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Here I have used the masking tape in a different way - placing the tape to leave bold white rectangular shapes when the paint was applied. I used three different colours and the paint was applied with a broad dry brush.

Timothy Holt.

 

Title: In=Transit (Rest).

Medium: Hardboard and elastic bands.

Dimension: Variable.

Location: Variable.

Date: 2010.

 

© Timothy Holt, 2010.

www.timothyholt.co.uk

I bought a new outfit on YJP.

Let the rain fall, I don't care if the flowers die

The night lights can forget me

The stars will never glow

The days just seem so worthless

The hours, they come and go

Reminds me of you

  

baaaaad picture. :P

F is for Fanny sucked dry by a leech.

January 12, 2019 The two birds of normann Copenhagen were in my advent calendar. I tried to draw them in the grisaille technique, which I read about in the great blog by @jutta.richter. The beginning with the gray tones ​​in ink works quite well, but I can not manage to color soft enough.

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12. Januar 2019 Die beiden Vögel von normann Copenhagen waren in meinem Adventskalender. Ich habe versucht, sie in der Grisaille-Technik zu zeichnen, über die ich in dem lesenswerten Blog von @jutta.richter las. Der Anfang mit den Grauwerten in Tinte klappt ganz gut, aber ich schaffe es nicht, zart genug zu kolorieren.

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Unaufgeforderte, unbezahlte Werbung

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M is for Maud who was swept out to sea.

Scarlet has a good artist's eye for making art from "found objects." Here she made a cherry blossom from leftover track tape.

Oil on canvas with masking tape

 

Hockney was visited by his parents whilst he was living intermittently in Paris (1973-5). It was there that he made the preparatory drawings and took reference photographs for the planned painting. While selecting the works for Drawing from Life in Hockney’s Los Angeles studio, the artist rediscovered the painting, believing that after abandoning it, the work had been destroyed. The masking tape was originally used to hang a piece of paper over the central panel as Hockney re-worked the surrounding area.*

 

From the exhibition

  

David Hockney: Drawing from Life

(November 2023 - January 2024)

 

David Hockney (b.1937) is regarded as one of the master draughtsmen of our times. He widely champions drawing, which is at the heart of his studio activity and has underpinned his work throughout his life. From the early pen and ink and coloured pencil drawings, to his more recent experiments with watercolour and digital technology, the artist’s inventive visual language has taken many different stylistic turns.

Over the past six decades he has never stood still, or rested on a particular approach, medium or technique, remaining inquisitive, playful and thought provoking while generously sharing his ideas with his audience. His drawing reflects his admiration for both the Old Masters and ‘modern Masters’ from Rembrandt to Picasso.

Drawing from Life explores the artist’s unique vision of the world around him, which is played out in portraits of himself and his intimate circle. A room of new ‘painted drawings’ of visitors to his Normandy studio in 2021-2 offer a glimpse of Hockney’s continuing working life.

All works in the exhibition are by David Hockney..

[*National Portrait Gallery]

 

Taken in National Portrait Gallery

"ruined it" step - added paint with palette knife (anthraquinone blue, orange [mixed indian yellow and quinacridone magenta], gesso - glued down F, wrote phrase

Papier: divers

Stickers: Peel Off's

Masking tape

.....意思就是還有第二批。

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