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DB Regio 146 110 pushes an interesting mix of coaches out of Titisee station as RB service 26964 from Neustadt (Schwarzwald) to Freiburg (Breisgau) Hbf. First coach behind the locomotive is a former Deutsche Bundesbahn n-car, followed by a DBuz, once built by VEB Waggonbau Görlitz for Deutsche Reichsbahn. The third and fourth coach were constructed in Görlitz as well, but by DWA and/or Bombardier in the post-cold war era.
Titisee, 30 May 2015
T201505-0190
Class 150/158 combo, 150213 leads 158819 south of Abergavenny with the sugarloaf looking ominous in the background.
Para compor esta mani, usei Liquid Sand da OPI, Honey Ryder no indicador... foram duas camadas para uma perfeita cobertura.
Nas demais unhas, eu usei o Steel My Soul da Catrice, este esmaltinho tem uma cor bem diferente de todas que possuo, ela é um cinza misturado com lilás (?)... tem um shimmer dourado muito lindo... na tampinha diz "Metal Effect" ele é um acetinado fosco... mas não gostei dele ao natural e passei tc.
Carimbei o dedo médio e anelar com o esmalte Gold da BarryM e a plaquinha SB016, minha preferida de todas as Suggar que eu tenho... mas já já chegam as novas para mim e aí tenho que ver se esta continuará reinando na minha preferência kkkkkkkkk estou muito ansiosa esperando!
Rutgers GK Casey Murphy stops an Illinois attack with a little help from 20 Amanda Visco and 50 Courtney Morton.
Jonas and Mads mixing live during our "main subject"-week (Linjefagsuge) at DRH.
We (the 7 sound techs) took turns doing live and studio work and observing the other techs working, and on this day I took the opportunity to bring my camera along whilst observing, bringing me to take pictures of one of the things I love most in this world: mixers!
It's an Allen&Heath GL2800, installed with the big stage at DRH, if anyone's interested.
Light painting is where my passion for photography began. After 4 years of playing with light I still feel a real buzz when I see the end result. for some time now I have been playing with the insertion of humans into the mix. Although the end result looks simple, the mix of long exposure, dim and bright light sources combined with working in the dark, makes these images quite tricky to achieve.
As with all light painting there is a fine balance between the actual light source used and the background. Mixing this with a person who needs to stay reasonably still and some form of flash (if needed) can be a frustrating mix. The top image here was a very long exposure with only light source being the light painting tool. The "subjects" had to remain incredibly still so there was no blur at all. We were at a Yoga Meditation retreat so they were pretty chilled anyway which helped. As you can see a couple of them had eyes open, which must have made it a pretty spooky experience.
In the other two images I have used another light source to give a beautiful soft light over the ladies. But they still had to be pretty still. The end result is an almost mystical look.
It is important to remember that these effects are achieved with absolutely very little manipulation in post production (no pixels are added or removed) and are a single exposure.
I am being asked for this effect in more of my commercial work, which is really exciting and certainly makes me happy that a passion from my personal work is bridging into my commercial work.
Exciting!
Peace, Denis
German postcard by Ross Verlag, Berlin, no. 1025/3, 1927-1928. Photo: Fox-Film.
American film actor Tom Mix (1880-1940) was the star of many early Westerns between 1909 and 1935. Mix appeared in 291 films, all but nine of which were silent movies. He was Hollywood's first Western megastar and helped to define the genre for all cowboy actors who followed.
Thomas Hezikiah Mix was born in Mix Run, Pennsylvania, in 1880. From 1906 till 1909, he was in a series of Wild West shows, such as The Miller Bros. Wild West Show, with wife Olive Mix in Seattle's Alaska-Yukon-Pacific Exposition; and Will A. Dickey's Circle D Ranch. The latter supplied Selig Pictures with cowboys and Indians for movies and, in 1910, Mix was hired by Selig to provide and handle horses. His first film was Ranch Life in the Great Southwest (Francis Boggs, 1910). He continued with Selig until 1917, writing and directing as well as acting. He was signed by Fox Films in 1917 and remained with them until 1928, averaging five films a year. His popularity eclipsed all other great cowboy stars (Hoot Gibson and even the legendary William S. Hart) of the silent era and he earned - and spent - millions.
Tom Mix was the king of the cowboys during the 1920s. He developed a comical style, emphasizing fast action thrills to a greater extent than had been common in earlier Westerns, and he did his own stunts. In addition to Mix's riding and shooting skills, the films also showcased the talents of his amazing horse, Tony the Horse. Sound and encroaching middle age were not favorable to Mix. While Mix was a great showman, the combination of the Depression and the high overhead of his traveling shows conspired against his success. He left the film industry after the serial, The Miracle Rider (B. Reeves Eason, Armand Schaefer, 1935) made for Mascot Pictures. It was a huge hit for the small studio, grossing over $1 million. Tom Mix died in an auto accident in 1940. He remained popular on radio and in comic books for more than a decade after his death.
Sources: Ed Stephan (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Mix it Up ~ Our Daily Challenge
Thank you to everyone who pauses long enough to look at my photo, make a comment or Fave it.
1. I'm Not Calling You A Liar - Florence + The Machine
2. Worried Shoes - Karen O & the Kids
3. It Doesn't Have To Be That Way - Jim Croce
4. I Will Follow You Into The Dark - Death Cab For Cutie
5. Faint Heart Never Won Fair Lady - The Apathy Eulogy
6. Touch - Bright Eyes
7. The Stars Of Track & Field - Belle & Sebastian
8. Because We're Dead - Slow Club
9. Fish & Stars II - Said The Whale
10. I Must Belong Somewhere - Bright Eyes
11. Up - Page France
12. Fighting in a Sack - The Shins
13. Heaven Knows I'm Miserable Now - The Smiths
14. Black & Blue - Edie Brickell & New Bohemians
15. In This Temple, as in the Hearts of Man for Whom He Saved The Earth - Sufjan Stevens
16. Skin Is, My - Andrew Bird
17. Where Do My Bluebirds Fly - The Tallest Man On Earth
18. We Are Nowhere & It's Now - Bright Eyes
19. Dishes - Pulp
All strategically planned out to form the lyric in the song Dishes, by Pulp that says "I'm not worried that I will never touch the stars 'cause stars belong up in heaven & the earth is where we are." I've just always loved that.
A lot of Bright Eyes... & I didn't have a "cause" song, so I just stuck with because.
This is my favorite CD that I've made so far (:
The good mix, since enhanced with big amber-coloured cut-glass sparkles & translucent green shimmer beads.
#AbFav_GREEN_ 🍀
A LITTLE BIT of EVERYTHING... but all green, LOL.
Have fun.
Thank you for your time and comments, greatly appreciated, M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
Spring, nature, mix, horizontal, green, colour, conceptual, "art”, vertical, NIKON, Magda-indigo
Quite a few walls and a couple of churches are built from whatever was available. The local red sandstone being one option and slag, probably from the old copper works, being another. This example is on Old Ravenhead Road which is now a part of the network of urban greenways.
Little Mix
Street Music Arts
Assago Summer Arena, Milan Italy IT
20th june 2016
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