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Ashely Morgan

 

Mamyia RB67 ProSD

 

Kodak Porta 400

Unicolor

 

@atdaviddave

Bronica ETRS. Kodak Portra 800

Kodak Gold 200, Mamiya 645 pro

Mamiya 645 Super

mamiya 150mm 3.5 C

Kodak Portra 160

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

Mamiya 645 1000s, AE Finder, 80mm f/2.8 Sekor C

Went to PF changs for the first time.

 

Yashica Mat 124-G

Welches, Oregon

April 2012

So this was my first shot on the RB67, grooviness! I didn't bother cleaning it before scanning because I'm lazy and it's not all that good a shot, but yeah, first shot!

Fuji GSW 690

Provia 100

V700

www.instagram.com/backtoprocess/

 

Mamiya RB67 + 127/3.8

Expired Kodak 120

Taken on my Yashica mat 124g

Graflex Century Graphic

Fujinon W 135mm f5.6

B+W Close-up +4 (NL4)

1/60 @ f5.6/8

ProS 6x7 120 Roll film back

Ilford HP5+ @ 200

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

Bronica SQ-A

Bronica Zenzanon-S 80mm f2.8

Ilford HP5 @ 400

LOMO Lubitel-166U, Ilford HP5+, 1+50 Rodinal 7:15

Pentax 6x7 MLU, 105/2.4, TMax 400@1600, HC 1+31, V800

Mamiya Super 23. Underexposed Ektar 100 and some levels adjustment in LR.

mamiya 7

85mm

kodak portra 400

Camera: Norita 66

Lens: Noritar 80mm f/2

Film: Kodak Portra 800 120

Graflex Century Graphic

Fujinon W 135mm f5.6

Cokin 007 Infrared Filter (89B)

ProS 6x7 120 Roll film back

Ilford SFX 200

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

Mamiya c330 , 80 mm F2.8 blue dot lens. Kodak Potra 400 film.

 

Bangkok , Thailand

shot with the yashica 125G camera using agfa rsx II slide film

with lubitel 166U on lomography lady grey 400 120 film

Nikon D90 with AF-S DX VR Zoom-NIKKOR 18-200mm f/3.5-5.6G IF-ED

@40mm, ISO 100, f/4.5, 1/160 sec

Aperture-priority mode

 

I can't tell you how exciting it is to go out and shoot with my new baby... you're looking at:

- Mamiya RB67 Pro S body

- Mamiya-Sekor C 90mm F3.8 lens

- 220 (6x7cm) film back

- Prism finder

- mounted on Manfrotto 322RC2 head using a RC2 quick release plate

- attached to an Op/Tech Super Pro Strap "B"

 

I can't fully explain it, but there's just something very satisfying about shooting with this camera. I think it's the fact that you really need to slow down and think about each shot... the composition, the light, the exposure... everything. It's definitely old school... manual everything... setting the aperture/shutter speed, cocking the shutter, pulling the dark slide, raising the mirror, releasing the shutter, etc. And did I mention that this camera is built like a tank? This beast is probably around a whopping 7 pounds!

 

I'm taking it on blind faith that I've been setting my exposure correctly, using the meter on my D90 to estimate. I've set my D90 to ISO Lo1 (100) to match the Velvia 100F film in the RB67. We'll find out in a couple weeks after I finish off the first roll and get it developed. I hope it's not like making pancakes, where you need to throw away the first batch :-)

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