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Finished my latest drawing today.
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Kmart drawing. Feb 2014.
Sometimes a girl needs to put on a real pretty, frilly dress, and spend a little extra time on make up and hair to really feel her best.
I was in a Halloween play this year, and wore this costume for it. So even though I've had it for years, it only made sense to wear it for the season.
A tangible window in the chapel and an untouchable dream extends the space in an eighteenth century hallucinating dreamscape.
An allegory to religion.
2014 02 0296 Hampshire The Vyne HDR1
In the mall after pumpkin-carving a group of models in various traditional gowns and headgear were advertising housewares.
I went into the bathroom to ''freshen up' my hair, and came out an hour later looking like I was ready for the prom.
Art Center (Pasadena, California)
Exhibition: www.artcenter.edu/mdp/madeup/exhibition.html
Tim Durfee is organizer-curator-director of the events that comprise the MADE UP series. Tim became part of the core faculty at the MDP in 2009, after a two-year visiting Associate Professorship at Woodbury University. Before that, he taught for twelve years at SCI-Arc (The Southern California Institute of Architecture), where we was Director of Visual Studies. Tim’s independent and collaborative practices are diverse, but — resisting the term ‘multi-disciplinary’— attempt to operate in a way where the appropriate mode and medium for a given project emerges from a process of research and inquiry. Some of this work includes award-winning buildings, exhibitions, online exhibitions, sign systems, motion and sound.
Bruce Sterling is an Austin-based science fiction writer and Net critic, internationally recognized as a cyberspace theorist. He currently blogs at Beyond the Beyond for Wired Magazine.
Bruce's most recent book-length essays question and promote how the future is shaping our concepts of self, time and space, including Shaping Things (2005), and Tomorrow Now: Envisioning the Next Fifty Years (2002). Bruce was the founder of the Dead Media Project, an on-line reliquary of forgotten media technologies. He founded the Viridian Design Movement, an environmental aesthetic movement founded on the ideas of global citizenship, environmental design and techno-progressiveness. His writings have been very influential in the cyberpunk movement in literature, specifically the novels Heavy Weather (1994), Islands in the Net (1988), Schismatrix (1985), The Artificial Kid (1980), and Involution Ocean (1977). He co-authored, with William Gibson, The Difference Engine (1990), a novel that is part of the steampunk sub-genre.
Fiona Raby studied Architecture at the RCA before working for Kei'ichi Irie Architects in Tokyo. She also holds an MPhil in Computer Related Design from the RCA. She was a founding member of the CRD Research Studio where she worked as a Senior Research Fellow leading externally funded research projects. She taught in Architecture for over 10 years before teaching in Design Interactions. Fiona is also a partner in Dunne + Raby, a creative design partnership that use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. She is co-author, with Anthony Dunne, of Design Noir: The Secret Life of Electronic Objects.
Anne Burdick is a regular participant in the international dialogue regarding the future of graduate education and research in design. In addition, she designs experimental text projects in diverse media, for which she has garnered recognition, from the prestigious Leipzig Award for book design to I.D. Magazine’s Interactive Design Review for her work with interactive texts. Burdick has designed books of literary/media criticism by authors such as Marshall McLuhan and N. Katherine Hayles and she is currently developing electronic corpora with the Austrian Academy of Sciences. Burdick’s writing and design can be found in the Los Angeles Times, Eye Magazine and Electronic Book Review, among others, and her work is held in the permanent collections of both SFMOMA and MoMA. Burdick studied graphic design at both Art Center College of Design and San Diego State University prior to receiving a B.F.A. and M.F.A. in graphic design at California Institute of the Arts.
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I'm way behind on Flickr...I've been looking at photos, but not commenting or answering messages. Sorry! It's been pretty crazy with family here all last week, and I just haven't gotten back in my groove. Figured I needed to toss something up for a 52 since I keep getting farther behind!
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In the mall after pumpkin-carving a group of models in various traditional gowns and headgear were advertising housewares.
In the former Pilkington's Warehouse. Part of MADE UP, the Liverpool Biennial International 08 exhibition. Check out www.biennial.com/madeup for more info.
Photograph by Adatabase
In the mall after pumpkin-carving a group of models in various traditional gowns and headgear were advertising housewares.
view dscf5889 on a black background.
who says real women don't pump gas?
sachi and ernie’s wedding, lind/fillerup family - belmont and saratoga, california - july 13-15 2003
independence daysanta barbara & belmont, californiajuly 1-6, 2003
copyright (c) 2003-07-15 sean dreilinger
My first knitting project of 2015 was a rare instance of Knitting For Self.
I knitted a dead fish.
His name is Delbert. It seems that I went fishin' for the first time, and went the good ol' fashioned redneck way of puttin' dynamite in the water. See, ol' Delbert didn't lahk dat not one bit. So his dyin' act was to LEAP outta the wattah and JUMP onto mah haid to get his revenge.
Laughter. His revenge is happy laughter. Including from the dermatologist I saw for the first time today. My ostensible reason for wearing a dead fish into a doctor's office is that I, too, have scales (psoriasis).
5/365: 5 January 2015
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looking for an event photographer ? contact me : tanguy@cyberfactory.be
past & future editions : Electronic Family pictures
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It's been awhile since you've seen my face, so I thought I'd share all of my looks.
All natural = no make-up, no contacts/glasses = I have a lazy eye that you can see, no attempt at doing anything.. I don't look so great hey?
Lazy Look = no matter what I do I always think my glasses make me look lazy and to be honest I think I'm very ugly in them still, but I wear them every second day at school and I'm trying to feel more confident in them!
Made-up = little bit of eye-liner and red lipstick. Nothing special but I always feel best like this!
In the Wolfson Room at Tate Liverpool. Part of MADE UP, the Liverpool Biennial International 08 exhibition. Check out www.biennial.com/madeup for more info.
Photograph by Adatabase
The first group of Guggen musics on this year's Bigbang, the 'Städtlichlepfer' as aliens. Actual start of carnival in Altstätten, Switzerland, on Friday Jan 29, 2010.
new wing of the palace in the golden fort of jaisalmer, under restoration. this place is still not open for the public hence this calmness and silence echos every corner.
jaisalmer's all the historical buildings are madeup of this locally available sandstone which gives golden tinge under soft sunlight; hence, named 'the golden fort' is the oldest living fort in the world and it's listed among the world's top 100 greatest monuments under jeopardy.
see more HERITAGE ARCHITECTURE here.