View allAll Photos Tagged Multicolour
Liverpool celebrated Pride Weekend with a parade through the city and with various events in the St Johns Gardens. Despite the cut backs and the shelving of a concert that would have taken place on the Pier Head, Liverpool has pushed the boat out with this rainbow display on the St Georges Hall.
I just love that word!! Kind of struggled to get lots of colours today but when we have very young grandkids and of course they need to be entertained ... what's wrong with a little colourful book?!
The little characters on each page can be made to spin - just like me!!
Our Daily Challenge ~ Polychromatic or Multicolour ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
one from the other day with soer,elf and fester down hailys, was a good day. need a better flick!!eny one got one???
Mercure Beaune Centre.
My room was on the 2nd floor facing the car park.
We stayed at this Mercure hotel in Beaune from the 5th to 9th June 2017.
Views from my hotel room window on the 2nd floor.
The spire and dome and the distinctive multicolour tiled roof of the Hôtel-Dieu is visible from the 2nd floor of the hotel we stayed at. We visited the place on our second day in Beaune.
The Hospices de Beaune or Hôtel-Dieu de Beaune is a former charitable almshouse in Beaune, France. It was founded in 1443 by Nicolas Rolin, chancellor of Burgundy, as a hospital for the poor. The original hospital building, the Hôtel-Dieu, one of the finest examples of French fifteenth-century architecture, is now a museum. Services for patients are now provided in modern hospital buildings.
An important charity wine auction is held in November each year (formerly in the great hall of the Hôtel-Dieu).
The Hôtel-Dieu was founded on 4 August 1443, when Burgundy was ruled by Duke Philip the Good. The Hundred Years' War had recently been brought to a close by the signing of the Treaty of Arras in 1435. Massacres, however, continued with marauding bands (écorcheurs) still roaming the countryside, pillaging and destroying, provoking misery and famine. The majority of the people of Beaune were declared destitute. Nicolas Rolin, the Duke's Chancellor, and his wife Guigone de Salins, responded by building a hospital and refuge for the poor.The majority of the population of Beaune were destitute, and the area had recently suffered an outbreak of plague. Having gained permission from Pope Eugene IV in 1441, the hospice was built and consecrated on 31 December 1452. In conjunction, Rolin established the "Les sœurs hospitalières de Beaune" religious order.
The building's design was probably overseen by the Flemish architect Jacques Wiscrère and remained as a hospital until the late 1970s. There is a documentary record of a large range of Flemish and French masons, painters and glass cutters employed for its construction. The facade is today regarded as a superior example of Northern Renaissance civic architecture and a treasure trove of panel painting, given its numerous portraits of Rolin, his wife and members of his extended family.
The Hospices de Beaune consists of a pair of two-storied buildings arranged around a stone courtyard. The building wings are well-preserved today; they contain half-timber galleries and ornate rooftops with dormer windows. The hospital is arranged so that the wings served the office, kitchen and apothecary functions. The nuns and patients were housed nearer the chapel, towards the center of the complex.
The Hospices de Beaune received the first patient on 1 January 1452. Elderly, disabled and sick people, with orphans, women about to give birth and the destitute have all been uninterruptedly welcomed for treatment and refuge from the Middle Ages until today. This Catholic institution focused on healing both the body and spirit of its patients.
Over the centuries, the hospital radiated outwards, grouping with similar establishments in the surrounding villages of Pommard, Nolay, Meursault. Many donations - farms, property, woods, works of art and of course vineyards - were made to it, by grateful families and generous benefactors. The institution is one of the best and oldest examples of historical, philanthropic, and wine-producing heritage, and has become linked with the economic and cultural life of Burgundy.
I see this every day on my way home from work. I've always liked its multi-coloured-ness. Finally took a picture.
Booya-
2 stewing chickens
5 lbs oxtails
any other meat that you might have around or run over
2 stalks celery
4 large onions
2 bunches carrots
1 small cabbage
1 bunch parsley
2 lbs potatoes
2 lbs lima beans
2 cans cut green beans
2 cans peas
2 cans whole kernel corn
2 cans tomatoes
1 large rutabaga
I spent hours cooking the meat then deboning the meat and chopping up all of these veggies. Now we cook and cook and cook the booya-then we eat!
ODC1:multicolor
An arrangement of multicoloured seashells from Ghosties beach, Munmorah State Conservation Area, NSW, Australia.
Taken for High Quality Nature Group - February Scavenger Hunt Topic: Multicolour
Taken on a recent trip to lake george, and on the way popped in to see the Adirondack Ballon Festival. via 500px ift.tt/2dy3oRQ
I can only guess that the colour differences are because each production batch produced slightly different shades and that over time the colour darkened.
Photographed with grainy 110 format film
Parthenocissus quinquefolia, known as Virginia creeper, Victoria creeper, five-leaved ivy, or five-finger
Details über das o2 Angebot unter blog.telefonica.de/2018/02/ab-sofort-mit-nur-einem-euro-a...
Foto: Samsung
Test build in multicolours for idea of class 37 new design...any suggestions welcome.
This www.electricnose.co.uk/prototype/37s/photos/ob002856.jpg is what I'm basing the eventual build on, but with a centre light also.
Taroudant (Arabic: تارودانت) is a Moroccan city located in the Sous Valley in the southern part of the country. It is situated east from Agadir on the road to Ouarzazate and south from Marrakech. It can be easily visited as a day trip from Agadir en route to the Sahara Desert. It has the feel of a small fortified market town on some caravan route. It is also known for its local crafts like jewelry and carpets.
It is called the "Grandmother of Marrakech" because it is a scaled down, slowed down town that resembles Marrakech with its surrounding ramparts. Unlike Marrakech, Taroudant contains almost the whole city within its walls. (Ref. Wiki)
Taroudant è una città del Marocco, capoluogo della provincia omonima, nella regione di Souss-Massa-Draâ.La città è anche conosciuta come Tārūdānt o Tarudannt e soprannominata la piccola Marrakech a causa delle rosse mura che la cingono. Già importante centro carovaniero oggi possiede un grande suq e la domenica è sede di un mercato all'aperto con giocolieri, cantastorie e guaritori.
Freehand nail art of exFreehand nail art of exclamation marks on a black background by Buzz Buzz.
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edited by bpNichol.
Toronto, Ganglia Press (& as indicated), 1972-1984(+). a complete set of issues 1 through 24, with numerous variants & related material:
1. David McFadden, THE OVA YOGAS. being a series of poems written in one long strange afternoon. Ganglia & Weed/Flower Press, 1972. 5oo copies. 32 pp/29 printed, mimeo in offset covers. 4-1/8 x 5-3/8, stapled wrappers.
____ ____ 2nd edition. Weed/Flower Press only, 1972. as above but 28 pp (without grOnk colophon), 4-1/16 x 5-9/16.
2. Steve McCaffery, BROKEN MANDALA. 1974. 1oo numbered copies. 38 pp/19 printed, photocopy & offset. 8-1/2 x 11, side-stapled card covers. serial concrete poetry.
3. J.H.Riddell, A HOLE IN THE HEAD. [1975?]. 1oo unique numbered copies & an unknown quantity of unnumbered overrun, of which this is one. 44 pp/37 printed, multicolour offset with 6 pp handcoloured in marker &or pencil. 9 x 11-1/8, plain acetate wrappers in plastic claspspine with cover & last p.punches & typescript labels & 9 interior leaves altered with windows, punches & shapes. visual narrative. small kink to front acetate...
4. THREE. jeremy adler p.c.fencott bill griffiths. edited by bpNichol. spring 1976. 2oo copies. 42 pp/25 printed, offset. 9 x 11-1/4, plain acetate wrappers in plastic claspspine. concrete poetry, with cover & notes by Nichol. acetates a little scuffy...
5. Gerry Gilbert, May 1931. june 1976. 32 pp/29 printed, offset. 5-5/8 x 8-11/16, stapled wrappers. poetry & found weathermaps & a detail showing "Howe's Sound" & "Burrards Canal" (here titled VANCOUVER'S ART) from George Vancouver's map of 1792 (drawn by Joseph Baker?, published 1798), A chart shewing part of the coast of N.W. America on cover. preceded by a small private manuscript edition.
6. Steve McCaffery, SHIFTERS. june (or after) 1976. 2o pp/15 printed, offset. 5-5/8 x 8-5/8, stapled wrappers. poetry.
7. bpNichol, white sound : a variant. 22 june 1976. [an attempted edition of 1oo unique copies foreshortened to approx.68 copies by a shortage of usable splitfount covers (33 further copies issued by Curvd H&z in 1982)]. 24 pp/18 printed, offset with orange/yellow/green tissue leaf. 5-5/8 x 8-3/4, stapled wrappers. concrete/sound poetry artistbookscore with prose afteressay. based on further machinations & recombinancies of Nichol & David Aylward's white sound (Ganglia, 1966; 2 unique copies) & itself the source of further derivations, including a series of quartet scores titled white text sure.
____ ____ 2nd edition. Toronto, Curvd H&z, 8 january 1982. 33 numbered copies issued as Curvd H&z 121 & Th Wrecking Ballzark 36. as above but 5-1/2 x 8-1/2 in rubberstamp covers by jwcurry (dropping Nichol's afterword), with orange/yellow/brown tissue. cover creased with a coupla small smuts, some dents to the foreëdges of the protruding centersheet...
____ MESSAGIO AMOR SOME MORE. edited by jwcurry. Ottawa, Curvd H&z, 5 april 2oo8. 1oo unique copies issued as Curvd H&z 47o & Industrial Sabotage 63. 58 pp/33 printed, photocopy, colour photocopy, colour laser, handpainted, found offset & rubberstamp. 9 x 12, 25 broadsides, some with tissue appliqués, in pocketed folder. sound poetry scores, issued in conjunction with the hundred-year sound poetry survey/extravaganza Messagio Galore take V, performed by Alexander's Dark Band (curry, Maria Erskine, Nicholas Power, Rob Read, with guests John Lavery & Carmel Purkis) at the National Library Of Canada as part of the Ottawa International Writers Festival. the contributors are Michelle April, Hugo Ball, curry, Fortunato Depero, Luigi Gallini*, Claude Gauvreau, Wharton Hood, Dom Sylvester Houédard, Ernst Jandl, Franz Mon*, bpNichol, Mike Patton*, Gerry Shikatani, Frank Zappa* (*transcriptions/reconstructions by curry). Nichol's White Text Sure version 10, an 11pp quartet "for the Horsemen", is derived from a recombinant white sound : a variant, here cleaned up & with colour transparencies restored by curry.
8. Shant Basmajian, THE POEM. "IN A STRUGGLE WITH THE MAGNETIC SOURCE". summer 1976. 15o copies issued as grOnk Intermediate Series 8b, the "New" section of the anthology Something Old Something New Something Borrowed Something Blue, edited by bpNichol; about 35 author's copies released separately. 12 pp/7 printed, offset. 5-5/8 x 8-3/4, stapled wrappers. a poem, cover by bpNichol.
____ ____ only a handful more than the 35 author copies were bound when the anthology idea for some reason was cancelled. the colophon page was abandoned & about 115 copies were issued as 3 broadsheets, 5-1/8 x 8-1/2, laid in wrappers.
9. Paul Dutton, so'nets. summer 1976. 15o copies. 16 pp/11 printed, offset. 5-5/8 x 8-11/16, stapled wrappers. sound poetry, with sonnet covers by Gerard Manley Hopkins.
1o. Gerry Shikatani, Ship Sands Island. [summer 1976?]. 15o copies issued as grOnk Intermediate Series 1o. 8 offset broadsides laid in plain 9 x 11-1/4 acetate wrappers. concrete poetry; rear cover note by bpNichol. 1st issue of 25 author's copies (& maybe a handful more) as grOnk Intermediate Series 8a, the "Blue" section of the anthology Something Old, Something New, Something Borrowed, Something Blue.
____ ____ 2nd issue, renumbered with revised colophon.
11. Opal L.Nations, OFF'N'ON CHAINS. october 1978. 2oo copies. 12 pp/7 printed, offset. 9 x 11-1/4, leaves laid in plain acetate wrappers. concrete poetry of a sort.
12. Jackson Maclow, A Dozen Douzains for Eve Rosenthal. october 1978. 2oo copies. 14 pp/8 printed, offset. 9 x 11-1/4, 5 leaves laid in plain acetate wrappers. poetry acrostics, cover lettering by A.L.P.Carella.
13. P.C.Fencott, The legends of JACK O'KENT. being an account of his dealing with the devil. october 1978. 2oo copies. 34 pp/24 printed, offset. 8-1/2 x 11, card covers in plastic claspspine. concrete narrative with additional calligraphy by Anne Whiteley & graphics by Brandy Wine.
14. Bill Griffiths, THE STORY OF THE SOLAR SYSTEM/FRAGMENTS: THE STORY OF THE SOLAR SYSTEM. [1976?]. 12 pp/1o printed, offset. 8-1/2 x 5-1/2, top-stapled wrappers. prose. cover by bpNichol.
15. Bob Cobbing, sensations of the retina. october 1978. 2oo copies. 2o pp/13 printed, offset. 8-3/4 x 11-1/8, leaves laid in plain blue plastic wrappers. concrete/visual poetry.
____ ____ 2nd edition. Calgary, No Press, 1o june 2o1o. 4o copies. as above but laser in green plastic wrappers.
16. R.Murray Schafer, SMOKE. A NOVEL. 1976. 1oo copies. 8o pp/76 printed, offset. 5-15/16 x 8-7/8, perfectbound wrappers. a visual novel. produced in Bancroft by Arcana Editions in a probable edition of 1ooo, 1oo copies were "donated by the author & distributed as grOnk IS 16", probably in 1978, with a small label on last interior page. [it also saw print from both Exile Editions & Arcana as Ariadne.]
____ ____ 1st issue with no imprint, somewhat crunked...
17. bpNichol, Man in Lakeland. may 1978. 6-3/8 x 3-11/16, offset postcard. a map & graphic with poem on verso.
18. Steven Smith, Postcard from London. april 1981. 2oo signed copies. 28 pp/14 printed, photocopy in colour photocopy front cover with marker holograph title in Smith's hand & offset rear cover. 6 x 4, side-stapled paper & card covers. prose. issued with 4 different covers, 5o copies each, reproductions of tourist postcards from London (England). rear cover reproduces a postcard by Smith addressed to bpNichol, referencing Bob Cobbing & P.C.Fencott & dated 23 september 198o. copy with E.Ludwig's Piccadilly by Night, London cover.
____ ____ copy with E.Ludwig's Piccadilly Circus, London cover.
____ ____ copy with anonymous The Corps of Drums and Mascot leaving Buckingham Palace, London cover.
____ ____ copy with anonymous THE HOUSES OF PARLIAMENT AND WESTMINSTER BRIDGE, LONDON cover.
19. Toronto Research Group [Steve McCaffery & bpNichol], DEVICE FOR GENERATING A CONTEMPORARY ESSAY TITLE. 198o. 9-15/16 x 4-1/2, offset postcard. chart with instructions (die not included).
____ ____ another copy trimmed slightly differently & showing trim marks both sides.
2o. Four Horsemen [Rafael Barreto-Rivera, Paul Dutton, Steve McCaffery, bpNichol], A LITTLE NASTINESS. 1 march 198o. 2oo copies issued as [5¢] Mini-Mimeo Series 54–64. 48 pp/31 printed, offset. a pair of 8-1/2 x 11 broadsheets & 1o variously-sized leaflets, all 4 pp/3 printed, in 9 x 12 envelope printed recto only with Marilyn Westlake's (posed) group portrait. poetry & sound texts, with 2 leaflets each, 3 collaborations & Nichol's Four Horsemen Newsletter. "This compilation of collective & individual wit & weirdness was put together to commemorate the Four Horsemen Western Tour in the winter of 1980.".
____ A LITTLE NASTINESS. 2nd edition. [Ottawa], 1cent, 19 october 2oo8. 1oo copies issued as 1cent 389. 4 pp/3 printed, mimeo in rubberstamp covers with letterpress addition to front cover. 2-3/4 x 4-1/4, leaflet. a poem. reprint of 5¢ Mini Mimeo 57, the poetry leaflet included in Four Horsemen's A Little Nastiness envelope.
21. bpNichol, A CHRISTMAS VISION IN THE VOICE OF ST. NICHOLAS. december 198o. mistakenly issued as grOnk Intermediate Series 19. 4 variously-sized (3-1/4 x 2-1/2 to 7-3/4 x 4-5/16) offset broadsides. a concrete poem. not issued, hence no envelope, only a small handful of copies escaping. this is the 2nd issue of this title, the 1st having gone out with a different trim as Nichol's 198o christmas card. the 3rd & 4th issues were in printed envelopes (as the 5th) with different-sized St.Nicholas stickers.
____ ____ 5th issue of 67 copies assembled & released from Ottawa by Room 3o2 Books, 6 december 1998. 6-1/2 x 9-1/2, 4 variously-sized offset broadsides in envelope printed offset & rubberstamp recto only.
____ ____ 6th issue of 15 lettered copies assembled & released from Ottawa by Room 3o2 Books, 7 december 1998 as grOnk Inadmissible Series [6] (misnumbered "5").
____ ____ 8-1/2 x 11, untrimmed presssheet from which all variants derive.
22. Rafael Barreto-Rivera, REPORT from antiface. december 1979. 2oo copies. 24 pp/18 printed, offset. 5-3/4 x 9, stapled wrappers. poetry.
____ ____ another copy, unbound.
23. bpNichol, DOORS: To Oz & Other Landscapes. Catalogue To An Exhibition Dec 3-Dec 21/79. november 1979. 2oo copies. 2o pp/18 printed, offset. 5-1/2 x 8-1/2, stapled wrappers. visual poetry, accompanied by an artist's statement, list of works in the exhibition, & A Bibliography of Related Works by bpNichol. "This Exhibition & This Catalogue Are Dedicated To Barbara Caruso". a singularly useful reference to Nichol's drawn visual poetry.
____ ____ another copy, unbound.
____ you are invited to the OPENING of bpNichol's DOORS: To Oz & Other Landscapes. an exhibition. Toronto, Vivaxis Gallery, for 2–21 december 1979. 5-1/2 x 8-1/2, offset broadside. a visual poem, [DOORS 2], on poster/mailer for the exhibition.
24. bpNichol, HIDE. H into I: DEvolution. 3o september 1984. 2oo copies. 12 pp/6 printed, photocopy. 5-1/2 x 8-1/2, stapled wrappers. a visual poem.
as complete a collection as one is likely to find with still some related titles to fill in for the keeno (the Schafer & Christmas Vision variations, May 1931 manuscript edition, an alternate Maclow copyright page, british Solar System, recordings of Jack O'Kent & White Text Sure).
for the collection of 41 titles...
35oo.oo
Mercure Beaune Centre.
My room was on the 2nd floor facing the car park.
We stayed at this Mercure hotel in Beaune from the 5th to 9th June 2017.
Views from my hotel room window on the 2nd floor.
The spire and distinctive multicolour tiled roof of the Hôtel-Dieu is visible from the 2nd floor of the hotel we stayed at. We visited the place on our second day in Beaune. The dome is from the Church of Notre-Dame.
The Hospices de Beaune or Hôtel-Dieu de Beaune is a former charitable almshouse in Beaune, France. It was founded in 1443 by Nicolas Rolin, chancellor of Burgundy, as a hospital for the poor. The original hospital building, the Hôtel-Dieu, one of the finest examples of French fifteenth-century architecture, is now a museum. Services for patients are now provided in modern hospital buildings.
An important charity wine auction is held in November each year (formerly in the great hall of the Hôtel-Dieu).
The Hôtel-Dieu was founded on 4 August 1443, when Burgundy was ruled by Duke Philip the Good. The Hundred Years' War had recently been brought to a close by the signing of the Treaty of Arras in 1435. Massacres, however, continued with marauding bands (écorcheurs) still roaming the countryside, pillaging and destroying, provoking misery and famine. The majority of the people of Beaune were declared destitute. Nicolas Rolin, the Duke's Chancellor, and his wife Guigone de Salins, responded by building a hospital and refuge for the poor.The majority of the population of Beaune were destitute, and the area had recently suffered an outbreak of plague. Having gained permission from Pope Eugene IV in 1441, the hospice was built and consecrated on 31 December 1452. In conjunction, Rolin established the "Les sœurs hospitalières de Beaune" religious order.
The building's design was probably overseen by the Flemish architect Jacques Wiscrère and remained as a hospital until the late 1970s. There is a documentary record of a large range of Flemish and French masons, painters and glass cutters employed for its construction. The facade is today regarded as a superior example of Northern Renaissance civic architecture and a treasure trove of panel painting, given its numerous portraits of Rolin, his wife and members of his extended family.
The Hospices de Beaune consists of a pair of two-storied buildings arranged around a stone courtyard. The building wings are well-preserved today; they contain half-timber galleries and ornate rooftops with dormer windows. The hospital is arranged so that the wings served the office, kitchen and apothecary functions. The nuns and patients were housed nearer the chapel, towards the center of the complex.
The Hospices de Beaune received the first patient on 1 January 1452. Elderly, disabled and sick people, with orphans, women about to give birth and the destitute have all been uninterruptedly welcomed for treatment and refuge from the Middle Ages until today. This Catholic institution focused on healing both the body and spirit of its patients.
Over the centuries, the hospital radiated outwards, grouping with similar establishments in the surrounding villages of Pommard, Nolay, Meursault. Many donations - farms, property, woods, works of art and of course vineyards - were made to it, by grateful families and generous benefactors. The institution is one of the best and oldest examples of historical, philanthropic, and wine-producing heritage, and has become linked with the economic and cultural life of Burgundy.
Week 20
SPHERES
The assignment this week is Spheres, but to make them interesting. I like the colours and the different sizes in this and hope that it is interesting enough for the assignment.
#AbFav_LIKES_And_DISLIKES_️
Having fun in the studio, now and then, why not eh?
Do not play with your food?
I was careful and ate it afterwards! LOL
Flowers, veg, fruit...
Have a yummy day and thanx, M, (*_*)
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Fruit, veg, flowers, peppers, faces, tomatoes, banana, raspberries, carnation, fun, studio, multicolour, black-background, colour, design, square, conceptual art, NikonD7000, Magda-indigo