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La Mosquée HASSAN II située à CASABLANCA MAROC est érigée en partie sur la mer. C'est un complexe religieux et culturel aménagé sur 9 hectares. Elle peut accueillir 105 000 fidèles et la salle des prières 25 000 fidèles. Le minaret a une hauteur de 215 mètres. Un toit ouvrant (partie verte) de grande dimension permet de relier, selon le voeu du roi HASSAN II, cet édifice à l'air considéré comme l'un des 3 éléments bénéfiques à la vie avec la terre et l'eau.
Conçue par l'archtecte Michel PINSEAU elle a été édifiée par le groupe françaiis BOUYGUES, sa construction a débuté le 12 juillet 1986 et son inauguration a eu lieu le 30 août 1993.
Istanbul, Turkey, my favourite memory, everynight 100s of birds would fly around the mosque glowing in the spotlights. This night we we treated to magnificent thunder storms as well.
A mosque in Hohhot, capital of Inner Mongolia (which is part of China - "Outer" Mongolia is an indepedent country).
The Larabanga mosque, reputed to be the oldest in Ghana, dating perhaps from 1421, is constructed in the Sahelian or Sudano-Sahelian style: mudbricks covered with abobe plaster, whitewashed and repaired regularly, with maintenance made easier by the projecting wooden beams. Next to Larabanga, famous examples can be found in Djenne and other cities in Mali (see my Mali set) and in Burkina FAso (see my Burkina Faso set) among other locations. They are beautifiul to behold.
See where this picture was taken. [?]
My tag is only for the city of Dhahran, Saudi Arabia. Couldn't find the exact spot for the mosque.
La Mosquée Ketchaoua* est un lieu de culte historique algérois, situé dans la Basse Casbah.
L'histoire de cet édifice débuterait en 1436. Par la suite, la mosquée connaît plusieurs modifications dont les dernières furent entreprises par le colonisateur français et visaient à dédier ce lieu au culte catholique.
Après l'indépendance de l'Algérie, la cathédrale Saint-Philippe reprit le nom de Mosquée Ketchaoua.
Les travaux de restauration, lancés il y a plusieurs années, viennent d'arriver à leur terme.
(*) Ketchaoua signifierait en turc : « plateau des chèvres | Keçi ova ».
Casbah - Wilaya d'Alger - Algérie
Octobre 2017
06/03/2011 with Niky Tanjung
Istiqlal Mosque, or Masjid Istiqlal, (Independence Mosque) in Jakarta, Indonesia is the largest mosque in Southeast Asia. This is one of those great Landmark in Jakarta.
We planned to shoot a session of modelling, but the model were still sleeping! we suspected :P But it turned out to be a clear day in some part of Jakarta, which is very rare moment. So we headed to Sunda Kelapa Port and then to this Magnifying Mosque, located in the heart of Jakarta. Subhanallah.
Photo by Ali Trisno Pranoto © 2011 All Rights Reserved. www.popsick.com All my images are under © All Rights Reserved and should not be use in any other way. Please don't use this image on websites, blogs or other media without my explicit permission.
Sheikh Zayed Grand Mosque (Arabic :جامع الشيخ زايد الكبير) is located in Abu Dhabi, the capital city of the United Arab Emirates.
Sheikh Zayed Grand Mosque was initiated by the late President of the United Arab Emirates (UAE), HH Sheikh Zayed bin Sultan Al Nahyan. His final resting place is located on the grounds beside the same mosque.
As the country’s grand mosque, it is the key place of worship for Friday gathering and Eid prayers. It is the largest mosque in the UAE and numbers during Eid can be more than forty thousand people.
Side of the Mosque @ Katara
Click Here To see three different effect on same image with Adobe lightroom2.
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كتارا - الحي الثقافي، الدوحه قطر
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عذرا، سيتم حذف التعليق المحتوي على صور او وصلة الكترونية لصورة
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Hand captioned "Mosque" (the word Temple has been crossed out)
This is one of a selection of lantern slides dating I estimate to c. 1900. The set appears to be a personal collection, with items connected to Northern Ireland, missionary work, the YMCA, and India
The Nusretiye Mosque was erected between 1823 and 1826 by Mahmud II (1784-1839) as part of a larger project to rebuild the Tophane artillery barracks that burnt in the Firuzaga fire. It is located off the Western shore of the Bosphorus, below Tophane or the Canon Foundry established by Mehmed II (1432-1481) and was built on the former site of the Mosque of the Artillery Barracks (Tophane-i Amire Arabacilar Kislasi Camii) built by Selim III (1789-1807). In style, the mosque signifies a transition from Ottoman baroque to empire style. Its architect is Krikor Balyan (1764-1831), who is the first in nine architects belonging to the Armenian Balyan family who served the royal family throughout the nineteenth century. The mosque was named Nusretiye or Victory, in celebration of the sultan's recent abolition of the rebellious janissary troops in favor of a new western-style army -- an event known in Ottoman history as Vaka-i Hayriye or the auspicious event.
When it was built, the Nusretiye mosque stood to the northeast of a rectangular parade ground facing the Bosphorus with the Meclis-i Mebusan or Parliament Street at its back. The artillery barracks, built by Mahmud II at the same time as the mosque, bound the southwest side of the parade ground. His successor, Abdülmecid I (1839-1861), added a clock tower (Tophane saat kulesi) at the center of the grounds and built the royal Tophane kiosk (Tophane Kasri) at the street end of the longitudinal axis. In 1866, the neo-classical strip housing the offices of the marshals was built on the other side of Meclis-i Mebusan Street from the Tophane kiosk and the fenced parade ground, completing the monumental appearance of the military complex seen in older photographs. Only the mosque, the clock tower and the Tophane kiosk have survived the mid 1950s urban renewal and highway construction programs. The parade ground was developed into a trade entrepôt with concrete warehouses extending into newly infilled grounds behind the mosque. The mosque stands today on Necati Bey Street, having lost its historical context and connection with the water. It was restored between 1955 and 1958, and again in 1980 and 1992.
The mosque stands raised on a tall basement, oriented along the northwest-southeast axis. It consists of a square prayer hall with narthex and mihrab apse, and a large sultan's kiosk, which wraps the west and north corners at the front, on either side of the tall portico. Side arcades made of five domed bays flank the prayer hall on the exterior. Although the mosque lacks a monumental courtyard, a prominent feature in classical Ottoman mosques, it has a small side courtyard that adjoins the prayer hall to the northeast. The side arcade on this side is a few steps below the courtyard whereas to the southwest the arcade has two-stories and has a door at the lower colonnade that leads down to the basement level.
The mosque portal is located at the center of the three-bay portico, a monumental baroque entrance with two staircases leading up to its terrace. The staircases are framed on either side by the projecting bays of the sultan's kiosk, which is raised to the height of the portico domes carried on arches and columns, forming open terraces below. The residential-looking sultan's kiosk dominates the front façade of the mosque and zigzags around the corners where the minarets are attached to form wings projecting outwards into the parade ground and the side courtyard. It is entered primarily from a baroque portal adjoining the side arcade on the southwest façade; there are secondary entrances on either side of the portico.
Inside, the prayer hall is crowned with a single dome, raised on four grand arches that spring from the four corners. The narthex to the northwest has women's prayer section flanking the entrance and the muezzin's platform at the gallery level. The grand arch above the narthex is carried on two piers and three arches, the larger central arch mirrors the arch of the mihrab semi-dome across the hall. Along the southwest wall, to the right, is the sultan's lodge -- a balcony with gilt screens entered from the sultan's kiosk. Windows pierced into the tympana of the grand arches and twenty windows around the dome illuminate the interior from above. Of the two tiers of windows at the ground level, the lower casements are crowned with baroque vases carved in the marble tympana of the window arches. All of the upper windows have faux frames painted in the baroque style. The mihrab and minbar are carved of white marble and decorated with flowers and gilt garlands. Perhaps the most important decorative element on the interior is a calligraphic band inscribed with the Koranic sura of The Event or Al-Naba, which travels the interior located above the casement windows. It is written in gold celi style letters over a dark background by the famous calligrapher Mustafa Rakim (1757-1826).
The mosque has two minarets located at the west and east corners. Raised on tall square foundations, the fluted minaret shafts have bulbous bases and double balconies with wavy balustrades. In order to create a view for passing ships to read the string of lights with devotional messages (mahya) hung between the two minarets without being obstructed by the dome, the minarets were taken down and rebuilt taller in 1826. The superstructure, including the dome, is marked with exuberant architectural decorations. Curved pilasters with finials alternate with the dome windows and large bulbous weight turrets with pointed domes that are placed at the springing of the grand arches, which are bordered with lace-like cornices. The mosque is constructed primarily of cut stone.
To the northeast, the entrance to the small side courtyard is flanked by twin structures of the sabil (sebil), on the right, and the room of the timekeeper (muvakkithane), on the left. Positioned originally across the street, they were moved adjacent to the mosque during the rule of Abdülaziz I (1861-1879). They are round with arched grille windows facing the street and are crowned by conical domes with wavy eaves mirrored by wavy marble cornices with inscriptive plaques. A fountain kiosk erected beside the mosque by Abdülhamid II in 1901 has been moved to Maçka neighborhood as part of the urban renewal program.
I'm not sure what this is but there were several of them along the coastline.. looks like a small mosque
The Faisal Mosque in Islamabad is the largest mosque in Pakistan and South Asia and the fourth largest mosque in the world. It was the largest mosque in the world from 1986 to 1993 when overtaken in size by the completion of the Hassan II Mosque in Casablanca, Morocco. Subsequent expansions of the Masjid al-Haram (Grand Mosque) of Mecca and the Al-Masjid al-Nabawi (Prophet's Mosque) in Medina, Saudi Arabia during the 1990s relegated Faisal Mosque to fourth place in terms of size.
Faisal Mosque is the National Mosque of Pakistan. It has a covered area of 5,000 m2 (54,000 sq ft) and has a capacity to accommodate approximately 300,000 worshippers (100,000 in its main prayer hall, courtyard and porticoes and another 200,000 in its adjoining grounds). Although its covered main prayer hall is smaller than that of the Hassan II Mosque in Casablanca (the world's third largest mosque), Faisal Mosque has the third largest capacity of accommodating worshippers in its adjoining grounds after the Masjid al-Haram (Grand Mosque) of Mecca, the Al-Masjid al-Nabawi (Prophet's Mosque) in Medina.[2]. Each of the Mosque's four minarets are 80 m (260 ft) high (the tallest minarets in South Asia) and measure 10 x 10 m in circumference.
The Faisal Mosque is named after the late King Faisal bin Abdul Aziz of Saudi Arabia, who supported and financed the project.
(Source: Wikipedia Encyclopedia)
Cette mosquée a été construite en 1622 par le célèbre corsaire d'origine italienne et converti à l'islam, Ali Betchine (Piccini).
Durant la période coloniale, ce lieu de culte connait plusieurs dégradations, notamment au niveau du minaret.
En effet, l'autorité française y a, tout d'abord, stocké la pharmacie centrale de son armée.
Par la suite, en 1843, la mosquée est versée au patrimoine de l'église qui lui donne le nom de Notre-Dame-des-Victoires.
Récemment, la Mosquée Ali Betchine a été restaurée en veillant à respecter les plans originaux.
Casbah - Wilaya d'Alger - Algérie
Octobre 2017
The Sultan Ahmed Mosque (Turkish: Sultan Ahmet Camii) is a historic mosque in Istanbul. The mosque is popularly known as the Blue Mosque for the blue tiles adorning the walls of its interior.
It was built from 1609 to 1616, during the rule of Ahmed I. Its Külliye contains a tomb of the founder, a madrasah and a hospice. While still used as a mosque, the Sultan Ahmed Mosque has also become a popular tourist attraction.
The Sultan Ahmed Mosque has one main dome, six minarets, and eight secondary domes. The design is the culmination of two centuries of both Ottoman mosque development. It incorporates some Byzantine elements of the neighboring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. The architect, Sedefkâr Mehmed Aga, synthesized the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour.
At its lower levels and at every pier, the interior of the mosque is lined with more than 20,000 handmade ceramic tiles, made at Iznik (the ancient Nicaea) in more than fifty different tulip designs. The tiles at lower levels are traditional in design, while at gallery level their design becomes flamboyant with representations of flowers, fruit and cypresses. More than 200 stained glass windows with intricate designs admit natural light, today assisted by chandeliers.
From Wikipedia:
The Süleymaniye Mosque (Turkish: 'Süleymaniye Camii') is an Ottoman imperial mosque located on the Third Hill of Istanbul, Turkey. It is the second largest mosque in the city, and one of the best-known sights of Istanbul.
he Süleymaniye Mosque was built on the order of Sultan Suleiman I (Suleiman the Magnificent) and was constructed by the great Ottoman architect Mimar Sinan. The construction work began in 1550 and the mosque was finished in 1557.
Sinan considered the design to be an architectural counterpoint to the Byzantine Hagia Sophia. The Hagia Sophia, converted into a mosque under Mehmed II, served as a model to many Ottoman mosques in Istanbul. However, Sinan's Süleymaniye is a more symmetrical, rationalized and light-filled interpretation of earlier Ottoman precedents, as well as the Hagia Sophia. It is possible that dialogue between Italy and Istanbul contributed to Sinan's enthusiasm for symmetrical and rational forms, as promoted by writers like Alberti.
The design of the Süleymaniye also plays on Suleyman's self-conscious representation of himself as a 'second Solomon.' It references the Dome of the Rock, which was built on the site of the Temple of Solomon, as well as Justinian's boast upon the completion of the Hagia Sophia: "Solomon, I have surpassed thee!" The Süleymaniye, similar in magnificence to the preceding structures, asserts Suleyman's historical importance. The structure is nevertheless smaller in size than its older archetype, the Hagia Sophia.
The Süleymaniye was ravaged by a fire in 1660 and was restored by Sultan Mehmed IV. Part of the dome collapsed again during the earthquake of 1766. Subsequent repairs damaged what was left of the original decoration of Sinan (recent cleaning has shown that Sinan experimented first with blue, before turning red the dominant color of the dome). The mosque was restored again in the middle of the 19th century by the Swiss-Italian architect brothers Gaspare and Giuseppe Fossati. In a botched attempt to restore it to its supposed original glory, the dome and the semi-domes were painted in an Ottoman baroque style. During the recent cleaning the original design was faithfully restored.
During World War I the courtyard was used as a weapons depot and when some of the ammunition ignited the mosque suffered another fire. Not until 1956 was it fully restored again.
As with other imperial mosques in Istanbul, the Süleymaniye Mosque was designed as a kulliye, or complex with adjacent structures to service both religious and cultural needs. The original complex consisted of the mosque itself, a hospital (darüşşifa), primary school, public baths (hamam), a Caravanserai, four Qur'an schools (medrese), a specialized school for the learning of hadith, a medical college, and a public kitchen (imaret) which served food to the poor. Many of these structures are still in existence, and the former imaret is now a noted restaurant. The former hospital is now a printing factory owned by the Turkish Army.
In the garden behind the main mosque there are two mausoleums (türbe) including the tombs of sultan Suleiman I, his wife Roxelana (Haseki Hürrem), his daughter Mihrimah, his mother Dilaşub Saliha and his sister Asiye. The sultans Suleiman II, Ahmed II and Safiye (died in 1777), the daughter of Mustafa II, are also buried here.
Just outside the mosque walls to the north is the tomb of architect Sinan.
In 1992 Sultan Qaboos directed that his country of Oman should have a Grand Mosque. A competition for its design took place in 1993 and after a site was chosen construction commenced in 1995. Building work took six years and four months.
The Mosque is built on a site occupying 416,000 square metres and the complex extends to cover an area of 40,000 square metres.
The Mosque is built from 300,000 tonnes of Indian sandstone. The main musalla (prayer hall) is square (external dimensions 74.4 x 74.4 metres) with a central dome rising to a height of fifty metres above the floor. The dome and the main minaret (90 metres) and four flanking minarets (45.5 metres) are the mosque’s chief visual features. The main musalla can hold over 6,500 worshippers, while the women’s musalla can accommodate 750 worshipers. The outer paved ground can hold 8,000 worshipers and there is additional space available in the interior courtyard and the passageways, making a total capacity of up to 20,000 worshipers.
A major feature of the design of the interior is the prayer carpet which covers the entire floor of the prayer hall. It contains, 1,700,000 knots, weighs 21 tonnes and took four years to produce, and brings together the classical Tabriz, Kashan and Isfahan design traditions. 28 colors in varying shades were used, the majority obtained from traditional vegetable dyes. It is the second largest single piece carpet in the world. The carpet measures over 70 × 60 meters, and covers the 4,343 square meter area of the praying hall, all in a single piece.
The prayer hall is lit by 35 chandeliers made of Swarovski crystal: the grand chandelier being 14 meters tall and weighing 8 tonnes.
The whole interior of the Grand Mosque is panelled with off-white and dark grey marble panelling clothed in cut tile work. Ceramic floral patterns adorn arch framed mural panels set in the marble forming blind niches in a variety of classical Persian, predominantly Safavid, designs. The ceilings are inspired by those of Omani forts. The mihrab in the main prayer hall is framed by a border of Quranic verses and a gilded ceramic surround. The dome comprises a series of ornate, engraved stained glass triangles within a framework of marble columns. (wiki)
It was quite an overcast day and very difficult to get any shots without people.
It was an amazing place to visit.