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Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
For the closing ceremony I wanted the whole audience to play with my Atari 2600 console. Therefore I have built an interface which allows me to simulate a joystick and paddles with my Arduino board. The directions are triggered by tracking the motion of the audience. Since I couldn't test any of this in advance I wrote an AIR application which allowed me to adjust the motion tracking zones and the sensitivity on the fly.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Alexander Whitley: The Measures Taken, Linbury Studio, ROH
Dancers:Jessica Andrenacci, Marc Fernandez, Marina Rodriguez Hernandez, Wayne Parsons, Aaron Vickers
photo - © Foteini Christofilopoulou
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Graphic vectors are calculated directly by decoding movement parameters. Made in VVVV.
Stills are from "Genesis" movie.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
This RoboSapien was being motion tracked by an array of inexpensive cameras in the framework above him, which you can see in the previous image in this set. His moves were then tracked in real time and projected back on the 3D world as large colorful spheres on the screen behind him (out of frame to the left).
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)