View allAll Photos Tagged Modigliani
1916. Oli sobre paper. 100,2 x 81 x 3 cm. Museu de Arte de São Paulo Assis Chateaubriand, São Paulo. MASP.00147.
Villeneuve d'Ascq (France), 4.2024
LaM, Musée d'Art Moderne
Peinture: "Nu assis à la chemise", Amedeo Modigliani (1917)
"Il y voyait bien davantage encore que le portrait sublime d'une femme dont il connaissait la peau, les cuisses, les hanches, les joues pourpres et la bouche incarnat. Il y voyait ce qu'elle ne lui apporterait plus, ce qu'aucune ne lui offrirait plus, évidemment pas la caresse amoureuse, mais cette richesse intense, l'absolue complicité qui lie le peintre à son modèle. [...] Comme si Chloé posant pour Modigliani, lui avait donné quelque chose qu'il avait connu naguère et qu'il ne percevait plus. Il regardait cette toile comme il voyait le monde, et il voyait le monde comme s'il avait les yeux crevés."
>>> Dan Franck.......in: Nu couché (1998)
"He saw in it much more than the sublime portrait of a woman whose skin, thighs, hips, crimson cheeks and incarnate mouth he knew. He saw in it what she would never give him again, what no woman would ever offer him again, obviously not the caress of love, but that intense richness, the absolute complicity that binds the painter to his model. [...] It was as if Chloé, posing for Modigliani, had given him something he had once known but no longer perceived. He looked at this canvas as he saw the world, and he saw the world as if his eyes were gouged out."
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Corona-No 15
Amedeo Modigliani - video conference Portrait No B-1
Woman with red hair [1917]
Washington NGA 46651 - wm
Amedeo Modigliani, 1884 - 1920
Female Semi-Nude, 1918
Albertina - Batliner Collection
Modigliani, born in Livorno, came to Paris as a young, academically trained painter, where he worked mainly as a sculptor between 1909 and 1914. The austere, archaic-like elongated form of his stone sculptures also sets the tone for his painting.
The painting belongs to a 1918 group of images that show the same red-haired, not known by name model in different positions. The central theme in Modigliani's work is man, especially the erotic female nude. In these depictions, he consciously ties in with traditional role models such as Botticelli's and Titian's depictions of Venus or Ingres's odalisks. The flat-hieratic stylization and the facial features of the figures, which are stereotypically reduced to the mask, reflect Modigliani's enthusiasm for Egyptian and African sculpture.
Amedeo Modigliani, 1884 - 1920
Weiblicher Halbakt
Albertina - Sammlung Batliner
Modigliani, in Livorno geboren, kommt als junger, akademisch geschulter Maler nach Paris, wo er zwischen 1909 und 1914 hauptsächlich als Bildhauer arbeitet. Die strenge, archaisch anmutende überlängte Form seiner Steinskulpturen wird auch für seine Malerei stilprägend.
Das Gemälde gehört zu einer 1918 entstandenen Gruppe von Bildern, die dasselbe rothaarige, namentlich nicht bekannte Modell in unterschiedlichen Stellungen zeigen. Das zentrale Tema im Werk Modiglianis ist der Mensch, vor allem der erotische weibliche Akt. Er knüpft in diesen Darstellungen bewusst an traditionelle Vorbilder wie Botticellis und Tizians Venusdarstellungen oder Ingres' Odalisken an. Die flächig-hieratische Stilisierung und die zur Maske stereotyp reduzierten Gesichtszüge der Figuren spiegeln Modiglianis Begeisterung für ägyptische und afrikanische Skulptur wider.
About the exhibition Monet to Picasso:
The presentation "Monet to Picasso. The Batliner Collection"
"Monet to Picasso" provides an informative overview of one of the most exciting chapters in the history of art: the turn from figurative to abstract art.
On the basis of approximately 250 works, the continuous progression from Impressionism to Modernism is clearly depicted. By fortunate interlocking of the Batliner Collection with collections of the Albertina, supplemented by the Forberg Collection, emerged extensive ensembles of works of groundbreaking artists that make it possible to give an overall view about the various "isms" of modern times. The focus of this presentation is the Batliner Collection, which was passed by the Foundation Herbert and Rita Batliner in May 2007 to the Albertina.
The bow of the exhibition begins with the French Impressionism with outstanding late works by Monet ("Water Lily Pond") and Degas ("Two Dancers"), the Post-Impressionism (Toulouse-Lautrec and Cézanne), Fauvism (Matisse) and Neo-Impressionism.
An important step on the way to abstraction represents the Cubism which is represented brilliantly with Braque and Picasso. The surrealism of Ernst, Miró, Klee and Magritte is represented as well as the Russian avant-garde with Lissitzky and Malevich.
The arc concludes with examples of Abstract Expressionism, represented by works by Appel, Rothko and Newman and the New Realism of Yves Klein.
For the first time, a permanent exhibition collection of classical modernism as a unit of paintings and graphics: 2008, the Albertina was extended by 2,000 m2. This offered the possibility of creating a permanent viewing collection of this generous new arrival. This permanent exhibition collection shows mainly the classic modernism of the Batliner Collection, a unique enrichment in its importance and generosity of the museums in the Austrian capital Vienna.
"The Batliner Collection enjoys since many years an excellent reputation among connoisseurs and museums."
(Prof. Dr. Werner Spies)
For the first time, masters of classical modernism can now be presented in Vienna. It has always been an aspiration of the Albertina and its director Klaus Albrecht Schröder to represent art from the perspective of the drawing integrally and discipline-crossingly. Graphics and art on canvas can not be seen isolated. Drawings and graphics are not intended as a special event for specialists, but as an art form among others. This concept has been well received by the visitors. Through the holistic presentation of art, the Albertina could reach completely new audiences: in the four years alone since its reopening in 2003, counted the Albertina more than three million visitors, many of them being for the first time in the house.
Über die Ausstellung Monet bis Picasso:
Die Präsentation „MONET bis PICASSO. Die Sammlung BATLINER“
„Monet bis Picasso“ bietet einen informativen Überblick über eines der spannendsten Kapitel in der Kunstgeschichte: die Wende von der figurativen zur abstrakten Kunst.
Anhand von ca. 250 Werken kann das kontinuierliche Fortschreiten vom Impressionismus zur Moderne anschaulich nachvollzogen werden. Durch die glückliche Verzahnung der Sammlung Batliner mit Beständen der Albertina, ergänzt durch die Sammlung Forberg, kamen umfassende Werkblöcke bahnbrechender Künstler zustande, die es ermöglichen, eine Zusammenschau über die vielfältigen „Ismen“ der Moderne zu geben. Im Zentrum dieser Präsentation steht die Sammlung Batliner, die von der Stiftung Herbert und Rita Batliner im Mai 2007 der Albertina übergeben wurde.
Der Bogen der Ausstellung setzt an beim französischen Impressionismus mit herausragenden Alterswerken von Monet („Seerosenteich“) und Degas („Zwei Tänzerinnen“), dem Postimpressionismus (Toulouse-Lautrec und Cézanne), Fauvismus (Matisse) und Neo-Impressionismus.
Einen wichtigen Schritt auf dem Weg zur Abstraktion stellt der Kubismus dar, der mit Braque und Picasso fulminant vertreten ist. Der Surrealismus eines Ernst, Miró, Klee und Magritte ist ebenso vertreten wie die russische Avantgarde mit Lissitzky und Malewitsch.
Der Bogen schließt mit Beispielen des Abstrakten Expressionismus, vertreten durch Werke von Appel, Rothko und Newman, und dem Neuen Realismus eines Ives Klein.
Erstmals eine permanente Schausammlung der klassischen Moderne als Einheit von Gemälde und Grafik: 2008 wird die Albertina um 2.000 m2 erweitert. Dadurch bietet sich die Möglichkeit, eine ständige Schausammlung dieses großzügigen Neuzugangs einzurichten. Diese permanente Schausammlung wird vor allem die klassische Moderne der Sammlung Batliner zeigen, eine in ihrer Bedeutung und Großzügigkeit einzigartige Bereicherung der Museen in der Bundeshauptstadt Wien.
„Die Sammlung Batliner genießt seit vielen Jahren höchstes Ansehen bei Kennern und Museen.“
(Prof. Dr. Werner Spies)
Erstmals können nun in Wien die Meister der klassischen Moderne präsentiert werden. Immer schon war es ein Bestreben der Albertina und ihres Direktors Klaus Albrecht Schröder, Kunst aus dem Blickwinkel der Zeichnung ganzheitlich und gattungsübergreifend darzustellen. Grafik und Kunst auf Leinwand können nicht isoliert betrachtet werden. Zeichnung und Grafik sind nicht als Spezialveranstaltung für Spezialisten gedacht, sondern als eine Kunstform unter anderen. Dieses Konzept wurde auch von den Besucher positiv aufgenommen. Durch die ganzheitliche Präsentation von Kunst konnte die Albertina völlig neue Besucherschichten erreichen: Allein in den vier Jahren seit der Wiedereröffnung 2003 zählte die Albertina über drei Millionen Besucher, viele davon waren zum ersten Mal im Haus.
b Livorno, 12 July 1884; d Paris, 24 Jan 1920.
Jewish-Italian painter, draughtsman and sculptor. While he is acknowledged to be one of the major artists of his generation, he was not as experimental and daring as his contemporaries. The direction of Picasso's work, for instance, changed radically between 1906 and 1909 as a result of the influence of Cézanne and other styles of art (notably African), but Modigliani's assimilation of these sources had no such far-reaching consequences. Given Modigliani's limited subject-matter in painting and sculpture, he achieved an extraordinary range of psychological interpretations of the human face, maintaining his individuality through his distinctive elongations of face or form.
text from www.answers.com/topic/amedeo-modigliani
image from: www.jacquesmoitoret.com/html/amedeo_modgiliani.html
Week 9 The Art of The Con (1391-1395) 3/24 – 3/29/2024 ID 1393
Amedeo Modigliani Italian, 1884-1920
La Jeune bonne (The Servant Girl, , ca. 1918
Oil on canvas
Amedeo Modigliani’s distinctive style is characterized by sparse settings and figures with elongated bodies, oval head, and vacant eyes. The subject of the this painting is thought to be Marie Feret, a country girl from the South of France. Her clothing and diminutive stance underscore her role as a servant. However, there is a certain dignity to the figure, which is rendered near to life size, a scale that was often historically reserved for paintings of royalty and the elite.
Room of Contemporary Art Fund, 1939
From the Placard: Buffalo AKG ART Museum
en.wikipedia.org/wiki/Amedeo_Modigliani
Amedeo Modigliani: Unravel the Life of the Artistic Genius Who Redefined Beauty! -Art History School
youtu.be/KEGBtss0MYM?si=inAgn_kCOqulM4ez
For an artist whose life was cut so tragically short—he died at only 36 years of age of tubercular meningitis—and therefore produced a somewhat limited body of work., Modigliani’s work has been the subject of a great deal of fraud. The famous and prolific forgers Elmyr de Hory and, later, John Myatt, made numerous counterfeit paintings attributed to him, and the problem of tracking Modiglianis is complicated by the fact that he was destitute and often resorted to trading his paintings for food. Furthermore, his mistress, Jeane Hébuterne, committed suicide just days after his death. Thus, little information about his works remains. Perhaps most startling was the 2012 arrest of Christian Gregori Parisot, the man who headed the Archives Legales Amadeo Modigliani and was once considered one of the world’s most reliable authenticators of the artist’s works. Parisot was nabbed by Italian police after a raid of an exhibition resulted in authorities finding 22 fakes. They would go on to seize 59 fakes from Parisot and his suspected accomplice, art dealer Matteo Vignapiano. In all, it is thought that Parisot had put more than 100 bogus Modiglianis on the art market. Incredibly, Parasot was arrested a few years earlier for fakes he offered for sale as drawings made by Modigliani’s mistress, Hébuterne. (The Art of The Con Pg. 146.)
ID 1393
モディリアーニ風にお絵描きしました。
Blue Eyes Lady
青い瞳の女新作で僕の大好きなモディリアーニの画風を取り入れて、現代によみがえったモディリアー ニの作品の様にお絵描きしました、僕が中学生の頃勉強の為有名画家の模写していて、セザンヌの青い花瓶の静物画やモディリアーニのネクタイの女を油絵で模 写しました、その頃を思い出しながらお絵描きしました、この絵は贋作とも模写ともパロディー風とも言えませんが、モディリアーニの現代によみがえった幻の 作品の様にお絵かきしました、ちなみに中学時代に模写したモディリアーニのネクタイをした女は、姉の家グランドピアノの上の壁に飾られていて、来客からこ の絵は本物ですかと聞かれているそうです。(笑)
アメデオ・クレメンテ・モディリアーニ/Amedeo Clemente Modigliani
Beautiful Amazing
以前にお絵描きした作品の中から、お気に入りを色編集加工してアップしております。
#DigitalArt #painting #Illustration #Beautiful #Amazing #Cat #Art #youtu.be #Happy #Heartfull #Song #Dog #Healing #Love #BestFriend #TiAmo #ToiPoodle #Moonlight #College #Football #Soccer #Lovely #Star #BayemMunchen #ArjenRobben #Gool #France #Amedeo Clemente Modigliani #模写 #贋作 #油絵 #印象派絵画
YouTube動画
Love Yourself Cover (Justin Bieber)- Joseph Vincent X Travis Atreo youtu.be/O41HEbo0bUI
Blue Eyes Full Video Song Yo Yo Honey Singh | Blockbuster Song Of 2013 youtu.be/NbyHNASFi6U
トイプードル Ti Amo 滑り台
トイプードル Ti Amo 飛び石に ジャンプ木登り
Hobbie Stuart - Your Song (Cover)
Hobbie Stuart - Controlla X Work (Drake/Rihanna Remix)
デビット・ソウ Singer & Com edian
ウィ・ア．ザ・ワールド
明日に架ける橋♪サイモン＆ガーファンクル
シャーリー・バッシー
フランシス・レイ音楽♪写真フランス女優アヌーク・エーメ
@nodasanta #nodasanta
Painting by Amedeo Modigliani
Edited by Mehrzad Hatami
See the original work here: en.wikipedia.org/wiki/Amedeo_Modigliani#/media/File:Portr...
Amedeo Modigliani. Un peintre et son marchand
www.musee-orangerie.fr/fr/agenda/expositions/amedeo-modig...
The only place science has detected timelessness is the quantum Field. From experience of intuition and dreams, there's no doubt an unconscious force acts within us 24/7. The Romans thought it the source of genius, but is it, even today? This is what we want you to help discover.
Amedo Modigliani 's Nude on a Blue Cushion 1917 painted in the same period as the record breaking Nú Couché sold in 2015 for 170m dollars !
Wikepedia extract:
The several dozen nudes Modigliani painted between 1916 and 1919 constitute many of his best-known works. This series of nudes was commissioned by Modigliani's dealer and friend Léopold Zborowski, who lent the artist use of his apartment, supplied models and painting materials, and paid him between fifteen and twenty francs each day for his work.[27]
The paintings from this arrangement were thus different from his previous depictions of friends and lovers in that they were funded by Zborowski either for his own collection, as a favor to his friend, or with an eye to their "commercial potential", rather than originating from the artist's personal circle of acquaintances.[28]
The Paris show of 1917 was Modigliani's only solo exhibition during his life, and is "notorious" in modern art history for its sensational public reception and the attendant issues of obscenity.[29] The show was closed by police on its opening day, but continued thereafter, most likely after the removal of paintings from the gallery's streetfront window.[29]
Nude Sitting on a Divan is one of a series of nudes painted by Modigliani in 1917 that created a sensation when exhibited in Paris that year. According to the catalogue description from the 2010 sale of the painting at Sotheby's, seven nudes were exhibited in the 1917 show.
Nu couché realized $170,405,000 at a Christie's, New York, sale on 9 November 2015, a record for a Modigliani painting and placing it high among the most expensive paintings ever sold.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Portrait of Madame Z by Italian painter and sculptor, Amedeo Modigliani on display at Birmingham Museum and Art Gallery
www.facebook.com/karl.wagner.photography
With this image i won the photocompetition "Deutschlands bester Fotograf 2011"
www.flickr.com/photos/karlwagner/6313002154/
-----
Unglaublich aber anscheinend wahr. Ich kann es noch nicht ganz fassen, aber mit diesen Bild wurde ich als Gewinner des Fotowettbewerbs „Deutschlands bester Fotograf 2011“ von SIGMA, AUDIO VIDEO FOTO BILD und computerbild.de ausgezeichnet. Dieses Gewinn möchte ich allen lieben Menschen widmen, die ich in meinem letzten Jahr in der Slowakei kennengelernt habe und die mich inspiriert haben.
Zur Entstehungsgeschichte des Bildes:
Dieses Bild entstand in meinen letzten Studienjahr in Bratislava, wo ich ein Jahr studierte, lebte, arbeite und meine Passion zur Fotografie auslebte.
Neben unseren Wohnheim befand sich eine kleine Vinothek mit einer sehr guten Auswahl an Weinen, in die ich ging, nachdem ich gerade wieder auf dem Weg ins Wohnheim war. Ich sah diesen Mann dort sitzen, weit über siebzig mit Gehhilfe, während er ein Glas Wein mit Schinken und Antipasti genoß. An der Wand hingen Kopien von Modigliani, die den Kontrast perfekt machten. Er sah glücklich und zufrieden aus, als ob er nicht nur auf sein Leben zurückblickte, sondern immer noch die Momente im Alter zu genießen weiß. Ich zögerte nicht lange und fragte ihn mit meinen Happen aus schlechtem slowakisch ob ich ein Foto machen dürfte und er willigte auch sofort ein. Er lachte und es schien als ob er sich wunderte, was der "Jungspund" mit seiner Kamera so interessant findet.
So drückte ich kurz ab und wir beide genoßen unseren Wein wieder.
www.computerbild.de/artikel/cb-Special-Fotowettbewerbe-Ge...
Other articles:
segle XX. Oli sobre tela. 73 x 50 cm. Museo Nacional de Bellas Artes, Buenos Aires.2701. Obra exposada: Sala 25.
this is a self portrait aiming towards the style of Modigliani. The photo reference is indeed a pic from my vacation in Corsica 16 years ago. The same trip from which the portrait of Benoit is referenced.
It was wonderful to see our continental members returning to the house party after a long absence caused by the pandemic. Genest once more had a table with examples of his work and had also provided the hand-cut stack of three identical 324pc jigsaws for the team speed competition (Mucha advert). I bought one of these three, Rob has the second and the third has become a library jigsaw. Another jigsaw on display was a hand painted 191pc tray-jigsaw of a herring gull.
On display he had two experimental jigsaws - his first in the technique of continuous cutting.
This one had been fully dissected, with the rear mazes painted in complementary colours Modigliani portrait of a young boy, 244pc.
The second had been left at the two interlocking maze stage. I was so overwhelmed with this jigsaw (flower still life, 263pc by Jan Brueghel, not Renoir) that I forgot to even photograph it! Genest said that it took immense concentration to cut that way and was very tiring.
I feel immensely privileged to be able to buy and commission jigsaws from our BCD cutters. Genest also brought many commissions for lucky BCD members, including myself, Penbleth, Frances & Pete.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Cut and paste ATC traded to Lori.
Original painting is from Amadeo Modigliani titled Girl with Blouse (Mädchen mit Bluse).
THanK YoU!
Assignment 46, Amadeo Modigliani.
amedeo-modigliani.paintings.name/gallery/800/lunia-czecho...
I thought this would be a bit more simple than it was.. I struggled a bit with the look and with matching the colors in the painting. It is also hard to put my hair up, as I hardly have any!! :)
What I came up with does Modigliani no justice, but it was completey inspired by the painting none the less.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.