clovers, tree trunks, bark and root.

 

I strip them all of colour to present a raw image that allows the viewer to respond emotionally to shape, texture and contrast. I use techniques such as selective focus, lens vignette and rather large print size to draw the viewer in. The soft focus on the edge, gives a dream like effect and a “vintage photography” feeling from a time before we knew we were destroying our environment with harmful technology.

 

The works also evoke a quiet and calm sense of serenity. Although there is evidence of man’s existence in the photographs through the farms, buildings and towers, there are no actual humans in the images, so the lone viewer becomes the only perceived living participant in the scene.

 

Visual drama created by massive dark clouds has always intrigued me. It is one of the ways for me to understand how small we humans really are in this universe.

 

To be exhibited at Galerie Image Photo Encadrement, Sutton, Québec, Canada.

Entire month of December, 2005.

 

33" x 22" digital, Giclée print.

 

I have also created a short film that expresses some of my concerns about the destruction of nature. You can view it here.

or here.

  

Google was a strong supporter of Net Neutrality

 

arstechnica.com/telecom/news/2010/08/a-paper-trail-of-bet...

 

until they made an announcement with Verizon

 

arstechnica.com/telecom/guides/2010/08/googleverizon-we-d...

 

arstechnica.com/telecom/news/2010/08/google-net-neutralit...

  

He'll be covering the rally

 

arstechnica.com/author/matthew-lasar/

 

Update: his story

 

arstechnica.com/tech-policy/news/2010/08/the-siege-of-goo...

  

Public policy groups rallied online & gathered 300.000 signatures

 

savetheinternet.com/blog/10/08/13/google-can-you-hear-us-now

 

savetheinternet.com

 

www.colorofchange.org/opennet/

 

www.colorofchange.org

 

pol.moveon.org/google/

 

which were delivered to Google's DC office and today to their headquarters in Mountain View

 

www.pcmag.com/article2/0,2817,2367814,00.asp

 

thehill.com/blogs/hillicon-valley/technology/114253-googl...

 

www.nbcbayarea.com/news/tech/Protesters-Lash-Out-at-Googl...

 

www.npr.org/blogs/therecord/2010/08/13/129176208/you-ve-g...

  

Google said people should comment on their public policy blog

 

googlepublicpolicy.blogspot.com/2010/08/joint-policy-prop...

 

googlepublicpolicy.blogspot.com/2010/08/facts-about-our-n...

   

The Raging Grannies sang

 

www.youtube.com/watch?v=_O4hI1kiCP4

 

Google don't be evil chant

 

www.youtube.com/watch?v=CQu7zl0xczA

 

Internet is under attack chant

 

www.youtube.com/watch?v=DwyBCxL_KRc

 

I'll be uploading more video (to YouTube of course as well as here)

 

www.raginggrannies.com

 

www.indybay.org/newsitems/2010/08/13/18656020.php

Broken mirror

 

To see more of my work, please go to sollang.com

My comments below are from 2008. This world this image predicts has largely come into reality.

 

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Why is Net Neutrality so important here in the U.S.?

 

Imagine if the Internet service was billed the way AT&T, Sprint or Verizon charges for your mobile phone service.

 

Imagine if the Internet service was billed the way Comcast, Cox, Charter or DirectTV charges for your television service.

 

Imagine if you had to pay for every single message you sent on AIM or MSN Messenger.

 

Imagine if every e-mail message you sent required a digital stamp for 25¢.

 

In a world without Net Neutrality everything is a la carte, nothing is included. Everything is metered, pay as you go. Is that the world you want to live in?

 

There's a reason why every highway is not a turnpike.

To see more of my work, please go to sollang.com

It is often said that the eyes are the windows to the soul. In this example it is very much the case.

October, 2004, group show with Mary Bogdan, assemblages, Anne-Marie Vacherot, photographs and myself photographs at Galerie de bouche à oreille, Montreal, Québec, Canada

 

To see more of my work, please go to my web site

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