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Mamiya RB67 Pro SD + Sekor C 50mm auf KODAK EKTAR 100

My woman

Yashica Mat 124G

Kodak Portra 160

I've already decided to call it 'Fred' (Frederick) after my grandfather. Lovely bit of kit, the kind of engineering you rarely get nowadays, mostly metal, mostly manual and just works.

Graflex Century Graphic

Fujinon W 135mm f5.6

B+W Close-up +4 (NL4)

ProS 6x7 120 Roll film back

Ilford HP5+ @ 200

Stand developed in Caffenol-C-L

Epson V500

Photoshop CS

Shot on expired Fujichrome Provia 100 ISO colour slide film (120mm) Camera: Rollieflex

Blackfriars, London. Bronica etrsi, Kodak gold.

photo by MIkhail Serbin

Taken with Portra 400 using the Mamiya RB67

Camera: Mamiya RB67

Film: Fuji Velvia 50 Slide Film

Lens: 90mm

Aperture: f/8

Shutter: 50 seconds

Scanned at 400dpi

No Photoshop

Guillaume and Anthony, Ontario, Canada, summer 2014. Hasselblad 6x6

www.instagram.com/backtoprocess/

 

Mamiya RB67 + 127/3.8

Expired Kodak 120

More than 5000 pixels in length, and 3600 pixels in width... Amazing film camera (medium format), and pretty good scanner. I could do it to an even higher resolution, but there's not much point; no photoshop whatsoever here.

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

Seagull 6x6 TLR

Kodak Vericolor

Iskra is a medium format folding rangefinder camera, manufactured by KMZ.

 

Lens - Industar-58.

75mm f/3.5; Tessar design 4 elements in 3 groups; Aperture: f/3.5-f/22

 

Shutter speed: 1-1/500 +B

 

120 film, picture size 6x6cm

From the compressor room at the freezing storage.

 

Mamiya 645 ProTL, 35mm, Provia 100F

  

Heiko 2013 Rolleiflex 2.8E + Acros 100

Hasselblad 501CM with Zeiss Sonnar f4 180mm CF, Kodak Portra 160nc, developed in Tetenal Rapid C41

A week in Richmond, VA for my great grandmother's 96th birthday

Paris,Seine bank.

camera Hasselblad,film T-Max 100

― Aldo Leopold, A Sand County Almanac: With Other Essays on Conservation from Round River

(my favoirte book of all time)

  

Holga 120N toy camera + Kodak Professional Ektar 100 medium format film

 

A photograph made during September work week explorations with colleagues in the Big Reed Forest Reserve ... ...early morning paddles, hikes with lots of talk about the past and possible future of this old growth, considering forest succession, tree measures, spending time identifying plants, mushrooms, and critters, discussing the fate of arctic charr endemic to the pond, appreciating the diversity in this beacon of wilderness. ...but also jokes, Jack Daniels, guitars, and of course, my Holga toy camera.

   

hollywood

found slide from flea market, year unknown

Los Angeles downtown

Art District

Kodak portra 160

Rolleiflex 3.5a

Major components of the PhaseOne Camera System Wallpaper

Horseman 985 w/ Tokyo Kogaku Pro Topcor 105mm f3.5 and Ilford HP5+ 400 @ 800

Mamiya 7

65mm, f4

Ilford FP4+, 125

Ilford ID-11, 1:1, 11:30 min, 20.5°C

Epson V800

No editing done, Mamiya RZ67, Kodak Portra 160, 6x4.5 back

 

The 80mm lens, I have a 150mm on it's way.

 

I've already decided to call it 'Fred' (Frederick) after my grandfather. Lovely bit of kit, the kind of engineering you rarely get nowadays, mostly metal, mostly manual and just works.

The ruins of Halsnøy Abbey with the later farm house in the background.

 

The Abbey was one of the richest monasteries in medieval Norway. Founded in 1163 by earl and crusader Erling Skakke to secure the blessing of the church in promoting his son Magnus as regent.

 

It was rebuilt in Gothic style about 1300 and eventually dissolved in 1536 during the Reformation and assets were confiscated by the Crown.

 

The site was later sold and in 1841 the then farmer demolished the remains of the abbey church and built the current farm house.

 

The buildings were bought by Sunnhordland Museum in 1956 and are now run as museum and artist’s residence. (Source Wikipedia)

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

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