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Title: Marie (Marie, Daughter of the People)
Artist: Amedeo Modigliani
Year: 1918
It is an oil on canvas.
The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. It is listed as a Swiss heritage site of national significance.
Its lineage extends back to the Amerbach Cabinet, which purchased pieces of art for the city of Basel and the University of Basel in 1661. This acquisition date is believed to make the Kunstmuseum the first municipally-owned museum open to the public in the world. Its collection is distinguished by an impressively wide historic span, from the early 15th century up to the immediate present. Its various areas of emphasis give it international standing as one of the most significant museums of its kind. These encompass paintings and drawings by artists active in the Upper Rhine region between 1400 and 1600, as well as the art of the 19th to 21st centuries.
Information from: en.wikipedia.org/wiki/Kunstmuseum_Basel
Basel, also known as Bâle in French and Basilea in Italian, is a city in northwestern Switzerland on the Rhine. Basel is Switzerland's third-most-populous city (after Zürich and Geneva), with roughly 178,000 inhabitants within the city municipality limits in the 2020s. The official language of Basel is (the Swiss variety of Standard) German, and the main spoken language is the local Basel German dialect.
Basel is commonly considered to be the cultural capital of Switzerland and the city is famous for its many museums, including the first collection of art accessible to the public in the world (1661) and the largest museum of art in Switzerland. The University of Basel, Switzerland's oldest university (founded in 1460), and the city's centuries-long commitment to humanism, have made Basel a safe haven at times of political unrest in other parts of Europe for refugees and dissidents.
Information from: en.wikipedia.org/wiki/Basel
Blue Eyes Lady
青い瞳の女新作で僕の大好きなモディリアーニの画風を取り入れて、現代によみがえったモディリアーニの作品の様にお絵描きしました、僕が中学生の頃勉強の為有名画家の模写していて、セザンヌの青い花瓶の静物画やモディリアーニのネクタイの女を油絵で模写しました、その頃を思い出しながらお絵描きしました、この絵は贋作とも模写ともパロディー風とも言えませんが、モディリアーニの現代によみがえった幻の作品の様にお絵かきしました、ちなみに中学時代に模写したモディリアーニのネクタイをした女は、姉の家グランドピアノの上の壁に飾られていて、来客からこの絵は本物ですかと聞かれているそうです。(笑)
アメデオ・クレメンテ・モディリアーニ/Amedeo Clemente Modigliani
Beautiful Amazing
以前にお絵描きした作品の中から、お気に入りを色編集加工してアップしております。
#DigitalArt #painting #Illustration #Beautiful #Amazing #Cat #Art #youtu.be #Happy #Heartfull #Song #Dog #Healing #Love #BestFriend #TiAmo #ToiPoodle #Moonlight #College #Football #Soccer #Lovely #Star #BayemMunchen #ArjenRobben #Gool #France #Amedeo Clemente Modigliani #模写 #贋作 #油絵 #印象派絵画
YouTube動画
Love Yourself Cover (Justin Bieber)- Joseph Vincent X Travis Atreo youtu.be/O41HEbo0bUI
Blue Eyes Full Video Song Yo Yo Honey Singh | Blockbuster Song Of 2013 youtu.be/NbyHNASFi6U
トイプードル Ti Amo 滑り台
トイプードル Ti Amo 飛び石に ジャンプ木登り
Hobbie Stuart - Your Song (Cover)
Hobbie Stuart - Controlla X Work (Drake/Rihanna Remix)
デビット・ソウ Singer & Com edian
ウィ・ア．ザ・ワールド
明日に架ける橋♪サイモン＆ガーファンクル
シャーリー・バッシー
フランシス・レイ音楽♪写真フランス女優アヌーク・エーメ
@nodasanta #nodasanta
Portrait of Beatrice Hastings
Amedeo Modigliani
Italian, 1884–1920
Portrait of Beatrice Hastings, 1914
The thick application of paint in short, choppy strokes in this work betrays Amedeo Modigliani’s early association with the art of the Macchiaioli, a group of Italian artists who, like the French Impressionists, painted in colorful patches. The portrait is of the English writer, poet, and literary critic Beatrice Hastings, Modigliani’s partner between 1914 and 1916. The stylization of her features—elongated nose, almond shaped eyes, long neck, and sensual orange-red coloring—is characteristic of Modigliani’s distinctive style. Hastings and Modigliani met in Paris through friends. Modigliani painted Hastings fourteen times during their two-year relationship.
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Shaheen Collection of French Works
high.org/exhibition/permanent-collection-installation-sha...
Through the generosity of numerous collectors, benefactors, and supporters, the High Museum has assembled a distinguished collection of European art ranging in date from the fourteenth through twentieth centuries. The collection of paintings displayed in this installation represent the accomplishment of Doris and Shouky Shaheen. Collected over a span of four decades, these works were presented as a gift to the High Museum in 2019.
The Doris and Shouky Shaheen Collection focuses on French art of the late nineteenth and early twentieth centuries. Within this timeframe, the paintings represent an array of styles, including the pre-Impressionist realism of Eugène Boudin’s harbor views, the shimmering Impressionism of Claude Monet’s and Camille Pissarro’s landscapes, and the expressive modernism of Amedeo Modigliani’s and Henri Matisse’s figure studies.
Atlantans long have benefited from the Shaheens’ strong philanthropic spirit in the form of important gifts to numerous institutions across the city. The gift of their remarkable collection of French masterworks will forever enrich the lives of all those who visit the High Museum.
These works by French masters are must-sees for lovers of Impressionism and French painting traditions.
At the end of November, 24 French artworks went on view for the first time at the High Museum of Art. The Shaheen collection was recently gifted to the High by philanthropists Doris and Shouky Shaheen.
For the past 50 years, the Shaheens have been collecting art. “It’s been a great blessing of our life together to build this collection and live with these incredible works,” said the Shaheens.
“Given our love for this collection, and our love for this city, we knew the High was the best home for these paintings. We’re thrilled that Atlantans will enjoy them for generations to come.”
The Doris and Shouky Shaheen Collection focuses on French art of the late nineteenth and early twentieth centuries. Within this timeframe, the paintings represent an array of styles, including the pre-Impressionist realism of Eugène Boudin’s harbor views, the shimmering Impressionism of Claude Monet’s and Camille Pissarro’s landscapes, and the expressive modernism of Amedeo Modigliani’s and Henri Matisse’s figure studies.
Ligabue
Mondovisione Tour
Ligabuevoce, chitarra
Federico Poggipollini,
Niccolò Bossini,
Max Cottafavi,
Michael Urbano,
Davide Pezzin,
Luciano Luisi
26 marzo 2015 - Modigliani Forum - Livorno
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© 2015 sebastiano bongi toma - Ramingo-
All rights reserved
Please don't use photos without my permission
Blue Eyes Lady
青い瞳の女新作で僕の大好きなモディリアーニの画風を取り入れて、現代によみがえったモディリアーニの作品の様にお絵描きしました、僕が中学生の頃勉強の為有名画家の模写していて、セザンヌの青い花瓶の静物画やモディリアーニのネクタイの女を油絵で模写しました、その頃を思い出しながらお絵描きしました、この絵は贋作とも模写ともパロディー風とも言えませんが、モディリアーニの現代によみがえった幻の作品の様にお絵かきしました、ちなみに中学時代に模写したモディリアーニのネクタイをした女は、姉の家グランドピアノの上の壁に飾られていて、来客からこの絵は本物ですかと聞かれているそうです。(笑)
アメデオ・クレメンテ・モディリアーニ/Amedeo Clemente Modigliani
Beautiful Amazing
以前にお絵描きした作品の中から、お気に入りを色編集加工してアップしております。
#DigitalArt #painting #Illustration #Beautiful #Amazing #Cat #Art #youtu.be #Happy #Heartfull #Song #Dog #Healing #Love #BestFriend #TiAmo #ToiPoodle #Moonlight #College #Football #Soccer #Lovely #Star #BayemMunchen #ArjenRobben #Gool #France #Amedeo Clemente Modigliani #模写 #贋作 #油絵 #印象派絵画
YouTube動画
Love Yourself Cover (Justin Bieber)- Joseph Vincent X Travis Atreo youtu.be/O41HEbo0bUI
Blue Eyes Full Video Song Yo Yo Honey Singh | Blockbuster Song Of 2013 youtu.be/NbyHNASFi6U
トイプードル Ti Amo 滑り台
トイプードル Ti Amo 飛び石に ジャンプ木登り
Hobbie Stuart - Your Song (Cover)
Hobbie Stuart - Controlla X Work (Drake/Rihanna Remix)
デビット・ソウ Singer & Com edian
ウィ・ア．ザ・ワールド
明日に架ける橋♪サイモン＆ガーファンクル
シャーリー・バッシー
フランシス・レイ音楽♪写真フランス女優アヌーク・エーメ
@nodasanta #nodasanta
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
Amedeo Modigliani - Italian, 1884 - 1920
Café Singer, 1917
East Building, Ground Level — Gallery 103-A
Shown from the knees up, a woman wearing a black dress is painted with areas of mottled color in this vertical painting. The woman’s body faces us, her shoulders sloping steeply down from her elongated neck. She sits with her hands in her lap, and she looks down and to our left. Her peach-colored, long, narrow face comes to a point at her chin, and her cheeks are flushed pink. Her almond-shaped eyes, curved brows, long nose, and closed lips are outlined with gray. Her brown hair is pulled up and back, and short bangs brush her forehead. A gold-colored disk at the point of the dress’s V-neck could be a brooch. Two parallel black lines suggest a chair rail running behind the woman’s elbows. The background is painted with visible strokes of fog gray and moss green above the rail and darker, elephant gray below. The artist signed the upper right corner, “modigliani.”
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www.nga.gov/about/welcome-to-the-east-building.html
The East Building opened in 1978 in response to the changing needs of the National Gallery, mainly to house a growing collection of modern and contemporary art. The building itself is a modern masterpiece. The site's trapezoidal shape prompted architect I.M. Pei's dramatic approach: two interlocking spaces shaped like triangles provide room for a library, galleries, auditoriums, and administrative offices. Inside the ax-blade-like southwest corner, a colorful, 76-foot-long Alexander Calder mobile dominates the sunlight atrium. Visitors can view a dynamic 500-piece collection of photography, paintings, sculpture, works on paper, and media arts in thought-provoking chronological, thematic, and stylistic arrangements.
Highlights include galleries devoted to Mark Rothko's giant, glowing canvases; Barnett Newman's 14 stark black, gray, and white canvas paintings from The Stations of the Cross, 1958–1966; and several colorful and whimsical Alexander Calder mobiles and sculptures. You can't miss Katharina Fritsch's Hahn/Cock, 2013, a tall blue rooster that appears to stand guard over the street and federal buildings from the roof terrace, which also offers views of the Capitol. The upper-level gallery showcases modern art from 1910 to 1980, including masterpieces by Constantin Brancusi, Marcel Duchamp, Sam Gilliam, Henri Matisse, Joan Miró, Piet Mondrian, Jackson Pollock, and Andy Warhol. Ground-level galleries are devoted to American art from 1900 to 1950, including pieces by George Bellows, Edward Hopper, Georgia O'Keeffe, Charles Sheeler, and Alfred Stieglitz. The concourse level is reserved for rotating special exhibitions.
The East Building Shop is on the concourse level, and the Terrace Café looks out over the atrium from the upper level.
www.theguardian.com/culture/2016/oct/03/national-gallery-...
"The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. The bottom floors offer a more traditional viewing experience: small taupe-colored rooms leading to more small taupe-colored rooms. As one moves upward, however, the spaces open up, offering more dramatic and artful exhibition rooms. The largest single aspect of the I.M. Pei-designed building’s renovation has been the addition of a roof terrace flanked by a reimagination two of the three original “tower” rooms of Pei’s design.
On one side is a space dedicated to sculptor Alexander Calder, with gently spinning mobiles of all shapes and sizes delicately cascading from the ceiling. The subtle movements of the fine wire pieces mimic the effect of a slight breeze through wind chimes—it’s both relaxing and slightly mesmerizing, especially when we’re used to art that stands stock still. Delight is a relatively rare emotion to emerge in a museum, making it all the more compelling.
But it’s the tower space on the other side—a divided hexagonal room—that caused several visitors to gasp as I surveyed it. On one side of the division (the room you enter from the roof terrace) hang Barnett Newman’s fourteen “Stations of the Cross,” the human-sized renderings of secular suffering and pain conceived in conversation with the Bible story. Entirely black and white, with just a tinge of red in the final painting, the series wraps around the viewer, fully encapsulating you in the small but meaningful differentiations between paintings. Hung as a series, the paintings gain a narrative they might otherwise have lost.
The light edging around either side of the room’s division invite the viewer to move from Newman’s chiaroscuric works, which require you to move from painting to painting searching for the scene in each, to a mirror image of that space covered in Mark Rothko’s giant, glowing canvases, which require the viewer to step back and attempt to take in the sight of so much hazy, vivid color all at once. The dichotomy is stark, and yet the paintings all work together somehow, rather than one set repelling the other.
With light filtering through the glass ceiling above, the tower room does feel like a crescendo of sorts, but not in the way many museums’ most famous or valuable pieces often do. The room isn’t dedicated to ensuring that visitors snake their way into the belly of the museum, to first be captured and then let out through the gift shop. Instead, it’s a reminder that in a space dedicated to honoring the modern and the contemporary that the evolution of art remains just as integral as any singular Marilyn Monroe by Andy Warhol or Donald Judd aluminum box. There’s still a story in abstract art."
www.washingtonian.com/2016/09/28/national-gallery-art-eas...
Amedeo Modigliani. Un peintre et son marchand
www.musee-orangerie.fr/fr/agenda/expositions/amedeo-modig...
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
Ligabue
Mondovisione Tour
Ligabuevoce, chitarra
Federico Poggipollini,
Niccolò Bossini,
Max Cottafavi,
Michael Urbano,
Davide Pezzin,
Luciano Luisi
26 marzo 2015 - Modigliani Forum - Livorno
follow me on
© 2015 sebastiano bongi toma - Ramingo-
All rights reserved
Please don't use photos without my permission
Ligabue
Mondovisione Tour
Ligabuevoce, chitarra
Federico Poggipollini,
Niccolò Bossini,
Max Cottafavi,
Michael Urbano,
Davide Pezzin,
Luciano Luisi
26 marzo 2015 - Modigliani Forum - Livorno
follow me on
© 2015 sebastiano bongi toma - Ramingo-
All rights reserved
Please don't use photos without my permission
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
Original oil painting by Amedeo Modigliani
www.wikiart.org/en/amedeo-modigliani/portrait-of-a-man-wi...
By Amadeo Modigliani
Italian, 1884-1920
1916
Oil on canvas
The French poet, painter, writer, and critic Max Jacob (1876-1944) was a seminal figure in avant-garde artistic circles in Paris during the first quarter of the twentieth century. He was close friends with Amadeo Modigliani, Pablo Picasso, Georges Braque, the poet Guillaume Apollinaire, and the surrealist writer, artist, and filmmaker Jean Cocteau. Jacob's dream-inspired poems and paintings bridged and propelled the Symbolist and Surrealist movements in art and literature.