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Flexaret VIa, Ilford HP5 400.

#6x6 #flexaretvi #bwphotography #analogphotography

FUJI GSW690

Kodak Ektar 100

fuji gfx100rf vs. leica q3: which is better? a personal, in-depth review exploring image quality, handling, and the joy of 28mm. is the fuji the new favorite?

 

check out my blog arnds.photos/blog/the-fuji-gfx100rf-and-me (Link in Bio)

 

Early in the dawn in the California Valley, halfway between Atascadero and Taft.

Lars as seen through the eye of a Hasselblad Sonnar T* 150.

HOLGA 120N, 6×6 cm 120mm rolfilm

2 dogs are having sunbath time!

 

Shot with Zenobiaflex and Shanghai GP3 100.

Bronica etrsi - ilford hp5

A busy day but a happy one. When, in 2011, I started doing my own developing and, shortly after, using medium format, I simply discarded the leftover rolls of backing paper. They were agreeable little objects though, and I began to save them. I lined them up like soldiers along the tops of windows and picture frames in my man cave. When, last summer, we moved house, they had to come down, but I put them in a box and took them with me. But, ho-hum, I can't simply go on saving them for ever. One must be prepared to "let go". I didn't like to part with them uncommemorated, so I thought I'd photograph them in some way.

It turned into quite an undertaking. Stacking them up took most of the morning. I knew I'd at least have to use a bit of glue, but this didn't prevent a backwards collapse when the stack had attained about one-third of its eventual altitude. I started again, piling up books behind to prevent any repetition. Then I thought of those "ties" they put between the two skins of a cavity wall. I glued strips of paper into the "mortar joints" (if we are thinking in brickwork terms) whose opposite ends I lodged between the pages of the books. I was quite pleased with myself for thinking of this clever stratagem. Anyway, there were no further catastrophes. I'd intended to bring the thing to a point, like a pyramid, but the added instability might have meant pushing my luck. So here we are. I think there are 297 rolls. Meticulous in my habits, I have been through my "back catalogue" and I seem to have developed 341 120 rolls ...the missing 44 representing those I threw away early on. I developed the film on which I'd taken this shot, smoked a cigar in my garage to occupy the hour it took for the film to dry, and scanned the film during the afternoon. Once I knew that the commemorative shots had "come out" I deposited the rolls in the kitchen bin, where they will repose until our next refuse collection on Wednesday. I saved a few of the more interesting ones: a Verichrome Pan, expired 1970, that I bought off eBay a few years ago and developed, a Kodak E100G, a Fuji Acros and Fuji Neopan. I remain hopeful that the E100G, recently reintroduced in 35mm, may also reappear in 120. Neopan is gone ...a great pity... and Acros seems to be in limbo. It has been withdrawn from sale but, last I heard, Fuji are reconsidering. Taken, by the way, with an Agfa Isolette II, with Solinar lens. 1/5th sec at f11. I measured the focus distance.

This is as the car was bought. It still has a nanna cushion on the parcel shelf.

with lubitel 166U on neopan acros 100 film processed in VSCOcam on an iPhone5

With Zeiss Ikon Nettar, Ilford Pan F+

PhaseOne IQ4

Schneider Kreuznach Macro LS 120 mm f/4

ISO 50

f/11

1/125 s

rolleiflex 3.5F.

kodak portra 400 exposed at 200 ISO.

Taormina,

Sicily

Makkum, Province Friesland / NL

 

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Rolleiflex 3.5F - Planar - FUJI Neopan 400CN

Mamiya 645 1000s // Kodak Portra 400

LOMO Lubitel-166U, Ilford HP5+, 1+50 Rodinal 7:15

bronica etrsi - ektar 100 - no post process

holga, ilford xp2 b&w, process c-41

P67ii

Portra 160

 

____________________

www.ronny-engelmann.de

Brooklyn, NY.

Feb. 2016.

Yashica A.

Mamiya 645 super, 45mm, Kodak gold 200

Yashica A on Kodak Portra 400

medium format, mamiya c330

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