View allAll Photos Tagged Modigliani,
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
"Maternité" (1919) by Amedeo MODIGLIANI (ITA, Livorno 1884 - Paris 1920)
Lille Métropole Musée d'Art Moderne, d'Art Contemporain et d'Art Brut
aka LaM
1 allée du Musée
59650 Villeneuve d’Ascq
region Hauts-de-France
FRANCE
A great portrait of the artist's stunningly beautiful young girlfriend Jeanne Hébuterne (1898-1920) and their infant child Jeanne (1918-1984).
Barely 2 days after the premature death of Modigliani at only 35 due to a tbc-related illness his companion pregnant with their 2nd child chose to end her life as well in a most tragic way by jumping to her death from the 5th floor of the apartment of the Hébuterne family.
© picture by Mark Larmuseau
This is a tribute to the Italian Expressionist artist Amedeo Modigliani (1884-1920) and his most known painting,
Nu couché (1917), Red Nude, or Reclining Nude.
en.wikipedia.org/wiki/Nu_couch%C3%A9
The pixel size ranged from 64, 32, 16, to 8, detailed by focal points of the art, in this case her face and her sexual features.
I used to dislike Modigliani but began liking him about a year ago. My tastes are obviously changing.
Cartel anunciando una exposición de este pintor en el Museo Thyssen Bornesmiza. Pas mal... La información que ofrece el propio museo sobre Modigliani aquí: www.mcu.es/principal/docs/novedades/2008/Modigliani_Dossi...
Boat Street Antibes French Riviera Rue du Bateau Antibes
Picasso Museum Place Mariejol 06600 Antibes
opened
10:00 a.m. to 12:00 p.m.
2:00 p.m. to 6:00 p.m.
Based on the ancient acropolis of the Greek city of Antipolis, Roman castrum, residence of the bishops of the Middle Ages (from 442-1385), the Grimaldi castle was inhabited from 1385 by the Monegasque family who gave it its name. King became mansion of the governor, then from 1792, City Hall, the building is transformed into a barracks in 1820, marking the taking possession of the premises by military engineers until 1924.
PicassoProfessor of French, Greek and Latin at Lycee Carnot in Cannes, Romuald Dor de la Souchère began in 1923 archaeological research in Antibes. On March 29, 1924, the Dor Souchère created the company of friends who Antibes museum is to establish a historical and archaeological museum and to work to publicize the history of the region.
In 1925, the Grimaldi castle was bought by the city of Antibes and becomes the first to Grimaldi museum curator, Romuald Dor de la Souchère. In September 1945, Pablo Picasso went to Grimaldi museum in 1946, Romuald Dor de la Souchère asked him to use part of the castle as a workshop.
Picasso ....
Picasso, enthusiastic, works at the castle and created numerous works, drawings and paintings. Following his stay in 1946, Pablo Picasso left on deposit at the Antibes 23 paintings and 44 drawings. Among the most famous paintings: La Joie de vivre, Satyr, centaur fauna and trident, Slimer The sea urchin, sea urchin Woman, Still life with owl and three urchins, The Goat ...
The September 22, 1947 saw the official opening of the Picasso room on the first floor, together with a first hooking works of Antibes.
The September 7, 1948, an exhibition confirms the significant enrichment of 78 ceramics workshop conducted in Madura Vallauris.
On September 13, 1949, on the occasion of the inauguration of the "French Paintings" exhibition, new rooms devoted to paintings, ceramics and drawings by Picasso are open to the public. And December 27, 1966, the city of Antibes makes new tribute to Pablo Picasso and Grimaldi Castle officially became the Picasso Museum, the first museum dedicated to the artist. Finally, in 1991, the giving Jacqueline Picasso authorizes a new enrichment of Picasso collections.
... To Nicolas de Stael
Picasso1The works of Nicolas de Staël also presented in the museum bear witness to the painter's stay in Antibes, from September 1954 to March 1955. A first donation made by his widow to the Picasso museum after the exhibition devoted to the artist in 1955 and from 1982, the city acquired important works of his last period.
To modern art
In 2001, a donation made by Hans Hartung Foundation and Anna-Eva Bergman allows the opening of two rooms, the ground floor of the museum. A permanent attachment offers a journey in the work of each of these artists.
Finally, the modern art collection, begun in 1951 by Dor La Souchère was created from exceptional donations from the artists. Important artists from the mainstream art of the twentieth and twenty-first centuries are represented: Arman, Atlan, Balthus, Ben, Bioules, Bloch, Buraglio, Bury, Calder, Cane, Castellas, Caesar, Chillida, Clavé, Combas, Cornelius , Crotti, Debre, Dezeuze, Ernst, Gleizes, Goetz, Hantaï, Hartung, Jaccard, Klein, Leppien, Magnelli, Malaval Mansouroff, Mathieu, Meurice, Modigliani, Music, Picabia, Pincemin, Raynaud, Raysse, Sarkis, Spoerri, Viallat ...
Cathedral of Our Lady of Immaculate Conception
1 Rue du Saint-Esprit
06600 Antibes
The Notre-Dame-de-la-Platea is the former cathedral of the Diocese of Antibes and the largest church in the city of Antibes , in Alpes-Maritimes ( France ). Its doors, the xviii th century, are the work of sculptor Joseph Dolle Antibes.
History
The Cathedral was destroyed by the Saracens in 1124 and rebuilt in 1125. The facade was damaged in 1746 and restored by Louis XV with funds from the Royal cassette. The door made ââin 1710 by Joseph Dolle a Antibois includes figurines of St. Roch and St. Sebastian, which are both protective of Antibes. Inside are the altarpiece of Our Lady of the Rosary, painted in 1515, a marble Virgin of the xix th century, a baptismal font xvi e , a wooden Christ of 1447, lying in a wood xvi th century, the baptismal font from 1772 and a 1860 organ master Jungh.
Chronology
442
Saint Hermaire, monk of the Abbey of Lérins is the first bishop.
5th century
A cathedral is now at the foot of the Roman castrum. The second bishop of Antibes Valerius is murdered.
476
Fall of the Western Roman Empire.
6th century
Construction of a new cathedral whose remains are visible in the chapel of the Holy Spirit.
9th century
Rodoard family takes possession of the diocese.
1113
Election of the Bishop Manfred, former monk of Lérins monastery.
1124
Incursion of barbarian. They destroy the cathedral. All that remains of the previous cathedral a wall element near the Chapel of the Rosary.
1125
The Count of Provence Raimond Beranger made a significant donation to the Bishop Manfred to rebuild the cathedral.
1155
An act mentions the cloister of the canons.
1155 - 1181
The bishops get the counts of Provence suzerainty of all property held by the family of Grasse.
late 12th century early 13th century
Construction of the present cathedral with three naves. The plan of the Romanesque cathedral is similar to the churches of the order of Chalais, particularly in Valbonne located between Antibes and Grasse. Construction of the tower-hut 40 m high before the church.
1208 - 1237
The Count of Provence gives the bishop all the useful field.
1244
The bishop's seat was transferred to Grasse. From 1244 to 1385, the Apostolic Vicariate dependent on the bishopric of Grasse.
1385
Construction of the chapel of the Holy Spirit against the north side of the church for the White Penitents on the remains of the ancient cathedral of the 6th century. Excavations have revealed the remains of the 5th century cathedral.
1385 - 1732
The Apostolic Vicariate of Antibes depends on the Holy See. It becomes a collegiate diocesis nullius.
1593
Consecration of the chapel of the Holy Spirit.
1608
King Henry IV bought the city to the Grimaldi family. The cathedral is rebuilt.
1710
The portal is run by Jacques Dolle.
1746
The cathedral suffered extensive damage during a bombing of the city during the war of succession of Austria.
18th century
Construction of the four bays of the nave, aisles and the current facade.
1848
The Romanesque facade was modernized in Italian style.
Saracen Towers in Antibes
The tower near the cathedral housing the bells , 40 meters high
Located on the town walls of Antibes, the towers "said Saracen" which dates back to the eleventh and early twelfth century, had a protective role for the city of Antibes.
Indeed the devastating Saracen invasions forced the city to protect themselves.
One of the towers; next to the cathedral measures 40 meters high and houses the cathedral bells said.
Her neighbor is integrated into the Picasso Museum overlooking the waterfront.
To access either pass by the old city and the Provencal market or Promenade Admiral de Grasse, and mounted the Souchère Dor (near the cathedral).
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Le Cimetière du Père Lachaise, Paris, France
On the face of it, Père Lachaise is not as interesting a cemetery as Montparnasse, but I had a number of reasons for coming here, not least because my Paris friends tell me that it is the most beautiful cemetery in the city, and I think they are right. It is true that you cannot be on your own wandering around here like you can at Montparnasse, but it is four times as big and its sloping site gives rise to winding little impasses that can be yours alone for the time you are in them.
If you are planning a visit yourself, it is worth noting that the best thing to do is to take the metro to Gambetta rather than to Père Lachaise. This brings you in at the top of the cemetery rather than the bottom. This is the quieter part of the cemetery, and very quickly I picked off Maria Callas, Stephane Grappelli and Gertrude Stein without being bothered too much by other visitors.
At this top end of the cemetery the visitor-magnet is the grave of Oscar Wilde. This is a fabulous sculpture by Jacob Epstein. The Irish government, which owns the grave and is responsible for maintaining it, has recently put a Perspex screen around it to stop visitors kissing it with lipstick kisses. Quite how anyone could think Wilde would want to be kissed by a girl is beyond me, though I suppose that all the lipstick kissers might not have been girls. Wilde's grave is easily found, being on a main avenue, but not all such significant figures are as accessible. I eventually found the tomb of Sarah Bernhardt after much searching, some distance from the nearest avenue. It did not appear to have been visited much at all in recent months.
In one quiet corner of the cemetery is a wall with a memorial to the Paris Commune. The communards had taken advantage of the siege of Paris during the Franco-Prussian War to declare a utopian republic, something along the lines of the one of seventy years earlier, but hopefully without the tens of thousands of opponents being guillotined this time. Incidentally, the French love to discuss and argue about politics so much that there is no chance of the country ever opting for a totalitarian regime. When the revolutionaries of the 1780s and 1790s started executing those who mildly disagreed with them, it was the start of a slippery slope at the bottom of which no one would have been left alive. Anyway, the communards hoped to avoid that. When the siege was over and the mess had been cleared up, they were brought to this wall in their hundreds and shot, their bodies dumped into conveniently adjacent mass graves.
This corner of the cemetery has become a pilgrimage site for Communists, and many of the graves around are for former leaders of the French Communist Party, in its day the largest and most powerful in Western Europe. In the 1980s, when I first started coming to Paris, they ran many of the towns and cities, especially in the industrial north.
Near here are some vast and terrifying memorials to the victims of the German occupation of France and Nazi concentration and death camps. Each camp has its own memorial, usually surmounted by an anguished sculpture, and with an inscription with frighteningly large numbers in it. There is a silence in this part of the cemetery. It is interesting to me that memorials in this part of France refer to 'the Nazi occupation and the Vichy government collaborators', while in the southern half of the country, which was under Vichy rule, the memorials usually talk about 'the German barbarity'.
I sat for a while, and then went off looking for more heroes. Marcel Proust and Frederick Chopin were easily found, Francis Poulenc less so. Wandering around I chanced by accident on the grave of the artist Théodore Géricault, which carries bronze relief versions of his Raft of the Medusa, starting point of the Musee d'Orsay, as well as other paintings. To be honest, the most interesting memorials are those to ordinary upper middle class Parisians who were raised to grandeur through art in death in a way that they cannot have known in life.
One of the saddest corners, and a rather sordid one, is to the American pop singer Jim Morrison, who died in Paris at the age of 27, burnt out and 20 stone after gorging himself on whisky, burgers and heroin. Well, so did Elvis, you might retort, but at least Elvis had some good tunes. The survival of Morrison's legend seems to rest entirely on the romance of his death and burial. Surely no one can be attracted by his music, those interminable organ solos and witless lyrics? His simple memorial (a bust was stolen in the 1980s) is cordoned off by barriers, and is the only one where a cemetery worker is permanently in attendance. I looked around at a crowd of about thirty people, all of whom were younger than me, and none of whom could have been alive when the selfish charlatan drank and drugged himself to death.
Shaking my head in incomprehension, (I didn't really, but I bet some people do) I finished off my visit by finding Colette, and bumping into Rossini on the way. Then I headed back into central Paris.
You can read my account of my travels at pariswander.blogspot.co.uk.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Amedeo Modigliani
(Italian, Livorno 1884–1920 Paris)
Date: 1917
Medium: Oil on canvas
in the Metropolitan Museum of Art
Amedeo Clemente Modigliani (Italian pronunciation: [ameˈdɛo modiʎˈʎani]; July 12, 1884 – January 24, 1920) was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by elongation of faces and figures. (wikipedia)
Detail painting
Le Cimetière du Père Lachaise, Paris, France
On the face of it, Père Lachaise is not as interesting a cemetery as Montparnasse, but I had a number of reasons for coming here, not least because my Paris friends tell me that it is the most beautiful cemetery in the city, and I think they are right. It is true that you cannot be on your own wandering around here like you can at Montparnasse, but it is four times as big and its sloping site gives rise to winding little impasses that can be yours alone for the time you are in them.
If you are planning a visit yourself, it is worth noting that the best thing to do is to take the metro to Gambetta rather than to Père Lachaise. This brings you in at the top of the cemetery rather than the bottom. This is the quieter part of the cemetery, and very quickly I picked off Maria Callas, Stephane Grappelli and Gertrude Stein without being bothered too much by other visitors.
At this top end of the cemetery the visitor-magnet is the grave of Oscar Wilde. This is a fabulous sculpture by Jacob Epstein. The Irish government, which owns the grave and is responsible for maintaining it, has recently put a Perspex screen around it to stop visitors kissing it with lipstick kisses. Quite how anyone could think Wilde would want to be kissed by a girl is beyond me, though I suppose that all the lipstick kissers might not have been girls. Wilde's grave is easily found, being on a main avenue, but not all such significant figures are as accessible. I eventually found the tomb of Sarah Bernhardt after much searching, some distance from the nearest avenue. It did not appear to have been visited much at all in recent months.
In one quiet corner of the cemetery is a wall with a memorial to the Paris Commune. The communards had taken advantage of the siege of Paris during the Franco-Prussian War to declare a utopian republic, something along the lines of the one of seventy years earlier, but hopefully without the tens of thousands of opponents being guillotined this time. Incidentally, the French love to discuss and argue about politics so much that there is no chance of the country ever opting for a totalitarian regime. When the revolutionaries of the 1780s and 1790s started executing those who mildly disagreed with them, it was the start of a slippery slope at the bottom of which no one would have been left alive. Anyway, the communards hoped to avoid that. When the siege was over and the mess had been cleared up, they were brought to this wall in their hundreds and shot, their bodies dumped into conveniently adjacent mass graves.
This corner of the cemetery has become a pilgrimage site for Communists, and many of the graves around are for former leaders of the French Communist Party, in its day the largest and most powerful in Western Europe. In the 1980s, when I first started coming to Paris, they ran many of the towns and cities, especially in the industrial north.
Near here are some vast and terrifying memorials to the victims of the German occupation of France and Nazi concentration and death camps. Each camp has its own memorial, usually surmounted by an anguished sculpture, and with an inscription with frighteningly large numbers in it. There is a silence in this part of the cemetery. It is interesting to me that memorials in this part of France refer to 'the Nazi occupation and the Vichy government collaborators', while in the southern half of the country, which was under Vichy rule, the memorials usually talk about 'the German barbarity'.
I sat for a while, and then went off looking for more heroes. Marcel Proust and Frederick Chopin were easily found, Francis Poulenc less so. Wandering around I chanced by accident on the grave of the artist Théodore Géricault, which carries bronze relief versions of his Raft of the Medusa, starting point of the Musee d'Orsay, as well as other paintings. To be honest, the most interesting memorials are those to ordinary upper middle class Parisians who were raised to grandeur through art in death in a way that they cannot have known in life.
One of the saddest corners, and a rather sordid one, is to the American pop singer Jim Morrison, who died in Paris at the age of 27, burnt out and 20 stone after gorging himself on whisky, burgers and heroin. Well, so did Elvis, you might retort, but at least Elvis had some good tunes. The survival of Morrison's legend seems to rest entirely on the romance of his death and burial. Surely no one can be attracted by his music, those interminable organ solos and witless lyrics? His simple memorial (a bust was stolen in the 1980s) is cordoned off by barriers, and is the only one where a cemetery worker is permanently in attendance. I looked around at a crowd of about thirty people, all of whom were younger than me, and none of whom could have been alive when the selfish charlatan drank and drugged himself to death.
Shaking my head in incomprehension, (I didn't really, but I bet some people do) I finished off my visit by finding Colette, and bumping into Rossini on the way. Then I headed back into central Paris.
You can read my account of my travels at pariswander.blogspot.co.uk.
Amedeo Modigliani - Portrait of the painter Manuel Humbert 1916 at National Gallery of Victoria - Melbourne VIC Australia
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Watercolor study on paper, based on Modigliani's Lunia Czechowska.
See the original art here:
snaakks.tumblr.com/post/2921705681/amedeo-modigliani-port...
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Amedeo MODIGLIANI (1884 - 1920)
Jeune fille brune, assise
Brunette girl, seated
Muchacha morena, sentada
[1918]
Huile sur toile
Oil on canvas
Oleo sobre tela
Donation Picasso 1973
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.