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Model Selin Bora Taken At An Expressions Glamour Club Photoshoot In New York City. Photo Taken Thursday May 2, 2019.
DSC8257
Model: Vivianne Sultanova [ View On Black ]
[ϟ] Strobist info: [Right camera to light body 1 speedlight EX430II]
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Studio d'Xavier congratulates Lauren Lavigne on becoming a finalist in the Miss Oklahoma 2013 Pageant.
Strobist: AB1600 with 60X30 softbox camera right. AB800 with Softlighter II camera left. Triggered by Cybersync.
Fashion model; Anke
Photographer: Bram van Dal
1/800 F / 1.8 400 Canon 5DmkIII 85mm
When looking for a beautiful setting to take photos, there are several elements that I as a photographer pay attention to.
Elements that you can find in this photo are, for example, creating a rhythm, working with depth in a photo, depth in this photo is not only created by the seats behind the model, the seat in the foreground has the function as ( repoussoir), a repoussoir was already used in painting, by placing an object in the foreground, you will intensify the depth.
Although it is a nice convenient location, this photo is about the model. I looked at whether a repetition could be created. A nice match was the combination of the color of the chairs and the red in her clothes.
Furthermore, a beautiful powerful pose, with which she can influence the balance between light and shadow in the photo.
And then the picture is finished for me.
Model: Victoria Bell
Photographer: Justin Bonaparte
Model: @brittadamsxo
Photographer: Bram van Dal
1/1000 F/1.8 250 Canon 5DmkIII Sigma 85mm
Working on location, as if it were a photo studio.
On the right side we have a large building, which blocks the direct sunlight, and behind her on the left is the Klokgebouw, which works as a reflector and provides a hairlight for both her hair and her right arm.
At the right front, light shines along the building, illuminating her face.
I am standing on the shadow side of her face, the shadow creates depth in the photo on the one hand, but also atmosphere on the other.
Even though I have no control over the sunlight, I can translate everything back to how I would have placed my studio lights in a studio.
On location, it is mainly the art of learning to see and analyzing how light and shadow work. Actually it's not difficult, if I can do it, anyone can.
Model: Natalia Larioshina
Photographer: Justin Bonaparte