View allAll Photos Tagged Max
**Max, at Work.**
Watching him paint was, for me, much more than simply a photographic opportunity.
It meant entering his world, respectfully and on tiptoe. A world made of silence, thoughts, glances, gestures, and that deep concentration that belongs to someone who has devoted an important part of his life to creativity.
While he paints, Max seems almost to forget everything around him. He is immersed in his own time, in his ideas, in the emotions that slowly take shape on the canvas.
And perhaps this is the most fascinating part: not knowing what is passing through his mind, yet somehow being able to perceive that something is happening.
What he sees and feels belongs only to him. It comes from sensitivity, experience, empathy, and everything that, throughout his life, has settled within him.
I simply tried to capture a few moments of that experience, allowing his gestures, his eyes, and his work to tell what words cannot fully explain.
Because sometimes, there is no need to explain what happens inside.
**It is enough to look.**
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**Max, al lavoro.**
Guardarlo mentre dipinge è stato, per me, qualcosa di più di una semplice occasione fotografica.
È stato entrare, con rispetto e in punta di piedi, nel suo mondo. Un mondo fatto di silenzi, pensieri, sguardi, gesti e di quella concentrazione profonda che accompagna chi ha dedicato una parte importante della propria vita alla creatività .
Mentre dipinge, Max sembra quasi dimenticare tutto ciò che lo circonda. È immerso nel suo tempo, nelle sue idee, nelle emozioni che lentamente prendono forma sulla tela.
Ed è forse questo l'aspetto più affascinante: non sapere cosa stia attraversando la sua mente, ma riuscire comunque a percepire che qualcosa sta accadendo.
Quello che vede e sente appartiene soltanto a lui. Nasce dalla sensibilità , dalle esperienze, dall'empatia e da tutto ciò che, nel corso della vita, si è sedimentato dentro di lui.
Io ho semplicemente cercato di fermare alcuni istanti di quel momento, lasciando che fossero i suoi gesti, i suoi occhi e il suo lavoro a raccontare ciò che le parole non riescono a spiegare.
Perché, qualche volta, non serve raccontare ciò che accade dentro.
**È sufficiente guardare.**
Während die neu ausgeliefert D-AMAB von TUI in Hannover AOG gammelt, flog diese 737 MAX 8 von Neos ein paar Tage für die deutsche Ferienfluggesellschaft.
Got a new sweater from Roomtwo on etsy :) It's not quite right for his body (It's a ladies sweater haha) but I think it looks cute on him :)
Max loves to help me make the bed.....trouble is, he hinders more than helps, as he loves to get under the covers!
Taken with my phone, as it was the only camera handy!
Ultra rare Max Roadster, made in the-Netherlands, it is currently one of only 8 on the road in the Netherlands. Max started making these roadsters in 1989 and it shared parts with the Citroen AX. This example was imported to the Netherlands in 2006 and still has the same owner
Max spent a very enjoyable ten minutes rolling about on the carpet in the sunlight! We haven't seen much the last week or two!
**Max, at Work.**
Watching him paint was, for me, much more than simply a photographic opportunity.
It meant entering his world, respectfully and on tiptoe. A world made of silence, thoughts, glances, gestures, and that deep concentration that belongs to someone who has devoted an important part of his life to creativity.
While he paints, Max seems almost to forget everything around him. He is immersed in his own time, in his ideas, in the emotions that slowly take shape on the canvas.
And perhaps this is the most fascinating part: not knowing what is passing through his mind, yet somehow being able to perceive that something is happening.
What he sees and feels belongs only to him. It comes from sensitivity, experience, empathy, and everything that, throughout his life, has settled within him.
I simply tried to capture a few moments of that experience, allowing his gestures, his eyes, and his work to tell what words cannot fully explain.
Because sometimes, there is no need to explain what happens inside.
**It is enough to look.**
--------------------------------------
**Max, al lavoro.**
Guardarlo mentre dipinge è stato, per me, qualcosa di più di una semplice occasione fotografica.
È stato entrare, con rispetto e in punta di piedi, nel suo mondo. Un mondo fatto di silenzi, pensieri, sguardi, gesti e di quella concentrazione profonda che accompagna chi ha dedicato una parte importante della propria vita alla creatività .
Mentre dipinge, Max sembra quasi dimenticare tutto ciò che lo circonda. È immerso nel suo tempo, nelle sue idee, nelle emozioni che lentamente prendono forma sulla tela.
Ed è forse questo l'aspetto più affascinante: non sapere cosa stia attraversando la sua mente, ma riuscire comunque a percepire che qualcosa sta accadendo.
Quello che vede e sente appartiene soltanto a lui. Nasce dalla sensibilità , dalle esperienze, dall'empatia e da tutto ciò che, nel corso della vita, si è sedimentato dentro di lui.
Io ho semplicemente cercato di fermare alcuni istanti di quel momento, lasciando che fossero i suoi gesti, i suoi occhi e il suo lavoro a raccontare ciò che le parole non riescono a spiegare.
Perché, qualche volta, non serve raccontare ciò che accade dentro.
**È sufficiente guardare.**
Am Max-Weber-Platz (27. Oktober 1988) trennen sich U4 und U5. Der Bahnhof wird leider durch eine undefinierte Baumaßnahme an allen Ecken und Enden verunstaltet, daher die fehlenden Deckenpanele – so sollte es hier eigentlich aussehen: www.u-bahn-muenchen.de/netz/bahnhoefe/mw/.
Coronian Underground #43.
Llevaba tiempo queriendo ir a Colmenar a ver la lanzadera de Soto, pero siempre por pereza lo he ido dejando. Hoy al levantarme estaba nevando, asà que me acerque hasta allÃ, y tras una larga espera de casi dos horas que se me hicieron eternas porque hacia muchÃsimo frÃo, se dignó a pasar la lanzadera camino de Manzanares-Soto, con la 333.356 y 8 vagones. Quiso la mala suerte que justo cuando se acercaba el tren nevaba cada vez más, lo cual estropea bastante la foto, pero bueno, tampoco se ve nevar todos los dÃas!
Arriva North East Gemini 2DL 7626 - NK61 EBV crosses the iconic Tyne Bridge into Newcastle on route X12 from Middlesbrough. The bus has now transferred to Arriva Yorkshire and lost its MAX scheme in favour of the current standard livery.
We got Max as a rescue dog. He had three previous homes. He was bred as a badger baiter but failed, thankfully, taken on by a family who starved him and then us. Dramatically my daughters went to see him when I was at work. A text to me said "I will die if daddy says no!" I said yes as he chose us. Since we got him he has been nothing but perfeck, the best family dog ever, carering, loving, funny, a long distance walker and a friend. He is getting older, 14 this March and looking very white. He has developed a limp, bad wind but still he loves his humans and his walks and his chews! He has been with the girls as long as they can remember and on holidays, days out and important experiences, as far as I am concerned the best dog anyone could want.....Max, or his full name, Maximilian Mackymoomoo
Strobist style... ISO 200, Manual exposure (f/11, 1/100th), manual flash output. Shutter speed adjusted to set ambient light, and f/stop adjusted to control flash power. Backlit at about 1/2 power, frontlit at about 1/16th power.
Max can spend ages sitting on the dining table watching the birds at the feeders outside.
He prefers to watch the pigeons, as they stay in one place much longer than the little birds, who fly in, grab a morsel and fly away.
Delightful 1950's French Air Force painted six-seat Max Holste MH.1521C Broussard '192/44-GI' taxies past our Photo-bus during the 1994 RIAT held at RAF Fairford
Then owned by Roger Reeves she was registered in the UK as
G-BKPT
Scanned Kodak 35mm Transparency
HiRISE (High Resolution Imaging Science Experiment)
HiRISE has photographed hundreds of targeted swaths of Mars' surface in unprecedented detail.
The HiRISE camera has provided the highest-resolution images yet from martian orbit.
The camera operates in visible wavelengths, the same as human eyes, but with a telescopic lens that produces images at resolutions never before seen in planetary exploration missions. These high-resolution images enable scientists to distinguish 1-meter-size (about 3-foot-size) objects on Mars and to study the morphology (surface structure) in a much more comprehensive manner than ever before.
HiRISE also makes observations at near-infrared wavelengths to obtain information on the mineral groups present. From an altitude that varies from 200 to 400 kilometers (about 125 to 250 miles) above Mars, HiRISE acquires surface images containing individual, basketball-size (30 to 60 centimeters, or 1 to 2 feet wide) pixel elements, allowing surface features 4 to 8 feet across to be resolved. These new, high-resolution images are providing unprecedented views of layered materials, gullies, channels, and other science targets, in addition to characterizing possible future landing sites.