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NASA image (top) acquired January 11, 2011. NASA image (bottom) acquired February 11, 2010
To download the high res files go to: earthobservatory.nasa.gov/IOTD/view.php?id=48801
On November 26, 2010, Pakistani fishermen returned from a day at sea to report that a new island had emerged. The tiny dot of land was a mud volcano, and it was still visible on January 11, 2011, when the Advanced Land Imager (ALI) on NASA’s Earth Observing-1 (EO-1) satellite acquired the top image. The mud volcano was absent in a previous overpass on February 11, 2010, shown in the lower image.
There’s no need to change any maps, however; mud volcanoes have risen off the coast of Pakistan in the past and disappeared again within a few months, washed away by the waves and currents in the Arabian Sea. It is quite likely that this new volcano will meet the same fate. Indeed, a stream of pale brown sediment was snaking away from the volcano to the west on January 11, suggesting that erosion was already underway.
Pakistan’s mud volcanoes form as a result of plate tectonic activity. The Arabian plate—the section of Earth’s crust that carries the Arabian Sea—is sinking beneath the Eurasian land mass at about four centimeters per year. Some of the thick sediment and rock on top of the Arabian plate has sloughed onto the edge of the Eurasian plate, forming Pakistan’s coastal plain, the Makran Desert, and the underwater slope leading away from the shore. It is from this sloughed-off land that the mud volcanoes form.
Beneath the sediment, along the accretionary front, the sinking Arabian plate heats up under extreme pressure and rock melts into magma. Volcanic gases and magma heat the groundwater, turning it in a hot acid that dissolves rock into a slurry of mud and clay. The mud and gas seep through faults, eventually erupting at the surface as a mud volcano.
Pakistan has a number of mud volcanoes in the Makran Desert and offshore. According to the U.S. Geological Survey, mud volcanoes are usually less than 1-2 meters (3-7 feet) tall. But Pakistan’s Chandragup Complex includes a mud volcano that is 100 meters (330 feet) high.
The same tectonic activity and fault systems that produce these volcanoes occasionally produce large earthquakes, such as the magnitude 7.2 quake that shook southwest Pakistan on January 18, 2011.
NASA Earth Observatory image by Jesse Allen and Robert Simmon, using ALI data from the EO-1 team. Caption by Holli Riebeek.
Instrument: EO-1 - ALI
Credit: NASA Earth Observatory
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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An extraordinary ribbon of hot gas trailing behind a galaxy like a tail has been discovered using data from NASA’s Chandra X-ray Observatory. via NASA ift.tt/1OGFdI6
What are those colorful arcs in the sky? Like rainbows that are caused by rain, arcs of sunlight broken up into component colors can also result when ice crystals floating in Earth's atmosphere act together as a gigantic prism. The top color arc is more typical as it is part of the 22 degree halo surrounding the Sun when hexagonal ice crystals refract sunlight between two of the six sides. More unusual, though, is the bottom color arc. Sometimes called a fire rainbow, this circumhorizon arc is also created by ice, not fire nor even rain. Here, a series of horizontal, thin, flat ice crystals in high cirrus clouds refract sunlight between the top and bottom faces toward the observer. These arcs only occur when the Sun is higher than 58 degrees above the horizon. The featured sky occurred to the northwest in the early afternoon last month over a street Diagonal of La Plata City, Buenos Aires, Argentina. via NASA ift.tt/1J92mRy
What kind of cloud is this? A type of arcus cloud called a roll cloud. These rare long clouds may form near advancing cold fronts. In particular, a downdraft from an advancing storm front can cause moist warm air to rise, cool below its dew point, and so form a cloud. When this happens uniformly along an extended front, a roll cloud may form. Roll clouds may actually have air circulating along the long horizontal axis of the cloud. A roll cloud is not thought to be able to morph into a tornado. Unlike a similar shelf cloud, a roll cloud is completely detached from their parent cumulonimbus cloud. Pictured above, a roll cloud extends far into the distance in 2009 January above Las Olas Beach in Maldonado, Uruguay. via NASA ift.tt/232pBYp
On January 18 a tantalizing sunset was captured in this snapshot. Seemingly sliced into many horizontal layers the Sun shimmered moments before it touched the horizon, setting over the Pacific Ocean as seen from the mountaintop Las Campanas Observatory in Chile. Pink hues of filtered sunlight were created by the long sight-line through the hazy atmosphere. But the remarkable layers correspond to low atmospheric layers of sharply different temperature and density also along the line of sight. Over a long path through each layer the rays of sunlight are refracted strongly and create different images or mirages of sections of the setting Sun. via NASA ift.tt/2j1W42F
NASA acquired April 26 - 28, 2011
April 27 and April 28, 2011, brought the deadliest tornado outbreak in the United States since 1974. By dawn on April 28, at least 250 people had been killed in 6 states. Alabama was the hardest hit, with 162 confirmed dead as of Thursday morning.
The animation starts on April 26 and runs through the morning of April 28. The ingredients for severe weather are evident in the cloud patterns. A relatively stable mass of cold air—visible as a swirl of more-or-less continuous clouds—rotates in the north along the top of the image. Meanwhile, moist air pushes north and west from the Atlantic Ocean and Gulf of Mexico. The warm air contains small low clouds.
The collision between two such air masses is enough to generate severe weather, but the weather also was amplified by the jet stream on April 27. Though not directly visible in the image, the narrow band of fast-moving wind blew north and east between the two air masses. With surface winds blowing from the south and east, and the jet stream blowing from the west, powerful smaller-scale circulation patterns generated lines of intense thunderstorms.
The thunderstorms shown in this image began to rise over Louisiana midway through the day on April 27—around 16:00 UTC or 11:00 a.m. local time—and moved across Mississippi and Alabama through the afternoon. Forming along and ahead of the turbulent boundary between the air masses, the storms move east and north with the jet stream. The bright white spots within the clouds are very active storms, quite probably the systems that generated tornadoes.
Throughout the day, many such storms arose over the South. The slow eastward progression of the upper-level system permitted successive storms to affect the same region for a much longer time span than usual. According to the National Weather Service, more than 150 tornadoes were reported throughout the day.
The images in this animation are from the GOES satellite, a geostationary satellite whose orbit keeps it above the same spot on Earth at all times. Such an orbit allows the satellite to image the movement of clouds every few minutes, observations that are necessary for weather monitoring and forecasting. GOES is a joint NASA and NOAA satellite.
NASA image courtesy the GOES Project Science team. Animation by Jesse Allen. Caption by Holli Riebeek with information from George Huffman.
Instrument: GOES
Credit: NASA Earth Observatory
To download high res still and other video formats go to: earthobservatory.nasa.gov/IOTD/view.php?id=50347
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Some of the Solar System's largest moons rose together on February 23. On that night, a twilight pairing of a waning gibbous Moon and Jupiter was captured in this sharp telescopic field of view. The composite of short and long exposures reveals the familiar face of our fair planet's own large natural satellite, along with a line up of the ruling gas giant's four Galilean moons. Left to right, the tiny pinpricks of light are Callisto, Io, Ganymede, [Jupiter], and Europa. Closer and brighter, our own natural satellite appears to loom large. But Callisto, Io, and Ganymede are actually larger than Earth's Moon, while water world Europa is only slightly smaller. In fact, of the Solar System's six largest planetary satellites, only Saturn's moon Titan is missing from the scene. via NASA ift.tt/1Y57jDq
The Tarantula Nebula is more than a thousand light-years in diameter, a giant star forming region within nearby satellite galaxy the Large Magellanic Cloud, about 180 thousand light-years away. The largest, most violent star forming region known in the whole Local Group of galaxies, the cosmic arachnid sprawls across this spectacular composite view constructed with space- and ground-based image data. Within the Tarantula (NGC 2070), intense radiation, stellar winds and supernova shocks from the central young cluster of massive stars, cataloged as R136, energize the nebular glow and shape the spidery filaments. Around the Tarantula are other star forming regions with young star clusters, filaments, and blown-out bubble-shaped clouds In fact, the frame includes the site of the closest supernova in modern times, SN 1987A, at the lower right. The rich field of view spans about 1 degree or 2 full moons, in the southern constellation Dorado. But were the Tarantula Nebula closer, say 1,500 light-years distant like the local star forming Orion Nebula, it would take up half the sky. via NASA ift.tt/1XPFyyp
Mucho tiempo que tenia votado todo, mi casa y el internet!
Ahora a disfrutar del hogar...
Esta foto es antigua, de casi dos veranos atrás, cuando estábamos en La Serena, pechandole alojamiento a una amiga xD.
Así que si alguien me quiere recibir en su casa encantado voy.
GPM is a joint mission between NASA and the Japan Aerospace Exploration Agency (JAXA). The Core Observatory will link data from a constellation of current and planned satellites to produce next-generation global measurements of rainfall and snowfall from space.
On Feb. 11, the Core Observatory was moved into the spacecraft fairing assembly building and into the Encapsulation Hall. Final inspections and preparations were completed for the installation into the fairing, which began on Feb 13. The fairing is the part of the rocket that will contain the spacecraft at the top of the H-IIA rocket.
The encapsulation process for the H-IIA is very different than for most U.S. rockets. For U.S. rockets, the fairing is usually in two pieces that close around the payload like a clamshell. To install the GPM Core Observatory into the fairing of the H-IIA rocket, first the Core Observatory and the Payload Attach Fitting (PAF) are set up in scaffolding in the Encapsulation Hall. Then, the fairing is lifted above and lowered onto the fitting. When only a few feet remain above the final position, stanchions support the fairing while technicians go inside to complete the electrical connections. When this is completed, they remove the stanchions and lower the fairing to its final position, where it is bolted in place.
The GPM mission is the first coordinated international satellite network to provide near real-time observations of rain and snow every three hours anywhere on the globe. The GPM Core Observatory anchors this network by providing observations on all types of precipitation. The observatory's data acts as the measuring stick by which partner observations can be combined into a unified data set. The data will be used by scientists to study climate change, freshwater resources, floods and droughts, and hurricane formation and tracking.
Credit: Japan Aerospace Exploration Agency
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Have you ever seen the Man on the Moon? This common question plays on the ability of humans to see pareidolia -- imagining familiar icons where they don't actually exist. The textured surface of Earth's full Moon is home to numerous identifications of iconic objects, not only in modern western culture but in world folklore throughout history. Examples, typically dependent on the Moon's perceived orientation, include the Woman in the Moon and the Rabbit in the Moon. One facial outline commonly identified as the Man in the Moon starts by imagining the two dark circular areas -- lunar maria -- here just above the Moon's center, to be the eyes. Surprisingly, there actually is a man in this Moon image -- a close look will reveal a real person -- with a telescope -- silhouetted against the Moon. This featured well-planned image was taken in mid-January in Cadalso de los Vidrios in Madrid, Spain. Do you have a favorite object that you see in the Moon? via NASA ift.tt/1QBUFZn
This night was so serene you could see Orion rise downwards. The unusual spectacle was captured in this single-exposure image, featuring a deep sky around the famous constellation of Orion that appeared both above -- and reflected in -- a peaceful lake in the Gyirong Valley of Tibet, China. Taken last year at this time, the three belt stars of Orion can be seen lined up almost vertically above and below the Himalayan Mountains. The complex Orion Nebula can be seen to the belt stars' right, while the red-glowing circular structure surrounding Orion is Barnard's Loop. Also, the bright red star Betelgeuse is doubly visible on the image left, while bright blue Rigel appears twice on the image right. Familiar Orion is becoming increasingly visible as Winter (Summer) descends on the Northern (Southern) hemisphere. via NASA go.nasa.gov/1hnbbzi
Check this out from NASA -- Why would these clouds multi-colored? A relatively rare phenomenon in clouds known as iridescence can bring up unusual colors vividly or even a whole spectrum of colors simultaneously. These polar stratospheric clouds clouds, also known as nacreous and mother-of-pearl clouds, are formed of small water droplets of nearly uniform size. When the Sun is in the right position and, typically, hidden from direct view, these thin clouds can be seen significantly diffracting sunlight in a nearly coherent manner, with different colors being deflected by different amounts. Therefore, different colors will come to the observer from slightly different directions. Many clouds start with uniform regions that could show iridescence but quickly become too thick, too mixed, or too angularly far from the Sun to exhibit striking colors. The featured image and an accompanying video were taken late last year over Ostersund, Sweden. (ift.tt/36QLfXw)
All of the other aurora watchers had gone home. By 3:30 am in Iceland, on a quiet night last September, much of that night's auroras had died down. Suddenly though, a new burst of particles streamed down from space, lighting up the Earth's atmosphere once again. This time, unexpectedly, pareidoliacally, they created an amazing shape reminiscent of a giant phoenix. With camera equipment at the ready, two quick sky images were taken, followed immediately by a third of the land. The mountain in the background is Helgafell, while the small foreground river is called Kaldá, both located about 30 kilometers north of Iceland's capital Reykjavik. Seasoned skywatchers will note that just above the mountain, toward the left, is the constellation of Orion, while the Pleiades star cluster is also visible just above the frame center. The new aurora lasted only a minute and would be gone forever -- possibly dismissed as an embellished aberration -- were it not captured in the featured, digitally-composed, image mosaic. via NASA ift.tt/254533W
The 2017 NASA astronaut candidates class (Group 22) visited NASA's Goddard Space Flight Center in Greenbelt, Maryland, on Sept. 26, 2018.
These individuals were selected by NASA as candidates for the NASA astronaut corps and are currently undergoing a candidacy training program at the agency’s Johnson Space Center in Houston. The newest class of 2017 astronaut candidates was announced June 7, 2017.
NASA's 2017 Astronaut Candidate Class includes: Zena Cardman, U.S. Marine Corps Maj. Jasmin Moghbeli, U.S. Navy Lt. Jonny Kim, U.S. Army Maj. Francisco “Frank” Rubio, U.S. Navy Lt. Cmdr. Matthew Dominick, Warren “Woody” Hoburg, Robb Kulin, U.S. Navy Lt. Kayla Barron, Bob Hines, U.S. Air Force Lt. Col. Raja Chari, Loral O’Hara, and Jessica Watkins.
Credit: NASA/Goddard/Debbie McCallum
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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A gorgeous spiral galaxy some 100 million light-years distant, NGC 1309 lies on the banks of the constellation of the River (Eridanus). NGC 1309 spans about 30,000 light-years, making it about one third the size of our larger Milky Way galaxy. Bluish clusters of young stars and dust lanes are seen to trace out NGC 1309's spiral arms as they wind around an older yellowish star population at its core. Not just another pretty face-on spiral galaxy, observations of NGC 1309's recent supernova and Cepheid variable stars contribute to the calibration of the expansion of the Universe. Still, after you get over this beautiful galaxy's grand design, check out the array of more distant background galaxies also recorded in this sharp, reprocessed, Hubble Space Telescope view. via NASA ift.tt/29z7Evd
What's that in the sky? Although there was much to see in this spectacular panorama taken during the early morning hours of a day in late September, the brightest object in the sky was clearly the planet Venus. In the featured image, Venus was captured actually through a natural rock bridge, itself picturesque, in Spitzkoppe, Namibia. The planet, on the left of the opening, was complemented by a silhouette of the astrophotographer on the right. Above and beyond the rock bridge were many famous icons of a dark night sky, including, from left to right, the Pleiades star cluster, the Orion Nebula, the bright star Sirius, and the Large and Small Magellanic Clouds. This week, Venus remains visible to the east in the pre-dawn sky, being complemented by Mars, which is angularly quite close. via NASA ift.tt/1MvlQQN
Sculpted by stellar winds and radiation, the star factory known as Messier 17 lies some 5,500 light-years away in the nebula-rich constellation Sagittarius. At that distance, this 1/3 degree wide field of view spans over 30 light-years. The sharp composite, color image, highlights faint details of the region's gas and dust clouds against a backdrop of central Milky Way stars. Stellar winds and energetic light from hot, massive stars formed from M17 stock of cosmic gas and dust have slowly carved away at the remaining interstellar material producing the cavernous appearance and undulating shapes. M17 is also known as the Omega Nebula or the Swan Nebula. via NASA ift.tt/1OKwXfd
United Launch Alliance (ULA) and NASA team members successfully retrieve the Low-Earth Orbit Flight Test of an Inflatable Decelerator (LOFTID) heat shield from the Pacific Ocean after launching on a ULA Atlas V rocket with NOAA's Joint Polar Satellite System (JPSS)-2. Photo credit: United Launch Alliance
Engineers inspect NASA’s James Webb Space Telescope as it sits inside Chamber A at NASA’s Johnson Space Center in Houston. Webb completed its final cryogenic testing inside that chamber on Nov. 18, 2017.
Webb’s combined science instruments and optics underwent about 100 days of testing inside the chamber. The end of the testing is a significant milestone in the telescope’s journey to the launch pad.
Read more: go.nasa.gov/2AfuJnt
Credit: NASA/Chris Gunn
This night was so serene you could see Orion rise downwards. The unusual spectacle was captured in this single-exposure image, featuring a deep sky around the famous constellation of Orion that appeared both above -- and reflected in -- a peaceful lake in the Gyirong Valley of Tibet, China. Taken last year at this time, the three belt stars of Orion can be seen lined up almost vertically above and below the Himalayan Mountains. The complex Orion Nebula can be seen to the belt stars' right, while the red-glowing circular structure surrounding Orion is Barnard's Loop. Also, the bright red star Betelgeuse is doubly visible on the image left, while bright blue Rigel appears twice on the image right. Familiar Orion is becoming increasingly visible as Winter (Summer) descends on the Northern (Southern) hemisphere. via NASA ift.tt/1Z3aHQR
What's that in the sky? Although there was much to see in this spectacular panorama taken during the early morning hours of a day in late September, the brightest object in the sky was clearly the planet Venus. In the featured image, Venus was captured actually through a natural rock bridge, itself picturesque, in Spitzkoppe, Namibia. The planet, on the left of the opening, was complemented by a silhouette of the astrophotographer on the right. Above and beyond the rock bridge were many famous icons of a dark night sky, including, from left to right, the Pleiades star cluster, the Orion Nebula, the bright star Sirius, and the Large and Small Magellanic Clouds. This week, Venus remains visible to the east in the pre-dawn sky, being complemented by Mars, which is angularly quite close. via NASA ift.tt/1MvlQQN
This night was so serene you could see Orion rise downwards. The unusual spectacle was captured in this single-exposure image, featuring a deep sky around the famous constellation of Orion that appeared both above -- and reflected in -- a peaceful lake in the Gyirong Valley of Tibet, China. Taken last year at this time, the three belt stars of Orion can be seen lined up almost vertically above and below the Himalayan Mountains. The complex Orion Nebula can be seen to the belt stars' right, while the red-glowing circular structure surrounding Orion is Barnard's Loop. Also, the bright red star Betelgeuse is doubly visible on the image left, while bright blue Rigel appears twice on the image right. Familiar Orion is becoming increasingly visible as Winter (Summer) descends on the Northern (Southern) hemisphere. via NASA ift.tt/1Z3aHQR
NASA image release September 17, 2010
In preparation for a cryogenic test NASA Goddard technicians install instrument mass simulators onto the James Webb Space Telescope ISIM structure. The ISIM Structure supports and holds the four Webb telescope science instruments : the Mid-Infrared Instrument (MIRI), the Near-Infrared Camera (NIRCam), the Near-Infrared Spectrograph (NIRSpec) and the Fine Guidance Sensor (FGS).
Credit: NASA/GSFC/Chris Gunn
To learn more about the James Webb Space Telescope go to: www.jwst.nasa.gov/
NASA Goddard Space Flight Center contributes to NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s endeavors by providing compelling scientific knowledge to advance the Agency’s mission.
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jsc2017e040291 (April 6, 2017) --- In the Integration Building at the Baikonur Cosmodrome in Kazakhstan, Expedition 51 crewmember Jack Fischer of NASA gestures from his seat in the Soyuz MS-04 spacecraft April 6 as part of pre-launch training preparations. Fischer and Fyodor Yurchikhin of the Russian Federal Space Agency (Roscosmos) will launch April 20 on the Soyuz MS-04 spacecraft for a four and a half month mission on the International Space Station. NASA/Gagarin Cosmonaut Training Center/Andrey Shelepin
NASA image acquired December 17, 2010
In early December 2010, the Panama Canal closed for only the third time in its 96-year history. Two artificial lakes linked to the canal, Gatún and Alajuela, reached their highest-recorded water levels, prompting authorities to close the canal for 17 hours. The canal reopened on December 9.
Lago Alajuela serves as a reservoir for the Panama Canal, which lies to the lake’s southwest. On December 17, 2010, several days after the canal’s temporary closure, the Advanced Land Imager (ALI) on NASA’s Earth Observing-1 (EO-1) satellite captured this natural-color image of Lago Alajuela. This image has been rotated so north is to the right. The canal lies off the top left corner of the image.
Torrential rains can erode soils, delivering heavy sediment loads to streams, rivers, and lakes. Ranging in color from dull green to tan, Lago Alajuela appears choked with sediment, contrasting sharply with the surrounding green forest.
Panama is accustomed to heavy precipitation. The rainy season lasts from May to January. The Panama Canal actually depends on huge quantities of water—each trip through the canal requires some 52 million gallons. Still, heavy rains in early December 2010 overwhelmed the region. The same rains that raised Lago Alajuela’s water level and filled it with sediment also forced thousands of residents to evacuate, washed out roads, and caused deadly landslides.
NASA Earth Observatory image created by Jesse Allen and Robert Simmon, using EO-1 ALI data provided courtesy of the NASA EO-1 team. Caption by Michon Scott.
Instrument: EO-1 - ALI
Credit: NASA Earth Observatory
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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mémoire2cité - Sols absorbants, formes arrondies et couleurs vives, les aires de jeux standardisées font désormais partie du paysage urbain. Toujours les mêmes toboggans sécurisés, châteaux forts en bois et animaux à ressort. Ces non-lieux qu’on finit par ne plus voir ont une histoire, parallèle à celle des différentes visions portées sur l’enfant et l’éducation. En retournant jouer au xixe siècle, sur les premiers playgrounds des États-Unis, on assiste à la construction d’une nation – et à des jeux de société qui changent notre vision sur les balançoires du capitalisme. Ce texte est paru dans le numéro 4 de la revue Jef Klak « Ch’val de Course », printemps-été 2017. La version ici publiée en ligne est une version légèrement remaniée à l’occasion de sa republication dans le magazine Palais no 27 1, paru en juin 2018. la video içi www.youtube.com/watch?v=Uwj1wh5k5PY The concept for adventure playgrounds originated in postwar Europe, after a playground designer found that children had more fun with the trash and rubble left behind by bombings -inventing their own toys and playing with them- than on the conventional equipment of swings and slides. Narrator John Snagge was a well-known voice talent in the UK, working as a newsreader for BBC Radio - jefklak.org/le-gouvernement-des-playgrounds/ - www.collectorsweekly.com/articles/chasing-the-vanishing-p... or children, playgrounds are where magic happens. And if you count yourself among Baby Boomers or Gen Xers, you probably have fond memories of high steel jungle gyms and even higher metal slides that squeaked and groaned as you slid down them. The cheerful variety of animals and vehicles on springs gave you plenty of rides to choose from, while a spiral slide, often made of striped panels, was a repeated thrill. When you dismounted from a teeter-totter, you had to be careful not to send your partner crashing to the ground or get hit in the head by your own seat. The tougher, faster kids always pushed the brightly colored merry-go-round, trying to make riders as dizzy as possible. In the same way, you’d dare your sibling or best friend to push you even higher on the swing so your toes could touch the sky. The most exciting playgrounds would take the form of a pirate ship, a giant robot, or a space rocket.
“My husband would look at these big metal things and go, ‘Oh my God, those are the Slides of Death!'” - insh.world/history/playground-equipment-of-yesterday-that...
Today, these objects of happy summers past have nearly disappeared, replaced by newer equipment that’s lower to the ground and made of plastic, painted metal, and sometimes rot-resistant woods like cedar or redwood. The transformation began in 1973, when the U.S. Congress established the Consumer Product Safety Commission, which began tracking playground injuries at hospital emergency rooms. The study led to the publication of the first Handbook for Public Playground Safety in 1981, which signaled the beginning of the end for much of the playground equipment in use. (See the latest PPS handbook here.) Then, the American Society for Testing and Materials created a subcommittee of designers and playground-equipment manufacturers to set safety standards for the whole industry. When they published their guidelines in 1993, they suggested most existing playground surfaces, which were usually asphalt, dirt, or grass, needed to be replaced with pits of wood or rubber mulch or sand, prompting many schools and parks to rip their old playgrounds out entirely.
Top: A Space Age rocket-themed playground set by Miracle Playground Equipment, introduced circa 1968, photographed in Burlington, Colorado, in 2009. Above: Two seesaws and a snail-shaped climber, circa 1970s, photographed in Vandergrift, Pennsylvania, in 2007. (Photos by Brenda Biondo)
Top: A Space Age rocket-themed playground set by Miracle Playground Equipment, introduced circa 1968, photographed in Burlington, Colorado, in 2009. Above: Two seesaws and a snail-shaped climber, circa 1970s, photographed in Vandergrift, Pennsylvania, in 2007. (Photos by Brenda Biondo)
That said, removing and replacing playground equipment takes money, so a certain amount of vintage playground equipment survived into the next millennium—but it’s vanishing fast. Fortunately, Brenda Biondo, a freelance journalist turned photographer, felt inspired to document these playscapes before they’ve all been melted down. Her photographs capture the sculptural beauty and creativity of the vintage apparatuses, as well as that feeling of nostalgia you get when you see a piece of your childhood. After a decade of hunting down old playgrounds, Biondo published a coffee-table book, 2014’s Once Upon a Playground: A Celebration of Classic American Playgrounds, 1920-1975, which includes both her photographs of vintage equipment and pages of old playground catalogs that sold it.
Starting this November, Biondo’s playground photos will hit the road as part of a four-year ExhibitsUSA traveling show, which will also include vintage playground postcards and catalog pages from Biondo’s collection. The show will make stops in smaller museums and history centers around the United States, passing through Temple, Texas; Lincoln, Nebraska; Kansas City, Missouri; and Greenville, South Carolina. Biondo talked to us on the phone from her home in small-town Colorado, where she lives with her husband and children.
This 1975 Miracle catalog page reads, "This famous Lifetime Whirl has delighted three generations of children and still is a safe, playground favorite. Although it has gone through many improvements many of the original models are still spinning on playgrounds from coast to coast." (Courtesy of Brenda Biondo)This 1975 Miracle catalog page reads, “This famous Lifetime Whirl has delighted three generations of children and still is a safe, playground favorite. Although it has gone through many improvements many of the original models are still spinning on playgrounds from coast to coast.” (Courtesy of Brenda Biondo)Collectors Weekly: What inspired you to photograph playgrounds?Biondo: In 2004, I happened to be at my local park with my 1-year-old daughter, who was playing in the sandbox. I had just switched careers, from freelance journalism to photography, and I was looking for a starter project. I looked around the playground and thought, “Where is all the equipment that I remember growing up on?” They had new plastic contraptions, but nothing like the big metal slides I grew up with. After that, I started driving around to other playgrounds to see if any of this old equipment still existed. I found very little of it and realized it was disappearing quickly. That got to me.I felt like somebody should be documenting this equipment, because it was such a big part—and a very good part—of so many people’s childhoods. I couldn’t find anybody else who was documenting it, and I didn’t see any evidence that the Smithsonian was collecting it. As far as I could tell, it was just getting ripped up and sent to the scrap heap. At first, I started traveling around Colorado where I live, visiting playgrounds. Eventually, I took longer trips around the Southwest, and then I started looking for playgrounds whenever I was in any other parts of the country, like around California and the East Coast. It was a long-term project—shot over the course of a decade. And every year that I was shooting, it got harder and harder to find those pieces of old equipment.
This merry-go-round, photographed in Cañon City, Colorado, in 2006, is very similar to the Lifetime Whirl above. In the background are a rideable jalopy and animals, including four attached to a teeter-totter. (Photo by Brenda Biondo)
This merry-go-round, photographed in Cañon City, Colorado, in 2006, is very similar to the Lifetime Whirl above. In the background are a rideable jalopy and animals, including four attached to a teeter-totter. (Photo by Brenda Biondo)
Collectors Weekly: How did you find them?
Biondo: I would just drive around. I started hunting down local elementary schools and main-street playgrounds as well as neighborhood playgrounds. If I had a weekend, I would say, “OK, I’m going to drive from my home three hours east to the Kansas border, stay overnight and drive back.” Along the way, I would stop at every little town that I’d pass. They usually had one tiny main-street playground and one elementary school. I never knew what I was going to find. In a poorer area, a town often doesn’t have much money to replace playground equipment, whereas more affluent areas usually have updated their playgrounds by now. It was a bit of a crap shoot. Sometimes, I’d drive for hours and not really find anything—or I’d find one old playground after the other, because I happened to be in an area where equipment hadn’t been replaced.
I couldn’t get to every state, so I had to shoot where I was. I think there certainly are still old playgrounds out there, especially in small towns. But there’s fewer and fewer of them every year. My book has something like 170 photographs. I would guess that half the equipment pictured is already gone. Sometimes, I’d go back to a playground with a nice piece of equipment a year later to reshoot it, maybe in different lighting or a different season, and so often it had been removed. That pressured me to get out as often as I could because if I waited a few weeks, that piece might not be there anymore.
A 1911 postcard shows girls playing on an outdoor gymnasium at Mayo Park in Rochester, Minnesota.
a 1911 postcard shows girls playing on an outdoor gymnasium at Mayo Park in Rochester, Minnesota.
Collectors Weekly: What did you learn about playground history?
Biondo: I didn’t know American playgrounds started as part of the social reform or progressive movement of the early 1900s. Reformers hoped to keep poor inner-city immigrant kids safe and out of trouble. Back then, city children were playing in the streets with nothing to do, and when cars became more popular, kids started to get hit by motorists. Child activists started building playgrounds in big cities like Boston, Chicago, and New York as a way to help and protect these kids. These reformers felt they could build model citizens by teaching cooperation and manners through playgrounds. These early main-street parks would also have playground leaders who orchestrated activities such as games and songs.
“I started driving to playgrounds to see if any old equipment still existed. I found very little of it and realized it was disappearing quickly.”
In the late 1800s, Germans developed what they called “sand gardens,” which are just piles of sand where kids can come dig and build things. There were few of those in the United States as well. But by the early 1900s, the emphasis of playgrounds was on the apparatuses, things kids could climb on or swing on.
Soon after I started researching playground history, I happened to stumble on an eBay auction for a 1926 catalog that the playground manufacturers used to send to schools. At that point, I wasn’t thinking of doing a book, but I thought I could do something with it. I won the catalog; I paid, like, $12 for it. And it was so interesting because I could see this vintage equipment when it was brand new and considered modern and advanced. The manufacturers boasted about how safe it was and how it was good for building both muscles and imaginations.
After that, I would always search on eBay for playground catalogs, and I ended up with about three dozen catalogs from different manufacturers. My oldest is 1916, and my newest is from 1975. So I would take a photograph of some type of merry-go-round, and then I might find that same merry-go-round in a 1930 catalog. Often in the book, I pair my picture with the page from the catalog showing when it was first manufactured. I discovered a couple dozen manufacturers, which tended to be located in the bigger industrial areas with steel manufacturing, like Trenton, New Jersey, and Kokomo and Litchfield, Indiana. Pueblo, Colorado, even had a playground manufacturer. Burke and GameTime were big 20th century companies, and actually are among few still in existence.
The cover of a 1926 catalog for EverWear Manufacturing Company. (Courtesy of Brenda Biondo)
The cover of a 1926 catalog for EverWear Manufacturing Company. (Courtesy of Brenda Biondo)
Collectors Weekly: I recently came across an old metal slide whose steps had the name of the manufacturer, American, forged in openwork letters.
Biondo: I love those. One of the last pages in the book shows treads from six different slides, and they each had the name of their manufacturer in them, including Porter, American, and Burke. One time when I was traveling, I did a quick side trip to a small town with an elementary school. In the parking lot was this old metal slide with the American step treads, lying on its side. You could tell it had just been ripped off out of the concrete, which was still attached to the bottom, and was waiting for the steel recyclers to come and take it away.
I thought, “Oh my gosh, just put it on eBay! Somebody is going to want that. Don’t melt it down.” But nobody thinks about this stuff getting thrown away when it should be preserved. If you go on eBay, you can find a lot of those small animals on springs that little kids ride, because they’re small enough to be shipped. Once I saw someone selling one of those huge rocket ships, which had been dismantled, on eBay, but I don’t know if anybody ever bid on it. It’s rare to see the big stuff, because it is so expensive to ship. It’s like, “What kind of truck do you need to haul this thing away?” I don’t know of anyone who’s collecting those pieces, but I hope somebody is.
A metal slide in Victor, Colorado, had step treads with the name "American" in them. Photographed in 2008. (Photo by Brenda Biondo)
A metal slide in Victor, Colorado, had step treads with the name “American” in them. Photographed in 2008. (Photo by Brenda Biondo)
Collectors Weekly: It seems like an opportunity for both starting a collection or repurposing the material.
Biondo: I photographed many of the apparatuses as if they were sculptures because they have really cool designs and colors. Even when they’re worn down, the exposed layers of paint can be beautiful. Hardly anybody stops to look at it that way. People drive by and think, “Oh, there’s an old, rusty, rundown playground.” But if you take the time to look closely at this stuff, it’s really interesting. Just by looking at these pieces, you can picture all the kids who played on them.
Collectors Weekly: Aren’t people nostalgic for their childhood playgrounds?
Biondo: While I was taking the pictures, I visited Boulder, Colorado, which is a very affluent community. I was sure there would be no old playground equipment there. When I was driving around, all of a sudden, I looked over and saw this huge rocket ship. It turns out that one of the original NASA astronauts, Scott Carpenter, grew up in Boulder, and this playground was built in the ’60s to honor their hometown boy. Because of that, the citizens of Boulder never wanted to take down the rocket ship. One of the first exhibitions of this photography project happened in Boulder, and at the opening, I sold four prints of that rocket ship. People would come up to me at the exhibition, and they’d go, “Oh my gosh, I grew up playing on this when I was a little kid! Now, my kids are playing on it, and I’m so excited that I can get a picture of it and hang it in their bedroom.” So people have a strong nostalgic attachment to this equipment. It’s sad that most of it’s not going to be around for much longer.
A 1968 Miracle Playground Equipment catalog features the huge rocket-ship play set seen at the top of this story. (Courtesy of Brenda Biondo)
A 1968 Miracle Playground Equipment catalog features the huge rocket-ship playset seen at the top of this story. (Courtesy of Brenda Biondo)
Collectors Weekly: Besides slides and animals on springs, what were some other pieces that were common in older playgrounds?
Biondo: I didn’t come across as many old swings as I expected. I thought they would be all over the place, but I guess they’re gone now because they were so easy to replace. I tended to find merry-go-rounds more frequently—you know, the one where you’d run around pushing them and then jump on. When my kids were younger, they’d go out playground hunting with me, and the merry-go-rounds were their favorite things. They’re just so fun. The other thing you don’t find often is the seesaw or teeter-totter, and that was my favorite.The Karymor Stationary Jingle Ring Outfit appeared in the 1931 playground catalog put out by Pueblo, Colorado's R.F. Lamar and Co. (Photo by Brenda Biondo)
The Karymor Stationary Jingle Ring Outfit appeared in the 1931 playground catalog put out by Pueblo, Colorado’s R.F. Lamar and Co. (Photo by Brenda Biondo)
Before I started this project, I didn’t know there was such a variety of equipment. I figured I’d see seesaws, swings, slides, and merry-go-rounds. But I had no idea there were such things as revolving swings, which would be attached to a spinning pole via outstretched metal arms. Many mid-century pieces had themes from pop culture like “The Wizard of Oz,” “Cinderella,” “Denis the Menace,” cowboys and Indians, and Saturday-morning cartoons. During the Space Age, you started to see pieces of equipment shaped like rocket ships and satellites, because in the ’60s, Americans were so excited about space exploration. What was going on in the broader culture often got reflected in playground equipment.
Pursuing the catalogs was eye-opening. I live about an hour and a half south of Denver, so I often looked for playgrounds around the city. There, I’d find these contraptions where were shaped like umbrella skeletons, but then they had these rings hanging off the spindles. I’ve never seen them outside of Colorado. Then I bought a 1930s catalog from the manufacturer in Pueblo, Colorado, which is only 45 minutes from me, and it featured this apparatus. Later, I met people in Denver who’d say, “Oh, yeah, I remember that thing as a kid. It’s kind of like monkey bars where you had to try and get from ring to ring swinging and hanging by your arms.” There was so much variety, and even so many variations on the basics.I have a cool catalog from 1926 from the manufacturer Mitchell, which doesn’t exist anymore. I looked at one of the contraptions they advertised and I was like, “Oh my God, this looks like a torture device!” It was their own proprietary apparatus and maybe it didn’t prove to be very popular. I had never seen something like that on a playground. There probably weren’t very many of them installed.
This strange Climbing Swing from the 1926 Mitchell Manufacturing Company catalog looks a bit like a torture device. Brenda Biondo says she's never found one in the wild. (Courtesy of Brenda Biondo)
This Climbing Swing from the 1926 Mitchell Manufacturing Company catalog looks a bit like a torture device. Biondo’s never found one in the wild. (Courtesy of Brenda Biondo)
Collectors Weekly: After a while, were you able to date pieces just by looking at them?
Biondo: From looking at the catalogs, I certainly got a better idea of when things were built. But there were a handful things I couldn’t find in the catalogs. You can guess the age by knowing the design, as well as by looking at the amount of wear and the height of the piece. Usually, the taller it was, the older it was. One of the oldest slides I photographed was probably from the ’30s. I climbed to the top to shoot it as if the viewer were going to go down the slide. Up there, the place where you’d sit before sliding had been used for so many years by so many kids that I could see an outline of all the butts worn into the metal. You can imagine all the children who must have gone down that slide to wear the metal down like that.
This 1930s-era slide, found in Sargents, Colorado, in 2007, developed a butt-shaped imprint. (Photo by Brenda Biondo)
This 1930s-era slide, found in Sargents, Colorado, in 2007, developed a butt-shaped imprint. (Photo by Brenda Biondo)
Collectors Weekly: How did Modernism influence playground design?
Biondo: In 1953, the Museum of Modern Art in New York held a competition for playground design. Modern Art was just getting popular, and the idea of incorporating the theories of Modernist design into utilitarian objects was in the air, and was translated into playgrounds for several years. I have a 1967 catalog that features very abstract playground equipment made from sinuous blobs of poured concrete. And you’ve probably seen some of it, but there’s not too much of that around. That’s another example of how broader cultural trends were reflected in playgrounds.
When most people think of playgrounds, they say, “Oh, that’s a kiddie subject. There’s not much to it.” But when you start looking into them, you realize playgrounds are a fascinating piece of American culture—they go back a hundred years and played a part in most Americans’ lives. These playground pieces are icons of our childhood.
Collectors Weekly:What was the impact of the Consumer Product Safety Commission, which launched in 1973?
Biondo: Things started to change after that, which is why I limited to book to apparatuses made before 1975. New playgrounds were starting to be build out of plastic and fiberglass. I looked up the statistics, and according to the little research I’ve done—contrary to what you’d expect—there’s not much difference in the number of injuries on older equipment versus injuries on equipment today. A “New York Times” article from 2011 called “Can a Playground Be Too Safe?” explains that studies show when playground equipment was really high and just had asphalt underneath it and not seven layers of mulch, thekids knew they had to be careful because they didn’t want to fall. Nowadays, when everything is lower and there’s so much mulch, kids are just used to jumping down and falling and catching themselves. So kids learned to assess risk by playing on the older equipment. They also learned to challenge themselves because it is a little scary to go up to the top of the thing.
This old postcard of Shawnee Park in Kansas City, Kansas, circa 1912, shows how tall slides could get.
This old postcard of Shawnee Park in Kansas City, Kansas, circa 1912, shows how tall slides could get.
At my local park where you have new equipment, the monkey bars aren’t that high and there’s mulch below it, but a child fell and broke their arm last year. When I was talking to the principal at the school where they had just torn out that old American slide, I asked her, “Why did you replace the equipment?” She said, “We felt the parents in the community were expecting to have a little bit newer and nicer equipment. And this stuff had been here for so long.” And I said, “Have you seen a difference in injury rates since you put up your newer equipment?” She replied, “I’ve been a principal here several years, and we never had a serious broken-bone injury on the playground until four months ago on the new equipment.”
There were some nasty accidents in the ‘60s and ’70s, where kids got their arms or their heads caught in the contraptions. Those issues definitely needed to be assessed. What’s interesting is the Consumer Product Safety Commission never issued requirements, just suggested guidelines. But manufacturers felt that if their equipment didn’t meet those guidelines, they’d be vulnerable to liability. Everybody went to the extreme, making everything super safe so they wouldn’t risk getting sued.A 1970s-era climbing-bar apparatus, photographed in Rocky Ford, Colorado, in 2006. (Photo by Brenda Biondo)
A 1970s-era climbing-bar apparatus, photographed in Rocky Ford, Colorado, in 2006. (Photo by Brenda Biondo)
In the last decade, people have been looking at playground-equipment design and trying to make it more challenging and more encouraging of imaginative play, but without making it more likely someone’s going to get injured. And adults, I think, are realizing kids are spending more time indoors on devices so they want to do everything they can to encourage kids to still get outside, run around, and climb on things.
Collectors Weekly: You don’t need a playground to hurt yourself. When I was a kid, I fell off a farm post and broke my arm.Biondo: Oh, yeah, kids have been falling out trees forever—they always want to climb stuff. Playground politics are always evolving. Even in the 1920s, the catalogs talked about how safe their equipment was, and they were selling these 30-foot slides. Sometimes, I’d be out with my family on a vacation, and we’d make a little side tour to look for an old playground to shoot. My husband would look at these big metal things and go, “Oh my God, those are the Slides of Death!” because they were so huge and rickety. But back then, these were very safe pieces of equipment compared to what kids had been playing on before.
A page from the 1971 GameTime catalog offering rideable Saddle Mates. (Courtesy of Brenda Biondo)
A page from the 1971 GameTime catalog offering rideable Saddle Mates. (Courtesy of Brenda Biondo)
Collectors Weekly: Growing up in the 1980s, I always hated the new fiberglass slides because I’d end up with all these tiny glass shards in my butt.
Biondo: Yeah, I remember that, too. It’s always something. It is fun to talk to people about playgrounds because it reminds them of all the fun stuff they did as kids. When people see pictures of these metal slides, they tell me, “Oh my gosh, I remember getting such a bad burn from a metal slide one summer!” The metal would get so hot in the sun, and kids would take pieces of wax paper with them to sit on so they’d go flying down the slide. I have some old postcards that show playgrounds from the early ’20s. The wood seesaws not only were huge, but they had no handles so you had hold on to the sides of the board where you sat. I’m looking at that like, “Oh my God!” It’s all relative.
playground_postcard_milwaukee
Kids ride the rocking-boat seesaw at a Milwaukee, Wisconsin, park in this postcard postmarked 1910.
(To see more of Brenda Biondo’s playground photos and vintage catalog pages, pick up a copy of her book, “Once Upon a Playground: A Celebration of Classic American Playground, 1920-1975.” To find an exhibition of Biondo’s playground project, or to bring it to your town, visit the ExhibitsUSA page. To learn more about creative mid-century playgrounds around the globe, also pick up, “The Playground Project” by Xavier Salle and Vincent Romagny.) insh.world/history/playground-equipment-of-yesterday-that...
Maryland's Sen. Barbara Mikulski greeted employees at NASA's Goddard Space
Flight Center in Greenbelt, Maryland, during a packed town hall meeting
Jan. 6. She discussed her history with Goddard and appropriations for NASA
in 2016.
Read more: www.nasa.gov/feature/goddard/2016/maryland-sen-barbara-mi...
Credit: NASA/Goddard/Rebecca Roth
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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