View allAll Photos Tagged Modersohn-Becker,
Marianne Werefkin
Tempera on paper on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Gabriele Münter
Oil on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Marianne Werefkin
Tempera on paper on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Marianne Werefkin
Tempera on paper on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Marianne Werefkin
Tempera on paper on cardboard
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]
Paula Modersohn-Becker, Worpsweder Bauernkind auf einem Stuhl sitzend/Petite paysanne de Worpswede assise sur une chaise (1905)
Paula Modersohn Becker
Alman Ekspresyonist Ressam Paula Modersohn Becker 1876’da Dresden’de doğdu. İlk eğitimini 1892’de İngilizce öğrenmek üzere gittiği Londra’da aldı. Ülkesine döndükten sonra öğretmenlik seminerlerine katıldı ve başarı ile mezun oldu. 1893’ten itibaren ilk eserlerini vermeye başladı. 1896 Berlin’e geçip Berlin sanatçılar Birliği’nin resim kurslarına katıldı
1897’de Bremen’in bir köyü olan Worpswede’deki sanatçılar kolonisiyle tanıştı. Ressam Fritz Mackensen ve Otto Modershon ile birlikte nesne ve figürleri, basit, saf bir biçimde tuvale yansıtmayı temel alan özgün bir tarz geliştirdi. Doğaya yakın olabilmek için bir çiftlik evine taşındı. 1899, 1903 ve 1905’de Paris’e gitti.
Burada Académie Cola Rossi’ye devam etti. Paul Cézanne’la tanıştı ve sonraki dönem resimlerine ondan etkiler taşıdı.
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Modernists in Ghent - Collection Presentation.
Museum of Fine Arts (MSK) Ghent (Belgium).
Work of Paula Modersohn-Becker.
Taken in the exhibition
Making Modernism
(November 2022 - February 2023)
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.
Celebrated in their native homelands, this exhibition will introduce their innovative paintings and works on paper, alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.
The exhibition reframes subjects such as self-portraiture, still-life, the female body, depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who – although less familiar than their male counterparts, such as Wassily Kandinsky – were no less central to the development of radical new approaches to art in Europe.
Bringing together 65 works, many never seen in the UK before, Making Modernism foregrounds the individuality of each artist whilst shining a spotlight on the strong affinities between them. Combining impressive, bold and intimately-scaled works, this exhibition explores themes of identity, representation and belonging – all powerfully relevant today.
[Royal Academy]