View allAll Photos Tagged NASA

☼My works are often BEST VIEWED LARGE ☼

 

Created for

October Contest: NATURE IN BLACK & WHITE

www.flickr.com/groups/impressionists/discuss/721577161301...

 

***************************************************

Photo shop and Nature ARTISTS:

Multi Group Contest/ Gallery Directory

New contests on the 1st and 15th

***************************************************

Imagen de archivo reeditada y capturada el año 2017 en Fisterra (Galicia).

 

Cámara Canon 60D y objetivo 17-85/IS-USM. Editada con ACR y PS5

  

there where so many rock formations we encounter during our stay at Bandon bay, Oregon.....

 

I just want to send my congratulations to NASA for the remarkable mission to Pluto......they inspire all of us to have inquiring minds..... to always question; is there life, somewhere in our magnificent universe........................ dennis :))

 

nasas en el puerto de Baiona, Galicia

Telling NASA's Tales With Hollywood's Tools

Space Center Uses Pixar's Palette To Artfully Explain Scientific Data

By Michael S. Rosenwald

Washington Post Staff Writer

Monday, August 21, 2006; D01

 

[We are lucky to be working with world class data visualizers and animators. This article in the Washington Post is one of the best print stories I've seen on the folks who are on the front lines of translating our science and making it accessible to our many audiences.]

www.washingtonpost.com/wp-dyn/content/article/2006/08/20/...

 

Every once in a while when a new movie with mind-blowing special effects or oh-my-gosh-it-looked-so-real animation opens, a nondescript office at NASA Goddard Space Center in Greenbelt will mysteriously empty of employees during matinee hours.

 

Before an investigation is launched into the whereabouts of these workers -- particularly, say, around last year's opening of "Star Wars: Episode III -- Revenge of the Sith" -- understand that they are not blowing off work. The absentee employees are animators, NASA staffers and contractors who use the same software Pixar Animation Studios uses to tell stories about talking cars to instead tell stories about the Earth. They just want to see what their counterparts in Hollywood have been up to.

 

There is the occasional did-you-see-that elbow nudge, but in their case it's about craft, not cinematic delight, said Horace Mitchell, project manager at the space center's scientific visualization studio. Mitchell is a NASA employee, but the studio is staffed primarily by animators working for Global Science & Technology Inc., a government contractor in Greenbelt. The company uses the Hollywood software, including Pixar's RenderMan and Autodesk Inc.'s Maya, to translate complicated data into animated movies that illustrate what is happening in and around Earth. The videos often end up on the evening news.

 

The crucial difference in NASA's use of the software is that Hollywood uses it to spin inspiring, happy-ending stories about love and courage and friendship and hope, while the animators in Greenbelt are often telling stories about bad things happening in the atmosphere, such as last year's hurricane season. In their chilling short film "27 Storms: Arlene to Zeta," set to Vincenzo Bellini's eerie music, viewers can watch the ocean heat up, helping fuel one storm after another -- thanks to the same Pixar software used in the upcoming version of "Charlotte's Web."

 

NASA oceanographer Gene Carl Feldman frequently collaborates with the Global Science studio. He studies the ocean from space.

 

"Visualization is that link between the flood of data coming down from space and the ability of the human mind to interpret it," Feldman said. "That's the crux of the story. Better than most other groups in the world, they are able to take this fire hose of data coming down and turn it into images -- visual animation -- that then allows the general public to see this data in ways their brains can interpret and study."

 

The Hollywoodization of NASA data is in part the result of Pixar's success in creating real-life worlds from fantasy stories. People have come to expect that even the most fantastical of ideas -- a talking, curmudgeonly Mr. Potato Head -- can look and feel exceedingly real. "They don't expect to see crudity," Mitchell said. "They expect to see sophistication because they see it everywhere. In order for us to tell the story, we have to be sophisticated about telling stories and we have to use sophisticated technology to tell them."

 

Pixar was spun off from George Lucas's film company, and its early days were spent selling animation software and hardware -- a way to pay the bills until computer technology caught up with the firm's vision of making the incredibly life-like films that it produces today.

 

Today, anyone can purchase versions of RenderMan online, for $995 to $3,500.

 

Global Science, a private company that employs about 250 people, is definitely not a movie studio. It was founded in 1991 by Chieh-san Cheng, a former employee of an aerospace and technology company with advanced degrees in technical management and meteorology. Global Science provides services in applied science and research, geospatial standards, engineering services, and information technology. The firm's contract with NASA is a small part of its business, contributing about $650,000 a year to about $45 million in revenue.

 

Global Science and Pixar know about each other, but interaction between the staffs is generally limited to animation conferences and trade shows. But the Global Science staff does feel a strong bond with Pixar, particularly when watching one of its movies.

 

Jim Williams, a Global Science animator, said, "I'll go into it thinking I'm going to look at the technical stuff and then I'll get completely sucked into the story."

 

This happened during Pixar's recent hit, "Cars."

 

"I'm watching it, I'm totally into the story, and they get to the end and they go into that stadium, and there's tens of thousands of cars in there and I drop out of the story and think, 'Wow, that must have been a pain in the butt to get that right.' And then I'm back into the story," he said.

 

The difference between the storylines is that Pixar is trying to get laughing cars right and Global Science is trying to get the atmosphere right. The way in which Global Science uses RenderMan is not easy. Here's one way of looking at it: This article has been typed on a word processor. The computer received the data -- in this case, they looked like letters -- and displayed them on a screen. The lines were long, containing dozens of words. Those words needed to appear in the newspaper, and to do that a graphic designer used another program to render and squeeze the words into narrow columns of newsprint, with black type, a font, and italics , and so forth so the words appear in the paper as they do now. That's essentially what RenderMan does for data -- whether it be information about Buzz Lightyear's appearance or atmospheric models of hurricanes. RenderMan is the mechanism by which data are translated. Another program, Maya, acts as the word processor.

 

Global Science translates scientific data this way. Recently, one of its animators sat behind a computer monitor in a dark room with an image that could have appeared as a backdrop in a Van Gogh painting. But it was a depiction of aerosols moving across the atmosphere, a way of illustrating air quality. Yellow represented dust, the green was sulfates produced by humans, the blue was sea salt. Altogether, it was sort of beautiful but apparently not good news for the atmosphere.

 

Like their Hollywood counterparts, the Global Science animators typically refer to their finished products as releases, but the scripts are composed of data and the script writers are some of the world's most brilliant scientists. The creative process generally works like this: A scientist or a public affairs officer will ask the animators to illustrate a concept or data set. It can be as simple as ocean temperatures or as complicated as a collection of satellite images. A discussion with the scientific team and public affairs officer ensues over the best way to illustrate the data, and the animators get to work.

 

Feldman, the NASA oceanographer, studies oceans from space because, as he said: "Oceans are really, really, really big and they change very, very quickly. You can't track that from a ship. What a satellite sees in a minute would take a ship a decade." Feldman is particularly interested in the relationship between the changing environment and ocean life, which he pursues by studying the first level of life in the ocean, or microscopic plants, through ocean color.

 

The only problem is that satellites collect a very large amount of complicated data. The visualization studio helps him make sense of it. Feldman has made animations of what happened to the ocean during the transition between El Niño and La Niña -- "it was the biggest phytoplankton bloom in the world ever observed," he said. He has animated Lake Michigan's microscopic plant blooms and a dust storm the size of Spain that blew across the ocean in the past few years. He has animated autumn in Boston, which roughly translates into, as he put it, "how life follows the sun."

 

If Cheng, chief executive of Global Science, has his way, NASA scientists wouldn't be the only people relying on his firm's handling of Hollywood software to explain complicated subjects. Cheng would like to use the software to better explain the human body to doctors. He said the company is finalizing plans for a medical-imaging division and is exploring the possibility of a partnership with Maryland universities.

 

"What we could do is use movie techniques to give the doctor and medical staff more dynamic and accurate images to make a diagnosis," he said.

 

© 2006 The Washington Post Company

Ads by Google

for some reason or another NASA is prepared to spend billions hoping to find some signs of life far away, but no need to go far to find some life where you don't expect it.....NASA would be ecstatic with such a MARS shot....

The beautiful spiral galaxy visible in the center of the image is known as RX J1140.1+0307, a galaxy in the Virgo constellation imaged by the NASA/ESA Hubble Space Telescope, and it presents an interesting puzzle. At first glance, this galaxy appears to be a normal spiral galaxy, much like the Milky Way, but first appearances can be deceptive!

 

The Milky Way galaxy, like most large galaxies, has a supermassive black hole at its center, but some galaxies are centered on lighter, intermediate-mass black holes. RX J1140.1+0307 is such a galaxy — in fact, it is centered on one of the lowest black hole masses known in any luminous galactic core. What puzzles scientists about this particular galaxy is that the calculations don’t add up. With such a relatively low mass for the central black hole, models for the emission from the object cannot explain the observed spectrum. There must be other mechanisms at play in the interactions between the inner and outer parts of the accretion disk surrounding the black hole.

 

Image credit: ESA/Hubble & NASA, Acknowledgement: Judy Schmidt

 

Text credit: European Space Agency

 

NASA Media Usage Guidelines

NASA Sign at the entrance of Kennedy Space Center

Credit: NASA/JPL-Caltech - Processing: Elisabetta Bonora & Marco Faccin / aliveuniverse.today

Location B. Goyedhu

This place is built by the youth of this small community of 600 people. Maintained by The Organization for youths in this island (Goyedhoo Zuvaanunnge Jamiyya). This place is the islands social centre. And this place was named NaSa because of the mocking words of the elders. They Called it a Naaseege (whore house).

 

Inside is equipped with Cable TV. Chess Games. etc

  

Clustered at the center of this image are six brilliant spots of light, four of them creating a circle around a central pair. Appearances can be deceiving, however, as this formation is not composed of six individual galaxies, but is actually two separate galaxies and one distant quasar imaged four times. Data from the NASA/ESA Hubble Space Telescope also indicates that there is a seventh spot of light in the very center, which is a rare fifth image of the distant quasar. This rare phenomenon is the result of the two central galaxies, which are in the foreground, acting as a lens.

 

The four bright points around the galaxy pair, and the fainter one in the very center, are in fact five separate images of a single quasar (known as 2M1310-1714), an extremely luminous but distant object. The reason we see this quintuple effect is a phenomenon called gravitational lensing. Gravitational lensing occurs when a celestial object with an enormous amount of mass – such as a pair of galaxies – causes the fabric of space to warp. When light from a distant object travels through that gravitationally warped space, it is magnified and bent around the huge mass. This allows humans here on Earth to observe multiple, magnified images of the far-away source. The quasar in this image actually lies farther away from Earth than the pair of galaxies. The galaxy pair’s enormous mass bent and magnified the light from the distant quasar, giving the incredible appearance that the galaxies are surrounded by four quasars – when in reality, a single quasar lies far beyond them!

 

Hubble’s Wide Field Camera 3 (WFC3) imaged the trio in spectacular detail. It was installed on Hubble in 2009 during Hubble Servicing Mission 4, Hubble’s final servicing mission. WFC3 continues to provide both top-quality data and fantastic images 12 years after its installation.

 

Image credit: ESA/Hubble & NASA, T. Treu; Acknowledgment: J. Schmidt

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

Follow us on Twitter

 

Like us on Facebook

 

Find us on Instagram

A witch appears to be screaming out into space in this new image from NASA's Wide-Field Infrared Survey Explorer, or WISE. The infrared portrait shows the Witch Head nebula, named after its resemblance to the profile of a wicked witch. Astronomers say the billowy clouds of the nebula, where baby stars are brewing, are being lit up by massive stars. Dust in the cloud is being hit with starlight, causing it to glow with infrared light, which was picked up by WISE's detectors.

 

The Witch Head nebula is estimated to be hundreds of light-years away in the Orion constellation, just off the famous hunter's knee.

 

WISE was recently "awakened" to hunt for asteroids in a program called NEOWISE. The reactivation came after the spacecraft was put into hibernation in 2011, when it completed two full scans of the sky, as planned.

 

Image credit: NASA/JPL-Caltech

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

Follow us on Twitter

 

Like us on Facebook

 

Find us on Instagram

The Jet Propulsion Laboratory is a federally funded research and development center in La Cañada Flintridge, California, Crescenta Valley, United States. Founded in 1936 by California Institute of Technology researchers, the laboratory is now owned and sponsored by NASA and administered and managed by Caltech. They do offer tours to the public.

{Sharing the Knowledge 4.14.26}

I did not take these photos which came from the NASA website from Mexico during the eclipse April 8/24 . I stitched them together in Photoshop to demonstrate this magnificent event. I just wish I could have been there to see it. The next eclipses in North America are in 2044 and 2045 when I will be in my mid-nineties!!!

 

Listen to Bonny Tyler's song: Total Eclipse of the Heart

www.youtube.com/watch?v=lcOxhH8N3Bo

The Madison Railroad interchanges cars with CSX in downtown North Vernon, Indiana on CSX's former B&O Indiana Subdivision. The Madison Railroad operates former PRR/PC/CR trackage from Madison to North Vernon that was the first railroad built in Indiana.

 

Madison Railroad’s number 3 (Little Lady) is one of three locomotives used at Kennedy Space Center for the Space Shuttle Program. It was the last locomotive used at Kennedy Space Center that NASA operated. It was the only NASA locomotive that was painted red, white & blue. NASA 3 is listed on the Historic American Engineering Record with its other two sisters.

Norfolk Southern train #052 eases through Dallas, GA with 12 rocket booster sections bound for NASA at Cape Canaveral for use on the Artemis Program. The longest days of the year may be hot but they sure are great for times like these.

Photo by Jared Polin FroKnowsPhoto. You can download this photo for Personal USE ONLY. That means you can order prints for yourself but not to sell.

 

You can order signed and numbered limited edition prints of this image right here bit.ly/nasaprint

 

For all other uses please contact jared at froknowsphoto dot com . If you would like to publish this image, purchase this images or any other commercial usage, please contact me.

 

Anywhere this image is shared online must also include Photo by Jared Polin FroKnowsPhoto

By pushing NASA’s Hubble Space Telescope to its limits, an international team of astronomers has shattered the cosmic distance record by measuring the farthest galaxy ever seen in the universe. This surprisingly bright infant galaxy, named GN-z11, is seen as it was 13.4 billion years in the past, just 400 million years after the Big Bang. GN-z11 is located in the direction of the constellation of Ursa Major.

 

Read more: go.nasa.gov/1oSqHad

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

Follow us on Twitter

 

Like us on Facebook

 

Find us on Instagram

In this rare image taken on July 19, 2013, the wide-angle camera on NASA's Cassini spacecraft has captured Saturn's rings and our planet Earth and its moon in the same frame. It is only one footprint in a mosaic of 33 footprints covering the entire Saturn ring system (including Saturn itself). At each footprint, images were taken in different spectral filters for a total of 323 images: some were taken for scientific purposes and some to produce a natural color mosaic. This is the only wide-angle footprint that has the Earth-moon system in it.

 

The dark side of Saturn, its bright limb, the main rings, the F ring, and the G and E rings are clearly seen; the limb of Saturn and the F ring are overexposed. The "breaks" in the brightness of Saturn's limb are due to the shadows of the rings on the globe of Saturn, preventing sunlight from shining through the atmosphere in those regions. The E and G rings have been brightened for better visibility.

 

Earth, which is 898 million miles (1.44 billion kilometers) away in this image, appears as a blue dot at center right; the moon can be seen as a fainter protrusion off its right side. An arrow indicates their location in the annotated version. (The two are clearly seen as separate objects in the accompanying narrow angle frame: PIA14949.) The other bright dots nearby are stars.

 

This is only the third time ever that Earth has been imaged from the outer solar system. The acquisition of this image, along with the accompanying composite narrow- and wide-angle image of Earth and the moon and the full mosaic from which both are taken, marked the first time that inhabitants of Earth knew in advance that their planet was being imaged. That opportunity allowed people around the world to join together in social events to celebrate the occasion.

This view looks toward the unilluminated side of the rings from about 20 degrees below the ring plane.

 

Images taken using red, green and blue spectral filters were combined to create this natural color view. The images were obtained with the Cassini spacecraft wide-angle camera on July 19, 2013 at a distance of approximately 753,000 miles (1.212 million kilometers) from Saturn, and approximately 898.414 million miles (1.445858 billion kilometers) from Earth. Image scale on Saturn is 43 miles (69 kilometers) per pixel; image scale on the Earth is 53,820 miles (86,620 kilometers) per pixel. The illuminated areas of neither Earth nor the Moon are resolved here.

 

Consequently, the size of each "dot" is the same size that a point of light of comparable brightness would have in the wide-angle camera.

The Cassini-Huygens mission is a cooperative project of NASA, the European Space Agency and the Italian Space Agency. The Jet Propulsion Laboratory, a division of the California Institute of Technology in Pasadena, manages the mission for NASA's Science Mission Directorate, Washington, D.C. The Cassini orbiter and its two onboard cameras were designed, developed and assembled at JPL. The imaging operations center is based at the Space Science Institute in Boulder, Colo.

 

For more information about the Cassini-Huygens mission visit www.nasa.gov/cassini and saturn.jpl.nasa.gov.

 

Image Credit: NASA/JPL-Caltech/Space Science Institute

Mc Donnell Douglas F/A-18B Hornet

NASA / Armstrong Flight Research Center

NAS Lemoore - USA

Thanks to Jesssica Truscott for this image:

faestock.deviantart.com/art/Sophia-Female-Stock-Reference...

Thanks to NASA for elements of this image.

In March 2014, a team of scientists returned to the Arctic with NASA’s P-3 aircraft to continue Operation IceBridge, a multi-year aerial survey of polar ice. IceBridge is designed to maintain the continuity of measurements between NASA’s Ice, Cloud, and Land Elevation Satellite (ICESat), which stopped functioning in 2009, and its successor, ICESat-2, which is scheduled for launch in 2017.

 

The first science flight of this year’s campaign occurred on March 12, with the P-3 taking off from Thule Air Base in Greenland to survey sea ice over the Fram Strait. The belly of the plane was packed with radars, altimeters, gravimeters, and an array of sensors designed to yield a three-dimensional view of the ice. Scientists on the plane also had less exotic sensors with them: cameras. Michael Studinger, the IceBridge project scientist, captured this photograph of the Moon and the glow of morning sunlight on snow-covered peaks in northeastern Greenland.

 

Photograph by Michael Studinger. Caption by Adam Voiland, with information from George Hale.

 

Credit: NASA Earth Observatory

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

Follow us on Twitter

 

Like us on Facebook

 

Find us on Instagram

All my NASA shots were from a trip in 2013. I need to make it back.

NASA's Gulfstream made a stop at Glasgow for fuel and crew change en-route from Kazakhstan to Houston on the 6th April. Carrying Astronaut Loral O'Hara who returned to Earth earlier that day after a six-month research mission aboard the International Space Station.

 

NASA

Gulfstream Aerospace GV

N95NA

Glasgow Airport, Scotland

6th April 2024

This is an artist's concept of the young Earth being bombarded by asteroids. Scientists think these impacts could have delivered significant amounts of organic matter and water to Earth.

 

Image Credit: NASA's Goddard Space Flight Center Conceptual Image Lab

 

The Origins Spectral Interpretation Resource Identification Security -- Regolith Explorer spacecraft (OSIRIS-REx) will travel to a near-Earth asteroid, called Bennu, and bring a sample back to Earth for study. The mission will help scientists investigate how planets formed and how life began, as well as improve our understanding of asteroids that could impact Earth.

 

OSIRIS-REx is scheduled for launch in late 2016. As planned, the spacecraft will reach its asteroid target in 2018 and return a sample to Earth in 2023.

 

Watch the full video: youtu.be/gtUgarROs08

 

Learn more about NASA’s OSIRIS-REx mission and the making of Bennu’s Journey: www.nasa.gov/content/goddard/bennus-journey/

 

More information on the OSIRIS-REx mission is available at:

www.nasa.gov/mission_pages/osiris-rex/index.html

www.asteroidmission.org

 

NASA image use policy.

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

Follow us on Twitter

Like us on Facebook

Find us on Instagram

Approximately 100 undergraduate university and community college students from across the United States were on hand to witness the launch of their experiments and technology demonstration projects on a NASA suborbital rocket Aug. 14, from NASA’s Wallops Flight Facility. The Terrier-Improved Malemute sounding rocket launched as the sun was rising over the horizon and carried the student projects to an altitude of 98.5 miles. After a brief ride into space, the payload carrying the students’ projects descended by parachute and landed in the Atlantic Ocean approximately 64 miles from the launch site.

 

More: go.nasa.gov/2OFKhUn

 

Credit: NASA/Wallops

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

Follow us on Twitter

 

Like us on Facebook

 

Find us on Instagram

Nasas y aparejos de pesca en la Ría de Avilés.

Diana F+ y Rollei 400

 

View On Black

1 3 4 5 6 7 ••• 79 80