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Photo by - Aveline

SL Model - Aveline

Blue mix - CC

 

"Thank You Aveline for allowing me to play with one of your photos"

 

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model railway - Modelleisenbahn

Taken By ( Hassan farhat )

Edited By ( Hassan Farhat )

Models By ( Azooz )

Id { Hassan Farhat )

Location ( Photolive studio )

  

Copyright 2009 ( Hassan00 ) All Right Reserved

 

model: Sebastian

lago d'Orta, Italy

©ALL RIGHTS RESERVED. My pictures may not be downloaded, copied, published, reproduced, uploaded, edited or used in any way without my written permission.

Atlanta Botanical Garden

susannedrechsler.wordpress.com/2026/01/07/runway-model-6927/

  

Shape: Traditional Face – SHAPE EVA HEAD AVALON – REBORN

Body: eBody – Reborn by eBODY v2.0 Mesh Body @ eBody

Head: Lelutka – Avalon Head 4.0 @ Lelutka

Skin: Traditional Face – EVA VELOUR SKIN Rosekiss [LELUTKA EVO X] MEDIUM GIFT NEW @ Traditional Face

Eyes: ARTE (New location) – Aurora Eyes [LeLutka] NEW @ ARTE (New location)

Hair: no.match_ – NO_EMBER NEW @ FaMESHed

Glasses: Deep Static – Coco Glasses NEW @ Uber

Corset: Ascendant – Bomi Corset Fatpack – Reborn @ Ascendant

Shorts: Ascendant – Sasha Shorts Fatpack – Reborn Squish @ Ascendant

 

The Series Sixty-two was a model produced by Cadillac from 1940 through 1964 when it was renamed “Calais” for the 1965 model year. It was one of Cadillac’s most popular models. For the 1949 model year, the Series Sixty-two spawned the “Coupe deVille.”

 

For the 1953 model year the world was introduced to the very first Series Sixty-two Eldorado. The Series Sixty-two convertible was one of America’s most luxurious convertibles. Cadillac’s magnificent new design and craftsmanship were dramatically displayed in the 1957 Cadillac Series Sixty-two convertible.

Cadillac for the 1957 model year was completely redesigned. A Cadillac convertible was the celebrity among Cadillacs. There was no more gracious manner in which to enjoy open-air touring than the 1957 Series Sixty-two convertible. Its aristocratic flair was dramatic and pronounced.

Apart from the Biarritz convertible, the Series Sixty-two convertible was the most elegant convertible built in the land. It was the synthesis of two motoring worlds; it had all the panache of a ragtop and the comfort of a luxury car. Style code #6267F Series Sixty-two convertible had a base price of $5,225. (Cadillac repairs today run up tabs along these same dollar amounts…amazing)

The 1957 Cadillacs were all-new in design from the 1956 models. The 1957 cars presented a new sleekness in every line as witnessed by the Series Sixty-two convertible. They were built almost 3” lower in overall height.

 

The front end ensemble was boldly aggressive. It retained the “Dagmars.” The sweep of its new fender lines extended back to the redesign of the iconic Cadillac tail fins.

 

The convertible’s silhouette was highlighted by chrome-framed wheel openings and extended contour lines to both front and rear fenders. The fender skirts were dropped for a cleaner more contemporary look at the time.

All Cadillac bodies were built by the Fleetwood Division of Fisher Body under relentless quality control procedures. The Series Sixty-two convertible rode upon a long 129.5” wheelbase, had the luxury length of 220.9” and an 80” wide stance.

The Cadillac 6.0 litre 365 CID 16-valve V8 engine had five main bearings, intake silencer, and hydraulic lifters. It was constructed with cast iron, block and cylinder heads. The engine was equipped with a Rochester 4-bbl downdraft Quadrajet carburetor with equalized manifold, and automatic choke. It produced 300 hp @ 4,800 rpm with 542 Nm of peak torque @ 2,800 rpm. Performance was rated as 0-60 mph in 11.2 seconds, 0-100 mph in 33.1 seconds with a top speed of 119 mph. It could do the ¼ mile @ 81 mph in 18.1 seconds.

The Cadillac Series sixty-two convertible was a triumph of motoring distinction. Its unmatched comfort and spacious dignity was the finest expression of Cadillac’s dramatically new styling. In the way it looked and the way it drove, the 1957 Cadillac Series Sixty-two convertible introduced a brand new measure of excitement to modern luxury motoring…done in the manner only the “Standard of the World” could provide. This is another classic encore presentation…in the continuing saga of “As the Standard of the World Turns.”

 

notoriousluxury.com/2014/06/21/1957-cadillac-series-sixty...

  

Taken By : Me مغرورة بس معذورة

Edited By : Me مغرورة بس معذورة

Model :◦▪●ali ●▪◦

 

every one leave a comment XD

 

And I know she's living there

And she loves me to this day

I still can't remember when

Or how I lost my way

The blunderer & Model just after the V8 was fitted.

If you are interested send a notecard to Satuex Resident.

 

For Hot Gay Videos ^^

Models: Human Being, huh

Location: Argentina, Buenos Aires

Taken by: Another human being =p

Model: Karlijn Nijkamp

Photographer: Bram van Dal

 

1/250 F/1.8 640 Canon 5DmkIII Sigma 85mm

 

A location on Strijp-S that I have not visited before. The atmosphere of this location really appealed to us and playing with the available light was a nice challenge.

Model: Alex Meijer

Portrait Monochrome Fable & Fantasy 2021 Emmen. Model: Ad Seelt

The model is Carmen Kass for just Cavalli . Thanks to galiano79 for the info.

View my images in DARCKR or Flickriver.

 

© Daniel Cano Ott. Todos los derechos reservados.

© Daniel Cano Ott. All rights reserved.

Model: Kim Minh

costumes: NTK Nguyễn Hà Nhật huy

Scratchbuilt model of 1929 Leyland Titan TD1 / Hall Lewis of Devon General.

great Yarmouth march 2015

Model Josh Bollinger Model Mayhem # 1449753

 

Model Josh Bollinger Model Mayhem # 1449753

  

MoscowPhotoVideoFest 2024

Model Josh Bollinger Model Mayhem # 1449753

 

Model: Pauline

Photographer: Bram van Dal

www.bvdbvphotography.com

 

1/3000 F/1.4 200 Canon 5DmkIII Sigma 85mm

 

An open door at the Klokgebouw at Strijp-S, a small, simple location, but which forms a nice contrast in terms of color with Pauline's clothing.

Models, Amy Stine and Landyn Banx.

Ambient light with off axis fill from 285 shoot through

Model: Arine Soem

Backdrop: Backdrops by Andreas

Photographer: Bram van Dal

 

1/160 F / 2.5 100 Canon 5DmkIII Sigma 85mm

 

The contrast between the bright gold tones at Arine compared to the beautiful dark brown tones in the background really appeals to me.

 

In this shoot I tried out my latest backdrop, in which certain color tones in the backdrop repeat themselves.

In the coming period I will look for more options.

 

But I'm at peace with this photo.

Swimsuit bikini model photo shoot

 

Bikini swimsuit model photoshoot.

Swimsuit bikini model photo shoot

 

Bikini swimsuit model photoshoot.

Swimsuit bikini model photo shoot

 

Bikini swimsuit model photoshoot.

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