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Mary Kamau is a mom, a farmer and a customer of BURN Manufacturing. She uses her EPC to make meals for her family
Mary Kamau is a mom, a farmer and a customer of BURN Manufacturing. She uses her EPC to make meals for her family
Worker with loblolly pulpwood peeled, 1930s
Wood manufacturing in Maryland began with hundreds of small sawmills that often used streams and water wheels to power they belt-driven machinery. Modern milling technology uses computers to scan logs and determine how best to maximize wood recovery and optimize grade and quality. Modern wood-producing mills make use of every part of a tree in a very efficient manufacturing process.
The Maryland Forest and Park services were founded in 1906. These photos were archived in celebration of their centennial in 2006.
Frank Johnson, left, President of the Manufacturing Alliance of Connecticut welcomes the manufacturing community to the roundtable, addressing the legislative work that MAC engages with on behalf of their membership.
Mary Kamau is a mom, a farmer and a customer of BURN Manufacturing. She uses her EPC to make meals for her family
© Photos : Samuel Coulon
Patrick Levy-Waitz, Président de France Tiers-Lieux et Monsieur Jean-Marie Girier, Préfet du Territoire de Belfort pour la labélisation officielle de la Crunch Factory comme l'une des 20 premières "Manufacture de proximité"
Pima Air and Space Museum
NORTH AMERICAN BT-14A (N.A.57) YALE
SERIAL NUMBER 3397
N4735G
Current Markings: Current Markings: Royal Canadian Air Force, 1943
The Yale is a member of the same family of trainer aircraft as the T-6 Texan and it bears a very close resemblance to the Texan. The most obvious difference is the fixed landing gear on the Yale compared to the retractable gear on the Texan. The 119 Yale aircraft used by the Royal Canadian Air Force were the export version of the US. Army Air Corps BT-14 and had originally been intended for France, but were diverted to Canada after France fell to Germany in 1940. The Yale served in Canada until late 1946 when they were all retired.
This aircraft was manufactured by North American Aviation in 1940 for France and diverted to Canada in August 1940. It was eventually sold and received the U.S. civil registration N4635G.
Technical Specifications
Wingspan: 40 ft 10 in
Length: 28 ft 8 in
Height: 11 ft 6 in
Weight: 4,500 Ibs (loaded)
Maximum Speed: 175 mph
Service Ceiling: 19,000 ft
Range: 750 miles
Engine: Wright R-975-E3 radial with 440 horsepower
Crew: 2
© Photos : Samuel Coulon
Patrick Levy-Waitz, Président de France Tiers-Lieux et Monsieur Jean-Marie Girier, Préfet du Territoire de Belfort pour la labélisation officielle de la Crunch Factory comme l'une des 20 premières "Manufacture de proximité"
Lt Governor Rutherford tours Daystar Manufacturing by Joe Andrucyk at 101 Enterprise Dr, Hurlock, MD 21643
Aerospace and aeronautic opportunities: Manufacturing in Mexico for the Maquiladora Industry -American Industries Group, operation start-up partner.
© Photos : Samuel Coulon
Patrick Levy-Waitz, Président de France Tiers-Lieux et Monsieur Jean-Marie Girier, Préfet du Territoire de Belfort pour la labélisation officielle de la Crunch Factory comme l'une des 20 premières "Manufacture de proximité"
Carl Sandburg College was presented with a proclamation from the State of Illinois on Tuesday morning in the Center for Manufacturing Excellence to celebrate Manufacturing Month. Participating on the stage included Dr. Seamus Reilly, President of Carl Sandburg College; Adrian Madunic, Northwest Region Manager, Illinois Department of Commerce and Economic Opportunity; Sarah Hartwick, Vice President of Education & Workforce Policy, Illinois Manufacturers' Association, and Ellen Burns, Dean of Career and Technical Education.
Built in 1886-1887, this Richardsonian Romanesque Revival-style mansion was designed by Henry Hobson Richardson for John J. Glessner, a machinery manufacturing industrialist, and his family, whom owned the Warder, Bushnell & Glessner Company, which later became the International Harvester Company. The house was owned and occupied by the Glessner family until 1936, during which time it witnessed the transformation of the surrounding neighborhood from a desirable and wealthy residential enclave full of some of Chicago’s wealthiest families into an industrialized district full of new factories and warehouses sprouting up among the decaying, subdivided, and crumbling victorian mansions, now home to a much less affluent population, a radical change from the state of the neighborhood when the house was constructed. After the death of Glessner in 1936, the mansion was deeded to the American Institute of Architects, whom refused the offer to care for the large and aging house. The house was then donated in 1937 to the Armour Institute, now the Illinois Institute of Technology (IIT). In 1945, the university rented the house to the Lithographic Technical Foundation, which installed large printing presses inside the house, and occupied the structure for over two decades. In 1963, the house was vacated by the Lithographic Technical Foundation, which moved its operations to Pittsburgh, and was narrowly saved from demolition when it was purchased from the Illinois Institute of Technology by a group of historic preservation advocates known as the Chicago Architecture Foundation in 1966. The house was subsequently restored and reopened as a museum in 1971.
The house was the last and most significant residential commission of Richardson’s career, with Richardson dying during the house’s construction at the age of 48. The house is notable for its solid and largely opaque facades facing the surrounding streets, creating a fortress-like quality, which contrasts with its translucent and more open facades facing the central courtyard. The precedent for this arrangement can be found in ancient Roman villas and Chinese Siheyuan houses, which often featured opaque facades towards the public rights-of-way next to them with small, minimal openings, with most of the spatial connection to exterior space being found in the central courtyards of these dwellings, with rooms being far more open to the courtyards than to the exterior, quite a departure from traditional European-American architecture. The exteiror of the house also takes precedent from Medieval architecture, especially the Romanesque movement of the early-to-mid-middle ages, which featured heavy masonry walls that required small window openings by necessity, though by the time the Glessner house and other Richardsonian Romanesque Revival-style buildings were designed with more modern structural methods, the utility of small window openings for structural support was no longer a requirement, instead, being utilized to create a sense of privacy and substantiality for a building.
The house features a rusticated sandstone exterior and wraps around a courtyard in the center that is open to the south side of the house, with the exterior facade facing the courtyard being clad in red brick with rusticated stone trim. The house features a side-gable roof with gable parapets, which is clad in red slate, with hipped dormers, multiple stone and brick chimneys, box gutters with copper downspouts, and conical roofs atop the towers. The exterior facade features small window openings with one-over-one double-hung windows, many of which on the second floor feature stone pillars with decorative capitals between the individual windows when arranged in groups, and some of which are so narrow as to be more readily classified as arrow slit openings, rather than as full-width window openings. The front door is demarcated by an arched transom beneath large voussoirs, and is flanked by ground-floor windows with a grid of nine openings on the exterior, which screen the wider and taller window bays behind them, with a carriageway on the south side of the Prairie Avenue facade that features a garage door. On the 18th Street facade, there is a recessed entry porch with a door turned perpendicular to the street, which opens to the street through a large archway beneath several large voussoirs, above which is a balcony with a small rectilinear opening, to the west of which is an attached rear carriage house with a double wooden carriage door, a small entrance door, and a rooftop cupola. The facades facing the courtyard feature larger window openings with stone sills and lintels, three semi-circular towers with conical roofs, with the courtyard feautring a large grassy lawn and paved walkways, which is enclosed on the south side by a brick wall that originally comprised the side facade of an adjacent house. Inside, the house features original woodwork, coffered ceilings, wooden floors, doors, fireplaces, wooden paneling, staircases, balustrades, plaster, and tile. The house has been furnished with period-appropriate items, as well as wallpaper, drapes, carpets and rugs, and were meticulously restored in the late 20th Century. Many antiques and works of art, significant items in their own right, were donated to the museum by the descendants of John J. Glessner to be returned to their original places within the house.
The house was listed on the National Register of Historic Places and as a Chicago Landmark in 1970, and is a contributing structure in the Prairie Avenue District, listed on the National Register of Historic Places in 1972. In 1976, the house was listed as a National Historic Landmark, owing to its major historical and architectural significance. In 1994, the nonprofit Glessner House Museum was established as an independent organization to serve as stewards of the house and manage the operations of the museum. The fully restored house today serves as a historic house museum, allowing visitors to experience one of the most significant surviving 19th Century mansions not only in Chicago or Illinois, but in the United States.
Our field tile and certain moldings are extruded into beautiful, well formed tiles. The nature of our Debris Series mixture ensures a smooth extrusion process.
Student microscope manufactured by C.F. Foth (Danzig)
This item is surplus to my collection needs. I am making this available for swap or trade. Please let me know if you are interested. See these sets of images for other cameras, lenses and photographic paraphernalia that I am removing as I am sharpening the focus of my camera collection.
Image shot with an Olympus Stylus TG-3.
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
Mary Kamau is a mom, a farmer and a customer of BURN Manufacturing. She uses her EPC to make meals for her family
BotsIQ robotics final competition hosted at California University of Pennsylvania April 28&29, 2017.
Connecticut Manufacturing Coalition roundtable participants take a tour of Pegasus led by Todd DiPentima, Vice President.
Take One Action presentation of 'Manufactured Landscapes' as part of their 'China on the Move Series', Filmhouse, January 2012.
In discussion (left to right): Sophie Unwin (Remade in Edinburgh), Abbe Robinson (Take One Action), Carole Couper (University of Glasgow), and Dr. Xiaobai Shen (University of Edinburgh).
Date: Feb. 25, 2023
Gene Haas Manufacturing Bootcamp at Red River College Polytech.
Photo by Jason Halstead