View allAll Photos Tagged MaskingTapes
Wir freuen uns jetzt das tolle Masking Tape von MT anzubieten.
Mit ein paar Handgriffen verzauberst Du ein Glas in ein Windlicht, eine Wand in ein Memoboard, ein Konservenglas in ein schönes Aufbewahrungsglas für Krims-Krams.
Mehr Ideen gibt es auf unserem Blog
This Chicago Reader newspaper box has some good graffitti and stickers on it. The ginkgo leaf wanted to be cool and hang out with the other stickers.
The base to which papier-mache would be applied to form the framework for my DIY FIFA World Cup Trophy replica.
A party balloon is attached to a rolled cardboard cyclinder with masking tape. The height is approximately 37cm.
Im addicted to stationery and craft rooms.
Addicted!! Also getting quite upset at the current mess that surrounds me in my own wee world!
Blogged under a creative commons license. All original copyrights remain
Hace ya 4 años que soy adicta al scrapbook. Es mi hobbie, es mi desestrés, es mi terapia, es mi creatividad, es mi pasión....Todo el material de scrap me tiene loca pero los masking tape.... tengo una tonelada!! y es que son tan monos........
Though I already have three new LO's that I am working on this is probably the last one that I will upload before the new year.
Im addicted to stationery and craft rooms.
Addicted!! Also getting quite upset at the current mess that surrounds me in my own wee world!
Blogged under a creative commons license. All original copyrights remain
Im addicted to stationery and craft rooms.
Addicted!! Also getting quite upset at the current mess that surrounds me in my own wee world!
Blogged under a creative commons license. All original copyrights remain
note the sharpie marker and masking tape roll! no scion exchange experience is complete without them!
ikea kids table and chair set painted and striped with japanese masking tape. more info on blog: thehappyhomeblog.com/?p=1717
Original designed by friends.
Took photo for fun <3
Photo (c) me: kan.io
Product (c) CattleClass : cattleclass.taobao.com
Here's a little package I made with a few different types of DIY washi tape. The green is crepe streamers (leftover from a kid's birthday party) and the blue is tissue paper, both decorated with the same rubber stamp used for the tag. The sewing pattern I used for the other tape is vintage and belonged to my great grandma.
Original designed by friends.
Took photo for fun <3
Photo (c) me: kan.io
Product (c) CattleClass : cattleclass.taobao.com
Cute massage washi tapes
made in Japan
orange- Thank you, For you
White-Love,Good, Smile, wonderful, special, great'
mint-Happy birthday
an exerciSe in poetry.
edited by Michèle Provost.
Gatineau, privately published, [june 2o1o?]. 1o unique copies numbered & inscribed in black embroidery on title page panel.
an artist's book built on the foundation of unique foreign-language cloth hardcovers further wrapped in machine-sewn cloth panels & partially eviscerated & altered in myriad ways with a button sewn to the front cover & 9" knotted string tie fastened into the rear cover, 6 looped ribbon markers protruding from throughout delineating the 6 outside contributors' sections, names printed black rubberstamp rectos of the corresponding leaves. probably things vary minorly from copy to copy.
this one's approximately 5 x 7-7/8 x 1-3/8.
7 contributors:
jwcurry, John Lavery, Pearl Pirie, Michèle Provost, Carmel Purkis, Sandra Ridley, Grant Wilkins. their works are variously represented & responded to/interfered with by Provost.
the title page is a 3-1/2 x 5-1/4 tan cotton cloth panel with title, copy # & inscription embroidered in black, glued & stitched at the corners to the recto of the front free endpaper. it & the first 3 sheets are glued together to make a stiff panel.
3 intermediary glued in panels follow.
the Pirie section, 10 QUESTIONS (more or less) + some answers consists of a lasered title page panel followed by 1o pagespreads with lasered translucent vellum leaves maskingtaped to the left halves (Provost's + some answers), black pencil overprint of Pirie's text on the right.
the Wilkins section, a melancholy ode to the degraded neo dadaist, is 3-3/4 x approx.7-1/4, 5 acetate leaves with black clothtaped top & bottom edges, machine-sewn black at top to a backing board glued to a thin brown corrugated cardboard rear cover, all leaves aluminum-riveted at bottom with further acetate & light bluepaper tags. the acetates are all laser printed & a final, lasered light blue label is glued to a final white bond leaf glued at top to the inside rear cover. this reductive concrete poet5ry object is tucked by its back cover into a pocket & is followed by Provost's 3 colour-lasered labels.
Sandra Ridley's section, recent/unfinished, consists of 2 stacks of 2 x 3-3/8 white glossy cards printed 4-colour laser both sides, parts 1>18 (2o cards) in one stack with one face design, parts 19>35 (19 cards) in the other with a different face design. both stacks are wrapped in a black cloth elastic tie & tucked in horizontal pockets built into the largest of the eviscerations. there are preceded by 2 title page labels & 2 decorative, all 4-colour on white paper.
the untitled Purkis section consists of a pagespread of 5 vertical strips of striped dark grey paper with text cut out by letterpunches, stapled top & bottom 3 to the left page, 2 to the right. this is followed by 3 lasered paper panels glued in, a light green translucent vellum leaf glued & multiply-stapled top & bottom, another lasered grey panel with ink holograph additions & a 2-1/8 x 3-1/2 clear plastic bag containing the punched out letters, stapled into a 2-1/2 x 1-7/16 topfolded glossy card wrapper printed colour laser with a further label on that & glued to a backing sheet further glued to the last page of the section.
Lavery's The Booming Moon consists of a small title panel lasered onto translucent vellum, an 8 x 4-15/16 white bond gatefold printed black laser with a printed cover panel with string pull, followed by 6 lasered vellum panels glued or taped in.
the curry section consists of 2 works:
i) ORIOUS ISTIFICATION, MUTUAL PROVOCATION : taking issue with Michèle Provost's epithets censored version (privacy protection) with background notes (freedom of information), a prose essay, version edited by Michèle Provost from multiple drafts by curry, all as 13 black-lasered buff paper panels glued in. the ordering is weird but it goes like so, all from the final draft unless otherwise noted:
–panel 1) parts i) opening the ointment; ii) schoring; ii) getting personnel (continued on panel 5): all have been modified by Provost
–panel 2) as panel 1 but unmodified by Provost & mirror-printed with curry's "final" annotation at top (not on panel 1)
–panel 3) parts i-iii in full but from the 2nd draft with curry's revisions, ORIOUS ISTIFICATION: provoking Michèle Provost, part i previously titled opening ointment
–panel 4) chiasmus, excerpt from earlier drafts of part vi
–panel 5) the end of part iii (from panel 1) parts iv) letters of disagreement & v) istific isthmi, & the beginning of part vi) the work/play chiasmus, all modified by Provost
–panel 6) as panel 5 but without modifications, mirror-printed
–panel 7) the end of part vi (from panel 5), parts vii) relief of response ability & viii) why?, & the beginning of part ix, tropical cancer, all modified by Provost
–panel 8) as panel 7 but without modification, mirror-printed
–panel 9) part x) surgical phonography, opening coupla lines from an earlier draft, with massive revisions added, compressed horizontally
–panel 1o) the rest of the earlier draft of part x (from panel 9) & part xi) this is no joke
–panel 11) the end of part ix (from panel 7) & parts x & xi, ix & x only modified by Provost (no difference in drafts of part xi)
–panel 12) as panel 11 without modifications, mirror-printed
–panel 13) (optional interference) (performance instructions), from a draft (not present in final version); on perforated sheet
–panel 14) "iSTiCaLiaN", wordquote from the essay rubberstamped on a cardboard tag with string tie
ii) GOING CRITICAL, with Michèle Provost; approx.4-3/16 x 4-3/4, 9-panel white translucent vellum accordion (opening to 33-1/2", not counting the covers or flanges) printed black laser & tipped to plain black textured card covers, the front to a 1" flap with a 2" interior hinge & 3-9/16 x 3-9/16 buff bond cover label printed black laser, the rear to the inside rear cover with a 2-5/8" flap folded over & glued down, object tucked behind 2 black elastic cloth bands
the only thing to follow this is the word "FIN" in black rubberstamp.
The top of a yellow pole in the Target parking lot. You know what? Looking at this pole from this angle, i never realized that it's a metal pole with a concrete filling. It's like an urban Ho-ho!
View the side.
This coctail dress was made entirely of masking tape and nothing else for DoA anniversary contest Triathlon, but as I already won the Almost a Doll contest I was out of the running for this one, so I can publish my works already.
This cocktail dress was made entirely of masking tape and nothing else for DoA anniversary contest Triathlon, but as I already won the Almost a Doll contest I was out of the running for this one, so I can publish my works already.
Looking around on Flickr, I found that most of the stuff I like in the stationary world comes from Japan, and has extremely limited distribution elsewhere. I took a chance on a site called Rakuten.com, which appears to be an online aggregator for Japanese retailers. I was pleasantly surprised that the order went off without a hitch, and even arrived faster than a Midori Traveler's notebook I ordered from the UK last month (which has yet to appear).