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Man-Thing / Heft-Reihe

> A Book Burns In Citrusville! (art: Jim Mooney)

cover: Gil Kane, Tom Palmer

Marvel Comics Group / USA 1975

ex libris MTP

www.comics.org/issue/28573/

I went to State Guest Houses(Geihinkan) because it started to open to the public from last manth. Taking a picture of the room is prohibited, but the exterior was also magnificent.

Alter Ego / Magazin-Reihe

> Happy Halloween from Mike Ploog, Al Williamson, Dick Briefer, Rudy Palais and ACG Horror

> Michael Vance / Forbidden Adventure, The History of the American Comics Group (2. Teil)

cover: ?

TwoMorrows Publishing / USA 2006

Reprint / Comic-Club NK 2010

ex libris MTP

www.comics.org/issue/1603269/?

wizardworld.com/guests/michael-vance

Fotograf © Michael Eischeid

Model: Sophie Manth

At the Horse Shoe Bend in Arizona, it is a visitor's paradise.

Left, Etruscan bucchero kantharos (2nd half 6th c. BCE)

Right, Black Gloss cup base (4th c. BCE)

From Pontecagnano (see on Pleiades), southern sanctuary (santuario meridionale) of Apollo

 

The Greek graffito inscriptions read:

Απολ(λωνι)

"to Apollo"

 

Museo Archeologico Nazionale di Pontecagnano, Campania, Italy

inv. 138710 (kantharos)

inv. 138711 (cup)

Man-Thing / Heft-Reihe

Fraternity Rites!

cover: Bob Wiacek

Marvel Comics Group / USA 1980

ex libris MTP

www.comics.org/issue/34694/

Initiation au flamenco // Place des Arts

 

www.facebook.com/events/552105635229967/

 

Details

 

***Atelier gratuit, ouvert à tous et sans inscription, présenté dans l'Espace culturel Georges-Émile-Lapalme de la Place des Arts, dans le cadre de la série Les Ateliers Place des Arts.***

  

En présence de Delphine Mantha (danseuse), Caroline Planté (guitariste) et Alvaro Echanove (chanteur), artistes professionnels de Flamenco, cet atelier propose :

 

- Une mise en contexte des origines et des piliers fondamentaux qui sont le chant, la guitare et la danse.

 

- Un atelier de danse où la rythmique de contretemps, la manipulation d'éventail et les mouvements de bases de la danse Flamenco sont au rendez-vous.

 

- Une performance de Delphine Mantha, Caroline Planté et Alovaro Echanove auxquels se joindront, à la fin, les participants.

 

Cette activité a bénéficié du soutien de la Fondation de la Place des Arts

Marvel Comics Presents / Heft-Reihe

presents Colossus, Man-Thing

> Colossus: God's Country Part 3: Iron Curtains

(art: Rick Leonardi, Craig Russell)

> Man-Thing: Elements of Terror Part 12: The Conclusion

(art: Tom Sutton)

> Hercules: Noble Fathers Have Noble Sons

(art: Don Heck, Randy Emberlin)

Cover: Joe Sinnott, Ron Frenz

Marvel Comics Group / USA 1989

ex libris MTP

www.comics.org/issue/1431793/

Scan de photo, origine ?

SDIS 26, Sapeurs Pompiers de Manthes

Man-Thing and the Vision hanging at NWI. Picture taken in Schererville Indiana.

Wilhelm Cremer &

Richard Wolffenstein

Bildkünstlerischer Schmuck

Otto Lessing

Albert Manthe

Max Klein

Ernst Westphal

Kaiser-Wilhelm-Akademie. 1903–10

 

Militärmedizinische Forschungs- und Aussbildungsstätte;

Oberstes Gericht der DDR;

bis 1990 Regierungskrankenhaus der DDR;

seit 2000 Sitz des Bundesministeriums für Wirtschaft und Energie

 

Invalidenstraße 48–49

Scharnhorststraße 36–37

Once only rumored, but both protect the green cosmos.

ceramica comune

2nd half 6th c. BCE

From Pontecagnano (see on Pleiades), southern sanctuary (santuario meridionale) of Apollo

 

The Etruscan graffito inscription reads:

manθ

"Manth"

 

Manth was an Etruscan infernal deity, assimilable to a chthonic Apollo

 

Museo Archeologico Nazionale di Pontecagnano, Campania, Italy

inv. 138714

Makli Hill is one of the largest necropolises in the world, with a diameter of approximately 8 km. It lies approx. 98 km east of Karachi and is the burial place of some 125,000 local rulers, Sufi saints and others. Makli is located on the outskirts of Thatta, the capital of lower Sindh until the seventeenth century, in what is the southeastern province of present-day Pakistan.[1] It was inscribed on the World Heritage List in 1981[2] under the name of Historical Monuments of Thatta.

 

Legends abound about its inception, but it is often believed that the cemetery grew around the shrine of a fourteenth-century Sarwa, Muhammad Hussain Abro. According to other sources however, the credit for establishing Makli as a holy place for worship and burial goes to the immigrant saint, poet and scholar Shaikh Hammad Jamali and the then local ruler, Jam Tamachi.[3] Another legendary person buried at Makli is the saint Pir Murad (1428-1488).

The tombs and gravestones spread over the cemetery are material documents marking the social and political history of Sind. Many have been build using a local sandstone, others are plastered brick buildings (which have suffered the most, generally). The impressive royal mausoleums are divided into two major groups, those from the Samma (1352–1520) and from the Tarkhan (1556–1592) period. In total four historical periods are represented architecturally, namely the Samma, the Arghun, the Tarkhan and the Mughals periods. The tomb (or maqbara) of the King Jam Nizamuddin II (reigned 1461–1508), is an impressive square structure built of sandstone and decorated with floral and geometric medallions. Similar to this is the mausoleum of Isa Khan Hussain II (d. 1651), a two-story stone building with majestic cupolas and balconies. In contrast to the synthetic architecture of these two monuments, which integrate Hindu and Islamic motifs, are mausoleums that clearly show the Central Asian roots of the Tarkhan and Moghul dynasties. An example is the tomb of Jan Beg Tarkhan (d. 1600), a typical octagonal brick structure whose dome is covered in blue and turquoise glazed tiles. Pavilion or canopy tombs (chattri maqbara or umbrella tomb) are another typical Indo-Islamic architectural feature, as well as enclosure tombs. the Moghul period is represented by many tombs on the southern side of the necropolis, including the mausoleum of Mirza Jani & Mirza Ghazi Baig, that of Nawab Shurfa Khan, the enclosure of Mirza Baqi Baig Uzbek and of Mirza Jan Baba as well as the impressive restored tomb of Nawab Isa Khan Tarkhan the Younger.

Today, Makli Hill is a United Nations World Heritage Site that is visited by both pilgrims and tourists, but in strong need of conservation and maintenance. The Tomb Shrine of THE MAMAIDEV is Located in eastern end of Makali Hill, The Mamaidev was a great Sufi Saint,Philosopher and Predictor of future incoming Events,Makali is pigrimage of Maheswary Kutchi Meghwar of Sindh and Kutch and Gujarat,The MAMAIDEV Nirvan or he sacrificed his life on 1389 A.D.at Tattha by Shama king Bahminah during the Shama Dynasty of Sindh,Jam Unadji and his son Bahminaha was the follower of the MAMAIDEV,THE Mamaidev Preached to King shama of Sindh and King Rao Navaghan a Rajpoot Dynasty of Junagadh Gujarat and Rajpoot Jethwa Kings and Dynasty of Ghumali Jamnagar Gujarat,many Pllgrimage are coming from Kutch and Gujarat during the Manth of Vaisak. Makali jo Mukam is the memory of the Great Mamaidev, Reference from mamaidev.vinzoda.in, 2010 flooding unfortunately added to the deterioration of the site.[4]

Curta minha página no facebook / Like me on facebook <a href="https://www.facebook.com/leonardocarneirofotografia" Equipamento utilizado: Canon 7D + Canon EF-S 18-135mm f/3.5-5.6 IS + Raynox DCR-250

I drove past the fair and went home and grabbed my camera. Apparently I only had 5 minutes with the fair running before it packed up and went home. This is the one ride I managed to capture.

 

This is a digital shot taken on a finepix f11 - I didn't have anything else back then (the heady days of a manth ago LOL).

Possibly the greatest piece of paint work ever done in a toy.

My famous Man-Thing, as seen in Toyfare's Twisted Mego Theatre.

He's a custom Famous Covers figure of the Hulk with a skin made from some weirdly textured gardening gloves!

So much of my childhood bedroom was covered in these stickers waybackwhen.

My take on Man-Thing.

Black Widow, Man-Thing, Iron Man, Doc Ock, Storm, Ultimate Captain America, Iceman

A photo of my 9" Man-Thing, all green, veined, warty and mossy...

 

... you know, Man-Thing, the Marvel Comics swamp monster. I don't know what you were thinking of.

Maker: Adolphe Louis Donnadieu (1840–1911)

Born: France

Active: France

Medium: photocollographie par MM Thvoz et Cie

Size: 6 1/2" x 9 3/4"

Location:

 

Object No. 2016.645r

Shelf: B-40

 

Publication: A. L. Donnadieu - Traite Photographie Stereoscopique, Theorie et Pratique,Atlas, 1892, Pl VIII

 

Other Collections:

 

Provenance:

 

Notes:

 

To view our archive organized by Collections, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

Man-Thing / Heft-Reihe

> The Old Die Young! (art: Mike Ploog)

cover: Ron Wilson, Frank Giacoia

Marvel Comics Group / USA 1974

ex libris MTP

www.comics.org/issue/27571/?

Fear / Heft-Reihe

Adventures into Fear with The Man-Thing

No Choice of Colors!

cover: Jim Starlin, Herb Trimpe

Marvel Comics Group / USA 1973

ex libris MTP

www.comics.org/issue/25935/

Mundos Locais apresenta

Shared Worlds/ Mundos Partilhados: workshop-seminário sobre arte colaborativa e participatória,

Coordenado por Mónica de Miranda (também com Paula Roush, Faisal Abdu’Allah e Paul Goodwin)

www.localworlds.org/pt/shared-worlds-workshop-seminario-s...

   

Julho é o mês das palestras dos artistas no programa transversal do projecto MUNDOS LOCAIS, incluindo o workshop- seminário SHARED WORLDS / Mundos Partilhados (25-27 Julho) sobre arte colaborativa e participatória, coordenado pela artista Mónica de Miranda e com a participação do curador da Tate Britain Paul Goodwin, do artista Faisal Adbu’Allah e da artista e co-curadora de Mundos Locais Paula Roush.

SHARED WORLDS/ Mundos Partilhados é tambem precedido pela conferência de Ricardo Valentim Growth and Culture com a antropóloga Rita D’Ávila Cachado (24 Julho), e seguido pela apresentacao dos artistas do LAC Laboratório de Artes Criativas (28-30 Julho), um colectivo que tem dinamizado a antiga prisão de Lagos), e um debate sobre a situação artística no Algarve moderado pela artista e académica Susana de Medeiros (29 Julho).

O mês finaliza com a conversa-workshop com a artista Melanie Jackson, autora do vídeo Global Positioning System (que faz parte da exposição Mundos Locais), acerca das suas técnicas de animação e modos de trabalho a partir das notícias (31 de Julho).

   

Shared worlds/ mundos partilhados: workshop-seminário sobre arte colaborativa e participatória

Coordenado por Mónica de Miranda (também com Paula Roush, Faisal Abdu’Allah e Paul Goodwin)

 

No Centro Cultural de Lagos

 

25, 26 e 27 de Julho, sexta e sábado e domingo das 21:00 às 24:00

 

Entrada livre

  

No seguimento da sua prática participativa, a artista Mónica de Miranda coordena um workshop com a duração de três dias juntamente com os artistas Faisal Adbu’Allah e Paula Roush e o teórico Paul Goodwin, onde se irão discutir as formas como a arte contemporânea em novos media e de performance se desenvolve a partir de relações de cariz criativo. Saindo do estúdio para uma rede de relações, os trabalhos dos artistas revelam um renovado interesse por espaços públicos, geografias urbanas e encontros pessoais, levantando um desafio: quanto da arte actual se baseia na arte do relacionamento?

O workshop e o seminário exploram os conceitos subjacentes à arte colaborativa e participativa e o intercâmbio cultural que acontece nestes encontros. Os workshops criam uma oportunidade para a partilha de estratégias de trabalho, enquanto que o seminário final proporciona uma perspectiva histórica e teórica acerca dos modelos da arte do relacionamento.

 

As sessões estão abertas a todos os interessados em discutir arte colaborativa e participativa, com oportunidade para os participantes de partilhar o seu trabalho. Não é necessária experiência anterior.

  

Dia 1- Sexta-feira, 25 de Julho, 21.00- 24.00

  

Lugares ao vivo: viagens, trabalho, participação e colaboração no trabalho de Mónica de Miranda, Faisal Adbu’Allah e Paula Roush.

Como preparação para os workshops do segundo dia, os artistas apresentam os seus trabalhos, seguidos de conversas informais com os participantes e um exercício em grupo organizado por Faisal Adbu’Allah, chamado Story Chain.

   

Dia 2- Sábado, 26 de Julho, 21.00- 24.00

  

Works in progress: workshops abertos ao público, ao vivo.

 

Mónica de Miranda – Tuning in: o som do carro que é conduzido pela cidade e que transporta consigo amigos, enquanto se mistura o som do rádio e as conversas que se ouvem na rua. Ocasionalmente o carro pára em locais escolhidos e a representação continua, dando oportunidade à audiência para participar.

 

Faisal Adbu’Allah – Live Salon: O artista e barbeiro Faisal Adbu’Allah monta a sua própria barbearia ao vivo. “Cortando cabelo e barbeando enquanto vai desfiando histórias”. Faisal discute arte, a vida e cortes de cabelo com os clientes.

 

Paula Roush – Photo Studio: “A possibilidade da identidade per se ao exibir aquele momento de expectativa…” Duas vezes por ano, Lagos é palco do Festival dos Descobrimentos, em que figurantes vestem os fatos de personagens dos séculos XV e XVI, para representar os episódios históricos do Império Português. A colecção de trajes do Festival dos Descobrimentos, guardada no Centro Cultural de Lagos, é o ponto de partida para um projecto fotográfico que explora a relação da fotografia com performance e a mascarada.

  

Dia 3- Domingo, 27 de Julho, 21.00- 24.00

  

Modelos de empenhamento: o investigador Paul Goodwin apresenta a teoria onde assenta a arte do relacionamento, examinando os elos de ligação entre a sociedade e as práticas artísticas conceptuais e ilustrando com exemplos paradigmáticos. No fim, há uma discussão informal com os participantes.

  

Mundos Locais

espaços, visibilidades e fluxos transculturais

Curadoria: Lúcia Marques & Paula Roush

www.localworlds.org

  

Participantes no projecto:

 

Adekunle Detokunbo-Bello, Ângela Ferreira, António da Cunha Telles, António Ole, Beatrice Catanzaro, Cláudia Cristóvão, Cláudia Lopes Costa, Eduardo Matos, Eduardo Padilha, Faisal Abdu’Allah, Francisco Vidal, Gustavo Sumpta, Inês Amado, Inês Gonçalves, Jane Thorburn, Jorge Pereira, Jorge Pereirinha Pires, José Pinheiro, Kiluanje Liberdade, LAC, Luísa Homem, Manthia Diawara, Melanie Jackson, Mónica de Miranda, Ondjaki, Paul Goodwin, Pedro Sena Nunes, Psychological Art Circus, Red Bull Music Academy, Renée Green, Ricardo Valentim, Susana de Medeiros, Susana Guardado, Tiago Cutileiro, Uncle C, Vasco Pimentel, Victor Lopes, Ynaiê Dawson.

    

Forte Pau da Bandeira + Centro Cultural de Lagos | Portugal | 13.06.2008 - 07.09.2008

Projecto realizado no âmbito do programa ALLGARVE

 

Para mais informações contactar

 

(+351) 282 770453

 

Morada: Rua Lançarote de Freitas, n.º 7, 8600-605 Lagos – PORTUGAL

PREM-na -- from the Greek premnon (stump of a tree), referring to the dwarf stature of one species ... Dave's Botanary

ser-at-ih-FOH-lee-uh -- margins of foliage are toothed like a saw ... Dave's Botanary

 

commonly known as: headache tree, spinous fire brand teak, tinder tree • Assamese: গণিয়ৰী goniyori, কৰ্ণিকা kornika • Bengali: ভূত-ভৈরবী bhuta-bhairabi, গনিয়ারি ganiari • Gujarati: મોટી અરણી moti arani, નરવેલ narvel • Hindi: अगेथा agetha, अरणी arani, मथन mathan, पावक pawak, तेजोमन्थ tejo-manth, वैजयन्ती vaijayanti, विद्या vidya • Kannada: ಅಗ್ನಿಮಂಥ agnimantha, ಬಾಚಣಿಗೆ ಮರ baachanige mara, ನರವಲು naravalu • Karbi: an-kelok • Khasi: dieng-lah-marwai • Konkani: खारो नरवेल kharo narvel • Malayalam: അരണി arani, കോഴിച്ചെടി kozhichedi, മുഞ്ഞ munja • Marathi: अरणि arani, गणिकारिका ganikarika, नरवेल narvel, रानटाकळी ranatakali • Mishing: pitang-asing • Nepali: गिनेरि gineri • Nyishi: parla-pipi • Odia: ଅଗ୍ନିମନ୍ଥ agnimantha, ବହ୍ନିମନ୍ଥ bahnimantha, ବସନ୍ତଦୂତିକା basantadutika, ଭୁତଅଇରି bhutaairi, ବିଡ୍ୟା bidya, ବିକ୍ରାନ୍ତା bikranta, ବୃହଚ୍ଚକ୍ରମେଦ bruhachchakrameda, ଗନ୍ଧପୁଷ୍ପା gandhapushpa, ଗଣିକାରିକା ganikarika, ହବିର୍ମନ୍ଥ habirmantha, ହରିବଲ୍ଲଭା hariballabha, ହରିମନ୍ଥ harimantha, କର୍ଣ୍ଣିକା karnnika, ଲଘୁ ମନ୍ଥ laghu mantha, ମଥନ mathana, ନାଦେୟୀ nadeyi, ପାବକ pabaka, ଶରଣୀ sharani, ଶ୍ରୀପର୍ଣ୍ଣୀ shriparnni • Sanskrit: अग्निमन्थ agni-mantha, अलिमोद ali-moda, अरणि arani, अरणीकेतु araniketu, भूमिजम्बु bhumijambu, गन्धपुष्पा gandha-puspa, गणिकारी ganikari, हरिमन्थ hari-mantha, हविर्मन्थ havir-mantha, जया jaya, ज्योतिष्क jyotiska, कनकपुष्पिका kanaka-puspika, कणिका kanika, कर्णिका karnika, क्षुद्रग्निमन्थ ksudragni-mantha, लघुमन्थ laghu-mantha, मथन mathana, नादेयी nadeyi, नदीजात nadi-jata, नीलपत्त्रा nilapattra, पावक pavaka, पावकरणि pavakarani, श्रीपर्णी sriparni, तनुत्वच tanu-tvaca, तपन tapana, तर्कारी tarkari, तेजोमन्थ tejo-mantha, वह्निमन्थ vahni-mantha, वैजयन्ती vaijayanti, वशा vasa, विद्या vidya, विजया vijaya • Tamil: பசுமுன்னை pacu-munnai, தலைவலி மரம் talaivali maram • Telugu: భైరవి bhairavi, గబ్బు నెల్లి gabbunelli, కణిక kanika, కర్ణిక karnika, నగుర nagura, నెల్లి చెట్టు nelli chettu, పిన్నెల్లి pinnanelli, తక్కడు thakkadu • Tulu: ಕೆಲೆಂಜಿ ತಪ್ಪು kelenji thappu, ನರ್ವೋಲ್ narvolu • Urdu: متهن mathan, پاوك pawak, تيجومنتهہ tejo-manth, ويجينتي vaijayanti, وديا vidya

 

botanical names: Premna serratifolia L. ... heterotypic synonyms: Premna corymbosa var. obtusifolia (R.Br.) H.R.Fletcher • Premna integrifolia L., nom. superfl. • Premna spinosa Roxb. • Premna obtusifolia R.Br. ... and many more listed at POWO, retrieved 17 May 2024

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