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Picture Of A New Family Member Adopted From A Pet Rescue Group On Saturday August 20, 2016. This Is Mandy A Yorkie Mix 8 Month Old Female Puppy Who Is Very Sweet. In The Almost 3 Weeks Since We Had Here She Rolled Over For Many Numerous Belly Rubs. Photo Taken Thursday September 8, 2016.
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The cerulean blue color of the Celeste River in northern Costa Rica is caused by the mixing of the highly acidic waters of Quebrada Agria with aluminosilicate particles in the Buenavista River, an optical phenomenon known as Mie scattering.
Picture Of Mandy A Yorkie Mix Taken After Grooming On Saturday November 16, 2019. Mandy Is Now Over 3 Years Old According To The Vet When She Was First Adopted Who Said She Was Born Sometime In December. Mandy Is A Female Puppy Whom Was Adopted From A Pet Rescue On Saturday August 20, 2016. Photo Taken Saturday November 16, 2019.
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Para compor esta mani, usei Liquid Sand da OPI, Honey Ryder no indicador... foram duas camadas para uma perfeita cobertura.
Nas demais unhas, eu usei o Steel My Soul da Catrice, este esmaltinho tem uma cor bem diferente de todas que possuo, ela é um cinza misturado com lilás (?)... tem um shimmer dourado muito lindo... na tampinha diz "Metal Effect" ele é um acetinado fosco... mas não gostei dele ao natural e passei tc.
Carimbei o dedo médio e anelar com o esmalte Gold da BarryM e a plaquinha SB016, minha preferida de todas as Suggar que eu tenho... mas já já chegam as novas para mim e aí tenho que ver se esta continuará reinando na minha preferência kkkkkkkkk estou muito ansiosa esperando!
New mix tape!
All mixed by myself (Rance Alva, how you doing.), Cover art done by Novi Gadsby (so harass her if you want something done!)
Track listing & download link available at: rancifer.blogspot.com/2010/08/ramtv17-glow.html
The Tri-ang Western Blue Pullman conversion saga continues:
Firstly a check on the inventory and then while storm 'Dennis' whistled around the house, basic dismantling with a check on each coach and Power car end
Then a good wash & brush-up using an old tooth brush and some warm soapy water, time to begin selection of the best basic units to cater for each of the eight cars required
Far too many bits at this point but I need extras for the creation of the two Kitchen Cars which will be the main problem as I intend to chop up the Power cars and match half of them to other carriage bits to form the Kitchen cars with their unique window and door layouts
Then it will be down to changing the six main window 1st Class Parlour cars (supplied as standard with the Tri-ang DMU set) and convert two of them to 2nd Class Parlour cars each with seven main windows
Those white inlaid window surrounds can actually be popped out (carefully) as they were separate mouldings lightly glued to the Nanking Blue plastic main car structures at factory stage and with 60 year old glue it tends to go brittle and easily 'fail' under gentle pressure
I also have new flush window inserts as most of the original windows have been scratched with use and need replacing
A complete set of new decals/transfers was acquired from Fox covering all Western (and Midland) Blue Pullman needs including the destination boards
I've also found a contact who may be able to supply the white metal replacement Power Car ends I've been searching for - fingers crossed
Some of the acquired units already have metal wheels where I shall acquire more and upgrade as I go
Lastly I've just acquired a Rosebud Kitmaster Kitchen Car kit from the 1960's to use as a template for the conversions
The intention is to resell it after use as I hadn't intended to mix and match ......but you never know?
Another possibility is a custom engine change as although I now have a decent working power car end (whether it's man enough to pull all eight cars - once built and suitably weighted) a thought is to use a replacement 'motor' driving both bogies instead - maybe culled form an existing loco that would fit the dimensions
There was an Australian outfit offering a DCC ready replacement but they no longer trade or a couple of Black Beetle motors are an option apparently, but I'm looking at the central motor driving both bogies as the preferred option so that's another avenue to investigate
Talking of bogies - the Tri-ang ones need upgrading as they are all mostly wrong and the real DMU's had driving sets on the 2nd Class Parlour cars featuring a different heavier bogie casting
Whilst I don't need to detail the insides of the Kitchens as they cannot be seen externally - all the dining areas are just white with simulated brass lampshades on the tables
In reality, the cars had blue seats and red seats for each respective class so they need to be sorted as does internal and directional lighting as well
It never ends but all good fun
Watch this space
Color mixing grid with a set of 24 Inktense Watercolor pencils. Boy, this took a long time! Glad I didn't do all 72 pencils:)
Light painting is where my passion for photography began. After 4 years of playing with light I still feel a real buzz when I see the end result. for some time now I have been playing with the insertion of humans into the mix. Although the end result looks simple, the mix of long exposure, dim and bright light sources combined with working in the dark, makes these images quite tricky to achieve.
As with all light painting there is a fine balance between the actual light source used and the background. Mixing this with a person who needs to stay reasonably still and some form of flash (if needed) can be a frustrating mix. The top image here was a very long exposure with only light source being the light painting tool. The "subjects" had to remain incredibly still so there was no blur at all. We were at a Yoga Meditation retreat so they were pretty chilled anyway which helped. As you can see a couple of them had eyes open, which must have made it a pretty spooky experience.
In the other two images I have used another light source to give a beautiful soft light over the ladies. But they still had to be pretty still. The end result is an almost mystical look.
It is important to remember that these effects are achieved with absolutely very little manipulation in post production (no pixels are added or removed) and are a single exposure.
I am being asked for this effect in more of my commercial work, which is really exciting and certainly makes me happy that a passion from my personal work is bridging into my commercial work.
Exciting!
Peace, Denis
1. I'm Not Calling You A Liar - Florence + The Machine
2. Worried Shoes - Karen O & the Kids
3. It Doesn't Have To Be That Way - Jim Croce
4. I Will Follow You Into The Dark - Death Cab For Cutie
5. Faint Heart Never Won Fair Lady - The Apathy Eulogy
6. Touch - Bright Eyes
7. The Stars Of Track & Field - Belle & Sebastian
8. Because We're Dead - Slow Club
9. Fish & Stars II - Said The Whale
10. I Must Belong Somewhere - Bright Eyes
11. Up - Page France
12. Fighting in a Sack - The Shins
13. Heaven Knows I'm Miserable Now - The Smiths
14. Black & Blue - Edie Brickell & New Bohemians
15. In This Temple, as in the Hearts of Man for Whom He Saved The Earth - Sufjan Stevens
16. Skin Is, My - Andrew Bird
17. Where Do My Bluebirds Fly - The Tallest Man On Earth
18. We Are Nowhere & It's Now - Bright Eyes
19. Dishes - Pulp
All strategically planned out to form the lyric in the song Dishes, by Pulp that says "I'm not worried that I will never touch the stars 'cause stars belong up in heaven & the earth is where we are." I've just always loved that.
A lot of Bright Eyes... & I didn't have a "cause" song, so I just stuck with because.
This is my favorite CD that I've made so far (:
I had to use this fabric. Perfect storm of Peanuts, Halloween, works with vintage pak and just plain super cute. And (if there was such a thing) I want bonus points for recreating the purse/bag for Suburban Shopper. :-)
www.ebay.com/itm/163853566230?ssPageName=STRK:MESELX:IT&a...
#AbFav_GREEN_ 🍀
A LITTLE BIT of EVERYTHING... but all green, LOL.
Have fun.
Thank you for your time and comments, greatly appreciated, M, (*_*)
For more: www.indigo2photography.com
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Spring, nature, mix, horizontal, green, colour, conceptual, "art”, vertical, NIKON, Magda-indigo