View allAll Photos Tagged Mistake
YOU WERE BORN TO MAKE MISTAKES, NOT TO FAKE PERFECTION.
BLOG CREDITS HERE:
reignnoffashion.blogspot.com/2020/03/mistakes-perfection-...
This was most dangrous area of the trek, where trek was just above the river which comes from Saif-ul-Maluk and if you slips from there you will be in the river so no mistake!!!
When will I learn to stop me making the same mistakes again
Same mistakes again, for you?
When will I learn to lock my heart so it doesn't break again, no?
Doesn't break again, in two
I should've known, should've known by now
That I was always gonna come back around, see
Back in the day you know you let me down
Thought maybe I finally figured you out, 'cause
We said that things would be different
But all that turns out to be fiction
Breaking dishes in the kitchen
Walking on glass of pain
You say it's space that you needed
I said, "Well fuck it I'm leaving"
But history keeps on repeating
When will I learn to stop me making the same mistakes again
Same mistakes again, for you
When will I learn to lock my heart so it doesn't break again, no?
Doesn't break again, in two
When will I learn that I, I can do better
I can do better, much better than you?
When will I learn to stop me making the same mistakes again?
Over and over again, over and over again
I'm all out of new words to say (Words to say)
Running on empty, out of reasons to stay (To stay)
My friends told me it would go this way
They call me stupid when I say that you've changed, but
You said that things would be different
But all that turns out to be fiction
History keeps on repeating
When will I learn to stop me making the same mistakes again
Same mistakes again, for you?
When will I learn to lock my heart so it doesn't break again, no?
Doesn't break again, in two
When will I learn that I, I can do better
I can do better, much better than you?
When will I learn to stop me making the same mistakes again?
Over and over again, over and over again
I should know better, I should know better
I should know better, tell me why, yeah
I can't remember, I can't remember
The way he hurts me every time
When will I learn that I, I can do better
I can do better, much better than you?
When will I learn to stop me making the same mistakes again?
Over and over again, over and over again
When will I learn to stop me making the same mistakes again
Same mistakes again, for you?
When will I learn to lock my heart so it doesn't break again, no?
Doesn't break again, in two
I don't even know what happened but this is an accidental triple exposure straight from my film camera. I know it's mega grainy, but there is something about this that intrigues me. Happy Thursday everyone :) Pentax ME super 35mm f/1.4
The scope and variety of erasers was somewhat overwhelming. Food seemed to be a reoccurring theme. The vividness of these donut erasers caught my eyes.
HM.
Made it to the Fantasy Faire
Visit this location at Mistakes Were Made! ~ Sponsored by Epic Toys Factory in Second Life
Mistakes.
Primum sanguinis penuriam aquarum pruina distat ludibria vilis labor securus abesse malis linguis spiritus procellae servi grandeur,
bedrogen ondeugden geheiligde daden vreemdste sterfgevallen krachtige grepen aardse wezens stempelen vormen sluwheid misvormde gerimpelde wenkbrauwen,
ונטער וואָרמס לוקסוס וויזשאַנז אַמביגיואַס מאַנטאַלז פּלעזשערז מיינונג פּראָגרעס מווומאַנץ ינסענסאַבאַל ענדערונגען ימבעסיילז וואַסט ראָומינג פינצטערד טעג,
la richesse du tyran pestilence des nuages brûlant des noms des lions affamés éternels roulement tempête termes sourires intrépides plans variables enregistrement idiots temps,
spillingu kvöl hyldýpið voldugar kúlur dónaskapur dónaskapur dregur kröfur svívirðingar vilji eigingirni sálir,
無知の犯罪下劣な色合い毒された権力惨めな見解無茶苦茶な心に直面する恐ろしい心恐ろしいルールバースト必死の酔っぱらい波立たせられた論文大量に配信される急増レポート.
Steve.D.Hammond.
You are not ruined
Forever
Or ever so
Slightly
Your mistakes
Never become
Scars
Or words branded
With permanence
You are love
So am I
Which makes us
All
Forever
Forgiven
There are only two mistakes one can make along the road to truth; not going all the way, and not starting.
Buddha
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Robert Frost - Stopping by Woods on a Snowy Evening
Taking a walk in the snow, I forgot for a moment all the stresses of our current lives. Even though it was a short walk, it was a quiet walk in the woods.
12/08/2016; That you only get your doubts of being at the wrong place (because I could have sworn I could get more of Clifton Suspension Bridge in my photo based on what I saw when I did my homework for Bristol) confirmed when you're home again. XD
Oh well, this little mistake isn't enough for me to go back to Bristol anytime soon anyway, so I'll have to make do with it. And I'm happy enough with this result anyway. :)
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One of the challenges in taking up analogue photography so late in life is that there is much to learn and my brain ain't what it used to be (my wife will enthusiastically confirm this). One of the things I'm learning is that shooting film is not always straightforward and the foibles of a 50 year old camera and the shortcomings of a, ahem, slightly older human brain will sometimes catch you out. This picture is not some kind of clever arty-farty double exposure of well known subjects in St Pancras railway station. No, pure and simple its a screw-up. And I'm not sure it was my fault (most probable!), a problem with the film advance on the camera, or perhaps a screw up by the lab doing the processing. The first 20+ shots were all double exposed in some way while the last 16 were all fine. Who knows. Anyway, it so happens that most of the double exposed shots were complete rubbish but this shot actually caught my attention and I quite liked the result of the double exposure here.
I've just returned home after 5 days on a golfing holiday in France so I will be catching up with people over the next few days when time allows. Right now I have to mow the lawn which looks like a shaggy dog.
Camera: Pentax MZ-50
Lens: Pentax-M 50/1.4
Film: Ektar 100
This guy decided to look at the Icelandic ocean a bit too close...No need to tell you how he ended up
I Know I Made Alot Of Stupid
Mistakes In My Life, But The
Worst One Was Thinking The
Person Who Hurt Me The Most
Wouldn’t Not Hurt Me Again...
There are plenty of things I could tell you about this image but what I am going to relate tonight is only going to involve the mistake I made.
One of the risks to habits is that you can come to rely on them overly much. A case in point would be that by an unofficial rule I generally keep my Hasselblad backs loaded with 400 ISO film, one back for color and the other for b&w. When I do load a different speed film in one of my backs I try to make a note because I am so used to 400 speed film in them that I have mis-exposed film before because of mistaken assumption.
Before this latest trip up to the Olympic Peninsula I had been working a lot and photographing only a little. As such by the time I got up there my black and white back was halfway through a roll of film I could not remember loading and so I could not remember which film was in it. Normally no note would mean 400 speed but something in my brain was tickling away that this was not true, that I had loaded something out of the ordinary in terms of film speed in this back.
So what are my options at this point with about six frames left to expose? Well I could trust my habits and expose at 400. I could attempt to second guess motives and backtrack through memory to deduce which film I might have loaded. I could meter somewhere in between. This latter is what I did. I figured the only other speed I would have loaded would have been 100 ISO film. So if I metered at 200 then I would only be wrong by a stop. If it was 100, I would be a stop under and considering that I normally overexpose by habit anyway, all would be ok. If it was 400, then I would be a stop over (or two with my usual overexposure). and film so readily forgives overexposure. Seriously, you can get away with three or four stops over and still produce reasonable images. Additionally I was going to be a bit less choosy with those six frames and try to blow through them quickly so I could confirm the film and if necessary backtrack to re-expose any images.
Thus I set off. Unfortunately it was sunny and clear and conducive to heavy ND shooting so "blowing through" half a roll takes on a slightly different meaning when shooting through 18 stops of neutral density. It took a few hours but I managed, wound the roll and unloaded it... to find a roll of Rollei RPX 25. Umm yeah. So metering for 200, maybe overexposing by design by a stop I was still going to be two stops under. That was a bit disappointing. Usually I defer to the decisions that past-Zeb makes. He often seems to think of things that present-Zeb appreciates. But this time I was wondering what in the heck that past me was thinking by loading a roll of 25 speed film in a camera that usually uses 400 speed and not putting a note on it to warn present-Zeb how to expose it properly. Sheesh.
So I had a bit of a sinking feeling in my stomach, figuring not even the forgiveness of film was going to save me this time. Luckily I was still on the same beach and did backtrack to re-expose the images I felt most strongly about. I debated having the roll pushed when I got back but then the first half had theoretically been exposed accurately and I couldn't really remember what was on it, so I didn't want to push process that stuff, so I just let it go, morbidly curious to see how thin the negs would be. Imagine my surprise when the stuff that came back turned out to be fairly usable... at least some of it. This image for example was metered somewhere around 100 to 200 ISO, which means I probably overexposed it to begin with due to the deep shadows in the frame. But that is ok, I wanted the cliffs to be black anyway.
So what to take from all this? I guess mostly that we all make mistakes. In fact you ought to find opportunities to make mistakes. They keep us sharp, they are opportunities to learn, they sometimes show us things we may not have discovered on our own, they remind us that we are fallible in our decision-making. And I tell you about this one in particular so that you know that I am not above making such silly errors. I tend to curate out most of the images I don't consider worth the time to post or your time to see. I edit down to the good stuff, which really means the stuff that I like for one reason and another. And I think with practice and by limiting how much I post I tend to only share the stuff that is noteworthy for good reasons. But that can easily lead to the mistaken perception that maybe I don't make the same mistakes you make. That I don't screw up my calculations or forget something simple and obvious. Well trust me, I do. And sometimes it works out and sometimes it doesn't. On this case I got lucky, no thanks to my past self.
Hasselblad 500C
Rollei RPX 25
“A doctor can bury his mistakes, but an architect can only advise his clients to plant vines.”
― Frank Lloyd Wright
No, the flag emoji is not a mistake: even though nothing indicates that this is in Germany, the Zürich-Schaffhausen line does run over German soil between Rafz and Neuhausen. Here, at Lottstetten, Re 4/4 II no. 11155 - the last of the first subclass, the ones with only one pantograph - is hauling its Stuttgart-Zürich train, having already crossed the border twice and about to cross it one last time. Lottstetten, 01-07-2020.
Niềm tin cũng giống như 1 cục tẩy ...
Niềm tin càng ngày càng nhỏ đi
....Sau...mỗi lần lầm lỗi.
Đừng hỏi tại sao? Con gái có thể tha thứ nhưng không thể quên...
Không phải vì họ ích kỷ
mà vì khi bạn gây lỗi lầm
thì như 1 cây kim đâm vào tim
họ....khiến họ luôn có cảm giác ám ảnh sẽ bị đâm thêm nhát nữa. ...
Ordinarily, I would throw this photo out, but the car ruining my shot of the milky way cast such insteresting light.
Location: Jocky Club Innovation Tower, The Hong Kong Polytechnic University
Leica M6-TTL
Voigtländer Ultra Wide -Heliar 12mm f/5.6 Aspherical II
Rollei Retro 80s @ 100
Semi-stand development
R09 One Shot (1+200)
1 hr 50 min @ 20˚C
background**. Today I took my d850 instead of my D500 to get out with my dogs... and the lens I have in the bag was the 55-300mm dx,,, big mistake,, or maybe not... handheld, iso64 F8 and with my subjects further than 60 yards from me.. I obtained this quality in my morning shots... from maybe one of the cheapest nikon lenses... quite happy
If you look really closely, you can see Lake Superior in the background. Haha I guess we will know for next time how bright morning reflections are, also that Hannah takes her best pictures when mad.
“So be wise. And if you cannot be wise, pretend to be someone who is wise and then just behave like they would. Now go, and make interesting mistakes. Make Interesting. Mistakes. Make glorious and fantastic mistakes. Break rules. Leave the world more interesting for you being here. Make good art.”
― Neil Gaiman, Art Matters
Formerly @ Chronicles & Legends ~ Lovecraftian Horror ~ Oct. 9 - 31
Now on the marketplace!
The good Captain lost a leg to a creature of the the sea, drug down into the abyss. Light faded from sight above, and when all was nearly lost, a booming voice from the deep offered a deal. A bargain was struck and now a part of the Deep One walks the earth above...
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This peg leg set is unrigged but comes in male and female sizes (calf sizes vary widely). They are easily adjustable as the cloth wrapping at the top is a separate object from the leg itself. The peg leg stops just below the bend of the knee.
There's three types included as well for variety. One with the coral and barnacles, another with just barnacles, and one with plain wood. A HUD is included to change the color of the coral (12 colors) and also the animated eyes inside the barnacles (4 colors).
Mod / Copy / No Trans
More from me ♥
I finished a roll of film today.
However I made a painful mistake in the development procedure and got nothing...Orz
Sitting around the camp fire while in Cyprus Lake this past week, I figured I would point my camera straight up and catch some star trails. We tried a quick test shot at ISO 1600 to see what the moonless night and campfire lit scene would look like. Happy with the result, we calculated everything up to run at ISO 100 and pressed the timer. Except I forget to set it to ISO 100 and left it on 1600. This is the result of a 16 minute exposure at ISO 1600, f5.6. I don't suggest it, but if every mistake turned out this good, I'd be pretty happy.
Buy a print of this at Imagekind.