View allAll Photos Tagged Modigliani,

Amedeo Modigliani (1917).

Il rione, chiamato "la Venezia " per i canali che l'attraversano, nella città di Livorno, una zona ricca di storia e di fermenti di vita, di anarchici, di intellettuali. Il disegno si trova sul muro di un vecchio carcere che nel ventennio fascista ospitò molti patrioti italiani e stranieri.

 

The district, known as the "Venice" for channels that cross in the city of Livorno, an area rich in history and turmoil of life, anarchists, intellectuals. The design is on the wall of an old prison in the fascist period hosted many Italian patriots

Huile sur toile, 78 x 39 cm, 1915, Statens Museum for Kunst, Copenhague.

Modigliani (1884 - 1920) worked almost exclusively with the human figure and is particularly well known for his portraits. When he painted this picture his characteristic style of rendering figures was fully formed. The girl is portrayed from the front, and the planes have a geometric order that creates a sense of calm and harmony. African masks and medieval art were important sources of inspiration for Modigliani’s painting. On that basis he developed an idiom made up of simplified, elongated shapes, accentuated here by the tall, narrow format.

 

Modigliani moved from Italy to Paris in 1906, and in 1908-09 he settled in Montparnasse, where he became part of the international artists’ scene. His eccentric lifestyle and early death has contributed greatly to the myth of the bohemian Paris art scene.

 

gandalfsgallery.blogspot.co.uk/2012/06/amadeo-modigliani-...

Alla mostra di Modigliani (Palazzo Ducale, Genova) non si potevano scattare foto, questa è una borsa sulla quale è stato stampato il bozzetto di una cariatide.

Il bozzetto risale all'epoca in cui Modigliani avrebbe voluto dedicarsi alla scultura, aspirazione che dovette abbandonare poiché scolpire la pietra significava inalare polveri che i suoi polmoni cagionevoli non avrebbero tollerato.

Nella mia foto ci sono discrepanze rispetto all'opera originale, la borsa esposta nella boutique non era tesa...

 

-----------------------

PS: Mi scuso con gli amici e i visitatori, ma sono costretta a venirvi a trovare solo un po' per volta, oggi un pacchetto di voi, domani un altro eccetera...

------------------------

Sorry, to me is very difficult to visit people that always only leave a fav without commenting...

Do not use any of my images on websites, blogs or other media without my explicit written permission.

All rights reserved - Copyright © fotomie2009 - Nora Caracci

Man Ray (born Emmanuel Radnitzky) ]was an American modernist artist who spent most of his career in Paris, France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known in the art world for his avant-garde photography, and he was a renowned fashion and portrait photographer. Ray is also noted for his work with photograms, which he called "rayographs" in reference to himself.[1]

Ray's work was not appreciated during his lifetime, with the exception of his fashion and portrait photography; especially in his native United States. Nevertheless, his reputation has grown steadily in the decades since.

en.wikipedia.org/wiki/Man_Ray

 

Bronze sculpture of Amedeo Modigliani by Jacques Lipchitz . Shot at the Modigliani and l'Ecole de Paris exhibition in Fondation Gianadda in Martigny, Switzerland.

 

"Jeanne Modigliani tells that immediately after her father's death, " On january 24th 08h45 PM, Kisling, (that he liked him very much) and another friend tried to capture a mask of his head. They only managed to strap hair and skin. .Jacques Lipchitz (...) immediately starts to shape the head of Amedeo Modigliani from the moulding"

( In Modigliani et l'école de paris).

   

c. 1918. Oli sobre tela. 99,69 x 64,77 cm. Museu d'Art de Dallas, Dallas. 1977.1. Obra exposada.

Huile sur toile, 38 x 68 cm, 1917-1918.

rolleiflex t 35 - kodak portra 160

Home to many artists, including Salvador Dalí, Amedeo Modigliani, Claude Monet, Henri de Toulouse-Lautrec, Piet Mondrian, Pablo Picasso, Camille Pissarro and Vincent van Gogh to name a few, not many can afford to live there anymore these days. I highly recommend just getting lost (with a map to find your way out) in the steep and cobbled streets of one of the most historic and interesting neighborhoods in Paris.

 

© 2014 Alex Stoen, All rights reserved.

 

No Group Invites/Graphics Please.

 

www.alexstoen.com

 

Follow me on 500px * Google+ * Facebook * Twitter * Instagram .

© All of my photographs are Copyrighted and All Rights Reserved. They may not be used or reproduced in any way without my explicit written permission.

 

Feel free to state your opinion about the image.

Help me improve my skills and knowledge,

 

Thank you for viewing and commenting!

A woman from a nude portrait by Modigliani.

Pencil and colored pencil (15 x 22 cm)

Amedeo Modigliani (1884-1920) - Portrait of Moïse Kisling (1915). In the collection of the Pinacoteca di Brera, Milan.

 

Moïse Kisling (1891-1953) was a Polish-born French painter of Jewish ancestry. He fled France in 1941 and lived for about a year in Portugal where he had a brother-in-law, the painter Adriano de Sousa Lopes. Sousa Lopes, who had married Marguerite Gros, sister of Renée Kisling, Moïse's wife, was then Director of the Museu Nacional de Arte Contemporânea (MNAC). During his stay in Portugal Moïse Kisling painted Rapaz da Nazaré a rather kitschy portrait of a boy wearing a fisherman's beret, which is in the collection of MNAC.

Nikkormat EL, fuji superia 200

Das Museum Barberini Potsdam stellt Kunstwerke des italienischen Künstlers Amedeo Modigliani (1884-1920) aus.

 

Foto: Jeanne Hébuterne im gelben Pullover, 1919, Öl auf Leinwand.

1917. Oli sobre tela. 64,77 x 48,57 cm. The Phillips Collection, Washington, DC. 1369. Obra exposada.

Modigliani upended the tradition of the nude. Modern in their candid sensuality, his works in this genre are noticeably devoid of the modesty and mythological subtext present in many earlier depictions of nude figures. Because of these qualities - along with the artist's notorious womanizing - Modigliani's nudes were scandalously received at the time they were created. Modigliani's portraiture achieves a unique combination of specificity and generalization. His portraits convey his subjects' personalities, while his trademark stylization and use of recurring motifs - long necks and almond-shaped eyes - lends them uniformity. Modigliani's portraiture also serves as a vital art historic record, comprising a gallery of major figures of the Ecole de Paris circle, to which he belonged following his move to Paris in 1906. www.theartstory.org/artist-modigliani-amedeo.htm

Another Modigliani-esque woman 'reflect's in a watery 'pool', reflects ON the pool, reflects IN the pool of her own thoughts, inside, and reflects on the manifesting outer world as well. Her right eye is indistinct and doesn't seem to see the outer world, it is turned inward. Her left, the side of analysis and the linear, looks outward into the world. True seeing, it's been said, is a balance of both.

My second try at Street Team crusade's wax resist. I used acrylic paint over the rubbing. The rubbings were done on a carving on my bed, and a glass vase and a Christmas tree ornament that I got at a yard sale last month. The front of the ornament had too much relief, but the back worked great.

 

Three of the girls in the vintage photo are my grandma and her sisters. I'm not sure who the fourth is.

Amedeo Modigliani(1884 - 1920)

Oil on canvas

59.8 x 92.4 cm

 

This is one of a series of celebrated female nudes which Modigliani painted in 1916 and 1917. His unusual and powerful depiction incorporates a wide range of artistic influences. For example, the woman’s elongated face relates to Egyptian, African and Oceanic sculpture, which he studied at the ethnographic museum in Paris. When a group Modigliani’s nudes were first shown at the Berthe Weill Gallery in Paris, police closed the exhibition, citing the depiction of pubic hair in some of the paintings as obscene.

 

Samuel Courtauld Trust : Courtauld Gift, 1932

The Courtauld Gallery, London

Huile sur toile, 55 x 30 cm, 1916-1917, musée Ludvig, Cologne.

La présence de cette œuvre s'explique par les relations amicales entre les 2 peintres

Cagnes-sur-Mer French Riviera

is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.

 

Geography

 

It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur

 

History

 

It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.

 

Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.

Jewish Museum

 

Exhibition 'Modigliani Unmasked'

 

'Le sweater jaune' ('Jeanne Hébuterne with yellow sweater') by 'Amedeo Modigliani' (1918-1919)

 

DSC03239

1917. Oli sobre tela. 65,4 x 100,9 cm. National Gallery of Art, Washington, DC. 1963.10.46. Obra exposada: Galeria 103A.

1909. Oli sobre tela. 100,5 x 81,5 cm. Tokyo Fuji Art Museum, Tòquio.

I stop when I see it standing there,

smoky blue in low waters, a bird

Modigliani might have invented.

Without thinking, I take on its stillness.

My breathing slows, focus sharpens.

Is it telepathy that shapes me,

for a moment, in this bird’s image?

~Ginny Lowe Connors from "Great Blue Heron at Elizabeth Park"

 

Read more of Connor's poem

 

None of my photos may be reproduced and/or used in any form of publication, print or the internet without my written permission. Please contact me if you would like to use one of my images.

 

Best viewed quietly, with a loved one.

Huile sur toile, 65 x 87 cm, 1916, Collection Bührle, Zurich.

the exhibition itself was not fenced off :)

Model: Jessica

Workshop - Bologna - www.mariosturarophoto.com

 

Nikon F4 - Tamron 19mm - Kodak Portra 160 ISO negative colour film - Scanned Print

 

See the Whole Set "Colour Beauty" here:

www.flickr.com/photos/14206443@N05/sets/72157603692811357/

Costant Lepoutre. 1916

(92 x 65 cm.)

 

The painter, born in Livorno, 1884, died in Paris on January 24, 2020, exactly 1 century ago.

To celebrate the centenary of the death of his most illustrious son, 26 of his masterpieces belonging to the two greatest collectors who supported the artist in his lifetime, and more than 100 other masterpieces created by contemporary artists have been brought together in an extraordinary exhibition at the Museum of the City of Livorno.

 

Livorno, Museo della Città, until next February 16.

   

Amedeo Modigliani (1917).

Painting with chopped raw polymer clay.

Portrait intitulé "Elvire assise, accoudée à une table"

Exposé au musée de l'Orangerie

Du 20 septembre 2023 au 15 janvier 2024

www.musee-orangerie.fr/fr/agenda/expositions/amedeo-modig...

Nu de Modigliani - 1937

 

------------------------------------------------------------------------------------------

A gorgeous women

 

Reclining Nude frop Amedeo Modigliani (Italian, Livorno 1884–1920 Paris)

 

Date: 1917

 

1 2 ••• 7 8 10 12 13 ••• 79 80