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Manet's Waitress Serving Beer (1878-9) at the Manet and Modern Beauty exhibit at The Getty in Los Angeles.
Busily distributing beers, a uniformed waitress catches our eye with a direct but blank look, pegging the viewer as just another customer in the crowded establishment. With her head isolated against a section of patterned wallpaper, she dominates a picture in which all the other figures are turned toward the background stage. Tightly wedged together are a blue-smocked worker (the possessive lover of the waitress Manet enlisted to pose); a top hat whose presumably bourgeois owner is blocked from view by the worker's pipe-wielding hand; a coifed and bonneted woman; and the faceless sliver of a cafe-concert singer, comically cropped at the top-left edge.
Sign at the Manet and Modern Beauty exhibit.
Cézanne, Gauguin, Manet, Monet & Pissarro: a set of infographics related to Room 3, The Courtauld Gallery, London:
a) a floor plan of the room with a layout of all the works of art that it includes
b) a doughnut chart that shows how many works of art come from each artist and how many of the works are signed / unsigned
c) a time line with the birth and death dates (year) of the artists, the year they created each work of art and dates of other related or historical events
For the complete post please visit: themissinggraph.wordpress.com/2010/10/04/the-courtauld-ga...
Détail du bouquet de fleur offert par la servante dans Olympia de Manet, 1863, H. 130 ; L. 190 cm huile sur toile, Musée d'Orsay, Paris.
Édouard Manet, Paris 1832 - 1883
Junge mit Blumen - Boy in flowers (Jacques Hoschedé) (1876)
The National Museum of Western Art, Tokyo
Concert du musée Guimet, samedi 9 décembre
Raghunath Manet
« Nocturne indien »
concert de Sarasvati veena et percussions de l’Inde du sud : mridangam, tabla, tavil…
“ Raghunath Manet is an accomplished veena player. He is an artist of extraordinary talent and caliber. He has mastered the intricacies of handling this instrument and I wish him the very best in all his future endeavors”. Dr Balamurali Krishna
Edouard Manet - At the Milliner's (Chez la modiste), 1881 at Princeton University Art Museum New Jersey
At the Café (Study of Legs), 1880. Watercolor over graphite on paper with now-faded grid pattern. Musée d'Orsay. Getty Center
Reproduction d'après Manet sur papier à l'huile au pastel gras. Etude sur les gris chauds et les gris froid.
Édouard Manet French, 1832-1883
The Kearsarge at Boulogne
Oil on canvas 1864
During the Civil War, a corvette of the United State Navy, the Kearsarge, attacked and sank a Confederate vessel near the French coast in June 1864. The incident received much public attention in Europe and was the subject of Manet’s first painting of a current event, The Battle of the Kearsage and the Alabama ( Philadelphia Museum of Art). Manet seems not to have witnessed the battle at sea, but that July, when he was in Boulogne, he made a point of visiting the victorious ship at anchor. While there he executed a watercolor (Musee des Beaux-Arts, Dijon) on which this painting was probably based.
Partial and Promised Gift of Peter H. Frelinghuysen, and Purchase, Mr. and Mrs. Richard J. Bernhard Gift, by exchange. Gifts of Mr. and Mrs. Richard Rogers and Joanne Toor Cummings, by exchange, and Drue Heinz Trust, The Dillon Fund, The Vincent Astor Foundation, Mr. and Mrs. Henry R. Kravis, The Charles Engelhard Foundation, and Florence and Herbert Irving Gifts, 1999
1999.442
From the placard: Metropolitan Museum of Art.
This was the very beginning of a project on Post-Impressionism done in Year 10. It helped my get to grips with how post impressionists use brush strokes and texture in art. Acryllic in an A3 pad.
Suzanne Leenhoff joined the Manet household as a piano instructor to the painter's brother, Eugène. Her son, Léon, was born out of wedlock in 1852. Although she referred to him as her younger brother, both Manet and his father have been proposed as the boy's natural father. By 1860, Manet and Suzanne were living together, and the artist always showed an avuncular, if not paternal, interest in Léon. This unfinished canvas provides rare insight into Manet's painting technique. He sketched the figure and the background with broad strokes before beginning work on the facial features, and he scraped off the face at least twice, eventually abandoning the picture. (Gallery label)
In the Metropolitan Museum of Art, New York.
Madame Guillemet, 1880. Pastel on canvas mounted on Masonite (1832-1883) St. Louis Art Museum. Getty Center
These images are based on the sculptures of Seward Johnson, which in turn are based on the work of the Impressionists, which in turn were inspired by...
With precise accuracy, J. Seward Johnson recreates Edouard Manet's (1832-83) painting, Déjeuner Sur l'Herbe, in his sculpture Déjeuner Déjà Vu . It is difficult to distinguish between what is real and what is art. This a photograph of a sculpture of a painting possibly painted with assistance from an early dageurrotype image.