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how technology has changed is that, before the war, people could tell how something worked by looking at it, and probably repair it themselves: bicycles, sewing machines, motorbikes, cars...
Now that is no longer the case, and some people feel alienated.
October 1, 2014
Indianapolis, Indiana
Egyptian Room @ Old National Centre
Taken by Shana Lynn Photography
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Heavy duty professional sewing machines used to do some serious work.
Brother's history began in 1908 when the Yasui Sewing Machine Co. was established in Nagoya, Japan
1st Release MACHINE Putter #37. M3A Transformer in satin 303 Stainless Steel and adjustable DIAL weights inboard and outboard, with Aluminum Alloy plumber neck hosel.
Original VMG face mill pattern. Hand stamped "D.P.B. '06.7" on face / heel by the artist.
Anders Wood Th'08 (front) and Andrew Herchek Th'09 (back) at work on the Bridgeport mill in Thayer School's machine shop.
Photo by John Sherman.
Here's another picture of parts that I took at Neil's Machining. I've been trying to get some better pictures to use on the website.
> > > See setup shot below.
I had to move the umbrellas around a lot to get the reflections to look like this. With a machined finish like this, the reflections completely change if you adjust your lighting just a little bit, or if you move the camera. Basically, if you want to see more white, move your umbrellas closer and shoot from an angle where the light will bounce into your camera more directly.
Strobist:
☂ LP160 @ full power through 43" shoot-through umbrella to the left
☂ LP160 @ full power through 60" shoot-through umbrella to the right
● 50" diffusor/reflector sort of to the right
● Triggered with pocket wizard plus ii tranceivers and LP160 optical slave
I'm almost afraid this picture looks too fake, even though I didn't do any painting on it. The only editing I did was desaturating, adjusting the curves and sharpening it a little bit.
here is a vibrating shuttle treadle sewing machine put out by montgomery wards & co back in the 1920's. it came with a treadle cabinet. the machine is raised up ready to use when you open the lid.
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Ignore the rest of the mess! This pattern from "spool" came together so quickly! The selvedge from the thrifted fabric says " Klopman Mills, Inc. 1970.
Link to pdf: www.spoolsewing.com/blog/2008/07/25/sewing-machine-cozy/
Machine needlelace on cotton (left) and linen scrim. Before starting Karen's class I went looking for scrim and could only find linen scrim. It is far to heavy and dense for most of the techniques we have been doing, but seems to work well for creating needlelace.
Machine Eat Man (aka Mohamed Ragab from Cairo, Egypt) feeds his love of analog synthesis in the Moog Sound Lab on his way to the Electro-Music Festival 2011 in Huguenot, New York.
It had been featured in television program that many foreign travelers to take a picture of vending machine in Japan. is that true?
here is an "Out of Order" sign that attempts to teach the users something about their machine relationship. In this case, the machine was functioning, but it required an unusual approach to making it work. Why not post that on the sign, instead of this sign? This is more meta-signage, and a more useful lesson perhaps.
The machine in question was a swimsuit drying spinning contraption, in the USC men's locker room.
Machine knit with crotcheting trim. Punch Lace. ≈ 270g. Wristband. ≈ 30г.
Maskinstrikket og bearbeidet med hekling. Hullmønstereffekt. Garn: Alv, Kamgarn tynt, 2-trådet Ca. 700 m pr. 100 g, Nm 14/2 – 100% ren ny ull + Lom. ≈ 270g. Pulsvarmere ≈ 30g."
Машинная вязка. Cлип вязание(Ажур без деккеровки). Обработка крючком. ≈ 270г. Напульсники ≈ 30г. 2008г.