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Homenaje a Modigliani.
Técnica: oleo s./ lienzo.
Medidas :80 x 100 cms.
Catalogación: G-92. Incluido en el libro de ed. Nova Galicia, PINTORES GALLEGOS. REALISMOS, pág:77.
Reclining nude (detail), 1919 by Amedeo Modligliani
Seen at the Metropolitan Museum of Art, New York City.
convent de "Las Reales Descalzas", en front de la fundació cajamadrid on s'exposa Modigliani
Explore #320 - 30 març 2008
Cariatide
Oeuvre d'Amedeo Modigliani (1884-1920)
Vers 1913-1914
Graphite, lavis d'encre et pastel sur papier
Legs du docteur Maurice Girardin en 1953
Musée d'art moderne de Paris
Notice complète du catalogue
www.parismuseescollections.paris.fr/fr/musee-d-art-modern...
inspiration from Amedeo Modigliani's paintings. I used photoshop and just worked with the different brush. I also added filters to create a canvas feel.
Stone; Height: 28 3/4 in.
Amedeo Clemente Modigliani (Italian pronunciation: [ameˈdɛo modiʎˈʎani]; July 12, 1884 – January 24, 1920) was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by elongation of faces and figures. His production is known for its nudes, which were not received well during his lifetime, but later found acceptance. Modigliani spent his youth in Italy, where he studied the art of antiquity and the Renaissance, until he moved to Paris in 1906. There he came into contact with prominent artists such as Pablo Picasso and Constantin Brâncuşi.
Modigliani's oeuvre includes mainly paintings and drawings. From 1909 to 1914, however, he devoted himself mainly to sculpture. The main subject is portraits and full figures of humans, both in the images and in the sculptures. During his life, Amedeo Modigliani had little success, but after his death he achieved greater popularity and his works of art achieved high prices. He died at age 35 in Paris of tubercular meningitis.
I stop when I see it standing there,
smoky blue in low waters, a bird
Modigliani might have invented.
~ Ginny Connors
Bolsa Chica Wetlands
Libero sfogo
dei sentimenti
urla creatività
su tenera pietra
Nelle notte dei tempi
scalfisci per sempre
la tua impronta
a solitudine vista
fin che passo l'angusta via
calpesterà
Paul Guillaume, Novo Pilota
Oeuvre d'Amedeo Modigliani (1884-1920)
1915
Huile sur carton
Musée de l'Orangerie, Paris
Collection Paul Guillaume
www.musee-orangerie.fr/fr/oeuvre/paul-guillaume-novo-pilota
Amedeo Modigliani rencontra Paul Guillaume grâce au poète Max Jacob (1876-1944) en 1914. Paul Guillaume démarrait alors son activité de marchand et loua à Montmartre un atelier pour Modigliani. Ce dernier réalisa en 1915 et 1916 quatre portraits de son mécène. Extrait du site du musée
The Tragic Story of Jeanne Hébuterne and Modigliani
ZUZANNA STAŃSKA 22 DECEMBER 2016
5 MIN READ
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Jeanne Hébuterne is best known for being a frequent subject and common-law wife of Amedeo Modigliani. But her story with the famous artist is one of the most tragic love stories of the art world.
Jeanne was a beautiful girl, famous for her long and thick her.
She was introduced to the artistic community in Montparnasse by her brother André Hébuterne who wanted to become a painter. She met several of the then-starving artists including Tsuguharu Foujita for whom she modeled.
However, Jeanne with her talent for drawing wanted to become an artist too. She chose to study at the Académie Colarossi. It was there in the spring of 1917 that Jeanne Hébuterne was introduced to Amedeo Modigliani. He was a handsome man and attracted much female attention. Jeanne began an affair with him and the two fell deeply in love. She soon moved in with him, despite strong objections from her parents.
Jeanne became Amadeo's muse and common-law wife.
Life with Modigliani must have been hard. He was an alcoholic and a drug addict. His escalating intake of drugs and alcohol may have been a means by which Modigliani masked his tuberculosis from his acquaintances, few of whom knew of his condition. Tuberculosis—the leading cause of death in France by 1900—was a horrible sickness, there was no cure, and those who had it were feared, ostracized, and pitied.
The writer Charles-Albert Cingria described Jeanne as gentle, shy, quiet, and delicate. In the fall of 1918, the couple moved to the warmer climate of Nice on the French Riviera where Modigliani’s agent hoped he might raise his profile by selling some of his works to the wealthy art connoisseurs who wintered there. While they were in Nice, their daughter was born. The following spring, they returned to Paris and Jeanne became pregnant again.
On 24 January 1920 Amedeo Modigliani died of tuberculosis. Jeanne Hébuterne’s family brought her to their home but Jeanne threw herself out of the fifth-floor apartment window the day after Modigliani’s death, killing herself and her unborn child. Her family, blamed her demise on Modigliani and at the beginning interred her in the Cimetière de Bagneux. Nearly ten years later the family relented and allowed her remains to be transferred to Père Lachaise Cemetery to rest beside Modigliani. Her epitaph reads: “Devoted companion to the extreme sacrifice.”
Amedeo Modigliani - Portrait of Mrs Dorival, 1916 (Kunstmuseum Basel Switzerland) at Gauguin-to-Picasso Exhibit - Philllips Collection Washington DC (Exhibit Catalog Book)
Portrait of a girl in a hat. Beautiful oil painting on canvas. Based on the magnificent painting by Modigliani. Brush strokes and canvas textures.
Inspired by the music of PINKCOURTESYPHONE
richardchartier.bandcamp.com/album/a-ravishment-of-mirror... and and Copenhagen Cowboy by Nicolas Winding Refn on NETFLIX.,
la lànguida mirada de la model de Modigliani descansa sobre la munió de gent que espera poder-la contemplar d'aprop
Amedeo Modigliani, “Nude on a Blue Cushion”, 1917. National Gallery of Art, Washington, DC. (6/2023)
Imagine a scene where the woman is gracefully swinging, with her legs elegantly extended and her arms luxuriously relaxed. The swinging should be beautifully captured, with the focus on the elegance of her movements and the drama of the pose. The woman should be dressed in a form-fitting, stylish dress that enhances her graceful silhouette. The lighting should be soft and neon glow, contributing to the intimate and dreamlike atmosphere of the piece. Use the style of Amedeo Modigliani
London, July 20, 2011.
I had just finished looking at Modigliani's Portrait of a Girl at the Tate Modern when a man stepped into the place I had occupied. I found the two together even more interesting.
Modigliani, arguably the leading figure in the expressionist movement in Paris, is world famous for his portrait art.
The portrait of Juan Gris was painted during the First World War.
I am curious to know,
how does she look when she is smiling?
There a phrase in Hebrew that says:
a man finishes his life,
without achieving even half of what he lusted for
(אין אדם יוצא מן העולם וחצי תאוותו בידו)
Museum of Modern Art, Manhattan
Amedeo Clemente Modigliani (12 July 1884 – 24 January 1920) was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures that were not received well during his lifetime, but later became much sought-after. Modigliani spent his youth in Italy, where he studied the art of antiquity and the Renaissance. In 1906, he moved to Paris, where he came into contact with such artists as Pablo Picasso and Constantin Brâncuși. By 1912, Modigliani was exhibiting highly stylized sculptures with Cubists of the Section d'Or group at the Salon d'Automne.
Modigliani's oeuvre includes paintings and drawings. From 1909 to 1914, he devoted himself mainly to sculpture. His main subject was portraits and full figures, both in the images and in the sculptures. Modigliani had little success while alive, but after his death achieved great popularity. He died destitute of tubercular meningitis, at the age of just 35, in Paris.
Modigliani’s celebrated series of reclining nudes, begun in 1916, is influenced by Italian Renaissance representations of Venus and other idealized female figures. Unlike depictions of Venus from the Renaissance to the nineteenth century, in which female nudity is couched in mythology or allegory, Modigliani provocatively presents his Reclining Nude without any such context, highlighting the painting’s eroticism.
This series of nudes was commissioned by Modigliani's dealer and friend Léopold Zborowski, who lent the artist use of his apartment, supplied models and painting materials, and paid him between fifteen and twenty francs each day for his work.[33]
The paintings from this arrangement were thus different from his previous depictions of friends and lovers in that they were funded by Zborowski either for his own collection, as a favor to his friend, or with an eye to their "commercial potential", rather than originating from the artist's personal circle of acquaintances.[34]
The Paris show of 1917 was Modigliani's only solo exhibition during his life, and is "notorious" in modern art history for its sensational public reception and the attendant issues of obscenity.The show was closed by police on its opening day, but continued thereafter, most likely after the removal of paintings from the gallery's streetfront window