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The Sensational Alex Harvey Band The Mean Fiddler London 3rd Dec 2005
The date was Saturday 3rd December 2005, quite a momentous date for me it was going to be the first time I had seen the Sensational Alex Harvey Band, since the death of the great man himself. Although the other lads had seen the band at the Underworld, Camden the year before and even in Aberdeen two weeks before it was for me the first time.
I had seen Alex Harvey previously at the Palladium when it was a great gig ranking in my top 5, this would have been in the late 70's or early 80's and then again at the Astoria when quite frankly I was disappointed, the only thing I can really remember about that gig was a woeful song about a whale, tis was a year or so before Alex had died.
First of the Mean Fiddler is a great venue for Rock Music, facing Centre Point in Charing Cross Road, you go downstairs into a pit area which is dark and dingy with a large stage at one end the mixing desk is set towards the back and you can get a good view from anywhere on the floor. There is a balcony that runs all around the top and I should think also gives a good view on the band. the only bad point is that you can only buy canned beer from the bar priced it gets a bit pricey so no real chance of getting pissed.
Dead on 8pm the band came on to the sound of some type of dance music, the first things I noticed was Chris GLENN wearing a pair of glasses with some kind of red aiming light on which flashed into the crowd and Zal with his face all painted white with black lines on the eyes. then on came Max MAXWELL who is now the lead singer and started with the immortal words, 'LET ME INTRODUCE TO MY BAND.............'. the band went into with gusto. They seemed to enjoy the show the band when through all of there classics with my favourites being ISOBEL GOUDIE, GIVE MY COMPLIMENTS TO THE CHEF and FAITH HEALER. They were joined at one stage by the lead singer of ALABAMHA 3 who sounded like a good ole country boy from the deep south but I'm told he is only from south of the Thames, he did two numbers one being THERE FRYING BIG WILLIE TONIGHT or something like that I can take or leave him. As for Max MAXWELL I was well impressed he didn't try to replace Alex but did his songs in his own way including FRAMED which he changed into how he joined the band.
The encore consisted of VAMBO, BOSTON TEA PARTY and DALILAH a great end to a great gig, the band were tight with Zal still pulling manic faces,
the new singer good and my ears were still ringing on Monday.
We were promised an interview with the band (we were late again )but despite the efforts of Maurice could only get a word with Ted who said 'THEY LOVED PLAYING THE KURSAAL IT WAS A GREAT ROCK N ROLL VENUE'
Colin 2005
West Hollywood, CA - Christina Aguilera and her adorabe son Max visit Maxfield's this afternoon, and do a little window holiday shopping. Little Max came out with a snack in his hand, and wanted to play with the stone sculpture outside before heading home in Christina's arms. Christina has definetly had her hands full lately, as she is currently filming in her debut film, "Burlesque", and being a young Hollywood mom.
GSI Media December 13, 2009
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Christina Aguilera Candids Dec,2009
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May 12, 2011
Roanoke Civic Center.
Madalyn went to see Max and Ruby Live!
It's a surprise party for someone special, and bunny siblings Max and Ruby have a-million-and-one things to do before the exciting event! Who could the mystery guest be? Find out by joining Max and Ruby in this lively theatrical production that will have the whole family singing and hopping along!
Construit en 1902-1905 par Victor Horta pour l’avocat et politicien socialiste Max Hallet et son épouse, ce bâtiment marque, dans la carrière de Horta, un passage à un style assagi. L’intérieur offre un espace magique où courbes et contre-courbes se reflètent harmonieusement dans de splendides verrières et vitraux.
Au rez-de-chaussée se trouvait le cabinet, un salon et une salle à manger. Au premier étage, la famille vivait dans un salon, un bureau et une grande chambre. Tout en haut de la maison, dans la loggia ouverte, existait un salon de musique.
L’escalier d’honneur constitue véritablement le cœur de l’habitation. Déployé sur deux imposantes volées en marbre blanc veiné, il est baigné de la lumière provenant de la véranda, au premier palier, et du vaste lanterneau.
La véranda constitue une des particularités de cet hôtel : sous la forme d'une grande verrière en fer et verre coloré, elle est traitée en trois absidioles sur plan cintré. Sur toute sa hauteur, sur les murs et le plafond, l'escalier est décoré d'une large frise peinte figurant des rosiers entremêlés. Cet espace était réservé à Madame Hallet, passionnée de culture florale. Le mobilier initial n'a pas été conservé (cf. festival-artonov.eu, merci victorhorta.be pour la photo).
Taught all three dogs a couple new tricks, the first one is that they'll leave a dog biscuit on their nose until I hand signal that it's ok to eat it. The second one is to hold a biscuit in their teeth until I hand signal that its ok to eat it.
Here is Max holding a biscuit on his nose.
Massimiliano "Max" Papis (born October 3, 1969 in Como, Italy)[1] is a racing driver who has competed in several top-level motorsports series such as Formula One and Champ Car. He has three Champ Car victories. He is the son-in-law of Emerson Fittipaldi. His son's godfather is fellow Italian Alex Zanardi. He currently drives the #9 Geico Toyota Tundra for Germain Racing in the NASCAR Camping World Truck Series.
Max Warmerdam
De foto op de achtergrond met "kom ook schaken!" er boven heb ik overigens ook gemaakt. Leuk dat je hem overal terugziet bij KNSB evenementen.
Hampsten Max Dirt Road Bike. TIG-welded Columbus Max tubeset & lugged Max steel fork. Bedecked in Campagnolo Centaur components, with Thomson 130 stem, 3T Rotundo bars, Dura Ace seatpost, Rolls saddle, Arundel cages, Tektro R700 calipers, Velocity Aerohead rims.
My new friend Max works in video production. Initially, he needed photos for social media. And, as often happens with my clients, he became my friend. He calls me and says, 'Come over, it’s Maslenitsa, I’ll feed you pancakes.' So I went.
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Mah facebook <3 : www.facebook.com/max.superman209
click favorite button if you like :) ~
Max Studio Tan/blk/gray plaid skirt suit with full at the knee skirt and a clasp front jacket, INC black satin button front blouse, INC black patent stilleto pumps, Hanes black hose, Wocoal taupe lingerie
Baskabinettet er et dansk produceret produkt af mærket Max som blev produceret fra midten af 1960erne.
Det var indehaveren af en af Københavns største musikforretninger Super Sound (1959-2009, København) Per Ole Larsson, der via sin import og produktionsvirksomhed 'Europæisk Musik Import A/S', stod bag Max, som ud over basforstærkere og -kabinetter, også producerede guitarforstærkere samt kombinerede bas-, guitar- og sangforstærkere.
Max forstærkerne var kopier af de populære VOX-forstærkere der vandt indpas på det danske musikmarked især efter Beatles - som altid havde VOX bag sig - var brudt igennem. Historien går på, at Per Ole Larsson fra 1962-63 havde stor succes med salg af VOX-forstærkere som han importerede fra England. Grundet den store efterspørgsel var forstærkerne dog altid i restordre, og Per Ole fik den idé, at producere kopier af VOX-forstærkerne. Kopierne – som fik navnet ’Max’ og kunne formentlig købes fra April 1965 blev hurtigt meget populære blandt de danske pigtrådsorkestre.
’Max’ var tilsammen med mærket ’Holler’ førende indenfor dansk produktion af forstærkere og højtalere i 1960’erne og de danske produkter udgjorde – til trods for en forholdsvis dyr anskaffelsespris (gerne omkring 2000,- for en forstærker) – et mere økonomisk alternativ til de noget dyrere Vox-forstærkere.