View allAll Photos Tagged Modersohn-Becker,
Paula Modersohn-Becker -
Saeugling an einer Frauenbrust [um_1904]
Hannover Niedersaechsisches Landesmuseum
auch der garten (von einem wichtigen gartengestalter und alleine schon einen besuch wert) ist sehr liebevoll und wird gut (und historisch korrekt, denke ich) gepflegt!
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even the garden (from a famous gardener or garden architect) is handled with care and style.
Randomly Generated #baseArt #2222 by Henri de Toulouse-Lautrec, Paula Modersohn-Becker, Claude Monet, Mattia Preti, Koloman Moser, Joaquín Sorolla #nftArt #pixelArt #randomPainting
Kӓthe Kollwitz
Pen, brush and ink on drawing carton
While training to be a painter in Munich, Kollwitz made a group of self-portraits in which she adopted different attitudes. Aged 22 in this work, her confident pose recalls Rembrandt. Raised by a socialist family and influenced by the writings of the artist Max Klinger, Kollwitz rejected painting from 1890 onwards, instead devoting her talents to the graphic arts, which could reach a wider public.
[Royal Academy]
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Gabriele Münter
Oil on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Gabriele Münter
Oil on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
From the museum label: In late 1901 Münter took classes at Munich's Phalanx art school, where Vasily Kandinsky, then a relatively unknown artist, was among her tutors. They soon became a couple, painting outdoors side by side. Here Münter depicts the interior of a house she purchased in 1909, known as the 'Yellow House' - in homage to Van Gogh - and as the 'Russians' House', due to the frequent presence of Kandinsky, Werefkin and Jawlensky. Bossi, captured here mid-debate with Kandinsky, also visited regularly.
Kӓthe Kollwitz
Lithograph on paper
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
GemÑlde / ôl auf Lindenholz (1902/03) von Paula Modersohn-Becker [1876 - 1907]Bildma· 48 x 33,5 cmInventar-Nr.: A II 640Person: Paula Modersohn-Becker [1876 - 1907], Deutsche MalerinSystematik: Personen / KÅnstler / Modersohn-Becker / Werke
Kӓthe Kollwitz
Lithograph on paper
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]