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Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
If you stand near the lower left corner of the wall and pretend to be throwing food at the birds, the realtime motion tracking camera and software detects the movement and triggers the installation to actually throw food for the birdies. They come from wherever they were for that... so be careful!
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Author: Danny Rozin
This is one of the permanent installations on the ITP floor (built in 1999). From Wired, "a work that uses a hidden camera and custom software to carefully tilt 1,500 wooden 'pixels' to reflect the viewer's image."
One of my favorites!
Community video for Mozilla Firefox, the leading Open Source browser.
Fast, secure? There's a whole lot more to it. Firefox is about the people who use it and make it get better every time.
This video is free to redistribute under the Creative Commons licence BY-NC-SA.
Find more at www.spreadfirefox.com/firefoxinmotion
Graphic vectors are calculated directly by decoding movement parameters. Made in VVVV.
Stills are from "Genesis" movie.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Half Machine 2008, Copenhagen: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
HALF MACHINE artists collective work within interactive art installations, dance performance and concert events - complex collaborative art experiments involving the audience.
An international group of artists create large scale light- and water installations, aerial suspensions, pyrotechnics, high voltage labs and more from recycled materials and electronic wizardry.
A demonstration of the process of my end of year college project, which tracks movement through a space (in this case, St Enoch Square in Glasgow). Uses Processing for detecting movement, as well as the BlobScanner library for detecting large shapes (e.g. people) and the Mesh library for calculating a Delaunay triangulation of the resulting points. To see the full video and code, check my blog at velvetkevorkian.wordpress.com.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
A demonstration of the process of my end of year college project, which tracks movement through a space (in this case, St Enoch Square in Glasgow). Uses Processing for detecting movement, as well as the BlobScanner library for detecting large shapes (e.g. people) and the Mesh library for calculating a Delaunay triangulation of the resulting points. To see the full video and code, check my blog at velvetkevorkian.wordpress.com.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Screenshot from my end of year college project, which tracks movement through a space (in this case, St Enoch Square in Glasgow). Uses Processing for detecting movement, as well as the BlobScanner library for detecting large shapes (e.g. people) and the Mesh library for calculating a Delaunay triangulation of the resulting points. Colours are sampled from the original image. To see the full video and code, check my blog at velvetkevorkian.wordpress.com.
my latest 4point motion tracking for mario pricken,
an austrian author who wanted to present his book online.
(no tv commercial)
the goal was to present a book called "visual creativity" by using visual creativity ... hope it worked :-)
filmed with Canon 5DmkII
4point tracking done mostly by hand (crazy, i know, but the result was more accurate and looked nicer) some of it in motion.
Watch this video on Vimeo. Video created by christian anderl.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Fusion Festival 2008: THE SHAIDON EFFECT (DJ SET / LIVE DRUM SET / LIVE DANCERS) presents THE SPECIAL PLAYER, performed at Luftschloss
THE SPECIAL PLAYER is a fully interactive environment. Involving a sophisticated responsive motion tracking technique, professional dancers, DJs and the public, THE SPECIAL PLAYER explores a massively disquieting conspirative narration revolutionizing the concept of augmented reality and sense of self.
www.myspace.com/theshaidoneffect
Photo courtesy: Hunter Armistead (www.hunterarmistead.com)
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Photos taken by Barney Steele working with www.seeper.com www.thefoundcollective.com and Alexis Haggar at the Secret Cinema showing of Ghostbusters
Photos taken by Barney Steele working with www.seeper.com www.thefoundcollective.com and Alexis Haggar at the Secret Cinema showing of Ghostbusters
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.
Arts and technology collective seeper baked a giant interactive Pi for the Glastonbury Festival. The filling being the audience.
They asked: “If there is no beginning and no end, then what?” their answer” Pi, Pie or a circle?” In this instant a 16 metre round Big Top tent in the festivals Trash City area, that responds to the motion of the people within it.
Standing inside the Pi people were tracked by cameras and saw a silhouette of themselves on the walls of the space. As they moved photons, plasmas and other particles radiated from them and were sent flying around the space. Their movement also controlled sound as one of a series of instruments. Scratching a beat, playing a bass or strumming strings made the audience not only the filling but also the players, conductors and composers of their own collective Pi.