Lomography LC-A 120 / Fuji Superia 400

Graflex Century Graphic

Fujinon W 135mm f5.6

B+W Close-up +4 (NL4)

1/60 @ f5.6/8

ProS 6x7 120 Roll film back

Ilford HP5+ @ 200

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

Bronica SQ-A

Bronica Zenzanon-S 80mm f2.8

Ilford HP5 @ 400

The Soulful Project Gallery / Model Mayhem / Purestorm

Hasselblad 500c/m

Ilford Pan F Plus 50

Ilford LC-29 develop 20'C 5min

Ikoflex

LOMO Lubitel-166U, Ilford HP5+, 1+50 Rodinal 7:15

Father & Son

Kodak Portra

Hasselblad 503 CW with Digital Back Hasselblad CFV-50. Lens Carl Zeiss Distagon 4/50 mm CFI

Visiting Lancashire and Yorkshire no. 52322 runs around at Wirksworth.

Taken with a Rolleiflex Automat twin lens reflex medium format camera, Model K4 B2 (1945/49), Zeiss Tessar lens, yellow filter. Ilford XP2 super 400 B&W film

accidentally fogged roll of adox cms 20 moments before developing

Pentax 6x7 MLU, 105/2.4, TMax 400@1600, HC 1+31, V800

mamiya 7

85mm

kodak portra 400

Graflex Century Graphic

Fujinon W 135mm f5.6

Cokin 007 Infrared Filter (89B)

ProS 6x7 120 Roll film back

Ilford SFX 200

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

Photos from a shoot with Jack for his new promo images, taken on the holga 120n in and around Windsor great park - www.facebook.com/jackroberthardman - check out jacks music

shot with the yashica 125G camera using agfa rsx II slide film

with lubitel 166U on lomography lady grey 400 120 film

Melbourne, Australia.

unbeknownst to me me meter was 2 stops undercooking . This one I over =cooked a bit and barley salvaged it .

Pentax 6x7

Kodak Portra 100

Bangor, MI.

While I love the feel and functionalitity of the Kowa Six I don't really see the lens performing better than my other cameras. Was I hoping Hassy? ;]

120mm

Polaroid 600SE

Mamiya Sekor 127mm f4.7

ProS 6x7 120 Roll film back

Kodak 400TX @ 200

Stand developed in Caffenol-C-L

Epson V500

Photoshop CS

6 x 6 film camera, Agfa Agnar 1:4.5/85 mm lens. Copyright © 2013 jsfotografie.com

Mamiya RB67 Pro S

Sekor 90mm f/3.5 K/L

Explicacion basica...

En el back se carga la pelicula. Con el Slide se cierra para poder cambiar a otro back y que no se vele la pelicula. De esta forma en un back podes tener un rollo color y en otro b&n o diferentes iso, etc...

El visor de cintura es increible. Mucha gente esta re feliz con sus pantallitas lcd de 3'' en sus camaras digitales. Este visor es optico, no con una pantalla de lcd, y es de 53x53cm. Lo unico malo que tiene... no tiene fotometro. Para eso esta el Visor TTL, que viene con un fotometro, aunque esteticamente es horrible.

El lente no se compara con los que traen las Hasselblad (la Kiev 88 es copia de la Hasselblad Alemana) pero igualmente es de buena calidad.

GFX670 80mm. Ektar 100

6 x 6 film camera, Agfa Agnar 1:4.5/85 mm lens. Copyright © 2013 jsfotografie.com

Rapid Omega 200, Hexanon 90, Ektacolor 160

Mamiya Super 23/Universal, 100mm lens, Ektar

Argus 40; Anscopan 125 (exp Feb 1970)

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

shot with new remote for my canon xti

6 x 6 film camera, Agfa Agnar 1:4.5/85 mm lens. Copyright © 2013 jsfotografie.com